Images at Librifly search results: Watercolor clear search 32.428 / 2.589.715 Entries < previous page Page 57 / 325 next page > Untitled Valentine (Yellow and White Flowers), c. 1850, Unknown Artist, English, 19th century, England, Collaged elements with watercolor on pink accented and embossed ivory wove paper, 250 × 204 mm (folded sheet Sketches of Standing Figures and Animals, 1891/93, Paul Gauguin, French, 1848-1903, France, Graphite and watercolor on cream wove paper, discolored to tan (removed from a sketchbook), 108 × 167 mm Aha oe feii? (What! Are You Jealous?), 1894, Paul Gauguin, French, 1848-1903, France, Watercolor monotype from a glass matrix, with brush and white gouache, reddish-brown and black water color, on cream wove paper (an imitation Japanese The Four Evangelists, within a Border of Flowers, Birds, and Insects, 1572, Circle of Giulio Clovio, Croatian, active Italy, 1498–1578, Italy, Tempera and gold paint on vellum, in paper montage with pen and brown ink and touches of The Death of Christ, 1460–65, Bavarian, 15th century, Germany, Metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso, 100 × Petticoats on the Beach (recto), Breton Women on the Beach (verso), 1865/1870 (recto), 1867/68 (verso), Eugène Louis Boudin, French, 1824-1898, France, Watercolor and graphite (recto), and graphite (verso), on off-white wove paper, 129 × Alexander Comforts the Dying Darius, page from a copy of the Shahnama of Firdausi, Timurid dynasty (ca. 1370–1507), c.1480/90, Iran, Turkmen style, Iran, Opaque watercolor and ink on paper, Image: 10.3 x 14.4 cm (4 1/16 x 5 11/16 in.), The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm View of Paris, from Meuden, n.d., Paul Huet, French, 1803-1869, France, Watercolor, with traces of gouache, over graphite, on ivory wove paper, 179 × 265 mm Four Miniature inscribed portraits of four Lamas, 14th century, Tibet, Central Tibet, Central Tibet, Watercolor and gold on paper, Appro×. 3 1/2 × 3 1/4 in Beauman’s Castle, 1845, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over traces of graphite on cream wove paper, 176 mm × 260 mm Study of the Head of a Bearded Man, 1595/1605, Abraham Bloemaert, Dutch, 1566-1651, Holland, Black chalk, with brush and black chalk wash, heightened with opaque white watercolor, over touches of charcoal, on tan laid paper, 372 x 290 mm Sketches of Snails, Flowering Plant, 1864/68, Édouard Manet, French, 1832-1883, France, Watercolor over graphite pencil on cream laid paper, 198 × 126 mm Pratham Milan, Shrinathji revealing himself to Vallabhacharya on Mount Govardhan, Early 19th century, India, Rajasthan, Nathdwara, India, Opaque watercolor with ink and gold on paper, 23 x 29.5 cm Untitled Valentine (Temple of Love in a Ring of Flowers), c. 1850, Unknown Artist, English, 19th century, England, Collaged elements with watercolor on cut and embossed cream wove paper (lace), 247 × 199 mm (folded sheet The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Pradyumna Enters the Palace of the Demon Sambar and Challenges him to Battle, page from a manuscript of the Bhagavata Purana, c. 1775, Nepal, Nepal, Opaque watercolor on paper, 36.2 x 52.7 cm (14 1/4 x 20 3/4 in The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm Royal Women Feeding Fish, c. 1740, India, Rajasthan, Bundi, India, Opaque watercolor on paper, Image: 28.4 x 20.9 cm , Outermost border: 28.7 x 21.3 cm , Paper: 29.5 x 22 cm Seville, 1887, Anders Zorn, Swedish, 1860-1920, Sweden, Watercolor and gouache on paper, laid down on board, 805 x 545 mm A View on the South Downs, 1871, Henry George Hine, English, 1811-1895, England, Watercolor and gouache, with touches of scraping, over traces of graphite, on off-white wove paper, 495 × 883 mm (sight Two Tahitian Women in a Landscape, c. 1892, Paul Gauguin, French, 1848-1903, France, Monotype matrix in watercolor and gouache, with brush and green ink, over traces of graphite, on cream Japanese paper, laid down on tan wove paper Saint Dominic Reading, c. 1573, Bartholomaeus Spranger, Flemish, 1546-1611, Flanders, Pen and brown ink and brush and brown wash, with touches of opaque white watercolor, over traces of black chalk, on cream laid paper, 306 × 186 mm View of the Ponte Rotto, Rome, with Watermills, late 1630s, Jan Asselijn, Dutch, c. 1610-1652, Netherlands, Watercolor, over graphite, on cream laid paper, 200 x 455 mm Deer Park, possibly Kilkenny, 1843, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over graphite on ivory wove paper, 117 mm × 176 mm Scenes from the Miracles of St. Peter, from a Bible Historiale or Pictorial New Testament, c. 1350, French (Northeastern France, possibly Metz), France, Opaque watercolor, mordant gilding with pen and black, red and blue ink on parchment, Christ in Limbo, 1460–65, Bavarian, 15th century, Germany, Metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso, 100 × 75 Arjuna Slays Karna, page from a copy of the Razmnama, Mughal period, dated 1616/17, India, Attributed to Fazl, India, Opaque watercolor and gold on paper, Image: 34.3 x 24.2 cm (13 1/2 x 9 1/2 in.), Page: 35.4 x 24.8 cm (13 7/8 x 9 3/4 in Krishna and Radha in a Pavilion, page from a copy of the Sat Sai Seven Hundred Verses), dated 1719, India, Rajasthan, Mewar, India, Opaque watercolor and gold on paper, Image: 21.1 x 17.6 cm, Border: 22.2 x 18.7 cm, Paper: 25.1 x 21.5 cm Ornacieux (recto and verso), 1879, Johan Barthold Jongkind, Dutch, 1819-1891, Holland, Watercolor and gouache, with black chalk (recto), and black chalk off-set (verso), on cream wove paper, 166 x 254 mm The Nativity, in Coffer, c. 1490, Workshop of the Master of the Very Small Hours of Anne of Brittany (French, active Paris, 1480-1510), coffer by an unknown maker (French, 15th century), France, Woodcut in black, hand colored with brush, Interior of Conway Castle, 1845, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over traces of graphite on cream wove paper, 260 mm × 179 mm Christ Carrying the Cross, 1460–65, Bavarian, 15th century, Germany, Metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso, Phineas Borret’s Farm near Saffron Walden, 1802, Thomas Girtin, English, 1775-1802, England, Watercolor with touches of graphite, on off-white wove paper, laid down on light brown board, 322 × 527 mm (sheet), 451 × 655 mm (mount Leaf from a Copy of the Ashtasahasrika Prajnaparamitasutra (Perfection of Wisdom in Eight Thousand Verses), Pala period, 1160/1180, India/Bangladesh, India, Opaque watercolor on palm leaf, 6.4 x 43.8 cm (2 1/2 x 17 1/4 in Letter: Stop Thief, 1851, George Cruikshank, English, 1792-1878, England, Signed letter in pen and brown ink, with several sketches in pen and brown ink, and one entire sheet of sketches in graphite and watercolor, signed in pen and black Mussooree and the Dhoon from Landour, c. 1835, Joseph Mallord William Turner, English, 1775–1851, England, Watercolor and gouache, over graphite, on off-white wove paper, edge mounted on cream wove card, 123 × 202 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm View of Prizes Taken by Lord Howe Coming in Portsmouth, July 1794, Thomas Rowlandson, English, 1756-1827, England, Pen and gray and brown ink with brush and watercolor, over traces of graphite, on ivory wove paper, laid down on ivory wove Saint Mary Magdalene, Model of Penitence, 1774/89, Unknown Artist (French, 18th century), published by Pierre-Fiacre Perdoux (French, c. 1771–1824), France, Woodcut in black, hand-colored with brush, stencil and watercolor, on four Untitled Valentine (Large Purple and Yellow Flowers), 1815/30, inscribed 1865, Dobbs Kidd, English, 19th century, England, Watercolor and collaged elements on cut and embossed ivory wove paper, 190 × 129 mm (folded sheet Harbor with Cutters, 1841, Eugène Blery, French, 1805-1887, Eduard Julius Friedrich Bendemann (?), German, 1811-1889, France, Black crayon, with brush and watercolor, heightened with white gouache, on gray wove paper, 185 × 257 mm Sketches of Figures and Foliage (recto), Profile of Charles Laval with Palm Tree and Other Sketches (verso), 1887, Paul Gauguin, French, 1848-1903, France, Black fabricated chalk with watercolor, on mottled blue wove paper with blue fibers, The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Two Girls Performing Kathak, 18th century, India, India, Opaque watercolor and gold on paper, Image: 14 x 10.7 cm (5 1/2 x 4 1/4 in.), Outermost border: 24.6 x 19.2 cm (9 3/4 x 7 1/2 in.), Paper: 31.6 x 24 cm (12 1/2 x 9 1/2 South Side of King’s College Chapel, Cambridge, 1815/20, Frederick MacKenzie, English, born Scotland, 1787-1854, England, Watercolor, with touches of gouache, heightened with white gouache, over graphite, on cream wove paper, 180 × Welcome Once Again, 1884, Kate Greenaway, English, 1846-1901, England, Graphite with watercolor on cream wove paper (discolored to tan), 166 × 255 mm The Cock Fight, 1885, Winslow Homer, American, 1836-1910, United States, Transparent and opaque watercolor, with traces of scraping, over graphite, on thick, moderately textured, cream wove paper (top and lower edges trimmed), 265 x 484 Fond Affection Turns to Thee (valentine), 1840/49, Unknown Artist, American or English, 19th century, United States, Collaged elements with watercolor on embossed ivory wove paper, 188 x 128 mm (folded sheet Sketches of Figures, Pandanus Leaf, and Vanilla Plant, 1891/93, Paul Gauguin, French, 1848-1903, France, black fabricated chalk and watercolor on cream wove paper (removed from a sketchbook), 313 × 201 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm Tahitians Fishing, 1891/93, Paul Gauguin, French, 1848-1903, France, Brush and black ink, over brush and brown ink (originally purple), with watercolor and gouache on parchment, laid down on brown wove paper, 249 × 316 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints and watercolor (in album), 29.2 × 41.9 cm An April Shower: A View from Binsey Ferry Near Oxford, Looking Towards Port Meadow and Godstow, 1842, William Turner, English, 1789-1862, United Kingdom, Watercolor over graphite, with scraping, on cream wove paper, 455 x 685 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Hand-colored albumen prints and watercolor (in album), 29.2 × 41.9 cm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Amurat Kahn I, from Portraits of the Emperors of Turkey, 1815, John Young, English, 1755-1825, England, Mezzotint, hand-colored with brush and watercolor, on ivory wove paper, 375 × 253 mm National Park Bank, New York City, New York, Competition Design Drawing, c. 1866, Peter Bonnett Wight, American, 1838–1925, New York City, Ink and watercolor on paper, 40 × 24 cm (15 3/4 × 9 1/2 in Four Recruits in White Dhotis, page from the Fraser Album, Company School, c. 1815/16, India, Haryana, India, Opaque watercolor on paper, 25 x 37.8 cm (9 7/8 x 21 3/8 in Abhisarika Nayika (Heroine Running to Meet her Lover), mid–18th century, India, Rajasthan, Kota, Kota, Opaque watercolor and gold on wove paper, 29.7 x 20 cm (10 1/2 x 6 3/8 in The End of the Day, Adirondacks, 1890, Winslow Homer, American, 1836-1910, United States, Transparent watercolor, with traces of opaque watercolor, rewetting, blotting, and scraping, over traces of graphite, on moderately thick, A Barn Interior, 1830/35, William Henry Hunt, English, 1790-1864, England, Watercolor, over graphite, with gum arabic, heightened with gouache and scratching out, on paper, 312 × 453 mm Degree of Ossification of a Five-Month-Old Fetus (Degré d’ossification d’un Foetus de cinq mois), 1898, French, 19th century, France, Gelatin silver print with applied india ink or watercolor, 31.5 × 23.3 cm (image/paper A Boatyard at the Mouth of an Estuary, 1800, Thomas Girtin, English, 1775-1802, England, Watercolor, over graphite, on cream laid paper, edge mounted on cream card, 296 × 515 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm Design for a Printed Textile, 18th century, France, Watercolor on paper, 34.5 × 23.4 cm (13 5/8 × 9 1/4 in Brick Wall with Open Door and Shovel, 1852, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over traces of graphite on cream wove paper, 254 mm × 184 mm Cringleford Meadows-Morning, n.d., Unknown Artist (British, 19th century), or possibly after Robert Leman (English, 1799-1863), United Kingdom, Watercolor on ivory wove paper, 258 x 361 mm The Home and Haunts of Shakespeare, 1892, James Leon Williams (American, 1852–1920), published by Charles Scribner’s Sons (American, founded 19th century), United States, Illustrated by 15 plates in watercolor (presumably The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Qur’an leaf in Muhaqqaq script, Mamluk period, c. A.H. 728 / A.D. 1327, Egypt, Opaque watercolor, gold and ink on paper, 45 × 33 cm (17 3/4 × 13 in The Departure of Marcus Attilius Regulus for Carthage, 1785/86, Jacques Louis David, French, 1748-1825, France, Pen and black ink and brush and black ink wash and opaque white watercolor with black chalk and touches of brown watercolor on blue Solomon Receiving the Queen of Sheba, n.d., Cesare Rossetti, Italian, 1568-c. 1621, Italy, Pen and gray ink with brush and gray wash, heightened with lead white, with traces of red watercolor, on blue laid paper, 173 x 209 mm Untitled Valentine (Vase of Flowers with Bird), c. 1840, George Kershaw, English, 19th century, England, Watercolor and collaged elements on cut and embossed ivory wove paper (lace), 138 × 95 mm (folded sheet Mont Saleve, c. 1840, John Ruskin, English, 1819-1900, United Kingdom, Watercolor over graphite on cream wove paper, laid down on cream wove paper, 153 x 268 mm Wicklow Hills, 1843, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over traces of graphite on ivory wove paper, 176 mm × 259 mm A Scene Near Lodore, Cumberland, 1818, Joshua Cristall, English, c. 1767-1847, England, Watercolor over graphite, on ivory wove paper, laid down on board, 195 × 283 mm Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from the Noa Noa Suite, 1893/94, Paul Gauguin, French, 1848-1903, France, Wood-block print, printed three times in reddish-brown, black, and light black ink, with touches Scene from Faust: Auerbach’s Cellar, n.d., Unknown artist, possibly British, 18th-19th centuries, England, Watercolor and gouache, over graphite, with pen and brown ink, heightened with gum arabic, on cream wove paper, laid down on cream Profile Portrait of a Girl, n.d., Paul A. Mulready, English, 1827-1855, England, Graphite and black chalk, heightened with watercolor and watercolor wash, on light weight cream wove paper, 210 × 144 mm Sketchbook from the Artist’s Trip to Germany, 1855–59, Eugène Delacroix, French, 1798-1863, France, Graphite and watercolor on paper, 116 × 185 mm The Entrance to the Harbor of Marseilles, c. 1838, William Callow, English, 1812-1908, England, Watercolor with touches of gouache, over traces of graphite, and scraping, on off-white wove paper, 207 × 297 mm Sketchbook, June 1883–September 1887, Gustave Caillebotte, French, 1848–1894, France, Sketchbook containing 30 drawings in graphite, 7 in watercolor over graphite and 3 in brush and gray wash and graphite on 40 sheets of cream, moderately View of Windsor, n.d., Unknown artist, English, 19th century, England, Watercolor, over traces of graphite, on cream wove paper, 225 × 325 mm Heads and Paws of Lions, n.d., Eugène Delacroix, French, 1798-1863, France, Watercolor and graphite on tan wove paper, 192 × 123 mm Man with Lantern in Doorway, n.d., After Adriaen van Ostade, Dutch, 1610-1685, Holland, Watercolor on ivory laid paper, partially laid down, 184 x 160 mm Four Princes in Procession Visit a Sage, page from a copy of the Ramayana, 1820/40, India, Rajasthan, Jaipur, Jaipur, Opaque watercolor on paper, Image: 25 x 39.3 cm (9 7/8 x 15 1/2 in.), Border: 26.4 x 41 cm (10 3/8 x 16 1/8 in.), Paper: Dirt Road Landscape (recto), Landscape (verso), n.d., James Drunken Robertson (English, active 1815-1836), or David Cox, the elder (English, 1783-1859), England, Pen and brown ink with watercolor over graphite (recto) and graphite (verso) on The Resurrection, 1460–65, Bavarian, 15th century, Germany, Metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso, 100 × 75 The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints and watercolor (in album), 29.2 × 41.9 cm My Heart Beats Fondly (Valentine), 1850/59, Joseph Addenbrooke, English, 19th century, England, Watercolor and collaged elements, with pen and black ink on cut and embossed ivory wove paper (lace), 195 × 123 mm (folded sheet Italianate Landscape with Traveling Peasants in Foreground, 1700/99, After Frederick de Moucheron, Dutch, 1633-1686, Netherlands, Watercolor with incising, over graphite, on ivory wove paper, laid down on tan board, 259 x 342 mm Dover Harbor, c. 1820, John Gendall, English, 1790-1865, England, Watercolor and gouache, with pen and brown and black ink, over graphite, heightened with gum arabic, on cream laid paper, laid down on ivory card, 323 × 499 mm To My Dear Valentine (valentine), c. 1840, George Kershaw, English, 19th century, England, Collaged elements with watercolor and pen and brown ink on cut and embossed ivory wove paper (lace), 178 × 116 mm (folded sheet Portrait of an Aged Courtier, c. 1680, India, Mughal, probably Deccan, India, Opaque watercolor and gold on paper, Image: 16.2 x 9.4 cm (6 3/8 x 3 3/4 in.), Border: 21.6 x 14.8 cm (8 1/2 x 5 7/8 in.), Paper: 33.4 x 20.5 cm (13 1/8 x 8 1/8 Tree Trunk I, n.d., Style of William Callow, English, 1812-1908, United Kingdom, Watercolor over traces of graphite on ivory wove paper, 357 x 252 mm Study, 1856, Constantin Guys, French, 1802-1892, France, Watercolor, and pen and brown ink and brush and brown wash, on cream wove paper, 335 × 241 mm Lioness and Cubs, c. 1832, Antoine Louis Barye, French, 1795-1875, France, Watercolor, with graphite, on ivory wove paper, laid down on Japanese paper, 138 × 235 mm search results: Watercolor clear search 32.428 / 2.589.715 Entries < previous page Page 57 / 325 next page >