Images at Librifly search results: Watercolor clear search 32.428 / 2.589.715 Entries < previous page Page 55 / 325 next page > Road in Provence, c. 1885, Paul Cézanne, French, 1839-1906, France, Watercolor and graphite on tan wove paper, 502 × 504 mm Album Page with a Portrait of Namdar Khan (Side A) and Calligraphic Specimens (Side B), Mughal period, late 17th century (painting and borders), 16th/17th century (calligraphy), India, India, Opaque watercolor and gold on paper, Image: 17.8 x The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm Untitled Valentine (Silver Birds on Blue), n.d., Unknown Artist, English, 19th century, England, Collaged elements and watercolor on pink accented and embossed ivory wove paper, 189 × 124 mm (folded sheet Rathskeller Neubau, Halle (Saale), Saxony-Anhalt, Germany, Elevations, c. 1887, Peter J. Weber, American, born Germany, 1863-1923, Saxony-Anhalt, Graphite, ink, watercolor, and tempera on paper, 68.6 × 98.1 cm (27 × 38 5/8 in National Academy of Design Competition, New York, New York, South Elevation, 1861, Peter Bonnett Wight, American, 1838–1925, New York City, Ink, watercolor, and gouache on paper, 53 x 68.6 cm (20 7/8 x 27 in The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints and watercolor (in album), 29.2 × 41.9 cm Forget Me Not Where’eer You Be (valentine), c. 1850, George Kershaw, English, 19th century, England, Collaged elements, watercolor, and pen and blue ink on cut and embossed ivory wove paper, 180 × 114 mm (folded sheet Ten Studies of Tahitian Figures, 1891/93, Paul Gauguin, French, 1848-1903, France, Brush and brown inks (originally purple), with watercolor, on parchment, 240 × 314 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Miracle of the Deer of Saint Bassiano, from a Choir Book, 1500/10, Master B. F. (possibly Francesco Binasco), Italian (Lombardy), about 1490-about 1545, Italy, Opaque watercolor and shell gold on parchment, 126 x 295 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Garden Scene, Timurid dynasty (ca. 1370–1507), mid–15th century, Iran, possibly Shiraz, Herat, Opaque watercolor and gold on paper, Each side: 17.8 x 10.2 cm (7 x 4 in Scroll with Arabic text giving the story of the Shi’a Imams, 18th century, Iran, Iran, Ink, gold, and opaque watercolor on paper, 2.5 x 7.7 x 2.2 cm (1 x 3 x 7/8 in The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albume print with watercolor (in album), 29.2 × 41.9 cm Tivoli, Showing Rome in the Distance, c. 1781, Towne, Francis, English, 1739/40-1816, Unknown Place, Pen and black ink and watercolor, with brush and black wash and touches of graphite, on ivory laid paper, 343 x 248 mm Sketchbook I, 1883, Arthur B. Davies, American, 1862-1928, United States, Maroon buckram cover, tinted paper pages with designs in graphite and watercolor, 120 x 152 x 10 mm Caernarvon Castle, 1845, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over graphite on cream wove paper, 260 mm × 364 mm It’s Papa Can’t Bear it Out of His Sight, 1872, Randolph Caldecott, English, 1846-1886, England, Gouache and watercolor with graphite, on cream wove paper (discolored to tan), laid down on tan wood-pulp board, 191 × 180 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Maruru (Offerings of Gratitude), from the Noa Noa Suite, 1893/94, Paul Gauguin, French, 1848-1903, France, Wood-block print, printed twice in brown and black inks, with selective wiping of the brown, and hand-applied green, blue, two Point Paper (mise-en-carte), c.1880, Roubaix, France, Possibly from the firm of Emile Leblanc, France, Opaque watercolor (gouache) over graphite with black ink on mold paper, 42.7 × 49.7 cm (16 7/8 × 19 5/8 in The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with graphite and watercolor (in album), 29.2 × 41.9 cm Painted Banner (paubha) of Goddess Ushnishavijaya Within a Funerary Mound (chaitya) and Surrounded by Chaityas, 1513, Nepal, Kathmandu Valley, Nepal, Opaque watercolor with gold on cotton, 58.2 × 57.2 cm (23 3/16 × 22 1/2 in Portrait of a Ladakhi Mountain Goat, Mughal period, about 1600, India, India, Opaque watercolor, ink, and gold on paper, Image: 23.4 x 16.6 cm (9 3/16 x 6 1/2 in.), Outermost Border: 37.9 x 25.6 cm (14 7/8 x 10 1/8 in.), Paper: 37.9 x 25.6 The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm Landscape with Gate at Sunset, n.d., Hugh Huntington Howard, American, 1860-1927, United States, Watercolor on ivory wove paper, laid down on gray wove paper, 136 x 192 mm Castle on Height near Geneva, 1836, Joseph Mallord William Turner, English, 1775–1851, England, Watercolor, with scraping, over graphite, on off-white wove paper, edge mounted to cream card, 160 × 234 mm Page of Shikasta Nasta’liq Calligraphy with Floral Margins, Zand dynasty (1750–1794), 1767, Iran, Attributed to Abd al-Majid Taleqani, Iran, Ink, gold, and watercolor on paper, 30.48 x 20.32 cm (12 x 8 in The Illuminated Border of Animals, double page from a copy of the Gulistan of Sa’di, Safavid dynasty (1501–1722), 16th century, Iran, Iran, Opaque watercolor, gold, and ink on paper, 28.9 x 36.8 cm (11 3/8 x 14 1/2 in.), each page Divan of Hafiz, Safavid dynasty (1501–1722), 16th century, dated c. 1540–1550, Iran, Iran, Cover: bound in leather, tooled, applied gold and black pigment, interior: ink, gold and opaque watercolor on paper, 21.4 x 13 x 2.3 cm (8 7/16 Environs of Windsor Castle, n.d., Thomas Shotter Boys, English, 1803-1874, England, Watercolor, with touches of scraping, heightened with white gouache, over traces of graphite, on tan wove paper, 273 × 444 mm North Woods Club, Adirondacks (The Interrupted Tete-a-Tete), 1892, Winslow Homer, American, 1836-1910, United States, Watercolor, with rewetting, blotting and scraping, over graphite, on thick, moderately textured, ivory wove paper, 380 After the Hurricane, Bahamas, 1899, Winslow Homer, American, 1836-1910, United States, Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over graphite, on moderately thick, moderately textured Tahitian Landscape, 1894, Paul Gauguin, French, 1848-1903, France, Watercolor monotype from a glass matrix, with touches of gouache on cream wove paper laid down on ivory Japanese paper, 217 × 247 mm (primary/secondary support Six Cows Grazing before Country House, n.d., Elizabeth Murray, English, c. 1815-1882, England, Watercolor over graphite on cream wove paper, 260 mm × 362 mm Cupid’s Hunting Fields, 1885, Sir Edward Burne-Jones, English, 1833-1898, England, Gouache, with watercolor and gold and silver paints on ivory wove paper, laid down on linen canvas, 995 × 769 mm Head of a Woman and Head of a Bearded Man, 1880, Édouard Manet, French, 1832-1883, France, Watercolor with pen and brown ink and graphite on cream wove paper, 201 x 124 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Plates Three and Four, from L’Ouverture de la Campagne des Ultras contre la XIXe siecle, n.d., Unknown Artist, French, 19th century, France, Two etchings, with watercolor, on cream wove paper, 67 × 205 mm (top image), 67 × 206 mm Shepherdess, 1810/20, Richard Westall, English, 1765-1836, England, Graphite heightened with watercolor and touches of white gouache on gray wove paper, 220 × 172 mm One of the Ladies of the Harem (recto), Fragment of a Landscape (verso), 1854/56, Constantin Guys, French, 1802-1892, France, Watercolor and pen and brown ink, over graphite (recto), and graphite (verso), on cream wove paper, 365 × 264 Fishing Boat, 1878, Johan Barthold Jongkind, Dutch, 1819-1891, Holland, Watercolor and gouache, with black chalk, on cream laid paper, 184 x 266 mm Mercury (after Pigalle), 1885/1895, Paul Cézanne, French, 1839-1906, France, Graphite on ivory wove paper (recto), graphite with touches of watercolor on ivory wove paper (verso), 485 × 314 mm (ma An Offering of Love (valentine), c. 1840, George Kershaw, English, 19th century, England, Collaged elements with watercolor and pen and brown ink on cut and embossed ivory wove paper (lace), 179 × 114 mm (folded sheet Fallen Indian Warrior, c. 1886, Charles Marion Russell, American, 1865-1926, United States, Watercolor and graphite on cream wove paper, 406 x 535 mm Believe My Love These Lines Are True (valentine), 1840/50, George Kershaw, English, 19th century, England, Collaged elements and watercolor, with pen and ink on embossed ivory wove paper, 228 × 191 mm (folded sheet The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Untitled Valentine (Urn with Bird and Flowers in Wreaths of Gold Flowers), c. 1850, Unknown Artist, English, 19th century, England, Watercolor and gold paint with collaged elements on cut and embossed ivory wove paper (lace, folded) with blue Powerscourt Waterfall, August 1843, Elizabeth Murray, English, c. 1815-1882, England, Watercolor and white gouache over graphite on gray wove paper, 254 mm × 176 mm Bust Portrait of Child, n.d., Elizabeth Murray, English, c. 1815-1882, England, Watercolor over graphite on cream board, 147 mm × 260 mm Bajazet Kahn I, from Portraits of the Emperors of Turkey, 1815, John Young, English, 1755-1825, England, Mezzotint, hand-colored with brush and watercolor, on ivory wove paper, 375 × 253 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Love (Valentine), c. 1850, George Kershaw, English, 19th century, England, Collaged elements and watercolor, with pen and brown ink on cut and embossed ivory wove paper, 179 × 114 mm (folded sheet Gothic Cathedral Behind a Pond with Swans, 1810/15, Karl Friedrich Schinkel, German, 1781-1841, Germany, Pen and brush and brown wash, with brush and brown wash and watercolor, over graphite, on cream wove paper, 244 x 185 mm Stealing the Preserves, 1815/20, Thomas Rowlandson, English, 1756-1827, England, Pen and red and black ink, with brush andwatercolor, over traces of graphite, on ivory wove paper tipped onto cream wove paper, 275 × 220 mm Prout’s Neck, Evening, c. 1894, Winslow Homer, American, 1836-1910, United States, Watercolor, with rewetting and blotting, over traces of graphite, on thick, rough-textured, ivory wove paper (top edge trimmed), 359 x 536 mm View of Avignon (from Villeneuve les Avignon), 1823/69, Paul Huet, French, 1803-1869, France, Watercolor, with touches of gouache and scraping, selectively varnished with gum arabic, over traces of graphite, on ivory wove paper, 315 × 483 The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Two Women, c. 1840, Constantin Guys, French, 1802-1892, France, Pen and brown ink with brush and watercolor over traces of graphite, on ivory wove paper, 323 × 223 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints and watercolor (in album), 29.2 × 41.9 cm The Translation of the Ashes of Napoleon: 15 December, 1840, c. 1842, Eugène L. Lami, French, 1800-1890, France, Watercolor and gouache, with traces of graphite, on ivory wove paper, 153 × 257 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm From Barnard’s Book on Coloring, 1855, Elizabeth Murray, English, c. 1815-1882, England, Watercolor on cream wove paper, tipped onto cream wove paper, 189 mm × 282 mm Two Figures (related to the painting Tahitian Landscape), 1891/93, Paul Gauguin, French, 1848-1903, France, Black chalk, with touches of watercolor and watercolor offset on cream wove paper, 352 × 369 mm I’timad-ud-Daula’s Tomb at Agra, c. 1820, India, Agra, India, Watercolor on paper watermarked J. Whatman with pencil, pen, ink and gold, 51 × 74 cm(21.1 × 29.1 in The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm The Periwinkle of Java, from Collection of Usual, Curious, and Foreign Plants, 1767, Jacques Fabien Gautier D’Agoty, French, 1710-1781, France, Color etching, stipple engraving, and roulette, with watercolor (hand coloring), on ivory Portrait of a Man, n.d., Unknown artist, English, 18th century, England, Watercolor and graphite on paper, 281 × 204 mm (image), 306 × 228 mm (plate), 390 × 272 mm (sheet Ruler Entertained by Dancers in a Paradise Garden, late 18th century, India, Uttar Pradesh, Avadh, India, Opaque watercolor and gold on paper, Image: 30 x 12.9 cm (11 13/16 x 5 1/16 in.), Outermost Border: 26.2 x 15.4 cm (12 5/8 x 6 1/16 in. Courtyard of a Palace, Safavid dynasty (1501–1722), 16th century, Iran, Iran, Opaque watercolor and ink on paper, Image: 22.9 x 13.1 cm (9 x 5 3/8 in.), Paper: 26.8 x 14.2 cm (10 9/16 x 5 5/8 in Two Little Girls in Fur-Trimmed Coats, 1900, Kate Greenaway, English, 1846-1901, England, Watercolor, with graphite, on cream wove paper (discolored to tan), 214 × 222 mm The Drawing Class, 1810/13, Unknown Artist, American, 19th century, United States, Watercolor over graphite on cream wove paper, laid down on cream board, 372 x 609 mm Two Little Girls with Bonnets, 1883, Kate Greenaway, English, 1846-1901, England, Pen and brown ink and watercolor, over traces of graphite, on cream wove paper (discolored to tan), perimeter mounted to cream wood-pulp laminate board, 109 The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Watercolor drawing (in album), 29.2 × 41.9 cm Mrs. Charles Donald McNeill (Martha Kingsley), 1800/3, American, 19th century, United States, Watercolor on ivory, 6.4 × 3.8 cm (2 1/2 × 1 1/2 in The Mail Coach in a Flood, 1827, Rosenbourg (English, 19th century), after Robert Pollard (English, 1755-1838), England, Aquatint, heightened with watercolor, on paper Sheet of Sketches: Men, Women and Mice, n.d., Denis Auguste Marie Raffet, French, 1804-1860, France, Watercolor and graphite, on white wove paper, tipped onto gray laid paper, 208 × 277 mm A Procession Scene with Musicians, from a copy of the Padshanama, Mughal period, mid 17th century, India, India, Opaque watercolor and gold on paper, Image: 38 x 25.9 cm (15 x 10 1/4 in.), Paper: 38.5 x 26.6 cm (15 1/4 x 10 1/2 in Sheet of Sketches with Self-Portrait, n.d., George Cruikshank, English, 1792-1878, England, Graphite with brush and watercolor wash, on cream wove paper, 229 × 174 mm Achmet Kahn I, from Portraits of the Emperors of Turkey, 1815, John Young, English, 1755-1825, England, Mezzotint, hand-colored with brush and watercolor, on ivory wove paper, 375 × 253 mm Native Traveling in India, n.d., Unknown Artist (British, 19th century), or possibly Charles Lock Eastlake (English, 1836-1906), England, Watercolor on wove paper, laid down on ivory wove paper, 143 × 268 mm The Milliner, c. 1877, Eva Gonzalès, French, 1849-1883, France, Pastel and watercolor on canvas, 450 × 370 mm Study for Female Portrait, n.d., Elizabeth Murray, English, c. 1815-1882, England, Watercolor over graphite on cream wove paper, 258 mm × 362 mm Post House in Cologne, 1791, Thomas Rowlandson, English, 1756-1827, England, Pen and gray and brown ink with brush and watercolor, over traces of graphite, on tan wove paper, laid down on card, 280 × 432 mm Each Moment Has Its Sickle, n.d., Charles Reuben Ryley, English, c. 1752-1798, England, Watercolor on tan wove paper, 84 × 121 mm Book-Plate of Scheurl and Tucher, c. 1510, Lucas Cranach the Elder, German, 1472-1553, Germany, Woodcut in black hand colored with brush and watercolor on cream laid paper, laid down on tan laid paper, 165 x 127 mm (image), 188 x 139 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Netting the Fish, 1889, Winslow Homer, American, 1836-1910, United States, Transparent watercolor, heightened with opaque white watercolor, with rewetting, blotting, and scraping, over graphite, on moderately thick, slightly textured, Valerian Through Volkamenia, from The Illuminated Language of Flowers, published 1884, probably Edmund Evans (English, 1826-1905), after Kate Greenaway (English, 1846-1901), printed by Edmund Evans, England, Color wood engraving The Arrival in France of Saint Francis de Paul, c. 1495, French (Toulouse), active c. 1495, France, Woodcut in gray, hand-colored with brush, stencil and watercolor on ivory laid paper, 338 × 246 mm (image), 365 × 266 mm (sheet View of Dalkey from the Road, November 1843, Elizabeth Murray, English, c. 1815-1882, England, Watercolor with traces of white gouache over graphite on gray wove paper, 176 mm × 254 mm New Testament Scene, plate thirteen from Woodcuts from Books of the XVI Century, 1582, assembled into portfolio 1937, Attributed to Monogrammist S.G. (German, active 1550-1570), assembled by Max Geisberg (Swiss, 1875-1943), Germany, Woodcut The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Landscape with Erupting Volcano, Bridge and Wedding Party, n.d., Ernst Damitz, American, born Germany, 1805-1883, United States, Watercolor over graphite on ivory wove paper, 230 x 350 mm Maharana Bhim Singh in Procession, c. 1820, India, Rajasthan, Mewar, Udaipur, attributed to Ghasi (active c. 1820-36), India, Opaque watercolor and gold on paper, Image: 57.1 × 41.6 cm (22 1/2 × 16 3/8 in.), Paper: 60.7 × 45.6 cm (23 7/8 Manuchehr Kills Tur, Manuscript from Shahnama, Safavid dynasty (1501–1722), 16th century, dated 1580/1590, Iran, Shiraz, Ink, opaque watercolor and gold on paper, 27.3 x 14.6 cm (10 3/4 x 5 3/4 in search results: Watercolor clear search 32.428 / 2.589.715 Entries < previous page Page 55 / 325 next page >