Images at Librifly search results: Watercolor clear search 32.428 / 2.589.715 Entries < previous page Page 58 / 325 next page > Lit’l Word (valentine), n.d., Unknown Artist, American or English, 19th century, United States, Watercolor and pen and brown ink on ivory paper, 111 x 83 mm (sight Amurat Kahn II, from Portraits of the Emperors of Turkey, 1815, John Young, English, 1755-1825, England, Mezzotint, hand-colored with brush and watercolor, on ivory wove paper, 375 × 253 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm The Sorceress of the Yakuts in North East Asia, n.d., Ernst Damitz, American, 1805-1883, United States, Watercolor on paper, 233 x 370 mm Child Asleep (recto), and Fishermen on Dock (verso), 1847, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over graphite (recto), and graphite (verso), on brown-gray wove paper, 259 mm × 175 mm Adirondacks Guide, 1892, Winslow Homer, American, 1836-1910, United States, Transparent watercolor with touches of opaque watercolor, rewetting, blotting and scraping, over traces of graphite, on thick, moderately textured, ivory wove The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Sketches of Peasants in Boulogne, 1868, Unknown Artist, English, 19th century, England, Watercolor over graphite, on ivory wove paper, tipped onto gray wove paper, 254 × 353 mm Christ before Pilate, 1460–65, Bavarian, 15th century, Germany, Metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso, 100 × Orkan Kahn, from Portraits of the Emperors of Turkey, 1815, John Young, English, 1755-1825, England, Mezzotint, hand-colored with brush and watercolor, on ivory wove paper, 375 × 253 mm Solitude at Strawberry Hill, c. 1822, Thomas Rowlandson, English, 1756-1827, England, Pen and brown ink, with brush and watercolor, on cream wove paper, laid down on board, 123 × 199 mm The Boston Clipper, Lightning, 1854, P. Giles, American, 19th century, United States, Watercolor on paper, 256 x 356 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Seated Italian Peasant, 1816/1817, Jean Louis André Théodore Géricault, French, 1791-1824, France, Watercolor, with black crayon and traces of pink gouache, over black chalk, on cream wove paper, 258 × 213 mm Allegory of Abundance (Sketch for a Ceiling Painting), n.d., Attributed to Domenico Pozzi, Italian, 1744-1796, Italy, Pen and brown ink, with brush and watercolor, over black chalk on ivory laid paper, 233 x 304 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Conway Castle, 1802, Cornelius Varley, English, 1781-1873, England, Watercolor over traces of graphite on ivory wove paper, 273 × 231 mm Napoleon, after 1835, Unknown Artist, after Nicolas Toussaint Charlet (French, 1792-1845), possibly after Denis Auguste Marie Raffet (French, 1804-1860), France, Watercolor and gouache, over traces of graphite, on tan wove paper, 132 × Pape moe, 1893/94, Paul Gauguin, French, 1848-1903, France, Watercolor, with black fabricated chalk, pen and brown ink (originally purple) and touches of brush and black ink on heavily textured ivory wove paper, 354 × 255 mm Sketchbook, n.d., George Cruikshank, English, 1792-1878, England, Sketchbook with 16 leaves and 34 pages (including endpapers) of drawings in graphite, many with watercolor, pen and ink or gouache, on cream wove paper, with additional Mustapha Kahn, from Portraits of the Emperors of Turkey, 1815, John Young, English, 1755-1825, England, Mezzotint, hand-colored with brush and watercolor, on ivory wove paper, 375 × 253 mm Believe Me I will Ever Prove (valentine), c. 1840, Unknown Artist, English, 19th century, England, Collaged elements and watercolor, with pen and blue ink on cut and embossed ivory wove paper, 176 × 117 mm (folded sheet Study for Tip a Toe, from Marigold Garden, 1885, Kate Greenaway, English, 1846-1901, England, Pen and brown ink and watercolor over traces of graphite, on cream wove paper (discolored to tan), 279 × 238 mm An Arab Horse Merchant, n.d., Unknown Artist (British, 19th century), or possibly Charles Lock Eastlake (English, 1836-1906), England, Watercolor on wove paper, laid down on ivory wove paper, 190 × 275 mm Believe My Heart Will Ever Prove (valentine), c. 1840, George Kershaw, English, 19th century, England, Collaged elements and watercolor, with pen and black ink on embossed off-white wove paper, 229 × 190 mm (folded sheet Three Leaves from a Copy of thePerfection of Wisdom Sutra (Ashtasahasrika Prajnaparamitasutra), Pala period, late 12th century, Eastern India, Bangladesh, Opaque watercolor and ink on palm leaf, 6.4 × 43.8 cm (2 1/2 × 17 1/4 in Little Girl Cooking, n.d., Dupenvant, French, 19th century, France, Pen and red ink, with watercolor, over traces of graphite, on board faced with green paper, 177 × 116 mm The Actor Matsumoto Koshiro IV as Honcho-maru Tsunagoro (?) in the Play Hono Nitta Daimyojin (?), Performed at the Morita Theater (?) in the Seventh Month, 1777 (?), c. 1777, Katsukawa Shunsho 勝川 春章, Japanese, 1726-1792, Japan, Color Children Sitting on a Fence, 1874, Winslow Homer, American, 1836-1910, United States, Various graphites, heightened with opaque white watercolor, on medium weight, slightly textured gray wove paper, 193 x 239 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Study for Dr. Syntax and Rural Sports, c. 1812, Thomas Rowlandson, English, 1756-1827, England, Pen and brown ink with brush and watercolor, on ivory wove paper, 64 × 103 mm The Evening Prayer, 1790, Jean-Baptiste Mallet, French, 1759-1835, France, Opaque watercolor, over traces of black chalk, on cream laid paper, laid down on card, 288 × 386 mm (primary support), 295 × 389 mm (secondary support Rukmini Seeks Krishna’s Permission to Visit her Brother Rukma, page from a manuscript of the Bhagavata Purana, c. 1775, Nepal, Nepal, Opaque watercolor on paper, 53.3 x 38.7 cm (21 x 14 1/4 in The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm As Pines the Dove It’s Mate to See (valentine), c. 1850, George Kershaw, English, 19th century, England, Collage, watercolor, and pen and black ink on embossed ivory wove paper, 180 × 114 mm (folded sheet World’s Columbian Exposition Fine Arts Museum, Chicago, Illinois, Perspective, c. 1890–1891, John Wellborn Root, American, 1850-1891, Paul C. Lautrup, delineator, American, active 1890s, United States, Watercolor over graphite on The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm The Artist’s Farm and Vineyard, n.d., Ernst Damitz, American, 1805-1883, United States, Watercolor on paper, 112 x 171 mm Fishing off Scarborough, 1882, Winslow Homer, American, 1836-1910, United States, Graphite and opaque white watercolor, with traces of black chalk, on medium weight, slightly-textured, tan laid paper with blue and red fibers, 462 x 618 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Scarborough Shore, c. 1860, William Roxby Beverley, English, c. 1814-1889, England, Watercolor over graphite, on ivory wove paper, laid down on board, 53 × 315 mm General with Troops in Background, n.d., Denis Auguste Marie Raffet, French, 1804-1860, France, Watercolor, heightened with lead white, over graphite, selectively varnished with gum arabic, on cream wove paper, 132 × 169 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm Page from a manuscript in Nasta’liq with an illuminated border, Safavid dynasty (1501–1722), 16th century, Iran, Iran, Ink, opaque watercolor, and gold on paper, 25.8 x 15.7 cm (10 1/8 x 6 3/16 in The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Resurrection of Christ, 1827, Gerardus Gossen (Dutch), after Jacopo Negretti, called Palma il Giovane (Italian, c. 1548-1628), Holland, Pen and gray ink, with watercolor, over traces of graphite, on ivory wove paper, tipped onto card, 321 Christ before Annas, 1460–65, Bavarian, 15th century, Germany, Metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso, 100 × Seduction Scene on a Terrace by Moonlight, 18th century, India, possibly West Bengal, Murshidabad, Murshidabad, Opaque watercolor with gold on paper, Image: 16.8 x 23.5 cm (6 5/8 x 9 1/4 in Believe My Heart Will Ever Love (valentine), c. 1850, Unknown Artist, English, 19th century, England, Collaged elements and watercolor, with pen and black ink on embossed off-white wove paper, 229 × 189 mm (folded sheet Flagbearer, n.d., Dupenvant, French, 19th century, France, Pen and red ink and watercolor, over traces of graphite, on cream board, 180 × 117 mm Near Tivoli, 1777, Thomas Jones, Welsh, 1742-1803, Wales, Watercolor over graphite with gum arabic on cream laid paper, 285 x 425 mm The Lady and the Queen Wasp, 1780/90, Attributed to Francis Wheatley (English, 1747-1801), or Richard Corbould (English, 1757-1831), England, Pen and gray ink with brush and watercolor over graphite on cream wove paper, laid down on board, Mahavira Gives Away his Possessions, from a copy of the Kalpasutra, 1480/90, India, Gujarat, India, Opaque watercolor, gold, and ink on paper, Image: 9.6 x 6.6 cm (3 3/4 x 2 9/16 in.), Paper: 11.2 x 23.3 cm (4 3/8 x 9 3/16 in Valentine envelope, c. 1850, George Kershaw, English, 19th century, England, Watercolor on embossed ivory wove paper, 189 × 230 mm (folded sheet Krishna Watches A Juggler, from a copy of Bihari’s Sat Sai, c. 1750/90, India, Rajasthan, Mewar, India, Opaque watercolor and gold on paper, Image: 31.2 x 17.8 cm (12 1/4 x 7 in A Farmer Feeding his Pony in Geneva (recto), Seated Friar (verso), 1840 (recto), c. 1840 (verso), Sir Edwin Henry Landseer, English, 1802-1873, England, Pen and brown ink and watercolor with graphite (recto) and graphite (verso) on tan wove The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm In the Rain, 1898, Helen Hyde, American, 1868-1919, United States, Etching, with watercolor and pastel, on ivory wove paper, 193 x 153 mm (image/plate), 233 x 188 mm (sheet The Blenheim, Leaving the Star Hotel, Oxford, 1831, William Havell, English, 1782-1857, England, Aquatint, heightened with watercolor, on paper Morning on the Marne at Meaux, 1885/86, Albert Dubois-Pillet, French, 1846-1890, France, Watercolor, over traces of graphite, on cream wove paper, 169 × 254 mm Portrait of a Girl, 1883, Anders Zorn, Swedish, 1860-1920, Sweden, Watercolor and graphite on ivory wove paper, 254 x 177 mm The Return, Tynemouth (recto) Study (verso), 1881, Winslow Homer, American, 1836-1910, United States, Transparent watercolor, with touches of opaque watercolor, rewetting, blotting, and scraping, heightened with gum glaze, over graphite, Asavari Ragini: A Female Yogini (Page from a Ragamala Set), mid–to late 17th century, India, Rajasthan, Bundi, India, Opaque watercolor on paper, Image: 20.3 x 13.3 cm (8 x 5 1/4 in.), Outermost Border: 25 x 16.7 cm (9 13/16 x 6 9/16 in.), Be Mine Love (Valentine), c. 1840, Unknown Artist, English, 19th century, England, Collaged elements and watercolor, with pen and blue ink on cut and embossed ivory wove paper (lace, folded), with blue wove paper insert, 137 × 92 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm The Superb Lily, from The Temple of Flora, 1799, Richard Earlom (British, 1743-1822), after Ramsay Richard Reinagle (British, 1775-1862), England, Color mezzotint, aquatint and etching, inked à la poupée, with watercolor (hand-coloring) Fashions and Frights of 1829 (recto), Angels Ever Bright and Fair (verso), 1829, George Cruikshank, English, 1792-1878, England, Graphite with brush and watercolor (recto) and graphite (verso) on ivory wove paper, 275 × 375 mm Untitled Valentine (Flowers on Lace), c. 1840, Unknown Artist, English, 19th century, England, Watercolor on cut and embossed ivory wove paper (lace, folded), with blue wove paper insert, 253 × 208 mm (folded sheet Double Page from the Qur’an, Safavid dynasty (1501–1722), 16th century, Iran, Iran, Opaque watercolor and gold on paper, Each page 31.8 x 21.0 cm (12 1/2 x 8 1/4 in A Monumental Portrait of a Monkey, c. 1705–1710, India, Rajasthan, Mewar, Udaipur, attributed to the Stipple Master (active c. 1692-c. 1715), India, Opaque watercolor and gold on paper, outermost border: 48.5 × 58.7 cm (19 × 23 in.), The Watcher, Tynemouth, 1882, Winslow Homer, American, 1836-1910, United States, Transparent and opaque watercolor, with rewetting, blotting, and scraping, heightened with gum glaze, over graphite, on moderately thick, slightly Portrait of Muhammed Azim, 18th century, India, Rajasthan, Kishangarh, India, Opaque watercolor and gold on paper, Image: 22 x 12.5 cm (8 5/8 x 4 7/8 in.), Border: 23.1 x 13.5 cm (9 1/8 x 5 5/16 in.), Paper: 31.2 x 20.4 cm (12 1/4 x 8 in Decorative Illustration, from The Illuminated Language of Flowers, published 1884, probably Edmund Evans (English, 1826-1905), after Kate Greenaway (English, 1846-1901), printed by Edmund Evans, England, Color wood engraving Christ Blessing Three Young Men, initial M from a Gradual, 1320/30, Maestro Daddesco, Italian (Florence), active about 1310-1350, Italy, Opaque watercolor, with shell gold and gold leaf, on parchment, 138 x 131 mm Untitled Valentine (Red and White Flowers), c. 1850, Unknown Artist, English, 19th century, England, Collaged elements and watercolor on gold accented and embossed ivory wove paper, 134 × 94 mm (folded sheet Wilt Thou Be Mine Love? (valentine), c. 1840, Joseph Addenbrooke, English, 19th century, England, Collaged elements, with watercolor on gray accented and embossed ivory wove paper, 115 × 93 mm (folded sheet You Share Thy Joys to Soothe Thy Care (valentine), c. 1840, Unknown Artist, English, 19th century, England, Watercolor with pen and brown ink on embossed ivory wove paper, 254 × 205 mm (folded sheet Schooner, Nassau, 1898/99, Winslow Homer, American, 1836-1910, United States, Transparent watercolor, with traces of opaque watercolor, rewetting, blotting and scraping, over graphite, on thick, rough twill-textured, ivory wove paper, Oviri, 1894, Paul Gauguin, French, 1848-1903, France, Wood-block print, printed twice in deep-yellow ocher and brown ink, with touches of black watercolor, on cream wove paper (an imitation Japanese vellum), mounted on mottled blue wove Husbands Always Make Me Laugh: Some say marriage settles a man, 1853, Paul Gavarni, French, 1804-1866, France, Lithograph in black on cream wove paper, 202 × 162 mm (image), 356 × 263 mm (sheet), Untitled, 1868, Georgina Cowper, Untitled Valentine (Silver Dove), c. 1850, George Kershaw, English, 19th century, England, Collaged elements with watercolor and pen and blue ink on cut and embossed ivory wove paper, 180 × 114 mm (folded sheet Serape, 1800/50, Mexico, Coahuila, Saltillo, México, Cotton and wool, slit and single dovetail tapestry weave, edged with cotton, knotted fringe, 196.5 x 113 cm (77/38 x 44 1/2 in.), Goats on the Edge of a Lake, 1760s, Alexander Cozens, The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Esperanza, 1882, Anders Zorn, Swedish, 1860-1920, Sweden, Watercolor, over traces of graphite, on paper, 20 1/2 x 13 in Monks on the Staircase of the Villa of Maecenas at Tivoli, c. 1826, François-Marius Granet, French, 1775-1849, France, Pen and brown ink and brush and brown wash, with touches of watercolor, over traces of graphite, on ivory laid paper, In Wales between Bangor and Capel Curig, 1830s, Peter De Wint, English, 1784-1849, London, Watercolor, over traces of graphite on ivory wove paper, 365 x 530 mm Portrait of Prince Azam Shah, Mughal period, late 17th/early 18th century, India, Deccan, India, Opaque watercolor and gold on paper, Image: 21.8 x 13.4 cm (8 5/8 x 5 1/4 in.), Outermost border: 24.8 x 16.5 cm (9 3/4 x 6 1/2 in.), Paper: Fountain with Putti in the Garden of the Villa Borghese, 1880, Hans Thoma, German, 1839-1924, Germany, Black crayon over graphite, with opaque white watercolor and touches of red chalk, squared with graphite for transfer, on tan wove paper, Te po (The Night) from the Noa Noa Suite, 1893/94, Paul Gauguin, French, 1848-1903, France, Wood-block print, printed twice in brown and black inks, with selective wiping, and hand-applied red, two tones of orange, yellow, two tones of The Outlook, Maine Coast, 1894, Winslow Homer, American, 1836-1910, United States, Transparent watercolor, with traces of opaque watercolor, rewetting, blotting, spatter and traces of scraping, over graphite, on moderately thick, The Demon Sambar Throws the Infant Pradyumna into the River, page from a manuscript of the Bhagavata Purana, c. 1775, Nepal, Nepal, Opaque watercolor on paper, 29.2 x 25.4 cm (12 1/2 x 10 in Siva Dance: Triptych of Seated Single Figures, 1890/91, John La Farge, American, 1835-1910, United States, Watercolor and opaque watercolor, with pastel, on cream wove paper (left), watercolor and opaque watercolor on cream wove paper Breaking Storm, Coast of Maine, 1894, Winslow Homer, American, 1836-1910, United States, Transparent watercolor, with touches of opaque watercolor, rewetting, blotting and traces of scraping, on thick, rough-textured, ivory wove paper, Leaf from a Picture Cycle: Christ Carrying the Cross, The Crucifixion, The Descent from the Cross, and the Entombment, 1325/50, French Painter, active in Northern France, France, Opaque watercolor, gold leaf and mordant gilding with French The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm Painted Banner (Thangka) of Bon Deity Tonpa Shenrap, 16th century, Western Tibet, Guge, Tibet, Opaque watercolor with gold on cotton, 117.2 x 92.1 x 6.1 cm (46 1/8 x 34 5/8 x 2 3/8 in Peasant Plowing, n.d., Anton Mauve, Dutch, 1838-1888, Holland, Watercolor, with graphite and touches of gouache, heightened with touches of white goauche, on ivory watercolor paper, 426 x 351 mm Change of Residence, from the Suite of Late Wood-Block Prints, 1899, Paul Gauguin, French, 1848-1903, France, Wood-block print in black ink, with touches of red and black watercolor, on cream wove paper, 162 × 305 mm (image), 165 × 305 search results: Watercolor clear search 32.428 / 2.589.715 Entries < previous page Page 58 / 325 next page >