Images at Librifly search results: Watercolor clear search 32.428 / 2.589.715 Entries < previous page Page 59 / 325 next page > The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen print with watercolor (in album), 29.2 × 41.9 cm Jacob and Rachel Lamenting their Son Joseph, 1420/30, English Painter (Master of the Lydgate Troybook), English (London), active about 1420–1430, England, Opaque watercolor and mordent gilding on parchment, 95 × 92 mm Study of a Young Man’s Head with Right Arm Outstretched, 1860, Sir Edward John Poynter, English, 1836-1919, United Kingdom, Black chalk and watercolor, heightened with white gouache on light blue paper, 196 x 231 mm Reflected Reeds, c. 1875, Alfred Thompson Bricher, American, 1837-1908, United States, Watercolor, heightened with white gouache, over traces of graphite, on blue wove paper, 369 x 523 mm The Sudarium, 1460–65, Bavarian, 15th century, Germany, Metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso, 100 × 75 mm Standing Girl in Profile to Left with Whip and Toy Sleigh, n.d., Unknown Artist, American or English, 19th century, United States, Graphite, pen and black ink, and watercolor, on cream wove paper (discolored), 121 x 75 mm Holy Family Passing Four Men, 1660/69, Attributed to Leonard Bramer, Dutch, 1596-1674, Netherlands, Pen and ink and watercolor on cream laid paper (blue wash in background) laid down on paper, 322 x 346 mm (image), 425 x 465 mm (sheet The Destroying Angel, 1833, John Martin, English, 1789-1854, England, Brush and brown and black watercolor, with touches of scratching, on cream wove paper, 85 × 136 mm The Flagellation and The Crucifixion, from a Psalter, about 1239, German (Braunschweig, Lower Saxony), Germany, Opaque watercolor, gold leaf, shell gold with pen and red and white ink on parchment (recto). Pen and red and black ink (verso), Grove of Trees, 1888/90, Pierre Auguste Renoir, French, 1841-1919, France, Opaque and transparent watercolor on cream wove paper, 246 × 179 mm Jupiter and Mnemosyne, 1733, Jacob de Wit, Flemish, 1695-1754, Flanders, Pen and brown and black ink and brush and brown and gray wash, with watercolor, heightened with white gouache, over traces of graphite on ivory laid paper, 449 × 310 Untitled Valentine (Pink Flower on Green), n.d., Unknown Artist, English, 19th century, England, Collaged elements and watercolor on embossed off-white wove paper, 182 × 117 mm (folded sheet Painted Banner (Thangka) of Bodhisattva Maitreya Surrounded by his Retinue, 16th century, Tibet, Southern Tibet, Tibet, Opaque watercolor and gold on cotton, 50.2 x 39.7 cm (19 3/4 x 15 5/8 in Allegory of Love: Scorn, n.d., after Paolo Caliari, called Veronese, Italian, 1528-1588, Italy, Pen and black ink with brush and watercolor and gouache, over graphite, on cream wove paper, laid down on ivory wove paper, 420 x 427 mm The Infant Krishna Spirited Away by Vasudev, page from the Dispersed Bhagavatapurana manuscript, c. 1520–30, India, Delhi-Agra region, possibly Mathura, India, Opaque watercolor on paper, 17.4 x 23.3 cm (6 13/16 x 9 3/16 in Portrait of Peasant Woman, October 1840, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over graphite on cream wove paper, 259 mm × 176 mm Rotting Tree, 1850, Elizabeth Murray, English, c. 1815-1882, England, Watercolor over graphite on ivory wove paper, 200 mm × 260 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Robert:, Well, well! My dear director… how’s business? Bertrand:, Good, very good, I am quite content. Unfortunately we don’t have a penny to continue!, Oh blast!, But an investor still owes us 200, 000 Francs… and will come up for Free and Easy, n.d., Unknown Artist, American, 19th century, United States, Pen and brown ink with watercolor, heightened with gum varnish, on cream wove paper, 58 x 111 mm The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Shah Inayat Allah of Sind with his Musician Makkhu and his Attendant Shaykh Qiyam al-Din, page from the Fraser Album, Company School, c. 1820, India, Delhi, India, Opaque watercolor on paper, 30.6 x 41.5 cm (12 1/16 x 16 1/4 in Two Standing Tahitian Women, 1894, Paul Gauguin, French, 1848-1903, France, Black ink monotype from a glass matrix, over watercolor monotype from a paper matrix, with touches of metallic oil-based media, on thin cream Japanese paper laid Plan of the Battle of Sinope, 1853, Charles Meryon (French, 1821-1868), printed by Auguste Delâtre (French, 1822-1907), published by Charles Tanera (French, 19th century), France, Etching and roulette in black and tinted with watercolor in The Madame B Album, 1870s, Marie-Blanche-Hennelle Fournier, French, 1831–1906, France, Albumen prints with watercolor (in album), 29.2 × 41.9 cm Saint-Cloud, 1889, Childe Hassam, American, 1859-1935, United States, Watercolor on paper, 180 x 275 mm L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite, 1893/94, Paul Gauguin, French, 1848-1903, France, Wood-block print, printed twice in black and brown inks, with selective wiping, and hand-applied orange, Study for From Wonder World, from Marigold Garden, 1885, Kate Greenaway, English, 1846-1901, England, Pen and brown ink and watercolor on cream wove paper, 268 × 195 mm Sketchbook, c. 1760–64, Gabriel Jacques de Saint-Aubin, French, 1724-1780, France, Graphite, pen, wash and watercolor on paper, 130 × 172 mm Kostverloren Castle in Decay, c. 1652, Rembrandt van Rijn, Dutch, 1606-1669, Holland, Pen and brown ink, with brush and brown wash, heightened with touches of opaque white watercolor, on cream laid paper, 109 x 175 mm Two Women in Yellow Kerchiefs, n.d., Constantin Guys, French, 1802-1892, France, Brush and watercolor, over traces of graphite, on ivory wove paper, 310 × 218 mm Satan Exulting over Eve, William Blake (British, 1757 - 1827), 1795, Graphite, pen and black ink, and watercolor, 42.5 × 53.5 cm (16 3/4 × 21 1/16 in The Mother and Wife of the Artist Sewing by Lamplight (La mère et la femme de l'artiste cousant à la lumière d'une lampe), Albert Lebourg (French, 1849 - 1928), France, 1880, Powdered vine charcoal and charcoal, with stumping and lifting, Interior of a Dormitory of the Ipswich Blackfriars at the End of its Period of Occupation by Ipswich School, John Sell Cotman (British, 1782 - 1842), England, about 1838 - 1842, Pen and ink and watercolor, 43.7 × 60.3 cm (17 3/16 × 23 3/4 in Aries, Scorpio, Unknown, Ulm, Germany, shortly after 1464, Watercolor and ink on paper bound between original wood boards covered with original pigskin, Leaf: 30.6 x 22.1 cm (12 1/16 x 8 11/16 in Forest Landscape near a Pond, Adolphe Appian (French, 1818 - 1898), France, Europe, 1853, Charcoal and powdered charcoal with stumping, scratching, with red chalk and off-white opaque watercolor, 73.7 × 50.5 cm (29 × 19 7/8 in Sheet of Studies, Gabriel Jacques de Saint-Aubin (French, 1724 - 1780), late 1760 - 1779, Black, red and white chalk, pen and brown ink and watercolor on off-white paper, 21.9 x 15.4 cm (8 5/8 x 6 1/16 in The Ruins of the Imperial Palaces in Rome, Carl Rottmann (German, 1797 - 1850), Germany, about 1831, Graphite and watercolor with touches of white gouache, 23.5 x 29.2 cm (9 1/4 x 11 1/2 in Aquarius, Unknown, Ulm, Germany, shortly after 1464, Watercolor and ink on paper bound between original wood boards covered with original pigskin, Leaf: 30.6 x 22.1 cm (12 1/16 x 8 11/16 in August, Jacob I Savery (Flemish, 1566 - 1603), Southern Netherlands, Europe, 1595, Brush and indigo ink, indigo wash, heightened with white opaque watercolor, 21.2 × 31 cm (8 3/8 × 12 3/16 in The Death of Lara, Eugène Delacroix (French, 1798 - 1863), about 1824, Watercolor with some bodycolor and some underdrawing in graphite, 17.9 x 25.7 cm (7 1/16 x 10 1/8 in Episode from The Corsair by Lord Byron, Eugène Delacroix (French, 1798 - 1863), about 1831, Watercolor, brown ink, touches of gouache, over graphite underdrawing, 24.3 x 19.2 cm (9 9/16 x 7 9/16 in Study of a Mourning Woman, Michelangelo Buonarroti (Italian, 1475 - 1564), Italy, about 1500–1505, Pen and brown ink, heightened with white lead opaque watercolor, 26 × 16.5 cm (10 1/4 × 6 1/2 in Apollo and Daphne, Jan Boeckhorst (German, about 1604 - 1668), about 1640, Black chalk, pen and brown ink, watercolor, and white gouache heightening, 22.1 x 23.2 cm (8 11/16 x 9 1/8 in The Planet Mars as an Armored Knight on Horseback, Unknown, Ulm, Germany, shortly after 1464, Watercolor and ink on paper bound between original wood boards covered with original pigskin, Leaf: 30.6 x 22.1 cm (12 1/16 x 8 11/16 in Interior of Abbey of Aramont at Verberie, François Bonvin (French, 1817 - 1887), 1869, Brush with brown wash and watercolor and white gouache over graphite, 30.8 × 27.8 cm (12 1/8 × 10 15/16 in The Planet Saturn Represented as a Man on a Donkey, Unknown, Ulm, Germany, shortly after 1464, Watercolor and ink on paper bound between original wood boards covered with original pigskin, Leaf: 30.6 x 22.1 cm (12 1/16 x 8 11/16 in Studies for a Ceiling Decoration (recto and verso), Charles de La Fosse (French, 1636 - 1716), about 1680, Pen, red chalk, watercolor and gouache (recto), Black and red chalk (verso), 26 x 36.2 cm (10 1/4 x 14 1/4 in Stag Beetle, Albrecht Dürer (German, 1471 - 1528), Germany, 1505, Watercolor and gouache, upper left corner of paper added, with tip of left antenna painted in by a later hand, 14.1 x 11.4 cm (5 9/16 x 4 1/2 in Turkish Guardsmen, Alexandre Gabriel Decamps (French, 1803 - 1860), France, Europe, 1841, Brown wash, watercolor and bodycolor, 24 × 33 cm (9 7/16 × 13 in An Enchanted Cellar with Animals, Cornelis Saftleven (Dutch, 1607 - 1681), about 1655 - 1670, Black and red chalk, brush with gray and brown wash, and watercolor, 25.7 x 32.1 cm (10 1/8 x 12 5/8 in Panoramic View of Dordrecht and the River Maas, Aelbert Cuyp (Dutch, 1620 - 1691), Netherlands, about 1645–1652, Brush and dark brown ink with grey wash and ochre watercolor heightened with gum arabic over black chalk, 15.9 × 50.5 cm (6 1/4 The Choir and North Ambulatory of the Church of Saint Bavo, Haarlem, Pieter Jansz. Saenredam (Dutch, 1597 - 1665), Netherlands, November 1634, Red chalk, graphite, pen and brown ink, and watercolor, incised for transfer (recto), Rubbed A Trompe l’oeil Collage, Alfred Stevens (Belgian, 1823 - 1906), France, about 1890, Watercolor, 27.1 × 18.5 cm (10 11/16 × 7 5/16 in March, Jacob I Savery (Flemish, 1566 - 1603), Southern Netherlands, Europe, 1595, Brush and indigo ink, indigo wash, heightened with white opaque watercolor, 21.2 × 31 cm (8 3/8 × 12 3/16 in Allegory on the Life of Canova, Felice Giani (Italian, 1758 - 1823), Italy, about 1822 - 1823, Black chalk, brown ink, and watercolor, 35.9 x 62.7 cm (14 1/8 x 24 11/16 in The Destruction of Pharaoh's Host, John Martin (English, 1789 - 1854), United Kingdom, 1836, Watercolor and oil paint with brown ink and scraping out on paper, 58.4 × 85.7 cm (23 × 33 3/4 in Study for Sir David Baird Discovering the Body of Tipu Sahib, Sir David Wilkie, R.A. (Scottish, 1785 - 1841), about 1834 - 1836, Watercolor, pen and brown ink, and black chalk, 41.6 × 27.9 cm (16 3/8 × 11 in View of Civitavecchia with the Harbor Wall, Pieter Moninckx (Netherlandish, about 1606 - 1686), Italy, about 1660, Watercolor over pen and gray ink, 18.1 x 34.3 cm (7 1/8 x 13 1/2 in Unknown (Indian), Book, c. 1700, Watercolor and gold on paper, Illust: 10 1/4 x 5 7/8 (26cm. x 15cm Unknown (Indian), Book, c. 1700, Watercolor and gold on paper, Illust: 10 1/4 x 5 7/8 (26cm. x 15cm Unknown (Indian), Book, c. 1700, Watercolor and gold on paper, Illust: 10 1/4 x 5 7/8 (26cm. x 15cm Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm attributed to Bonaventure Peeters, Flemish, 1614-1652, Fisherman Hauling in the Fish, 17th century, pen and brown ink, watercolor, black chalk, and blue, ocher, and red wash on buff laid paper, Sheet: 6 3/8 × 11 3/4 inches (16.2 × 29.8 Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm Honoré Daumier, French, 1808-1879, Figure of a Woman and Woman with Child, between 1808 and 1879, watercolor and pen and brown ink on cream laid paper, Sheet: 6 × 8 3/8 inches (15.2 × 21.3 cm Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm George Cruikshank, English, 1792-1878, Country Scene, Man with a Pitchfork, 19th century, Pen and watercolor, Sheet: 3 1/8 × 4 1/8 inches (7.9 × 10.5 cm Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm Unknown (Indian), Book, c. 1700, Watercolor and gold on paper, Illust: 10 1/4 x 5 7/8 (26cm. x 15cm Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm Unknown (Indian), Book, c. 1700, Watercolor and gold on paper, Illust: 10 1/4 x 5 7/8 (26cm. x 15cm Ernst Ludwig Kirchner, German, 1880 - 1938, Vase of Flowers, 1929, watercolor over pen and ink on off-white wove paper, Sheet: 19 7/8 × 14 1/4 inches (50.5 × 36.2 cm Unknown (Indian), Tantric Manuscript Sangrahani Sutra, late 16th Century, watercolor on paper, Sheet 4 11/16 x 10 1/2 (11.9cm. x 26.6cm Unknown (Indian), Tantric Manuscript Sangrahani Sutra, late 16th Century, watercolor on paper, Sheet 4 11/16 x 10 1/2 (11.9cm. x 26.6cm Unknown (Indian), Book, c. 1700, Watercolor and gold on paper, Illust: 10 1/4 x 5 7/8 (26cm. x 15cm Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm Zhang Mu, Chinese, active 1656-1673, Horse Drinking in a River, between 1656 and 1673, Ink and watercolor on paper, Overall (matted): 18 × 30 inches (45.7 × 76.2 cm Shen Shichong, Chinese, active ca. 1607-1640, Landscapes After Old Masters, 1619, Ink and watercolor on paper, Image: 12 inches × 8 3/4 inches (30.5 × 22.2 cm Unknown (Indian), Book, c. 1700, Watercolor and gold on paper, Illust: 10 1/4 x 5 7/8 (26cm. x 15cm Unknown (Indian), Book, c. 1700, Watercolor and gold on paper, Illust: 10 1/4 x 5 7/8 (26cm. x 15cm Unknown (Indian), Book, c. 1700, Watercolor and gold on paper, Illust: 10 1/4 x 5 7/8 (26cm. x 15cm Unknown (English), An Exhibition of Paintings, late 18th century, watercolor over traces of graphite on buff laid paper toned with watercolor wash, Sheet: 11 1/8 × 9 5/16 inches (28.3 × 23.7 cm Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm Thomas Cole, American, 1801-1848, Section of a Church, between 1801 and 1848, pen and black ink, brown ink, watercolor, and graphite pencil on off-white laid paper, Sheet: 24 9/16 × 16 13/16 inches (62.4 × 42.7 cm White Buffalo, Cheyenne/Arapaho, Native American, Courting Scene, ca. 1890, Ink and watercolor on paper, Overall: 8 1/4 × 8 1/2 inches (21 × 21.6 cm Unknown (Indian), Miniature - Woman with Snakes, 19th century, watercolor, Page: 12 × 9 inches (30.5 × 22.9 cm Ike Taiga, Japanese, 1723-1776, Lin Heqing and Plum Blossoms, 18th century, watercolor, gold and ink on silk, Overall: 72 1/2 × 22 1/8 inches (184.2 × 56.2 cm Unknown (Indian), Book, c. 1700, Watercolor and gold on paper, Illust: 10 1/4 x 5 7/8 (26cm. x 15cm Unknown (Korean), Munjado with Flowers and Birds, 19th century, Ink and watercolor on paper, Block (Each panel): 44 1/2 × 13 3/8 inches (113 × 34 cm Unknown (Indian), Book, c. 1700, Watercolor and gold on paper, Illust: 10 1/4 x 5 7/8 (26cm. x 15cm Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm Unknown (Indian), Tantric Manuscript Sangrahani Sutra, late 16th Century, watercolor on paper, Sheet 4 11/16 x 10 1/2 (11.9cm. x 26.6cm Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm Unknown (French), Lapwing, 18th century, pen and black ink over brush and watercolor, with glazing on the neck and breast, on off-white laid paper, Image and sheet: 10 3/8 × 8 5/8 inches (26.4 × 21.9 cm Paul Maupin, French, 1553-1647, after Jacques Stella, French, 1596-1657, Sibilla Libica, between 1624 and 1625, woodcut printed in black ink with gray watercolor on off-white laid paper, Block and sheet: 12 1/8 × 7 5/8 inches (30.8 × 19.4 Unknown (Indian), Book, c. 1700, Watercolor and gold on paper, Illust: 10 1/4 x 5 7/8 (26cm. x 15cm Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm Unknown (Indian), Tantric Manuscript Sangrahani Sutra, late 16th Century, watercolor on paper, Sheet 4 11/16 x 10 1/2 (11.9cm. x 26.6cm search results: Watercolor clear search 32.428 / 2.589.715 Entries < previous page Page 59 / 325 next page >