Images at Librifly search results: Watercolor clear search 32.428 / 2.589.715 Entries < previous page Page 56 / 325 next page > Urizen, 1794, William Blake, English, 1757-1827, England, Monotype, with pen and brown and gray inks and watercolor, on cream wove paper, 170 × 127 mm Chateau, Cote Saint Andre (recto) Empty Cart and Shed with Other Sketches (verso), 1882, Johan Barthold Jongkind, Dutch, 1819-1891, Holland, Watercolor, with black conte crayon, on cream wove paper, 155 x 241 mm Sketches of Fishermen and Children at Hastings, 1866, Unknown Artist, English, 19th century, England, Watercolor over graphite, on ivory wove paper, tipped onto gray wove paper, 251 × 353 mm Scarborough (recto), and Sketch of House with Mother and Children (verso), n.d., Elizabeth Murray, English, c. 1815-1882, England, Watercolor over graphite (recto), and graphite (verso), on ivory wove paper, 181 mm × 259 mm Flowers, 1880, Julian Alden Weir, American, 1852-1919, United States, Watercolor and gouache on cream wood-pulp laminate board, 665 x 560 mm Dhanasri Ragini, 18th century, India, Rajasthan, Bundi, India, Black ink and touches of watercolor on buff paper, 20 x 14.1 cm (7 7/8 x 5 1/2 in Little Girl with Checkered Purse in Profile to the Left, n.d., Unknown Artist, American or English, 19th century, United States, Graphite, pen and black ink, and watercolor, on cream wove paper (discolored), 121 x 75 mm The Promenade des Anglais in Nice, 1879/1881, Henri de Toulouse-Lautrec, French, 1864-1901, France, Watercolor, with touches of gouache, and graphite, on ivory wove paper, 137 × 227 mm Dearest I Love Thee (valentine), 1840/50, Unknown Artist, English, 19th century, England, Collaged elements and watercolor, with pen and brown ink on cut and embossed ivory wove paper (lace), 251 × 200 mm (folded sheet Bust of a Tahitian Woman, 1894, Paul Gauguin, French, 1848-1903, France, Watercolor monotype on ivory Japanese paper, discolored to tan, laid down on tan wove paper, 242 × 200 mm (primary support), 353 × 262 mm (secondary support Portrait of Seated Man with Newspaper, c. 1846, Attributed to Adolphus H. A. Wing, English, 19th century, United Kingdom, Watercolor, heightened with gum varnish, on ivory wove paper, tipped onto ivory wove paper, 226 x 171 mm Pink Coated Rider, 1827, Henry Alken, English, 1785-1851, England, Watercolor and graphite on paper, 8 1/4 × 10 3/4 in Chelsea Shop, 1897/1900, James McNeill Whistler, American, 1834-1903, United States, Watercolor with touches of opaque watercolor on cream wove paper, 126 x 210 mm Sketches of Crouching and Standing Figures, a Pig, and a Hut at Water’s Edge, 1891, Paul Gauguin, French, 1848-1903, France, Graphite and watercolor on cream wove paper, discolored to tan (removed from a sketchbook), 108 × 167 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Footpath in the Barbizonnières, 1864, Theodore Rousseau, French, 1812-1867, France, Pen and brown and black ink, with watercolor, over graphite, on ivory wove paper, 123 × 204 mm Selim Kahn I, from Portraits of the Emperors of Turkey, 1815, John Young, English, 1755-1825, England, Mezzotint, hand-colored with brush and watercolor, on ivory wove paper, 375 × 253 mm Sunset and Moonrise, c. 1832, Joseph Mallord William Turner, English, 1775-1851, England, Watercolor and gouache over traces of graphite, on ivory wove paper, laid down on board, 294 × 455 mm Evening in Italy—the Deserted Villa, 1845, Samuel Palmer, English, 1805-1881, United Kingdom, Watercolor, with traces of shell gold, over graphite on cream wove paper, perimeter mounted to cream wove card, 190 x 412 mm Portrait of a Woman, n.d., Unknown artist, English, 18th century, England, Watercolor and graphite on paper, 350 × 290 mm Krishna Fluting for the Gopis, Late 18th or early 19th century, India, Rajasthan, Jodhpur, Jodhpur, Opaque watercolor, gold and tin alloy on paper, 65 x 49.2 cm (25 5/8 x 19 3/8 in View from Wilmots Hill, Kent, 1830/1835, Samuel Palmer, English, 1805-1881, England, Watercolor over black chalk on cream wove paper, 246 × 365 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm The Lone Boat, North Woods Club, Adirondacks, 1892, Winslow Homer, American, 1836-1910, United States, Watercolor, with rewetting, blotting, and scraping, over traces of graphite, on thick, rough-textured, ivory wove paper, 385 x 544 A Wooded River Landscape, 1839/40, Peter de Wint, English, 1784-1849, England, Watercolor, over graphite, on cream wove paper (pieced) laid down on ivory wove paper, 320 × 162 mm Sketches of Figures and Animals from Tahiti, 1891/93, Paul Gauguin, French, 1848-1903, France, Graphite and blue gouache, with pen and pale yellow ink (originally purple) and watercolor (recto), graphite, over pen and pale yellow ink Boy in Boat, Gloucester, 1880/81, Winslow Homer, American, 1836-1910, United States, Transparent watercolor, with touches of opaque watercolor and scraping, over graphite, on moderately thick, rough-textured, ivory wove paper, 232 x 349 Zal Climbing to Rudaba, page from a copy of the Shahnama of Firdausi, Safavid dynasty (1501–1722), dated 1580/90, Iran, Shiraz, Shiraz, Opaque watercolor and gold on paper, 26 x 17 cm (10 1/4 x 6 3/4 in The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Landscape, n.d., William Morris Hunt, American, 1824-1879, United States, Charcoal over watercolor heightened with white gouache on tan laid paper, 204 x 276 mm Design for a Printed Textile, 1725/50, France, Watercolor and pencil on paper, 26.8 × 38.8 cm (10 1/2 × 15 1/4 in The Old Fence, n.d., Thomas Faed, Scottish, 1826-1900, Scotland, Watercolor, over graphite on ivory wove paper, 294 x 242 mm Kichik Beg Wounded during Babur’s Attack on Qalat, page from a copy of the Baburnama (Book of Babur), c. 1590, India, Mughal period, Designed by Kanha (fl. c.1580-early 1590s), painted by Mansur (fl. c.1590-1630), India, Opaque watercolor The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Othman Kahn I, from Portraits of the Emperors of Turkey, 1815, John Young, English, 1755-1825, England, Mezzotint, hand-colored with brush and watercolor, on ivory wove paper, 375 × 253 mm Woman with Umbrella, 1893, Childe Hassam, American, 1859-1935, United States, Pen and black ink and watercolor, heightened with white gouache on ivory wove paper, 226 x 133 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm Child Praying, 1848, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over traces of graphite on cream wove paper, 174 mm × 131 mm Trishala Gives Birth to Mahavira, page from a copy of the Kalpasutra, 1475/1500, India, Gujarat, India, Opaque watercolor, gold, and ink on paper, Image: 10.3 x 7.4 cm (4 1/16 x 2 7/8 in.), Paper: 11.4 x 26.3 cm (4 1/2 x 10 3/8 in Letter of Congratulations to Karna Martensdottir, n.d., Unknown Artist, American, 19th century, United States, Watercolor, over graphite, heightened with gum arabic, on cream wove paper, 219 x 163 mm Garden View, c. 1880, Henri Stanislas Rouart, French, 1833-1912, France, Watercolor, over traces of graphite, on cream laminate card, 253 × 175 mm Yusuf and Zulaykha, Safavid dynasty (1501–1722), 1573, Iran, Inscribed by Muhammad Hussayn ibn Sultan Hussayn, Iran, Ink, gold, and opaque watercolor on paper, 25.1 x 15.8 x 5 cm (9 7/8 x 6 1/4 x 2 in Assumption of the Virgin, n.d., Italian, Second half of the 16th Century, Italy, Pen and brown ink with brush and brown wash on tan laid paper, pricked for transfer, laid down on cream laid card with pink and orange watercolor border, 289 x Chez les Maories: Sauvageries (At Home with the Maori: Savage Things), 1893, Paul Gauguin, French, 1848-1903, France, Watercolor, with traces of black crayon and graphite, on tapa, partially laid down on cream wove paper, 328 × 265 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Summer, 1873, Attributed to Pierre Puvis de Chavannes, French, 1824-1898, France, Watercolor and gouache, over graphite, with a border in silver paint and pen and black ink, on cream wove laminate board, 225 × 362 mm (image), 243 × 380 Yashoda Chastises Her Foster Son, the Youthful Krishna, page from a manuscript of the Bhagavata Purana, c. 1600, India, Rajasthan, Bikaner, India, Opaque watercolor on paper heightened with gold, Paper: 24.2 x 30.0 cm (9 1/2 x 11 13/16 in.), Nave nave fenua (Delightful Land), from the Noa Noa Suite, 1893/94, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink, with hand-applied red, blue, green, yellow, red-orange, and silver-gray watercolor on tan wove Self-Portrait, n.d., George Cruikshank, English, 1792-1878, England, Pen and brown ink and brush and gray wash, and watercolor wash, on cream laid paper, 130 × 101 mm Rinaldo and Armida, n.d., Francesco Fontebasso, Italian, 1709-1769, Italy, Pen and brown inks (iron gall and bistre) and watercolor on ivory laid paper, 198 x 78 mm The Birth of Rustam, page from a copy of the Shahnama of Firdausi, Safavid dynasty (1501–1722)، dated c.1620, Iran, Iran, Opaque watercolor and gold on paper, 35.6 × 22.8 cm (14 × 9 in Prout’s Neck, Breakers, 1883, Winslow Homer, American, 1836-1910, United States, Watercolor, with blotting and sanding, over charcoal, on moderately thick, moderately textured, ivory wove paper, 381 x 546 mm Hunt Crossing Stream Shooting Ducks, c. 1888, Unknown Artist, after Henry Alken (English, 1785-1851), England, Watercolor and graphite on cream wove card, 172 × 265 mm Woman with a Muff, c. 1860–1864 (?), Constantin Guys, French, 1802-1892, France, Pen and brown ink with brush and watercolor, over traces of graphite, on cream wove card, 230 × 170 mm Noa Noa (Fragrant), from the Noa Noa Suite, 1893/94, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink, with touches of reddish-brown watercolor and black ink, over yellow ink tone block and transferred golden-yellow, Al-Mu’tazz Sends Gifts to Abdulla ibn Abdulla, from the Tarikh-i Alfi manuscript, Tarikh-i-Alfi, 1592/94, India, India, Opaque watercolor and gold on paper, Image: 39.9 x 22.6 cm (15 3/4 x 8 7/8 in.), Paper: 42.2 x 24.3 cm (16 5/8 x 9 5/8 ‘The unwelcome hints of Mr. Shepherd, his Agent, ’ Chapter I frontispiece for Jane Austen’s Persuasion, 1898, Charles Edmund Brock, English, 1870-1938, England, Pen and black ink with brush and watercolor, on ivory wove card, 298 × View at Étretat, c. 1827, Paul Huet, French, 1803-1869, France, Watercolor on cream laid paper, 137 × 224 mm Study of a Tree in Bloom, c. 1835, William Turner, English, 1789-1862, England, Watercolor and gouache on ivory wove paper, 266 × 376 mm Majolica, Lake Como, September 1841, Elizabeth Murray, English, c. 1815-1882, England, Watercolor and white gouache over graphite on gray wove paper, 187 mm × 270 mm Christ in the Garden of Gethsemane, 1460–65, Bavarian, 15th century, Germany, Metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on Portofino from the Sea, Genoa, October 1841, Elizabeth Murray, English, c. 1815-1882, England, Watercolor and white gouache over graphite on gray wove paper, 188 mm × 267 mm Untitled Valentine (Pink Flower), 1825, Unknown Artist, German, 19th century, Germany, Watercolor and pen and brown ink on buff wove paper, 78 x 142 mm (folded sheet Farhad Carrying Shirin and Her Horse, from a copy of the Khamsa of Nizami, Timurid dynasty (ca. 1370–1507), dated 1485 (890 A.H.), Iran, Iran, Opaque watercolor on paper, 27.9 x 17.8 cm (11 x 7 in Royal Horse Inspection, Safavid dynasty (1501–1722), late 17th century, Iran, probably Isfahan, Ali Quli Jabbadar, Iran, Opaque watercolor and gold on paper, Page: 46.8 × 31.1 cm, Painting: 23.1 × 17 cm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm Yours Forever (valentine), 1850s, Joseph Mansell, English, 19th century, England, Collaged elements, with watercolor, on cut and embossed (designed) ivory wove paper, with the blue tissue paper insert, 251 × 202 mm The Market at Gisors, Rue Cappeville, c. 1894, Camille Pissarro, French, 1830-1903, France, Etching in black, with watercolor, on ivory laid paper, 170 × 120 mm (image), 199 × 140 mm (plate), 297 × 207 mm (sheet The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm The Capture of Christ, 1460–65, Bavarian, 15th century, Germany, Metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso, 100 The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Love is a Star (Valentine), c. 1840, Unknown Artist, American or English, 19th century, United States, Collaged elements and watercolor on embossed ivory wove paper, 136 x 92 mm (folded sheet Untitled Valentine (Dove with Letter), c. 1850, Unknown Artist, English, 19th century, England, Collaged elements and watercolor on cut and embossed ivory wove paper, 180 × 114 mm (folded sheet Study of Tahitian Heads, c. 1898, Paul Gauguin, French, 1848-1903, France, Watercolor and pastel monotype from a paper matrix, with pastel, on cream Japanese paper, laid down on cream 4-ply mat board, 237 × 297 mm (primary support), 292 Don’t Forget Me (valentine), 1845/50, Joseph Mansell, English, 19th century, England, Collaged elements and watercolor on cut and embossed ivory wove paper (lace), 195 × 124 mm (folded sheet Study for Saint Francis of Assisi Giving His Cloak to an Impoverished Knight, 1591/95, Giovanni Battista della Rovere, called Il Fiamminghino, Italian, c. 1575-c. 1630, Italy, Pen and brown ink with brush and brown wash, over traces of Prout’s Neck, Breaking Wave, 1887, Winslow Homer, American, 1836-1910, United States, Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and scraping, over resist and traces of graphite, on medium weight, Noa Noa (Fragrant), from the Noa Noa Suite, 1893/94, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink, over traces of brown ink, with hand-applied blue, light blue, several greens, pink, orange, pale-orange, Victoria Castle and the Val of Shanganagh, Dún Laoghaire, 1843, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over traces of graphite on ivory wove paper, 278 mm × 378 mm Invitation to Mr. Whistler’s Ten O’clock, 1885, James McNeill Whistler, American, 1834-1903, United States, Engraving in black with additions in pen and black ink and watercolor on tan card, with metal grommet, 204 x 306 mm A Cavalier, 1900, Philipp William May, English, 1864-1903, England, Watercolor on cream wove board, 212 × 160 mm Le sourire: Journal sérieux, Nov. 1899, 1899, Paul Gauguin, French, 1848-1903, France, Mimeograph in brownish-black ink, with wood-block prints in black ink on cream wove paper, 397 × 513 mm (full sheet), 397 × 256 mm (folded sheet), 32 Richmond Park Entrance, 1819, Thomas Sutherland (English, 1785-1825), after John Gendall (English, 1790-1865), England, Aquatint, heightened with watercolor, on paper Val of Shanganagh, Killiney, August 1843, Elizabeth Murray, English, c. 1815-1882, England, Watercolor and white gouache over graphite on gray wove paper, 176 mm × 254 mm, The Stays, plate one from Progress of the Toilet, published The Ascension, 1460–65, Bavarian, 15th century, Germany, Metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso, 100 × 75 mm Reception, 1850/1855, Constantin Guys, French, 1802-1892, France, Pen and brown ink with brush and watercolor, over graphite, on ivory laid paper, 178 × 197 mm King Charles IV of Spain, n.d., Eugenio Lucas Velázquez (Eugenio Lucas y Padilla), Spanish, 1817-1870, Spain, Watercolor, with touches of pen and black ink, and traces of black crayon, on ivory watercolor paper, 454 x 271 mm Love (Valentine), c. 1850, Unknown Artist, English, 19th century, England, Collaged elements with watercolor on cut and embossed ivory laid paper (lace, folded), with pink wove paper insert, 252 × 203 mm (folded sheet Portrait of Jeanbon Saint-André, 1795, Jacques Louis David, French, 1748-1825, France, Pen and black ink and brush and black ink with yellow ocher watercolor over graphite, on cream laid paper, 183 x 183 mm Chapel Ruins, 1872, Charles John Hills, English, active 18th-19th centuries, England, Watercolor, over traces of graphite, on ivory wove paper, 197 × 291 mm Peasant Women from the Region of the Eaux-Bonnes, 1845, Eugène Delacroix, French, 1798-1863, France, Watercolor, with touches of gouache, over traces of graphite, on cream wove paper, laid down on cream wove paper, 340 × 262 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Sketches: Profile Heads, Coins or Medals (recto), Trees (verso), c. 1885, Henri Cros, French, 1840-1907, France, Watercolor and graphite on cream laid paper, 244 × 344 mm Rearing Horse, 1817, Attributed to Edwin Henry Landseer (English, 1802-1873), after Anthony van Dyck (Flemish, 1599-1641), England, Watercolor heightened with white gouache and graphite, on tan laid paper, 105 × 129 mm Gateway, Beauman’s Castle, 1845, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over traces of graphite on cream wove paper, 171 mm × 250 mm Seated Female Nude, 1647/78, Samuel van Hoogstraten, Dutch, 1627-1678, Holland, Pen and brown ink and brush and brown wash, with traces of black chalk and opaque white watercolor, on cream laid paper, laid down on cream laid paper, 284 x Tynemouth Priory, England, 1881, Winslow Homer, American, 1836-1910, United States, Transparent watercolor, with traces of opaque watercolor, rewetting, blotting and touches of scraping, over graphite, on thick, rough-textured, cream Untitled Valentine (Flowers), 1840/50, Unknown Artist, English, 19th century, England, Collaged elements and watercolor on blue accented and embossed ivory wove paper, 139 × 94 mm (folded sheet search results: Watercolor clear search 32.428 / 2.589.715 Entries < previous page Page 56 / 325 next page >