Images at Librifly

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Design for Grand Salon, Ground Floor, Hôtel Candamo, ca. 1873, Pen and black ink, watercolor, 8 3/8 x 10 7/8 in. (21.3 x 27.6 cm), Drawings, Jules-Edmond-Charles Lachaise (French, died 1897), Eugène-Pierre Gourdet (French, born Paris,

Design for Fireplace in French Renaissance Revival Style, 1856, Graphite, pen and black ink, brush and gray wash, watercolor, 12 15/16 x 12 1/8 in. (32.9 x 30.8 cm), Anonymous, French, 19th century

Landscape, 1825–65, Watercolor on paper, Overall: 5 1/16 x 7 1/8in. (12.9 x 18.1cm), Drawings, Constant Troyon (French, Sèvres 1810–1865 Paris

Design for a Sink and Vanity, 19th century, Pen and ink and watercolor on heavy wove paper, sheet: 11 5/16 x 7 7/8 in. (28.8 x 20 cm), Anonymous, French, 19th century

Design for a tea cup, 19th century, Pen and ink and watercolor, sheet (irregular): 2 5/8 x 4 1/16 in. (6.7 x 10.3 cm), Drawings, Anonymous, French, 19th century

Design for Three Hat or Coat Racks, early 19th century, Ink and watercolor, sheet: 9 7/16 x 11 7/8 in. (24 x 30.2 cm), Anonymous, British, 19th century

Rue Lafuite (Ambroise Vollard's Gallery on the rue Lafitte), n.d., Pen and ink, blue pencil, and watercolor on heavy wove paper, 15 7/8 x 9 1/2 in. (40.3 x 24.1 cm), Drawings, Adolphe-Léon Willette (French, Châlons-sur-Marne 1857–1926

Farm House by a River with Figures, 1765, Pen and brown ink, brush and watercolor, over black chalk., 5 7/16 x 8 1/4 in. (13.8 x 21.0 cm.), Drawings, Louis Gabriel Moreau (French, Paris 1740–1806 Paris

Bi-colored Lupine, Lupinus Striversii, June 18, 1912, Watercolor and brown ink over graphite, with page design indicated in graphite, sheet: 13 11/16 x 9 15/16 in. (34.8 x 25.2 cm), Drawings, Margaret Neilson Armstrong (American, New York

Sailboats at Sunset, William W. Churchill (American, 1858-1926), 1881, watercolor on off-white paper, 8 x 21-3/8 in., 20.3 x 54.3 cm. (sight), initialed and dated, L.R.: W.W.C. 1881

Lake of Lucerne from Brunnen, Joseph Mallord William Turner (English, 1775-1851), 1845, watercolor and gouache on white wove paper, 11 x 18-1/4 in

Constantinople, The Boats, Paul Baum (German, 1859-1932), 1900-1901, watercolor and pencil on cream laid paper, 9 x 15-7/8 in., signed in ink, L.R.: P. Baum

Caernarvon Castle, North Wales, Samuel Palmer (English, 1805-1881), 1836, watercolor, gouache and black chalk on white paper, 11-7/8 x 17-9/16 in

Venice: Santa Maria della Salute from the Grand Canal, Myles Birket Foster (English, 1825-1899), about 1870, watercolor and gouache on white paper, 8 x 11-3/4 in., initialed in black, LL: FB

Llanthony Abbey, Monmouthshire, Joseph Mallord William Turner (English, 1775-1851), 1834, watercolor over pencil on white wove paper, 11-3/4 x 16-11/16 in., J WATMAN, TURKET MILL, 1833

Design for a Plate - Leda, Paul Gauguin (French, 1848-1903), Edward Ancourt, Printer (French), 1889, Zincograph with watercolor and gouache on canary yellow wove paper, mounted on cardboard folder, 26-3/8 x 20 x 1/2 in. (portfolio) 11-15/16 x

Blasting St. Vincent's Rock, Clifton, John Sell Cotman (British, 1782-1842), about 1830, watercolor with touches of gum Arabic over pencil on off-white paper, 13-1/2 x 22-3/4 in

Valley of the Rhone with the City and Citadel of Sion, in Switzerland, James Baker Pyne (British, 1800-1870), 1853, watercolor and gouache on off-white paper, 13-1/4 x 20 in. (sheet), signed and inscribed in brown ink, L.R.: J.B. PYNE, No

Schleissheim, William J. Forsyth (American, 1854-1935), 1885, watercolor over pencil on tan paper, 13 x 21-1/2 in. (sight), Signed and dated in black, l.l.: W FORSYTH MUNICH, 85

Lady holding her hair, 19th century, ink, watercolor on paper, 15-7/8 x 10-1/2 in., 5-1/2 x 8 in. (image), Asian Art

Valle Crucis Abbey, Denbighshire, North Wales, Thomas Girtin (British, 1775-1802), 1794, watercolor over pencil on white wove paper, 7 x 10-3/8 in

Schleissheim, William J. Forsyth (American, 1854-1935), 1885, watercolor over pencil on tan paper, 13 x 21-1/2 in. (sight), Signed and dated in black, l.l.: W FORSYTH MUNICH, 85

Portrait of Unknown Lady, Hans Holbein the younger (German, 1497-1543), about 1538, chalk and watercolor on tinted paper, 14-1/2 x 11-3/4 in. 19-5/8 x 16-1/4 in. (framed

Woodland Landscape, William J. Forsyth (American, 1854-1935), 1881, watercolor, 10 x 13-7/8 in. 18-1/2 x 22 x 3/4 in. (framed), signed and dated in brown, L.C.: W FORSYTH 81

Aysgarth Force, Richmondshire, Joseph Mallord William Turner (English, 1775-1851), 1817, watercolor over pencil on off-white paper laid down, 11-1/2 x 16-3/8 in., signed in ink, L.L.: J. M.W. Turner R.A

Fall of the Tees, Yorkshire, Joseph Mallord William Turner (English, 1775-1851), 1825-1826, watercolor over pencil on off-white wove paper, 11-1/16 x 15-1/16 in. (image) 14-3/8 x 19-1/2 in. (sheet

Philae: A View of the Temples from the South, David Roberts (Scottish, 1796-1864), 1839, watercolor and gouache on white paper, 8-3/4 x 12-1/2 in., signed and dated in ink, LR: D. Roberts 1834

The Temple of Jupiter Olympus, Athens, Clarkson Stanfield (English, 1793-1867), After William Page (English, 1794-1872), about 1832, watercolor and gouache on white paper, 7-1/2 x 10-7/16 in. (sheet) 9-1/2 x 12 in. (mount

TWILIGHT LANDSCAPE, Richard Buckner Gruelle (American, 1851-1914), watercolor on watercolor board, 9-1/2 x 19-15/16, signed in ink, L.L.: R. B. Gruelle

Temple of Peace, Roman Forum, Samuel Prout (English, 1783-1852), 1825-1850, watercolor and gouache strengthened with pen and ink on off-white paper, 17 x 11-7/8 in. (sheet), inscribed in pencil, verso, L.C.: Temple of Peace, Rome, signed

Adams' Lodgings, London, John Ottis Adams (American, 1851-1927), 1872-1874, watercolor over pencil on off-white paper, 9-5/8 x 8 in. (sheet), inscribed in ink, verso, U.L.: J.O.A. lived over this green grocers shop, in London the two years

Sketch from Nature on the Thames (Chelsea), John Varley I (English, 1778-1842), about 1811, watercolor over pencil on white paper, 11-3/4 x 16-1/4 in. (sheet), inscribed in pencil, L.L.: Sketch from Nature, on the Thames, by J. Varley,

Nicholas Poussin's Birthplace, Joseph Mallord William Turner (English, 1775-1851), 1832, watercolor and gouache strengthened with pen and red ink on blue paper, 7-5/8 x 5-1/2 in

untitled (Stream in Autumn), John Joseph Enneking (American, 1841-1916), watercolor on white cold-press watercolor paper, 9-3/4 x 13-15/16 in., Signed in brown, L.R.: Enneking

Design for a Plate - Leda, Paul Gauguin (French, 1848-1903), Edward Ancourt, Printer (French), 1889, Zincograph with watercolor and gouache on canary yellow wove paper, mounted on cardboard folder, 26-3/8 x 20 x 1/2 in. (portfolio) 11-15/16 x

The Bloodthirsty King, Michael Wohlgemuth (German, 1434-1519), 1491, woodblock print with touches of watercolor on off-white laid paper, 11-1/2 x 8-1/4 in. (sheet), series, Schatzbehalter

Worcester from the River Severn, Edward Dayes (British, 1763-1804), about 1795, watercolor over pencil on off-white paper, 9 x 11-5/8 in

Cochem on the Mosel, Joseph Mallord William Turner (English, 1775-1851), 1839, watercolor and gouache on blue paper, 7-1/2 x 5-1/2 in

Falls of the Rhine at Schaffhausen - Distant View, Joseph Mallord William Turner (English, 1775-1851), 1841, watercolor, pen and red ink over gray wash on white paper, 9-1/8 x 11-7/16 in

Study of Beetles and Moths, Herman Henstenburgh (Dutch, 1667-1726), about 1695-1705, gouache and watercolor on white laid Dutch paper, 11-1/4 x 17-5/8 in. (sheet) 14-1/2 x 20-3/4 in. (mount), Watermark Strasburg Bend and Lily with initials LVG

The Whitewater River, Otto Stark (American, 1859-1926), 1900, watercolor on off-white paper laid down, 10 x 21-1/2 in., inscribed in pencil, verso, U.L.: Box 261, Grapevine; inscribed in pencil, verso, U.C.: The Whitewater River 30.00;

Grassmere Lake and Church, Attributed to Joseph Mallord William Turner (English, 1775-1851), watercolor over pencil on off-white paper, 6-3/8 x 9 -11/16 in. (image and sheet), inscribed in pencil LR: Grassmere Lake and Church

Portrait of a Man, Anna Claypoole Peale (1791-1878), 1828, watercolor on ivory, 3-1/16 x 2-1/4 in., American Painting and Sculpture to 1945

Untitled (Buildings by a River), Julia Graydon Sharpe (American, about 1857-1939), watercolor on off-white paper, 11 x 15-1/2 in., signed in purple, L.R.: J. G. Sharpe

Interior of Westminster Abbey, John Coney (English, 1786-1833), 1811, watercolor over pencil on off-white paper, 27-1/2 x 20-5/8 in. (sheet), signed and dated in ink, L.L.: J Coney 1811

Oberwesel on the Rhine, Joseph Mallord William Turner (English, 1775-1851), 1839, watercolor over pencil on white paper, 6-3/4 x 9 in

In the Tyrol, James Baker Pyne (British, 1800-1870), 1846, watercolor on off-white paper, 8-1/4 x 11-3/4 in. (sheet), signed and dated in ink, L.C.: J B Pyne, 1846

Oberhofen, Lake Thun, Joseph Mallord William Turner (English, 1775-1851), about 1848, watercolor on white wove paper, 14-7/8 x 21-1/2 in., J WHATMAN, 1846

Design for a Plate - Leda, Paul Gauguin (French, 1848-1903), Edward Ancourt, Printer (French), 1889, Zincograph with watercolor and gouache on canary yellow wove paper, mounted on cardboard folder, 26-3/8 x 20 x 1/2 in. (portfolio) 11-15/16 x

Glacier du Rhone and the Galenstock, from the Furka Pass Road, William Callow (British, 1812-1908), 1848, watercolor over pencil heightened with white on off-white paper, 22 x 30-1/8 in., signed and dated: L.L.: W. Callow, 1848, inscribed in

Salabuddin Bakshi Receiving Two Courtiers, 18th century - early 19th century, opaque watercolor and gold on paper, 11-5/16 x 8-1/4 in 9 x 6 in (image), Asian Art

Scene from Ralelais' Gargantua and Pantagruel: 'How Pantagruel found Panurge whom he loved all his life', Félix Bracquemond (French, 1833-1914), 19th century, watercolor and gouache over black chalk on buff paper, 5-7/8 x 11-3/16 in. (sight),

Whitewater Rapids, William J. Forsyth (American, 1854-1935), 1899, watercolor on off-white paper, 20 x 27-1/2 in. (sheet) 25 x 33-3/8 x 1-3/8 in. (framed), Signed and dated, l.r.: W. Forsyth .99

Juggernaut, watercolor on white paper, 11-5/16 x 30-1/8 in., signed in pencil L.L.: James K[irke] Merrick

Illustration for Sleepy Hollow, Arthur Ignatius Keller (American, 1866-1924), 1909, ink wash and watercolor on off-white paper, 4 x 12-1/2 in

Linlithgow Palace, Scotland, Joseph Mallord William Turner (English, 1775-1851), 1801, watercolor over pencil on white paper, 10-1/4 x 16-3/16 in. (sheet), watermark: 1794, J WHATMAN

Italian Hill-Town, Clara Epstein, watercolor on off-white paper

Burning Leaves, William J. Forsyth (American, 1854-1935), watercolor on paper, 8 x 11 in., signed in pencil, L.R.: W. Forsyth

Portrait of a Man, Anna Claypoole Peale (1791-1878), 1828, watercolor on ivory, 3-1/16 x 2-1/4 in., American Painting and Sculpture to 1945

Adam's Apple (Pomum Adami Rheginum), Vincenzo Leonardi (Italian), about 1640, watercolor over pencil on off-white laid paper laid down to mount, 11 x 8 in. (sheet) 15 x 12-1/4 in. (mount), Annotation below whole fruit near proper left of center:

Tivoli, Clarkson Stanfield (English, 1793-1867), After William Page (English, 1794-1872), 1833, watercolor and gouache on white paper, 9-1/4 x 12-3/4 in. (sheet), Signed and dated in ink, l.c.: C. Stanfield 1833 Signed and date

Sunset Stream, Richard Buckner Gruelle (American, 1851-1914), date unknown, watercolor on paper, 13-3/4 x 19-5/8 in. (paper) 21 x 26-1/8 x 7/8 in. (framed), Signed, l.l.: R. B. Gruelle

Temple of Vesta at Tivoli, Massimiliano Bertozzi (Italian), 19th century, watercolor over pencil on off-white wove paper, 21-1/8 x 15-1/8 in. (image), Signed in red, l.l.: M Bertozzi Roma

Lake of Tscheppa with Mt. Polaschin in the Engadin Valley, Adolf von Meckel (German, 1856-1893), 1876, watercolor and gouache over graphite on tan paper, 13-1/8 x 19-7/8 in., Inscribed in red, l.l.: Lej della Tscheppa 18, 19, 20 Sept 76

Illustration for Sleepy Hollow, Arthur Ignatius Keller (American, 1866-1924), 1906, pencil and watercolor wash on off-white paper, 3 x 11 in

Tivoli, after Turner, Hercules Brabazon (British, 1821-1906), watercolor on off-white paper, 7-3/4 x 11-1/4 in. (sheet

Dieblich on the Mosel, Joseph Mallord William Turner (English, 1775-1851), 1839, watercolor over pencil on white paper, 6-1/8 x 9-1/8 in

Three Pointers, about 1890, watercolor on white paper, 16-3/4 x 29-1/4 in., 42.5 x 74.3 cm., signed in ink, L.L.: Edm. H. Osthaus

Berncastle (Oberwesel), Attributed to Joseph Mallord William Turner (English, 1775-1851), watercolor and gouache on off-white paper, 13 x 18-7/8 in

Schleissheim, William J. Forsyth (American, 1854-1935), 1885, watercolor over pencil on tan paper, 13 x 21-1/2 in. (sight), Signed and dated in black, l.l.: W FORSYTH MUNICH, 85

The Choregic Monument of Lysikrates, Athens, Thomas Hartley Cromek (British, 1809-1873), July 1846, watercolor on white wove paper, 19-3/4 x 14-3/4 in. (image and sheet), inscribed in pencil, c.r.: Horizontal inscribed and dated in pencil,

Bernese Oberland, John Ruskin (British, 1819-1900), 1866, watercolor over pencil on off-white paper, 5-1/2 x 17-3/8 in. (sheet) 6 x 18 in. (mount

Goodrich Castle on the River Wye, Edward Dayes (British, 1763-1804), 1796, watercolor over pencil on white wove paper, 12-5/8 x 16-1/2 in. (sheet), signed and dated in black ink L.L.: E. Dayes 1796

Arundel on the River Arun, William Ward II (British, 1829-1908), After Joseph Mallord William Turner (English, 1775-1851), watercolor over pencil on off-white paper, 6-1/4 x 9 in. (image) 7 x 10-1/4 in. (sheet), initialed in pencil, in image,

Landscape with Cows and Hillside, Richard Buckner Gruelle (American, 1851-1914), 1892, watercolor on white paper, 15-3/4 x 22 in. (sheet), Signed and dated, l.l.: R.B. Gruelle 92

Grille des Hermès, Porte Dauphine, Palace of Fontainebleau, Thomas Shotter Boys (English, 1803-1874), 1832, watercolor with touches of gum Arabic on white paper, 13-7/8 x 10-3/16 in., signed and dated in ink, L.L.: T. Boys, 1832

Illustration for Sleepy Hollow, Arthur Ignatius Keller (American, 1866-1924), 1906, pen, ink and watercolor wash on off-white paper, 13 x 3-1/4 in., initialed in ink, L.R.: A.I.K

Cartoon by Aelbrecht Bruynink Regtlegleging by Oldenbarnevelt (series title), Cartoon by Aelbrecht Bruynink, judge by Van Oldenbarnevelt, deer with antler and orange cloak with around his arms, in wreath of flowers and leaves. Below that is

Page with eight crustaceans and molluscs, Sheet with eight crustaceans and molluscs, numbers 1-8, partly with the Latin names. Numbered top right: 9. Part of the sixth album with drawings of fish, shells and insects. Sixth of twelve albums with

Leaf with thirteen mosquitoes, Mugghen. / Cousins. (title on object), Leaf with twelve mosquitoes and crane fly and a wasp-like insect, numbered 1-13. Numbered top right: 3. Part of the sixth album with drawings of fish, shells and insects. Sixth

Caterpillars, Rispen / Chenilles (title on object), Sheet with thirteen hairy caterpillars, numbered 1-13. Numbered top right: 15. Part of the sixth album with drawings of fish, shells and insects. Sixth of twelve albums with drawings of animals,

Walleye (Sander lucioperca), Lucio perca (title on object), Walleye. Numbered top right: 11. Top left the name in two languages. Part of the sixth album with drawings of fish, shells and insects. Sixth of twelve albums with drawings of animals,

Two carnations (Dianthus) 1. English Gentille. 2. jenelle with dice flowers / 1. 2. Lygnis agrestis multiflora. / 1. oeuillet d'angleterre. 2. aeuillete a fleur double (title on object), Two types of carnations. Numbered top right: 114. With the

Trout (Salmo trutta), Trout. / Trutta. / Truile. (title on object), Trout. Numbered top right: 4. Top left the name in three languages. Part of the sixth album with drawings of fish, shells and insects. Sixth of twelve albums with drawings of

Heron (Ardea), Nacht-raeve. / Ardea Cinerea (Stellaris) minor (title on object), A heron, possibly a purple heron. Numbered top right: 21. Part of the third album with drawings of birds. Fifth of twelve albums with drawings of animals, birds and

Tulip (Tulipa), Tulip. / Tulipa. / Tulipe. (title on object), Red and white tulip. Numbered top right: 19. Top left marked with a red star. Part of the first album with drawings of flowers and plants. Eighth of twelve albums with drawings of

The arms of Susanna van Collen (1692-1745), wife of Jacob Feitama, wife since 1727 of Jacob Feitama II heraldry, anonymous, Northern Netherlands, 1725 - 1774, parchment (animal material), watercolor (paint), h 38 cm × w 28.5 cm d 2.5 cm

The Basilica of Santa Maria Maggiore in Rome View of Sa. Maria Maggiore, Rome, Drawing from a group of 46 drawings and studies of mainly cityscapes and landscapes in and around Rome., City-view in general, 'veduta', church (exterior), Santa

Peach (Prunus persica) and burning love (Silene chalcedonica), Peach and burning love. FIGs. 10 and 11 on a sheet hand numbered 6. In: Anselmi Boetii de Boot I.C. Brugensis & Rodolphi II. Imp. Novel. medici a cubiculis Florum, Herbarum, ac

Sea turtle (Cheloniidae), Turtle. who washes the land. / testudo Palustris. / Tortue de terre (title on object), Sea turtle. Top left the Latin name. Part of the seventh album with drawings of reptiles, amphibians and natural history ensembles.

Bulb of the red lily (Lilium), Kliester-Bul of curl-lily. / Radix floris martagon. constantinopolitani / ognon de martagon. (title on object), Bulb of the red lily. Numbered top right: 5. Left the Latin name. Part of the first album with drawings

Three-colored pansy (Viola tricolor), Penseen. / flos trinitatis. viola tricolor. / des pensées. (title on object), tricolor violet. Numbered top right: 65. Top left the Latin and Dutch name. Part of the first album with drawings of flowers and

Cod (Gadus morhua), Cabbilliauw / Capellamis. / Cabbilliau (title on object), Cod. Numbered top right: 12. Top left the name. Part of the sixth album with drawings of fish, shells and insects. Sixth of twelve albums with drawings of animals,

Tulip (Tulipa), Tulip. / Tulipa. / Tulipe. (title on object), Red-yellow tulip and seed box. Numbered top right: 53. Part of the first album with drawings of flowers and plants. Eighth of twelve albums with drawings of animals, birds and plants

Tagetes, violet (viola) and narcissus (Narcissus) 1. tunis Bloeme 2 Violet Flower 3. Jonquil. / flos tunctanus africanus flos violarum / oillets d'inde. violet. jonquille (title on object), An africanant, two purple violets and a narcissus or

Golden pheasant, hen, walker and runner birds: pheasant, Pieter Pietersz. Barbiers, 1759 - 1842, paper, watercolor (paint), pencil, brush, h 445 mm × w 260 mm

Dogfish (Scyliorhinus canicula), Sea dog (title on object), Dogfish. Numbered top right: 3. At the bottom the Dutch name. Part of the sixth album with drawings of fish, shells and insects. Sixth of twelve albums with drawings of animals, birds

Double Columbine (Aquilegia vulgaris) and apple (Malus pumila), Double Columbine and apple. With a bird and some ornamental plants. FIGs. 51 and 52 on a sheet hand numbered 26. In: Anselmi Boetii de Boot I.C. Brugensis, anonymous, 1604 - 1632

Anemone (Anemone), various anemonies / Anemones variae / diverses especes d'anemones. (title on object), Yellow and red anemones. Numbered top right: 94. Top left the Latin name. Part of the first album with drawings of flowers and plants. Eighth

Seven crocuses (Crocus) Seven species of crocus / Septem Croci species. / Sept differentes espieces de Crocus (title on object), Leaf with seven different crocuses. Numbered top right: 13. With the Latin names. Part of the first album with drawings

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