Images at Librifly

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A Young Couple Viewing Ruins near Bingen, 1801, Pen and black ink, watercolor; framing line in pen and black ink, probably by the artist, sheet: 6 9/16 x 7 in. (16.7 x 17.8 cm), Drawings, Christian Georg Schütz the Younger (German,

Thirteen Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Shop Girls, ca. 1900, Pastel and watercolor on illustration board, 13 5/8 x 14 3/8 in. (34.6 x 36.5 cm), Drawings, William James Glackens (American, Philadelphia, Pennsylvania 1870–1938 Westport, Connecticut), Like John Sloan, Glackens

Costume Study for Bassa Selim in the 'Abduction from the Seraglio' by W.A. Mozart, ca. 1830–50, Watercolor, over graphite, gum arabic, Sheet: 11 1/4 x 7 7/8 in. (28.5 x 20 cm), Drawings, Johann Georg Christoph Fries (German, Nuremberg

Nine Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

The Lottery in Piazza di Montecitorio, 1743–1744, Pen and black ink, watercolor, over graphite. Framing lines in pen and black ink at left, right, and upper margins, 13 3/8 x 21 7/16in. (34 x 54.5cm), Drawings, Giovanni Paolo Panini

Mill Near the Grand Chartreuse, Dauphiny (Liber Studiorum, part XI, plate 54), January 1, 1816, Etching and mezzotint; first state of four, plate: 7 7/16 x 10 3/16 in. (18.9 x 25.9 cm), Prints, Designed and published by Joseph Mallord

Near Blair Athol, Scotland (Liber Studiorum, part VI, plate 30), June 1, 1811, Etching and mezzotint; first state of three, plate: 7 3/16 x 10 7/16 in. (18.3 x 26.5 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Botanical Study, ca. 1820, Watercolor, 19 5/8 x 12 5/16 in. (49.8 x 31.3 cm), Drawings, Anonymous, French, 19th century

Two Alternate Designs for a Balustrade with Architectural Perspective., 1700–1780, Pen and brown ink, brush with brown, gray wash and watercolor, over lead point or graphite, with ruled and compass construction. Some dotted framing lines in

Four Designs for Decorated Plates and a Quatrefoil Rondel, 1852, Pen and ink, watercolor and gouache, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Hilly Landscape with Two Figures on a Road, mid-18th century, Watercolor over black chalk, sheet: 11 x 18 3/4 in. (27.9 x 47.6 cm), Drawings, William Taverner (British, Canterbury, Kent 1703–1772

Ten Designs for Decorated Cups, including Osborne Pattern, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Seven Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Fan Design with the Coloseum and the Temple of Vesta, 18th century, Watercolor and gouache on vellum ?, Drawings, Anonymous, Italian, 18th century

Bridge and Cows (Liber Studiorum, part I, plate 2), June 11, 1807, Etching and mezzotint; second state of five (Finberg), plate: 7 1/4 x 10 1/2 in. (18.4 x 26.7 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Calm (Liber Studiorum, part IX, plate 44), April 23, 1812, Etching, aquatint and mezzotint; third state of seven (Finberg), plate: 7 x 10 9/16 in. (17.8 x 26.8 cm), Prints, Turner distilled his ideas about landscape In 'Liber Studiorum'

Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters, 1832, Watercolor over graphite on wove paper, 8-3/4 x 6-3/8 in. (22.2 x 16.2 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris),

A Man Reading in a Garden (recto); Preliminary sketch for a Man Reading in a Garden (verso), 1825–79, Watercolor over black chalk, with pen and ink, brush and wash, and litho crayon., 13 5/16 x 10 5/8 in. (33.8 x 27cm), Drawings, Honoré

Six Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Colonel A. F. Egerton Cottage at Kenmore Perthshire, 1918, Pen and ink, over graphite, with watercolor, sheet: 11 x 22 1/4 in. (27.9 x 56.5 cm), Ernest Geldart (British, London 1848–1929

Capriccio with an Ancient Temple, ca. 1756, Watercolor over pen and black ink, traces of black chalk underdrawing on off-white antique laid paper, sheet: 22 3/16 x 16 1/4 in. (56.4 x 41.3 cm), Drawings, Hubert Robert (French, Paris 1733–1808

The Orange Market, Venice, 1867, Watercolor and gouache over graphite on paper, 11 3/8 x 22 3/8 in. (28.9 x 56.8 cm), Drawings, James Holland (British, Burslem, Staffordshire 1800–1870 London

The Tenth Plague of Egypt (Liber Studiorum, part XII, plate 61), January 1, 1816, Etching and mezzotint; first state of four, plate: 8 3/16 x 11 7/16 in. (20.8 x 29.1 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Design for an Eight- Lobed Platter with Leaf Handles, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Design for a Frontispiece, 1782, Pen and brown and gray ink, brush and brown and gray wash, watercolor. Framing lines in pen and black ink, with pink wash outside line., 17 9/16 x 12 15/16 in. (44.6 x 32.9 cm) (image with framing lines),

The Straw Yard (Liber Studiorum, part II, plate 7), February 20, 1808, Etching, mezzotint, and drypoint; first state of four, plate: 7 1/4 x 10 in. (18.4 x 25.4 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Drawings and Prints, Drawings Ephemera, Tattoo Design with Madonna and Child, Artist, Clark & Sellers, American, active 20th century, Clark & Sellers, American, 1900, 1945, ca. 1900–1945, 1895, 1945, pen and ink and watercolor

Design for the Parish Church of Merkershausen, 1738, Pen and black ink, grey wash, watercolor, over graphite or black chalk, sheet: 21 x 14 3/4 in. (53.4 x 37.5 cm), Drawings, Balthasar Neumann (German, Eger/Bohemia 1687–1753 Würzburg),

View on the Nile near Cairo, ca. 1855, Watercolor over graphite, heightened with bodycolor and stopping out, Sheet: 7 9/16 × 14 1/16 in. (19.2 × 35.7 cm), Drawings, Thomas Seddon (British, London 1821–1856 Cairo), Seddon here uses a

Designs for an Pierced Border Ornament, Three Pitchers and an Open Basin (recto); Design for a Candle Stick (verso), 1845–55, Pen and ink, watercolor and gouache, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred

Leaf from Aedes Walpolianae mounted with a print and a drawing (a): Head in Profile of Prodigal Son; (b): The Wagonner (after Peter Paul Rubens) in Jean-Paul Mariette mount, 1620–1766, (a): engraving; (b): watercolor, graphite and black ink,

There is a Happy Land, a 'Wiggle Much' design, ca. 1910, Watercolor with pen and black ink, Sheet: 8 7/8 × 11 5/16 in. (22.5 × 28.7 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich

Six Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Young Man Leaning Against a Tree With a Book, ca. 1780–89, Watercolor and body color, sheet: 11 x 8 1/2 in. (27.9 x 21.6 cm), Drawings, William Wellings (British, active 1778–96

Façade Design and Old Plan for the First Merchant's Exchange, New York (unexecuted; front elevation and plan), ca. 1829, Graphite, ink and watercolor, 10 x 6-5/8 in. (25.4 x 16.8 cm), Alexander Jackson Davis (American, New York 1803–1892

Border over Dado Sidewalls of Chancel, late 19th–early 20th century, Graphite, pen and ink and watercolor, sheet: 16 3/4 x 22 in. (42.5 x 55.9 cm), Ernest Geldart (British, London 1848–1929

A Rocky Stream, Italy, ca. 1786–91, Watercolor, pen and gray ink, over graphite, sheet: 14 3/4 x 19 1/2 in. (37.4 x 49.5 cm), Drawings, Samuel Woodforde (British, Castle Carey, Somerset 1764–1817 Bologna), Formerly attributed to John

Isis (Liber Studiorum, part XIV, plate 68), January 1, 1819, Etching and mezzotint; fifth state of five (Finberg), plate: 7 1/16 x 10 5/16 in. (17.9 x 26.2 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London

Four Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Plan by T. Cole, Esq. for the Capitol of Ohio, ca. 1839, Watercolor, ink and graphite, sheet: 16 7/8 x 12 3/8 in. (42.8 x 31.5 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35), June 1, 1811, Etching, aquatint and mezzotint; first state of six (Finberg), plate: 7 x 10 3/8 in. (17.8 x 26.4 cm), Prints, Turner distilled his ideas about

Two Rabbits in a Wood, possibly a 'Wiggle Much' design, ca. 1910, Watercolor and black ink, Image: 2 7/8 × 5 1/16 in. (7.3 × 12.8 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich

Green and Yellow Stylized Flower for Wall Stencil, late 19th–early 20th century, Graphite, pen and ink and watercolor, sheet: 18 1/4 x 19 1/2 in. (46.4 x 49.5 cm), Ernest Geldart (British, London 1848–1929

Seven Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

A Wall Decorated in Spanish Tiles, 1832, Graphite and watercolor on wove paper, Overall: 4 1/2 x 7 1/8 in. (11.4 x 18.1 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Six Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

River Wye (Liber Studiorum, part X, plate 48), May 23, 1812, Etching and mezzotint; fifth state of five, plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851

A Section of the Via Sacra, Rome (The Church of Saints Cosmas and Damian), 1814–15, Graphite, brush and brown ink; framing lines in graphite and brush and blue watercolor, Sheet: 9 13/16 x 13 3/4 in. (25 x 35 cm), Drawings, Christoffer

Costume Study for Blonde in the 'Abduction from the Seraglio' by W.A. Mozart, ca. 1830–50, Watercolor, over graphite, gum arabic, Sheet: 11 1/4 × 8 1/16 in. (28.6 × 20.5 cm), Drawings, Johann Georg Christoph Fries (German, Nuremberg

Seven Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39), February 11, 1812, Etching, aquatint and mezzotint; second state of four, plate: 7 x 10 7/16 in. (17.8 x 26.5 cm), Prints, Turner distilled his ideas about landscape In 'Liber

St. Martins Colchester, Chancel Paving, 1891, Pen and ink, over graphite, with watercolor, sheet: 11 1/2 x 20 1/2 in. (29.2 x 52.1 cm), Ernest Geldart (British, London 1848–1929

Seven Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Eggplants, 1927, Watercolor and graphite on paper, 13 7/8 x 19 3/4 in. (35.2 x 50.2 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania

Design for Ceiling, 18th century, Brush with brown, red, and green watercolor, over leadpoint or graphite; ruler and compass constructed, 4 7/16 x 20 1/2 in. (36.7 x 52 cm), Drawings, Workshop of Leonardo Marini (Italian, Piedmontese

Folios from a Qur'an Manuscript in Floriated 'New Style' Script, 11th century, Made in Iran or Central Asia, Ink, opaque watercolor, and gold on paper, H. 12 7/8 in. (32.7 cm), Codices, This folio, copied in floriated 'new style' script,

Fan Design with Eruption of Vesuvius and Three Views, 18th century, Watercolor and gouache on vellum ?, Drawings, Anonymous, Italian, 18th century

Newly Hatched Bird of Prey, possibly a 'Wiggle Much' design, ca. 1910, Watercolor with pen and black ink, Image: 6 3/16 × 8 7/8 in. (15.7 × 22.6 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich

From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; fourth state of four, plate: 7 3/16 x 10 7/16 in. (18.3 x 26.5 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Heads of Goddesses (Flora, Diana, Ceres), ca. 1600, Watercolor and gouache, border in black wash, framing lines in pen and gold ink, Sheet: 5 5/8 x 7 3/16 in. (14.3 x 18.3 cm), Drawings, Anonymous, French, 17th century

Water Cress Gatherers, Rails Head Ferry Bridge, Twickenham (Liber Studiorum, part XIII, plate 62), January 1, 1819, Etching and mezzotint; second state of three, plate: 7 5/16 x 10 1/2 in. (18.6 x 26.7 cm), Prints, Designed and etched by

Elevation and Cross-Section of of Gallery Wall, 19th century, Graphite and watercolor, sheet: 14 1/2 x 21 3/8 in. (36.8 x 54.3 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Baroque Church Façade with Obliquely Placed Towers., ca. 1760–70, Pen and ink with watercolor over graphite, Sheet: 15 3/4 x 10 1/16 in. (40 x 25.5 cm), Drawings, Joseph Kirnberger (German, ca. 1740–after 1790

U. S. Custom House, New York (perspective), 1834, Watercolor and graphite, 6-5/8 x 9-7/16 in. (16.8 x 24.0 cm), Drawings, Ithiel Town (American, Thompson, Connecticut 1784–1844 New Haven, Connecticut), Alexander Jackson Davis (American,

Study of Capers, Gorse, and a Beetle, 1693, Watercolor, white gouache, on vellum, sheet: 14 x 10 5/16 in. (35.5 x 26.2 cm), Drawings, Maria Sibylla Merian (German, 1647–1717 (active Holland

Chateau de Picton Castle, 1735–43, Etching with watercolor, sheet: 6 3/16 x 8 1/16 in. (15.7 x 20.5 cm), Prints, Anonymous, French, 18th century

Design for Ceiling with Two Portraits and Fan Supports at Corners, 19th century, Graphite, watercolor and gilt, sheet: 19 1/8 x 12 1/2 in. (48.6 x 31.8 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Unexecuted Design for Cross-Block Terrace Development (perspective), ca. 1831, Watercolor, 9 3/4 x 26 1/2in. (24.8 x 67.3cm), Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey), With this inventive design, Davis

Drawings and Prints, Drawings Ephemera, Tattoo Design for a Butterfly, Artist, Clark & Sellers, American, active 20th century, Clark & Sellers, American, 1900, 1945, ca. 1900–1945, 1895, 1945, pen and ink and watercolor

London from Greenwich (Liber Studiorum, part V, plate 26), January 1, 1811, Etching and mezzotint; first state of four, plate: 7 x 10 9/16 in. (17.8 x 26.8 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London

'Akbar With Lion and Calf', Folio from the Shah Jahan Album, verso: ca. 1630; recto: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by Govardhan (active ca.

A Dragonfly, early 18th–mid 18th century, Pen and black ink and watercolor, over touches of graphite, sheet: 5 3/16 x 7 1/2 in. (13.2 x 19.1 cm), Drawings, Nicolaas Struyk (Amsterdam 1686–1769 Amsterdam

Mt. St. Gothard (Liber Studiorum, part II, plate 9), February 20, 1808, Etching and mezzotint; first state of six (Finberg), plate: 7 x 10 5/16 in. (17.8 x 26.2 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

ZIGZAG BRAID, 1922, Watercolor and gouache on paper, H. 18-5/8, W. 14-5/8 in. (47.3 x 37.1 cm), Drawings

Project for a Fountain for La Place Louis XV, ca. 1806, Pen and black ink, brush and gray wash with watercolor, over graphite, Sheet: 13 3/4 x 10 in. (34.9 x 25.4 cm), Pierre François Léonard Fontaine (French, Pontoise 1762–1853 Paris

Solway Moss (Liber Studiorum, part XI, plate 52), January 1, 1816, Etching and mezzotint; fifth state of five (Finberg), plate: 7 5/16 x 10 5/8 in. (18.6 x 27 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London

Triumphal Arch, April 1814, 1814, Watercolor on paper, Drawings, Francisco Antonio de Sousa (Portuguese, Lisbon

Adam and Little Eve, 1921, Watercolor and transferred printing ink on paper mounted on cardboard, 16 5/8 × 11 3/4 in. (42.2 × 29.8 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno), In this

ORLEANS, 1922, Watercolor on paper, 12 7/8 × 10 5/8 in. (32.7 × 27 cm), Drawings

Five Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Designs for a Candlestick, Two Handled Vase, Decorated Plate and Footed Dish, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Design for the Decoration of the Drawing Room at Eastnor Castle, Hertfordshire, 19th century, Watercolor with touches of gold over graphite on off-white wove paper, sheet: 15 3/8 x 19 13/16 in. (39.1 x 50.4 cm), John Gregory Crace (British,

Study of a Plant with Red-Purple Flowers (Sebastiana africana purpurea), 1695, Gouache, watercolor, over graphite, Sheet: 14 1/8 × 9 3/4 in. (35.8 × 24.7 cm), Drawings, Maria Monninckx (Dutch, The Hague 1673 or 1676–1757 Amsterdam

Marine Dabblers (Liber Studiorum, part VI, plate 29), June 1811, Etching and mezzotint; first state of two, plate: 8 3/16 x 11 3/8 in. (20.8 x 28.9 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851

Botanical Studies (recto); Botanical Studies (verso), ca. 1820, Watercolor over graphite, 19 9/16 x 12 9/16 in. (49.7 x 31.9 cm), Drawings, Anonymous, French, 19th century

St. Catharine's Hill near Guilford (Liber Studiorum, part VII), June 1811, Etching and mezzotint; first state of three, plate: 7 5/16 x 10 3/8 in. (18.6 x 26.4 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London

Eclectus Roratus Polychloros, ca. 1830–32, Watercolor and gouache over graphite or chalk, sheet: 21 15/16 x 14 3/4 in. (55.7 x 37.5 cm), Drawings, Edward Lear (British, London 1812–1888 San Remo), Known as a landscape painter and a writer

The Bridge in Middle Distance (Liber Studiorum, part III, plate 13), June 10, 1808, Etching, aquatint and mezzotint; first state of five (Finberg), plate: 7 1/8 x 10 7/8 in. (18.1 x 27.6 cm), Prints, Designed and etched by Joseph Mallord

Church of the Pilgrims, Brooklyn, New York, 1844, Lithograph with beige and blue tint stones and watercolor, image: 13 13/16 x 10 5/8 in. (35.1 x 27 cm), Prints, Frances Flora Bond Palmer (American (born England), Leicester 1812–1876 New

Alberich and the Rhinemaidens, 1885, Watercolor and gouache over graphite, Sheet: 29 3/4 x 16 1/8 in. (75.5 x 41 cm), Drawings, Luc-Olivier Merson (French, Paris 1846–1920 Paris

The Bridge of Sighs, 1830–62, Gouache and watercolor, Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Folio from a Qur'an Manuscript, ca. 1250–1300, Made in North Africa, Ink, opaque watercolor, and gold on parchment, Page: H. 10 1/4 in. (8 9/16 cm), Codices, Qur'ans of the Maghreb or the Islamic west, including North Africa and Spain,

Hind Head Hill, On the Portsmouth Road (Liber Studiorum, part V, plate 25), January 1, 1811, Etching, mezzotint and drypoint; first state of four (Finberg), plate: 7 x 10 1/4 in. (17.8 x 26 cm), Prints, Designed and etched by Joseph Mallord

A View of Lower Rydal Falls, Cumbria, 1837, Watercolor, pen and ink, gray and white heightening, on beige paper, sheet: 20 9/16 x 14 5/8 in. (52.3 x 37.1 cm), Drawings, Thomas Fearnley (Norwegian, Frederikshald 1802–1842 Munich),

View, Looking Aft, from the Port Paddle Box of the Great Eastern, Showing the Trough for the Cable, etc., 1865–66, Watercolor over graphite with touches of gouache, Sheet: 15 1/8 x 21 1/2 in. (38.4 x 54.6 cm), Drawings, Robert Charles

A Spider, late 17th–early 18th century, Watercolor, sheet: 2 3/4 x 4 5/8 in. (7 x 11.8 cm), Drawings, Jan Vincentsz van der Vinne (Dutch, Haarlem 1663–1721 Haarlem

Drawings and Prints, Drawings Ephemera, Tattoo Design of a Female Performer, Artist, Clark & Sellers, American, active 20th century, Clark & Sellers, American, 1900, 1945, ca. 1900–1945, 1895, 1945, pen and ink and watercolor

The Great Exotic Stove at Kew, 1763, Ink, wash and watercolor, sheet: 11 7/16 x 16 9/16 in. (29 x 42 cm), Leaf 7 in William Chambers album of drawings, 'Plans, Elevations, Sections, and Perspective Views of the Gardens and Buildings of Kew'

Dunstanborough Castle (Liber Studiorum, part III, plate 14), June 10, 1808, Etching, aquatint and mezzotint; first state, plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

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