Images at Librifly search results: Watercolor clear search 32.428 / 2.589.715 Entries < previous page Page 54 / 325 next page > Flamborough Head, England, 1882, Winslow Homer, American, 1836-1910, United States, Graphite and opaque white watercolor on medium thick, slightly textured, tan laid paper with red and blue fibers, 452 x 609 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print and watercolor (in album), 29.2 × 41.9 cm La Piana, 1868, Edward Lear, English, 1812-1888, England, Watercolor and pen and brush and brown ink, over graphite, on ivory wove paper, 324 × 537 mm Raffaelle’s Villa Medici, Rome, 1774, John Downman, English, 1750-1824, England, Pen and black ink and brush and watercolor, over traces of graphite, on ivory laid paper, 260 × 362 mm Village Fair: Harlequin and Quack, 1800, Thomas Rowlandson, English, 1756-1827, England, Watercolor on cream wove paper, 206 × 280 mm A View from the Palatine Hill, Rome, the Alban Hills in the Distance, c. 1775, Carlo Labruzzi, Italian, 1748-1818, Italy, Watercolor, over graphite, on ivory laid paper, laid down on white laid paper, folded, 311 x 531 mm (primary View of Douai, 1667–70, Adam Frans van der Meulen, Flemish, 1632-1690, Flanders, Graphite, with watercolor, on ivory laid paper, 303 × 414 mm Shrubs and Trees in Rocky Landscape, c. 1845, John Ruskin, English, 1819-1900, England, Pen and brown ink, with brush and watercolor, over graphite, on ivory wove paper, 140 × 215 mm Martyrdom of a Saint, 1626/32, Workshop of Vicencio Carducho, Italian, 1570-1638, Italy, Watercolor and black chalk, heightened with lead white (discolored), on cream laid paper, laid down on ivory laid paper, 344 x 236 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Man of Sorrows, 1465/70, German, 15th century, Germany, Woodcut hand-colored with brush and watercolor on cream laid paper, edge-mounted to vellum, laid down on wooden book cover covered in hand-tooled leather with tooled metal hinges, 397 x Nature’s Gems, c. 1844, Edwin Whitefield, American, 1816-1892, United States, Lithograph heightened with gold paint and watercolor on cream wove paper, 199 x 156 mm The Little Blue Cap, 1893/95, James McNeill Whistler, American, 1834-1903, United States, Watercolor and opaque watercolor over charcoal on brown wove paper, 278 x 182 mm A View of the Constitution off Boston, 1814, Isiah Whyte, American, 19th century, United States, Watercolor with traces of graphite on tan laid paper, laid down on board, 285 x 350 mm Design for Frontispiece to the Seven Virtues, 1598, Joannes Stradanus, called Giovanni Stradano, Flemish, 1523-1605, Flanders, Pen and brown ink and brush and brown wash, with touches of opaque white watercolor, over traces of black chalk, Two Women in a Doorway, 1882, Lawrence Carmichael Earle, American, 1845-1921, United States, Watercolor and gouache, over traces of graphite, on cream watercolor paper, laid down on wood-pulp board, 575 x 401 mm Portrait of a Beauty, 17th century, India, India, Opaque watercolor and gold on paper, Image: 22.4 x 16.6 cm (8 13/16 x 6 1/2 in.), Outermost Border: 41.8 x 26.7 (16 3/8 x 10 1/2 in.), Paper: 44 x 28.6 cm (17 3/8 x 11 1/4 in True Love’s Fond Token (Valentine), n.d., Joseph Addenbrooke, English, 19th century, England, Collaged elements with watercolor and pen and black ink on gray accented and embossed ivory wove paper, 115 × 93 mm (folded sheet Dearest ‘Tis Time Alone (valentine), c. 1840, George Meek, English, 19th century, England, Collaged elements and watercolor, with pen and blue ink on cut and embossed ivory wove paper, 142 × 93 mm (folded sheet People on the Beach at Trouville, 1864, Eugène Louis Boudin, French, 1824–1898, France, Watercolor and graphite on ivory laid paper, 128 × 225 mm What are you looking for here, Philosopher?, 1847, Paul Gavarni, French, 1804-1866, France, Lithograph in black on cream wove paper, with watercolor additions, colored by hand, 204 × 177 mm (image), 356 × 275 mm (sheet A Polo Game: Page from a Kulliyyat (Collected Works) of Sa’di, Safavid dynasty (1501–1722), 16th century, c. 1585, Iran, Shiraz, Shiraz, Ink, opaque watercolor, and gold on paper, 16.8 x 6.7 cm (6 5/8 x 2 5/8 in Demolition of Old Houses to the North of Westminster Abbey, 1800, Thomas Rowlandson, English, 1756-1827, England, Pen and brown ink with brush and watercolor, over traces of graphite, on tan wove paper, laid down on card, 202 × 268 mm Portrait Head of a Young Girl, n.d., Elizabeth Murray, English, c. 1815-1882, England, Watercolor over graphite on cream wove paper, 267 mm × 184 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Villagers Grinding Corn, page from the Fraser Album, Company School, c. 1820, India, Delhi, India, Opaque watercolor on paper, 31.1 x 21.3 cm (12 1/4 x 8 3/8 in Man Mounting Plank to Boat, 1660/69, after Leonard Bramer, Dutch, 1596-1674, Netherlands, Pen and ink and watercolor on tan wove paper, laid down on card, 270 x 327 mm (image), 413 x 469 mm (sheet The Rapids, Hudson River, Adirondacks, 1894, Winslow Homer, American, 1836-1910, United States, Transparent watercolor, with traces of opaque watercolor, blotting, and scraping, over graphite, on thick, rough-textured, ivory wove The First Whisper of Love, c. 1889, John Douglas Miller (English, 1860-1903), after William Bouguereau (French, 1825-1905), England, Watercolor on ivory wove paper, 572 × 399 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm Plates One and Two, from L’Ouverture de la Campagne des Ultras contre la XIXe siecle, n.d., Unknown Artist, French, 19th century, France, Two etchings, with watercolor, on cream wove paper, 67 × 205 mm (both images), 179 × 256 mm Conway Castle, 1849, Thomas Miles Richardson, the younger, English, 1813-1890, England, Watercolor, over graphite, on ivory wove paper, laid down on cream card, 242 × 156 mm Woman and Child before Walled Town with Tower, n.d., Elizabeth Murray, English, c. 1815-1882, England, Watercolor over graphite on gray wove paper, 273 mm × 190 mm Prince Visiting an Ascetic during a Hunt, 1625/50, India, Kashmir, India, Opaque watercolor, gold, and ink on paper, Image: 26.5 x 15.2 cm (10 3/8 x 6 in.), Border: 29.3 x 18 cm (11 1/2 x 7 1/8 in.), Paper: 40.8 x 26.5 cm (16 1/16 x 10 3/8 Studies of Trees and Foliage, 1884/87, Pierre Auguste Renoir, French, 1841-1919, France, Pen and black ink with opaque and transparent watercolor on ivory wove paper, 497 × 309 mm View of Braubach, n.d., Ernst Damitz, American, born Germany, 1805-1883, United States, Watercolor on ivory wove paper (discolored to tan), 338 x 461 mm Untitled, c. 1875, English, 19th century, United Kingdom, Photocollage (albumen prints with watercolor), 24 x 31.2 cm (image), 34.6 x 44 cm (paper Ecce Homo, n.d., Unknown artist, Austrian, 18th century, Austria, Pen and brown ink, with brush and gray wash, and black chalk, on blue laid paper, 324 × 220 mm, In the Spring the Wanton Lapwing gets himself another Crest, n.d., George On the Balcony, 1871/72, Berthe Morisot, French, 1841-1895, France, Watercolor, with touches of gouache, over graphite, on off-white wove paper, 206 × 173 mm Untitled Valentine (Blue and White Vase with Flowers), c. 1850, George Kershaw, English, 19th century, England, Collaged elements with watercolor on embossed ivory wove paper, 180 × 114 mm (folded sheet Cows in Landscape, n.d., Elizabeth Murray, English, c. 1815-1882, England, Watercolor over traces of graphite on ivory wove paper, 176 mm × 260 mm An Artist Adoring a Statue of Virtue, 1783, Claude Hoin, French, 1750-1817, France, Watercolor and gouache, over black chalk, on ivory laid paper, laid down on off-white laid paper, 408 × 277 mm (primary support), 475 × 340 mm (secondary Study for Portrait of Boy with Book, n.d., Elizabeth Murray, English, c. 1815-1882, England, Watercolor over graphite on cream wove paper, 369 mm × 268 mm Untitled Valentine (Children, Swans, and Butterflies), 1860/69, John Windsor, English, 19th century, England, Collaged elements and watercolor on cut and embossed (designed) ivory wove paper, 125 × 81 mm (folded sheet The Circumcision, 1601, Abraham Bloemaert, Dutch, 1566-1651, Netherlands, Pen and brown ink and brush and brown wash, heightened with white opaque watercolor, over black chalk, on buff laid paper, laid down on buff laid card, 277 x 276 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm The Valley of the Eisak Near Brixen in the Tyrol, 1783/84, John Robert Cozens, English, 1752-1797, England, Brush and black ink, and watercolor, with scraping, on cream wove paper, laid down on ivory wove paper and edge mounted on card, The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm The Flagellation, 1460–65, Bavarian, 15th century, Germany, Metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso, 100 × 75 L’Inspiration, c. 1893, Gustave Moreau, French, 1826-1898, France, Watercolor and gouache, with pen and blue ink, over traces of graphite, on ivory wove paper, wrapped and adhered on verso to wood pulp board, 299 × 230 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm Love, Truth, Constancy, Fidelity (Valentine), c. 1850, Unknown Artist, English, 19th century, England, Lithograph in gold ink, with collage and watercolor on cut and embossed ivory wove paper (lace), 178 × 118 mm (folded sheet The Pietà, 1460–65, Bavarian, 15th century, Germany, Metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso, 100 × 75 mm Khusrau Gazing at Shirin, from a copy of the Khamsa of Nizami, 1485 (890 A.H.), Iran, Iran, Opaque watercolor on paper, 28.1 x 34.7 cm (11 1/16 x 13 1/4 in.), left page width: 17.4 cm (6 7/8 in.), right page width: 17.3 cm (6 13/16 in Near Vichy, 1866/67, Jean François Millet, French, 1814-1875, France, Watercolor and pen and brown iron gall ink over graphite on ivory laid paper, perimeter mounted to cream Japanese paper, 109 × 161 mm Say Shall I Conquer (valentine), c. 1840, Joseph Addenbrooke, English, 19th century, England, Collaged elements with watercolor on cut and embossed ivory wove paper (lace), 114 × 93 mm (folded sheet The Constellation Leo, folio probably from the Kitab suwar al-kawakib al-thabita (Book of the Images of the Fixed Stars), Timurid dynasty (ca. 1370–1507), dated c.1500, Iran, Iran, Opaque watercolor on paper, 21.3 × 14.3 cm (8 3/8 × 5 5/8 Krishna’s Marriage to Kalinda, page from a manuscript of the Bhagavata Purana, c. 1775, Nepal, Nepal, Opaque watercolor on paper, 36.8 x 51.9 cm (14 1/2 x 20 1/2 in Lancaster: Peace and War, 1842, David Cox the elder, English, 1783-1859, England, Watercolor, with touches of gouache, black chalk, and scraping, selectively varnished with gum arabic, on cream wove paper, 497 × 760 mm Bob, 1869, Giuseppe de Nittis, Italian, 1845/46-1884, Italy, Watercolor, over graphite, on cream wove paper, 250 x 205 mm Mother and Her Family in the Country, 1806/07, Henry Fuseli, Swiss, active in England, 1741-1825, Switzerland, Pen and black ink, and brush and black and gray wash, with watercolor and traces of white gouache, over graphite, on ivory laid Study for Dr. Syntax Entertained at College, c. 1828, Thomas Rowlandson, English, 1756-1827, England, Pen and brown ink with brush and watercolor on ivory laid paper, 65 × 106 mm Scene at Lutworth, 1870/80, After Joseph Mallord William Turner, English, 1775-1851, England, Watercolor and gouache with scraping, over graphite, on cream wove paper, laid down on board, 393 × 483 mm The Siege of Ujjain and the Magic Donkey, page from a copy of the Kalakacharyakatha, c. 1450, India, Gujarat, India, Opaque watercolor and gold on paper, Image: 10.1 x 6.9 cm (3 15/16 x 2 11/16 in. ), Paper: 11.3 x 25.3 cm (4 7/16 x 9 15/16 Impatiens, from Collection des plantes usuelles, curieuses, et étrangères, 1767, Jacques Fabien Gautier D’Agoty, French, 1710-1781, France, Engraving, with additions in brush and watercolor, on cream laid paper (discolored to buff), Figures in Procession, n.d., Henry Stacy Marks, English, 1829-1898, England, Black chalk, with brush and gray wash and watercolor, heightened with white gouache, squared in graphite, on ivory wove paper, 153 × 283 mm Green and Blue: The Dancer, c. 1893, James McNeill Whistler, American, 1834-1903, United States, Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card, 275 × 183 mm A Group of Auriculas, from The Temple of Flora, 1803, Frederick Christian Lewis, the elder (English, 1779-1856), James Hopwood, the elder (English, c. 1752-1819), after Peter Charles Henderson (English, active 1791-1829), published by Dr. The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Sketch of Seated Woman in Peasant Costume, n.d., After John Frederick Lewis, English, 1805-1876, England, Watercolor over graphite, on ivory wove paper, tipped onto gray wove paper, 253 mm × 200 mm Othman Kahn III, from Portraits of the Emperors of Turkey, 1815, John Young, English, 1755-1825, England, Mezzotint, hand-colored with brush and watercolor, on ivory wove paper, 375 × 253 mm Soliman Kahn I, from Portraits of the Emperors of Turkey, 1815, John Young, English, 1755-1825, England, Mezzotint, hand-colored with brush and watercolor, on ivory wove paper, 375 × 253 mm Cavalry Exercise in a Meadow, n.d., Constantin Guys, French, 1802-1892, France, Pen and brown ink with brush and watercolor, on ivory wove paper, 158 × 260 mm Campfire, Adirondacks, c. 1892, Winslow Homer, American, 1836-1910, United States, Transparent and opaque watercolor, with blotting and scraping, on thick, moderately-textured, ivory wove paper, 384 x 545 mm The Wardrobe Consultant, 1782, Nicolas Lavrince, Swedish, 1737-1807, Sweden, Watercolor and gouache, with pen and black ink, on cream wove paper, 301 x 220 mm Strolling Musicians, 1648/58, Cornelis Visscher (Dutch, c. 1629-1658), after Adriaen van Ostade (Dutch, 1610-1685), Holland, Etching on ivory laid paper, 258 x 308 mm (image), 379 x 316 mm (sheet), Bayard Taylor’s Midnight Sun in Lapland, Beverly N.J., 1880/89, Thomas Moran, American, born England, 1837-1926, United States, Watercolor on ivory wove paper, 188 x 355 mm Hut in Woodland Setting, 1890, John Joseph Gustave Burghoffer, active in France, died 1907, France, Watercolor on wove paper, laid down on board, 125 × 153 mm County Election, 1854, John Sartain (English, 1808-1897), after George Caleb Bingham (American, 1811-1879), England, Engraving hand-colored with watercolor on cream chine laid down on cream wove plate paper, 556 × 762 mm (image), 708 × 938 The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, page from a manuscript of the Akbarnama, Mughal period, c. 1590/95, India, Designed by Basawan, painted by Shankar, India, Opaque watercolor and gold on paper, Image: 32 × Snow White and Rose Red, n.d., Richard Doyle, English, 1824-1883, England, Watercolor over graphite on ivory wove paper, laid down on card, 140 × 214 mm View on the Wensum at King Street, Taken from Foundary Bridge, 1810/18, John Thirtle, English, 1777-1839, England, Watercolor on off-white wove paper, 153 × 316 mm Isn’t it marvellous to have a son who is a lawyer… what an honour for the family… Adolph, I want you to remain dressed like that all day long!…, plate 21 from Les Bons Bourgeois, 1846, Honoré Victorin Daumier (French, 1808-1879), model Sunshine and Shadow, Prout’s Neck, 1894, Winslow Homer, American, 1836-1910, United States, Watercolor, with rewetting and blotting, over graphite, on thick, rough-textured, ivory wove paper, 385 x 546 mm Postcart Monks and Women Near Church Door, 1791, Thomas Rowlandson, English, 1756-1827, England, Pen and gray and brown ink, with brush and watercolor, over traces of graphite, on tan wove paper, laid down on card, 250 × 383 mm Studies for Portraits of Two Young Girls, n.d., Elizabeth Murray, English, c. 1815-1882, England, Watercolor over graphite on cream wove paper, 118 mm × 372 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Beauty Holding a Flower, Mughal period, mid–17th century, India, India, Opaque watercolor, gold, and ink on paper, Image: 15.4 x 8.6 cm (6 1/6 x 3 3/8 in.), Outermost border: 19.1 x 12. 2 cm (7 1/2 x 4 13/16 in.), Paper: 27.6 x 17 cm ( 10 Albenga on the Corniche (Costal) Road, November 6, 1841, Elizabeth Murray, English, c. 1815-1882, England, Watercolor and white gouache over graphite on gray wove paper, 188 mm × 267 mm Portrait of James Butler, 1st Duke of Ormond (1610-1688), 17th century, Thomas Flatman, English, 1635/7-1688, England, Watercolor on ivory, 6 × 4.9 cm (2 3/8 × 1 15/16 in Washerwoman at Nice, February 1842, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over graphite on cream wove paper, 176 mm × 259 mm Tahitian Hut, 1891/93, Paul Gauguin, French, 1848-1903, France, Watercolor, with touches of gouache, over graphite, on tan wove paper, 165 × 247 mm Little Lie-A-Bed’s Sad Breakfast, 1900, Carl Olof Larsson, Swedish, 1853-1919, Sweden, Watercolor over graphite on paper, 510 x 358 mm Maiden Fair of High Degree (valentine), 1845/50, Joseph Mansell, English, 19th century, England, Collaged elements with watercolor on cut and embossed ivory wove paper (lace), 193 × 123 mm (folded sheet Hyde Park, n.d., Attributed to Constantin Guys, French, 1802-1892, France, Pen and brown ink, with brush and watercolor, on ivory wove paper, 198 × 191 mm Donkey, 1833, Alexandre Gabriel Decamps, French, 1803-1860, France, Watercolor and touches of gouache, heightened with gum varnish, over traces of graphite, on tan wove paper, 220 × 293 mm Launcetown Cornwall, c. 1789, Thomas Rowlandson, English, 1756-1827, England, Pen and brown ink with brush and watercolor, over graphite, on cream wove paper, laid down on card, 170 × 260 mm Oh! Give Dear All Thy Love to Me (valentine), c. 1840, George Meek, English, 19th century, England, Collaged elements with watercolor and pen and ink on cut and embossed ivory wove paper (lace), 143 × 94 mm (folded sheet Jacob and Esau, c. 1655, Jacob Jordaens, Flemish, 1593-1678, Flanders, Charcoal, pen and brown ink, and brush and brown washes, heightened with opaque white watercolor, on pieced cream laid paper, laid down on blue laid paper, ruled in Young Girl with Crop and Cricket Bat, n.d., Elizabeth Murray, English, c. 1815-1882, England, Watercolor over traces of graphite on cream wove paper, 260 mm × 180 mm search results: Watercolor clear search 32.428 / 2.589.715 Entries < previous page Page 54 / 325 next page >