Images at Librifly

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Colonial Mansion on Staten Island, New York, ca. 1872, Watercolor, image: 4 13/16 x 7 3/16 in. (12.2 x 18.3 cm), Drawings, Augustus Köllner (American, born Wurttenburg, Germany 1812

Grace Church, New York, ca. 1850, Watercolor, image: 7 1/4 x 5 3/8 in. (18.4 x 13.7 cm), Drawings, Anonymous, American, 19th century

Young Man and Woman in a Landscape, first half 17th century, Attributed to Iran, Ink, transparent and opaque watercolor, and gold on paper, H.4.1/8 in. (10.5 cm), Codices

'Design for a Cup to Serve Wine at Drinking Parties', Folio from a Book of the Knowledge of Ingenious Mechanical Devices by al-Jazari, dated A.H. 715/A.D. 1315, Attributed to probably Syria, Ink, opaque watercolor, and gold on paper, H. 12 3/8

House for William C. Rhinelander, No. 1 Fifth Avenue, New York (front elevation and partial section, project), 1836, Watercolor, pen and black ink over graphite, sheet: 17 9/16 x 25 11/16 in. (44.6 x 65.2 cm), Drawings, Alexander Jackson

Wall Street, New York, 1848, Watercolor and pen and ink over graphite, sheet: 7 3/4 x 11 3/8 in. (19.7 x 28.9 cm), Drawings, Anonymous, American, 19th century

Fairy in Irises, 1888, Watercolor, gouache, and graphite on off-white thick wood pulp wove card, 10 x 7 3/8 in. (25.4 x 18.7 cm), Drawings, Dora Wheeler (1856–1940

Birth and Baptismal Certificate, 1769, Made in Lancaster County, Pennsylvania, United States, American, Ink and watercolor on paper, 13 1/4 x 15 3/4 in. (33.7 x 40 cm), Drawings

Shiva Carries the Corpse of Sati, ca. 1865–75, India (West Bengal, Calcutta, Khalighat), Ink, opaque watercolor, and silver paint on paper, 18 x 11 in. (45.7 x 27.9 cm), Paintings, In this painting, the god Shiva carries on his shoulders

Two Private Residence, Dr. Fadie Elliot, on Staten Island, New York, ca. 1872, Watercolor, image: 4 13/16 x 7 1/4 in. (12.2 x 18.4 cm), Drawings, Augustus Köllner (American, born Wurttenburg, Germany 1812

Drawing of a Hunt, 1800–1830, Made in Berks County, Pennsylvania, United States, American, Watercolor on paper, 12 1/2 x 15 in. (31.8 x 38.1 cm), Drawings, Friederich Krebs (died 1815

Krishna Steals the Gopis’ Clothing: Page from a Dispersed Bhagavata Purana Manuscript, ca. 1620–30, India (Rajasthan, Mewar), Ink and opaque watercolor on paper, 9 1/4 x 15 7/8 in. (23.5 x 40.3 cm), Paintings, This early Mewari manuscript

Seven Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Design for a room with two fireplaces, ca. 1860, Ink, watercolor and gouache, image: 14 7/16 x 22 1/4 in. (36.7 x 56.5 cm), John Dibblee Crace (British, London 1838–1919 London), John Gregory Crace (British, London 1809–1889 Dulwich

Deck of the Great Eastern, the Cable Trough, etc., 1866, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 13 7/16 × 20 7/16 in. (34.2 × 51.9 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th

Designs for Two Ewers, Two Bottle-shaped Vases and a Covered Tureen, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

'Bahram Gur Hunting with Azada', Folio from a Shahnama (Book of Kings), 1352, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Painting: H. 3 3/16 in. (8.1 cm), Codices, The Shahnama manuscript from which this folio

A Town on an Estuary at Low Tide, 1868, Watercolor with gum arabic, over graphite, heightened with touches of gouache, Sheet: 17 11/16 x 24 in. (45 x 61 cm), Drawings, Edward Duncan (British, London 1803–1882 London), This light-filled

French Judith, an illustration from Pierre Le Moyne's 'La Gallerie des femmes fortes', 1647, Etching and engraving with watercolor and gold paint, painted by hand; first state of two, Sheet: 14 5/16 × 9 7/16 in. (36.3 × 24 cm), Prints,

Seven Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Afternoon at Coney Island, ca. 1907–09, Chalk, watercolor, and gouache on paper, 14 1/2 x 18 5/8 in. (36.8 x 47.3 cm), Drawings, William James Glackens (American, Philadelphia, Pennsylvania 1870–1938 Westport, Connecticut

Indian Temple, ca. 1808–12, Watercolor, sheet: 4 15/16 x 6 9/16 in. (12.5 x 16.7 cm), Drawings, George Chinnery (British, London 1774–1852 Macau), Born and trained in London, Chinnery departed for India in 1802, moving from Madras to

Nine Designs for Decorated Cups, ca. 1852, Pen and ink, watercolor and gouache, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Count Georg Esterházy von Galántha, 1840, Watercolor and gouache, graphite, Sheet: 6 11/16 x 4 15/16 in. (17 x 12.5 cm), Drawings, Josef Kriehuber (Austrian, Vienna 1800–1876 Vienna

Drawing of the Clyde (Liber Studiorum, part IV, plate 18), March 29, 1809, Etching and mezzotint; first state of three, plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm), Prints, Design and etched by Joseph Mallord William Turner (British, London

Mêr de Glace, Valley of Chamouni-Savoy (Liber Studiorum, part X, plate 50), May 23, 1812, Etching and mezzotint; third state of five (Finberg), plate: 7 x 10 in. (17.8 x 25.4 cm), Prints, Turner distilled his ideas about landscape In 'Liber

Landscape with Rocks in a River (near Kronau?), 19th–early 20th century, Pen and black ink, and watercolor, sheet: 12 1/16 x 17 in. (30.7 x 43.2 cm), Drawings, Eduard Peithner von Lichtenfels (Austrian, Vienna 1833–1913 Berlin

A Costume Design Sketch for a Hat and Three Sketches of Children's Toys, ca. 1785–90, Pen and black ink, graphite, gouache, Sheet: 6 11/16 x 9 15/16 in. (17 x 25.3 cm), Anonymous, French, 18th century, Possibly connected to Antoine

A Butterfly, early 18th–mid 18th century, Pen and black ink and watercolor, over touches of graphite, sheet: 3 1/8 x 3 9/16 in. (7.9 x 9.1 cm), Drawings, Nicolaas Struyk (Amsterdam 1686–1769 Amsterdam

Storm Over A Lake, 18th century, Watercolor, Sheet: 13 7/8 × 18 1/8 in. (35.2 × 46 cm), Drawings, Anonymous, British, 18th century, Formerly attributed to John Robert Cozens (British, London 1752–1797 London

Plans, Elevations, Sections, and Perspective Views of the Gardens and Buildings of Kew, 1763, Watercolor, ink, body color, 21 1/8 x 15 1/16 x 1 3/16 in. (53.7 x 38.3 x 3 cm), An album containing a manuscript description and original drawings

Seven Studies of Arab Men's Costume, 1832, Watercolor over graphite on wove paper, Overall: 6 1/8 x 3 3/4 in. (15.6 x 9.6 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Ten Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Another Year of LIfe Has Flown, 1830–62, Gouache and watercolor, Drawings, Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Portrait of George, 5th Duke of Marlborough, with Blenheim in the Distance, 1817–21, Graphite and watercolor, Sheet: 8 15/16 × 5 1/2 in. (22.7 × 14 cm), Drawings, Richard Cosway (British, Oakford, Devon 1742–1821 London), The British

The Farm-Yard with the Cock (Liber Studiorum, part IV, plate 17), March 29, 1809, Etching and mezzotint; third state of three (Finberg), Plate: 7 1/16 x 10 5/16 in. (17.9 x 26.2 cm), Prints, Designed and etched by Joseph Mallord William

Martello Towers near Bexhill, Sussex (Liber Studiorum, part VII, plate 34), 1811, Etching only; before first state of four, plate: 7 x 10 3/16 in. (17.8 x 25.9 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Six Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

French Cuirassier, 1872, Watercolor, Sheet: 13 3/4 x 9 3/4 in. (34.9 x 24.8cm), Drawings

The Castle above the Meadows (Liber Studiorum, part II, plate 8), 1808, Etching; before first state of four, plate: 7 x 10 1/4 in. (17.8 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851

Head of an Girl from Civita d'Antino in Regional Dress ('Catarinella'), 1890, Watercolor, over graphite, Sheet: 11 × 8 1/2 in. (27.9 × 21.6 cm), Drawings, Peder Severin Krøyer (Danish, Stavanger 1851–1909 Skagen

The Redemption of Tannhäuser (recto); Figure sketches (verso), 1892, Watercolor heightened with white and gouache on buff card (recto); graphite (verso), Image: 11 1/4 × 17 5/16 in. (28.5 × 44 cm), Drawings, Sir Frank Dicksee (British,

Ville de Thun, Switzerland (Liber Studiorum, part XII, plate 59), January 1, 1816, Etching and mezzotint; third state of three, plate: 7 1/16 x 10 in. (17.9 x 25.4 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

St. Michael (?) with a Censer, late 19th–early 20th century, Graphite, pen and ink and watercolor, sheet: 25 x 11 1/2 in. (63.5 x 29.2 cm), Drawings, Ernest Geldart (British, London 1848–1929

Procris and Cephalus (Liber Studiorum, part VIII, plate 41), February 14, 1812, Etching and mezzotint; first state of three, plate: 7 3/8 x 10 1/2 in. (18.7 x 26.7 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

FIBRE, 1922, Gouache and watercolor on paper, H. 18-5/8, W. 14-5/8 in. (47.3 x 37.1 cm), Drawings

East Gate, Winchelsea, Sussex (Liber Studiorum, part XIV, plate 67), January 1, 1819, Etching and mezzotint; second state of four, plate: 6 7/8 x 10 1/2 in. (17.5 x 26.7 cm), Prints, Designed and etched by Joseph Mallord William Turner

Mont Blanc Seen from the Massif, Les Aiguilles Rouges, 1874, Watercolor heightened with gouache over traces of graphite on two sheets of blue-gray wove paper (glued together in a vertical seam at left), sheet: 11 7/16 x 26 1/8 in. (29 x 66.4 cm),

FEATHER DUSTER, 1922, Watercolor on paper, 12 3/4 × 10 3/4 in. (32.4 × 27.3 cm), Drawings

Dutch Canal, Rijswijk, second half 19th century, Watercolor over traces of black chalk, Drawings, Jacob Maris (Dutch, The Hague 1837–1899 Karlsbad

Elevation and section of a church in gothic style, late 19th–early 20th century, Pen and ink, over graphite, with watercolor, sheet: 17 x 23 in. (43.2 x 58.4 cm), Ernest Geldart (British, London 1848–1929

Designs for Two Ewers, a Carafe (two alternate designs), and a Covered Tureen, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Hussein Khan, 1839, Watercolor and gouache, graphite, Sheet: 6 1/2 x 5 1/8 in. (16.5 x 13 cm), Drawings, Moritz Michael Daffinger (Austrian, Vienna 1790–1849 Vienna

Peace of 1814 and Centennial of the House of Brunswick: A View of the Temple of Concord in Green Park, London, August 1, 1814, ca. 1814, Etching and aquatint with watercolor, Prints, Frederick Calvert (British, active London, 1811–44

Hind Head Hill, on the Portsmouth Road (Liber Studiorum, part V, plate 25), January 1, 1811, Etching, mezzotint and drypoint; fourth state of four (Finberg), plate: 7 x 10 5/16 in. (17.8 x 26.2 cm), Prints, Designed and etched by Joseph

The Marriage Contract, ca. 1761, Red and black chalk over traces of graphite, watercolor and gouache, sheet: 12 1/8 x 17 7/16 in. (30.8 x 44.3 cm), Drawings, Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris

La Halle aux Blés, Exterior View, ca. 1810, Watercolor over graphite, Sheet: 11 5/8 x 10 5/8 in. (29.5 x 27 cm), Drawings, Pierre François Léonard Fontaine (French, Pontoise 1762–1853 Paris

Pancratium, 1738–70, Watercolor and gouache, with traces of black chalk on vellum, Sheet: 18 9/16 x 14 13/16 in. (47.2 x 37.6 cm), Drawings, Georg Dionysius Ehret (German, Heidelberg 1708–1770 London), Born in Heidelberg, Ehret settled

Broadway Circus and Olympic Theatre, Broadway between Howard and Grand Streets, New York, 1821, Watercolor and ink, sheet: 14 3/8 x 12 in. (36.5 x 30.5 cm), Drawings, Anonymous, American, 19th century

A Moth, early 18th–mid 18th century, Pen and black ink and watercolor, over touches of graphite, sheet: 3 1/8 x 3 9/16 in. (7.9 x 9.1 cm), Drawings, Nicolaas Struyk (Amsterdam 1686–1769 Amsterdam

Drawings and Prints, Drawings Ephemera, Tattoo Design for a Butterfly, Artist, Clark & Sellers, American, active 20th century, Clark & Sellers, American, 1900, 1945, ca. 1900–1945, 1895, 1945, pen and ink and watercolor

Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35), June 1, 1811, Etching, aquatint and mezzotint; fourth state of six (Finberg), plate: 7 1/16 x 10 3/8 in. (17.9 x 26.4 cm), Prints, Turner distilled his ideas about

A Man O'War Lying at Anchor, early 19th century, Pen and brown ink, watercolor; framing line in graphite, Sheet: 17 11/16 × 24 13/16 in. (45 × 63 cm), Drawings, Johannes Christiaan Schotel (Dutch, Dordrecht 1787–1838 Dordrecht

Nine Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Prince Friedrich of Schwarzenberg, 1847, Watercolor and gouache, graphite, Sheet: 7 1/16 x 6 1/8 in. (18 x 15.5 cm), Drawings, Josef Kriehuber (Austrian, Vienna 1800–1876 Vienna

Design for a Lavish Headdress with Feathers on a Helmet, ca. 1620–56 , Blue gouache or watercolor heightend with white, Sheet: 10 5/8 x 7 11/16 in. (27 x 19.5 cm), Possibly by Baccio del Bianco (Italian, Florence 1604–1656 Escorial) (and

Costume Study for Belmonte in the 'Abduction from the Seraglio' by W.A. Mozart, ca. 1830–50, Watercolor, over graphite, gum arabic, Sheet: 11 1/4 × 8 3/16 in. (28.5 × 20.8 cm), Drawings, Johann Georg Christoph Fries (German, Nuremberg

Oak Organ Case Southery Church, late 19th–early 20th century, Pen and ink over graphite with watercolor, Ernest Geldart (British, London 1848–1929

Eight Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

FIBRE, 1922, Watercolor and gouache on paper, H. 18-5/8, W. 14-5/8 in. (47.3 x 37.1 cm), Drawings

Study of a Flowering Thistle, 1846, Graphite, watercolor, sheet: 9 3/8 x 12 1/8 in. (23.8 x 30.8 cm), Drawings, Carl Georg Anton Graeb (German, Berlin 1816–1884 Berlin

Martello Towers near Bexhill, Sussex (Liber Studiorum, part VII, plate 34), 1811, Etching; before first state of four (Finberg), plate: 7 x 10 9/16 in. (17.8 x 26.8 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

A Fiddler in a Tavern, with Three Men in the Background, mid-19th century, Watercolor, over graphite, Sheet: 14 5/8 × 11 5/16 in. (37.2 × 28.7 cm), Drawings, Johannes Hendrik van West (Dutch, The Hague 1803–1881 Amsterdam

Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53), May 12, 1814, Etching and mezzotint; first state of seven (Finberg), plate: 7 x 10 3/16 in. (17.8 x 25.9 cm), Prints, Designed and etched by Joseph Mallord William

Paradise, Jes' Billy an' me, an all the world great big caves of sugar ('Wiggle Much' Design), ca. 1910, Watercolor, blue ink, and graphite, Sheet: 5 15/16 x 9 7/16 in. (15.1 x 24 cm), Drawings, Herbert E. Crowley (British, London

The Fifth Plague of Egypt (Liber Studiorum, part III, plate 16), June 10, 1808, Etching and mezzotint; third state of three, plate: 7 1/8 x 10 1/4 in. (18.1 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Farmhouses, 19th century, Watercolor, sheet: 11 x 21 7/16 in. (28 x 54.5 cm), Drawings, Johannes Bosboom (Dutch, The Hague 1817–1891 The Hague

Pembury Mill, Kent (Liber Studiorum, part III, plate 12), June 10, 1808, Etching and mezzotint; second state of four (Finberg), plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm), Prints, Designed and etched by Joseph Mallord William Turner

Rispah, 2nd Book of Samuel, Chapter 21 (Liber Studiorum, part IX, plate 46), April 23, 1812, Etching and mezzotint; first state of four, plate: 7 1/8 x 10 3/8 in. (18.1 x 26.4 cm), Prints, Designed and etched by Joseph Mallord William

Jason (Liber Studiorum, part I, plate 6), June 11, 1807, Etching and mezzotint; first state of five, plate: 7 1/4 x 10 1/4 in. (18.4 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London),

Design for Rock-work at Virginia Water, Windsor Great Park, 1780s (?), Pen and gray ink and gray wash, over graphite on laid paper, sheet: 4 1/8 x 9 1/4 in. (10.5 x 23.5 cm), Drawings, Thomas Sandby (British, baptized Nottingham 1723–1798

Hector taking leave of Andromache: the Fright of Astyanax, 1766, Pen, brown ink, brush, brown wash, blue watercolor, touches of gouache over traces of black chalk, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Benjamin West (American,

Lake of Thun, Swiss (Liber Studiorum, part III, plate 15), June 10, 1808, Etching, drypoint and mezzotint; first state of three, plate: 7 3/16 x 10 7/16 in. (18.3 x 26.5 cm), Prints, Designed and etched by Joseph Mallord William Turner

Design for University of Michigan (elevation and plan), ca. 1838–39, Ink, watercolor and graphite, Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Botanical Studies, ca. 1820, Watercolor over graphite, 19 7/16 x 12 11/16 in. (49.4 x 32.2 cm), Drawings, Anonymous, French, 19th century

Eleven Designs for Decorated Cups, including Venice and Celestial Patterns, ca. 1852, Pen and ink, watercolor and gouache, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872

Kirtlington Park, Oxfordshire: View of the Dining Room, 1876, Watercolor and gouache over graphite, sheet: 13 11/16 x 19 11/16 in. (34.8 x 50 cm), Susan Alice Dashwood (British, 1856–1922), This drawing documents the history of the

A Song Without Words, a 'Wiggle Much' design, ca. 1910, Watercolor and black ink, Image: 4 1/16 × 7 3/4 in. (10.3 × 19.7 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich

Coastal Scene with Beached Boats in Foreground, 19th–mid 19th century, Watercolor, Drawings, Samuel Prout (British, Plymouth 1783–1852 London

Designs for Two Decorated Plates and a Candleholder with Cut Glass Drops, 1845–55, Pen and ink, watercolor and gouache, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Design for a Lavish Headdress with Feathers on a Helmet (frontal view), ca. 1620–56 , Blue gouache or watercolor heightend with white, Sheet: 10 5/8 x 7 11/16 in. (27 x 19.5 cm), Possibly by Baccio del Bianco (Italian, Florence 1604–1656

View of Kirtlington Park, Oxfordshire, 1900, Watercolor over graphite on wove paper, sheet: 14 7/16 x 21 5/16 in. (36.6 x 54.1 cm), Drawings, Susan Alice Dashwood (British, 1856–1922

Black Columns in a Landscape, 1919, Watercolor and ink on paper mounted on cardboard, 9 1/2 × 12 3/8 in. (24.1 × 31.4 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno), In the spring of 1919,

Designs for the Front and Back Cover of “L’Evangile de Notre Seigneur Jesus-Christ selon Saint Pierre”, 1895, Watercolor over graphite with partial gilding; design for the back cover partially outlined with pen and black ink, Sheet (Front

The Woman and Tambourine (Liber Studiorum, part I, plate 3), June 11, 1807, Etching and mezzotint; third state of four, plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Plan, Parish Room, Hartfield Peverel, 1895, Graphite, pen and ink and watercolor, sheet: 25 1/2 x 15 3/4 in. (64.8 x 40 cm), Ernest Geldart (British, London 1848–1929

Design for a Titlepage in the Manner of Rowlandson, 1858–1914, Watercolor and ink, sheet: 13 3/8 x 16 15/16 in. (33.9 x 43.1 cm), Drawings, Frederick W. Pailthorpe (British, 1838–1914

Bacchanal, ca. 1765–66, Black chalk, pen and brown ink, brush and brown and gray wash with touches of watercolor, Sheet: 14 x 20 15/16 in. (35.6 x 53.2 cm), Drawings, Jean Jacques François Le Barbier (French, Rouen 1738–1826 Paris

Design for Rock-work at Virginia Water, Windsor Great Park, 1780s (?), Pen and grey ink and grey wash, over graphite on laid paper; verso: graphite, sheet: 5 1/16 x 6 9/16 in. (12.8 x 16.6 cm), Drawings, Thomas Sandby (British, baptized

North Aspects of Lea Castle and West Aspect of Wolverly, Cookly, Worcestershire, ca. 1816, Watercolor, sheet: 10 1/2 x 10 in. (26.6 x 25.4 cm), Attributed to John Carter (British, London 1748–1817 London

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