Images at Librifly

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Five Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Glowing Night, 1924, Watercolor and graphite on paper, 9 1/4 x 12 3/8 in. (23.5 x 31.4 cm), Drawings, Oscar Bluemner (American (born Germany), Hanover 1867–1938 Braintree, Massachusetts

Octagonal Room with Sectional Views, 19th century, Pen and ink with watercolor, sheet: 17 x 16 7/8 in. (43.2 x 42.9 cm), Attributed to Anonymous, British, 19th century

Gabriel Holding a Lily, late 19th–early 20th century, Graphie, pen and ink and watercolor, sheet: 24 x 15 in. (61 x 38.1 cm), Drawings, Ernest Geldart (British, London 1848–1929

Drawings and Prints, Drawings Ephemera, Tattoo Design with anchor, Artist, Clark & Sellers, American, active 20th century, Clark & Sellers, American, 1900, 1945, ca. 1900–1945, 1895, 1945, pen and ink and watercolor

Drawings and Prints, Drawings Ephemera, Tattoo Design representing 'America', Artist, Clark & Sellers, American, active 20th century, Clark & Sellers, American, 1900, 1945, ca. 1900–1945, 1895, 1945, pen and ink and watercolor

A Butterfly, early 18th–mid 18th century, Pen and black ink and watercolor, over touches of graphite, sheet: 3 1/8 x 3 9/16 in. (7.9 x 9.1 cm), Drawings, Nicolaas Struyk (Amsterdam 1686–1769 Amsterdam

Still Life with Fruit, n.d., Black chalk and watercolor on cream white paper. Framing line in pen and black ink, 19 1/16 x 14 3/4 in. (48.4 x 37.5 cm), Drawings, Jan van Huysum (Dutch, Amsterdam 1682–1749 Amsterdam

Water Cress Gatherers ( (Liber Studiorum, part XIII), 1819, Etching only; before first state of three, plate: 8 9/16 x 11 3/8 in. (21.7 x 28.9 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851

Mont Sainte-Victoire, 1936, Watercolor on heavy wove paper, sheet: 12 15/16 x 10 in. (32.8 x 25.4 cm), Drawings, Attributed to Émile Bernard (French, Lille 1868–1941 Paris

recto: 'Portrait of Raja Suraj Singh Rathor', verso: Page of Calligraphy. Folio from the Shah Jahan Album, recto: late 16th century; verso: ca. 1640, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38. 7 cm),

Bottledogs! Bottledogs! Who buy Bottledogs?, ca. 1910, Watercolor and black ink, Sheet: 4 13/16 x 8 13/16 in. (12.2 x 22.4 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich

PALM, 1911, Watercolor and gouache on paper, H. 18-5/8, W. 14-5/8 in. (47.3 x 37.1 cm), Drawings

View of the Bargello Courtyard in Florence, 19th century, Watercolor, 23-5/8 x 17-1/2 in. (60.0 x 44.4 cm), Drawings, S. Cecchi (Italian, 19th century

Young Moroccan, Standing, 1832, Pen and brown ink and watercolor on wove paper (mounted on card), Overall: 7 5/8 x 2 5/8 in. (19.4 x 6.7 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Design of Marine Motifs for Stained Glass, 19th century, Graphite, ink and watercolor, sheet: 17 5/8 x 14 5/8 in. (44.8 x 37.1 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Masquerade, mid-19th century, Brush and watercolor and gouache over black graphite on off-white heavy paper, 17-5/8 x 24-3/4 in. (44.9 x 62.9 cm), Drawings, Mariano Fortuny Marsal (Spanish, Reus 1838–1874 Rome

Fishermen's Wives, ca. 1855–60, Watercolor and graphite, Sheet: 7 1/4 x 9 1/4 in. (18.4 x 23.5 cm), Drawings, Eugène Boudin (French, Honfleur 1824–1898 Deauville

Costume Study for Pedrillo in the 'Abduction from the Seraglio' by W.A. Mozart, ca. 1830–50, Watercolor, over graphite, gum arabic, Sheet: 11 1/4 × 7 15/16 in. (28.5 × 20.2 cm), Drawings, Johann Georg Christoph Fries (German, Nuremberg

Chain of Alps from Grenoble to Chamberi (Liber Studiorum, part X, plate 49), May 23, 1812, Etching and mezzotint; first state of four, plate: 7 x 10 3/8 in. (17.8 x 26.4 cm), Prints, Designed and etched by Joseph Mallord William Turner

Representation of Aukland, New Zealand, for Rudyard Kipling's 'A Song of the English', ca. 1909, Watercolor, sheet: 20 1/8 x 10 in. (51.1 x 25.4 cm), Drawings, William Heath Robinson (British, London 1872–1944 Highgate, London

Sir John Floyd on Horseback, ca. 1800–1814, Watercolor, sheet: 7 3/8 x 6 1/4 in. (18.8 x 15.8 cm), Drawings, Richard Westall (British, Reepham, Norfolk 1765–1836 London), Westall here uses watercolor to combine details of uniform and

View from the Ramparts at Chartres, 1893, Watercolor, 12 x 8 7/8 in. (30.5 x 22.6 cm), Drawings, Henri-Joseph Harpignies (French, Valenciennes 1819–1916 Saint-Priv

Self-Portrait as Monsieur Prudhomme, 1861, Watercolor and gouache over graphite with pen and brown ink, Sheet: 10 1/2 x 6 1/2 in. (26.7 x 16.5 cm), Drawings, Henry-Bonaventure Monnier (French, Paris 1799–1877 Paris

Design for a Coffered and Painted Ceiling in Rust and Olive Green, with a Quatrefoil Motif, 19th century, Graphite, watercolor and gilt, sheet: 18 5/8 x 12 3/4 in. (47.3 x 32.4 cm), John Gregory Crace (British, London 1809–1889 Dulwich) ,

Architectural Design for a Façade, 1739–69, Watercolor and pen and black ink, sheet: 8 1/16 x 7 5/8 in. (20.5 x 19.4 cm), Ferenc (Franz) Speth (Hungarian or Austrian, active 1739–died 1769), Detailed rendering of the elevation of a house.

Martello Towers near Bexhill, Sussex (Liber Studiorum, part VII, plate 34), June 1811, Etching and mezzotint; first state of four (Finberg), plate: 7 x 10 1/8 in. (17.8 x 25.7 cm), Prints, Designed and etched by Joseph Mallord William Turner

Cupid's ruse, 1792, Brush and grey ink, pen and black ink, red chalk, watercolor, over graphite, sheet: 6 15/16 x 7 5/8 in. (17.7 x 19.4 cm), Drawings, Hans Veit Friedrich Schnorr von Carolsfeld (German, Schneeberg, Sachsen 1764–1841

Woman and Child Resting, a Man Working in the Field Beyond, 1898, Graphite, watercolor, white gouache, Sheet: 11 5/16 x 14 5/16 in. (28.8 x 36.4 cm), Drawings, Jan Toorop (Dutch, Java 1858–1928 The Hague

C'est extraordinaire combien la lune ne fait de l'effet (The effect of the moon is extraordinary), 'Wiggle Much' Design, ca. 1910, Watercolor and black ink, Sheet: 5 7/16 x 8 in. (13.8 x 20.3 cm), Drawings, Herbert E. Crowley (British, London

Hot or Cold, 1911–24, Watercolor and blue ink, Sheet: 5 7/8 x 9 1/4 in. (15 x 23.5 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich

Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI (Liber Studiorum, part XIII, plate 66), January 1, 1819, Etching and mezzotint; third state of six (Finberg), plate: 7 1/16 x 10 3/16 in. (17.9 x 25.9 cm), Prints, Turner distilled his

'The Four Knights of Kai Khusrau in the Mountains', Folio from a Shahnama (Book of Kings), A.H. 741/A.D. 1341, Made in Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Page: H. 14 1/2 in. (36.8 cm), Codices, One of the stories of

Riverside Scene (Old Mill), 1805–10 (?), Watercolor, Sheet: 14 1/4 × 21 7/16 in. (36.2 × 54.5 cm), Drawings, Peter De Wint (British, Hanley, Stoke-on-Trent 1784–1849 London

The Sultan Rests, 1911–24, Watercolor and brown ink, Sheet: 6 9/16 × 10 1/4 in. (16.7 × 26 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich

Basle (Liber Studiorum, part I, plate 5), June 11, 1807, Etching and mezzotint; first state of six (Finberg), plate: 7 1/4 x 10 1/4 in. (18.4 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851

Fan Design with the Pantheon and the Colosseum, 18th century, Watercolor and gouache on vellum ?, Drawings, Anonymous, Italian, 18th century

The Choirstalls in the Mainz Cathedral, 1869, Watercolor and gouache (with gum arabic). Framing line in graphite., sheet: 8 7/8 x 11 3/8 in. (22.6 x 28.9 cm), Drawings, Adolph Menzel (German, Breslau 1815–1905 Berlin

Seven Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

The Castle above the Meadows (Liber Studiorum, part II, plate 8), 1808, Etching and mezzotint; engravers proof b, before first state of four (Finberg), plate: 7 x 10 5/16 in. (17.8 x 26.2 cm), Prints, Designed and etched by Joseph Mallord

Nude figure on hands and knees, n.d., Graphite with wash of watercolor and gouache on cream paper, 9 3/4 x 12 13/16 in. (24.8 x 32.5 cm), Drawings, Auguste Rodin (French, Paris 1840–1917 Meudon

La Halle aux Blés, Interior View, ca. 1810, Watercolor over graphite, Sheet: 11 7/16 x 10 1/16 in. (29 x 25.5 cm), Drawings, Pierre François Léonard Fontaine (French, Pontoise 1762–1853 Paris

Design for a Multi-paned Stained-glass Window, Church of the Divine Paternity, New York, ca. 1898, Watercolor and pen and ink, Sheet: 11 7/8 x 17 5/16 in. (30.1 x 44 cm), Drawings

Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53), May 12, 1814, Etching and mezzotint; first state of seven (Finberg), plate: 7 x 10 1/4 in. (17.8 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner

A Monkey Sitting on a Rock Looking at a Civet, 1764, Black chalk and watercolor, sheet: 10 1/4 x 15 3/16 in. (26.1 x 38.5 cm), Drawings, Aert Schouman (Dutch, Dordrecht 1710–1792 The Hague

St. Ives Bridge, St. Ives, Huntingdonshire, 1895, Watercolor, pen and gray ink, and touches of gouache over graphite on paper, 14 x 18 in. (35.5 x 45.7 cm), Drawings, William Fraser Garden (British, Chatham 1856–1921 Huntingdon (?)),

Design for a cornice., 1700–1780, Pen and brown ink, brush and watercolor, over lead point or graphite, with ruled and compass construction. Framing outlines in pen and dark brown ink, sheet: 15 1/2 x 19 7/16 in. (39.4 x 49.4 cm), Drawings,

FIBRE, 1922, Watercolor, ink and graphite on paper, H. 18-5/8, W. 14-5/8 in. (47.3 x 37.1 cm), Drawings

Drawn title page inscribed 'Alfred Crowquill [Alfred Henry Forrester, 1804–1872], Original Designs for Pottery and Porcelain, ca. 1845–1855, ' with Drawing of Lily Cup, 1845–55, Pen and ink, watercolor and gouache, sheet: 16 3/4 x 11

The Dyson Children, 1787, Chalk, graphite and watercolor on paper, 21-1/4 x 17 in. (54 x 43.2 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales), Downman here portrays a baby girl in a wheeled cart tugging at a

Fishing Luggers (Chasse-marée) making sail, off Calais, n.d., Graphite, pen and brown-red ink, and watercolor, 3 3/4 x 5 3/4 in. (9.5 x 14.6 cm), Drawings, Louis François Thomas Francia (French, Calais 1772–1839 Calais (active England

PRISM, 1922, Watercolor, gouache and graphite on paper, H. 18-5/8, W. 14-5/8 in. (47.3 x 37.1 cm), Drawings

Inverary Castle and Town, Scotland (Liber Studiorum, part XIII), 1816, Etching only; before first state of three, plate: 7 1/16 x 10 1/8 in. (17.9 x 25.7 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London

The Bridge and Goats (Liber Studiorum, part IX, plate 43), April 23, 1812, Etching, aquatint and mezzotint; first state of five (Finberg), plate: 7 1/16 x 10 1/16 in. (17.9 x 25.6 cm), Prints, Designed and etched by Joseph Mallord William

Scene on the French Coast (Liber Studiorum, part I, plate 4), June 11, 1807, Etching and mezzotint; third state of three (Finberg), plate: 7 1/4 x 10 3/16 in. (18.4 x 25.9 cm), Prints, Designed and etched by Joseph Mallord William Turner

Carlo and Ubaldo Resisting the Enchantments of Armida's Nymphs (from Torquato Tasso's 'Gerusalemme liberata', 15:57-58), 1782, Pen and black ink, watercolor, white gouache, over graphite; framing line in black ink, by the artist, Sheet: 7 3/8

Design for a Chimneypiece with a Personification of Virtue, 1616, Pen and grey and black ink, brush and watercolor, sheet: 12 3/16 x 7 5/8 in. (31 x 19.3 cm), Anonymous, German, 17th century

Young Anglers (Liber Studiorum, part VII, plate 32), June 1, 1811, Etching and mezzotint; second state of three, plate: 7 1/8 x 10 3/8 in. (18.1 x 26.4 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London

Frieze decoration: Sanctus, 19th century, Watercolor, sheet: 10 3/4 x 25 1/4 in. (27.3 x 64.1 cm), H. Stannus (British, 19th century

Norham Castle on the Tweed (Liber Studiorum, part XII, plate 57), January 1, 1816, Etching and mezzotint; first state of three, plate: 7 x 10 5/16 in. (17.8 x 26.2 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Figure in a Doorway, 1832, Watercolor over graphite on wove paper, Overall: 4 x 6 1/8 in. (10.2 x 15.5 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Bonneville, Savoy (Liber Studiorum, part XIII, plate 64), January 1, 1819, Etching, aquatint and mezzotint; first state of three, plate: 7 7/16 x 10 13/16 in. (18.9 x 27.5 cm), Prints, Turner distilled his ideas about landscape In 'Liber

Design for a Ceiling with Square Central Compartment and Semicircular Ends, the Ornament of Foliage and Grotesque Motifs, late 18th century, Pen, ink, watercolor, sheet: 22 x 28 in. (55.9 x 71.1 cm), Anonymous, British, late 18th century

Two Alternate designs for an Altar., 1700–1780, Pen and brown ink, brush and watercolor, over lead point or graphite, with ruled and compass construction. Scale at bottom in pen and brown ink, sheet: 20 x 14 1/16 in. (50.8 x 35.7 cm),

The Acropolis from the Areopagus, Athens, 1846, Watercolor over graphite, 14-13/16 x 21-1/16 in. (37.6 x 53.5 cm), Drawings, Thomas Hartley Cromek (British, London 1809–1873 Wakefield

Landscape with a Bridge Near Mosbjerg, 1833, Watercolor, over graphite, sheet: 5 1/16 x 8 1/8 in. (12.8 x 20.7 cm), Drawings, Martinus Rørbye (Danish, Drammen 1803–1848 Copenhagen

Designs for Two Mirrors and a Plate Rim, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Peat Bog, Scotland (Liber Studiorum, part IX, plate 45), April 23, 1812, Etching, aquatint and mezzotint; fifth state of five, plate: 7 x 10 5/16 in. (17.8 x 26.2 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

The Sea at Dieppe, ca. 1852–54, Watercolor on laid paper, Overall: 10 1/2 x 17 9/16 in. (26.7 x 44.6 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

The Family of Sir James Hunter Blair, 1st Baronet (1741–1787), ca. 1785, Watercolor, Sheet: 13 × 23 1/8 in. (33 × 58.8 cm), Drawings, David Allan (British, Alloa, Scotland 1744–1796 Edinburgh), Allan used watercolor and graphite to

Five Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Ten Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Study of a Tree, possibly 1848, Watercolor, Sheet: 8 7/8 x 7 5/16 in. (22.5 x 18.5 cm), Drawings, George Richmond (British, Brompton 1809–1896 London), This fresh watercolor study of foliage may have been made during a family holiday to

Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; first state of four, plate: 7 1/16 x 10 1/2 in. (17.9 x 26.7 cm), Prints, Designed and etched by Joseph Mallord William Turner

Lindisfarne Castle, Holy Island, Northumberland, 1796–97, Watercolor, Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm), Drawings, Thomas Girtin (British, London 1775–1802 London), Holy Island is dramatically situated on the northeast coast of

On the Gulf of Salerno near Vietri, September 1782 or later, Watercolor over faint traces of graphite, on cream wove paper, Sheet: 14 7/16 x 20 7/8 in. (36.7 x 53 cm), Drawings, John Robert Cozens (British, London 1752–1797 London), In May,

Ville de Thun, Switzerland (Liber Studiorum, part XII, plate 59), January 1, 1816, Etching and mezzotint; first state of three, plate: 7 x 10 7/8 in. (17.8 x 27.6 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Fan Design with Eruption of Vesuvius and the Tomb of Virgil, 18th century, Watercolor and gouache on vellum ?, Drawings, Anonymous, Italian, 18th century

Winchelsea Sussex (Liber Studiorum, part IX, plate 42), April 23, 1812, Etching and mezzotint; first state of three (Finberg), plate: 7 3/16 x 10 3/8 in. (18.3 x 26.4 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

St. Catharine's Hill near Guilford (Liber Studiorum, part VII, plate 33), June 1811, Etching and mezzotint; second state of three, plate: 7 1/4 x 10 3/8 in. (18.4 x 26.4 cm), Prints, Designed and etched by Joseph Mallord William Turner

The Mildmay Sea-Piece (Liber Studiorum, part VIII, plate 40), February 11, 1812, Etching and mezzotint; first state of four, plate: 7 1/4 x 10 7/16 in. (18.4 x 26.5 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

The Alcove, Isleworth (Liber Studiorum, part XIII, plate 63), January 1, 1819, Etching and mezzotint; second state of four (Finberg), plate: 7 1/4 x 10 3/8 in. (18.4 x 26.4 cm), Prints, Designed and etched by Joseph Mallord William Turner

Countess Hélène Esterházy, née Countess Bezobrazov, 1841 (?), Watercolor and gouache, graphite, Sheet: 7 7/8 x 5 7/8 in. (20 x 15 cm), Drawings, Moritz Michael Daffinger (Austrian, Vienna 1790–1849 Vienna

Design for Stole and Maniple, late 19th–early 20th century, Graphite, pen and ink with watercolor, sheet: 19 3/4 x 18 in. (50.2 x 45.7 cm), Ernest Geldart (British, London 1848–1929

Hedging and Ditching (Liber Studiorum, part X, plate 47), May 23, 1812, Etching and mezzotint; first state of four, plate: 7 5/16 x 10 1/4 in. (18.6 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London

Waltham Abbey, Essex, ca. 1840, Graphite and watercolor, Sheet: 9 3/4 x 15 1/4 in. (24.8 x 38.7 cm), Drawings, Peter De Wint (British, Hanley, Stoke-on-Trent 1784–1849 London), De Wint’s masterful control of a watercolor here evokes

Landscape near Saint Jean de Mont, n.d., Watercolor over charcoal on paper., 24 15/16 x 18 11/16 in. (63.4 x 47.5 cm), Drawings, Géza Peske (Hungarian, 1859–1934

The Acropolis from the West, with the Propylaea and the Temple of Athena Nike, Athens, 1834, Watercolor over graphite, 13-1/8 x 22-3/16 in. (33.3 x 56.3 cm), Drawings, Thomas Hartley Cromek (British, London 1809–1873 Wakefield

Five Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Christ and the Woman of Samaria (Liber Studiorum, part XIV, plate 71), January 1, 1819, Etching and mezzotint; fifth state of five (Finberg), plate: 7 1/4 x 10 3/8 in. (18.4 x 26.4 cm), Prints, Designed and etched by Joseph Mallord William

Agia Paraskevi, Epirus, Greece, April 13, 1857, Graphite, pen and brown ink and watercolor, Sheet: 12 15/16 x 20 1/8 in. (32.8 x 51.1 cm), Drawings, Edward Lear (British, London 1812–1888 San Remo), Lear was a tireless traveler through

Design for a domestic interior, 1857, Graphite, watercolor on pink paper, Sheet: 8 7/8 x 17 1/2 in. (22.6 x 44.5 cm), Drawings, Anonymous, German ?, 19th century

Lilthorpe's Gallant Attack on Street, Nuisances, 1830–64, Pen, brown ink, and watercolor, Sheet: 8 7/8 × 11 7/8 in. (22.5 × 30.2 cm), Drawings, John Leech (British, London 1817–1864 London

The Farm-Yard with the Cock (Liber Studiorum, part IV, plate 17), March 29, 1809, Etching and mezzotint; first state of three (Finberg), plate: 7 1/16 x 10 1/4 in. (17.9 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner

Philosophy Enthroned, mid-16th century, Pen and black ink, watercolor, gouache, heightened with gold paint; framing line in brown ink, Sheet: 9 3/4 × 7 1/16 in. (24.7 × 18 cm), Drawings, Virgil Solis (German, (?) 1514–1562 Nuremberg

Proposal for Astor House (Park Hotel), New York (perspective), ca. 1830–1834, Watercolor, ink, and graphite on paper, 20 5/16 x 31 1/2in. (51.6 x 80cm), Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey),

A Seated Woman, 1888, Watercolor, Sheet: 14 x 10 5/8 in. (35.5 x 27 cm), Drawings, Franz Skarbina (German, Berlin, 1849–1910 Berlin

Designs for Four Mirrors and a Two Handled Vase, 1845–55, Pen and ink, watercolor and gouache, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Nine Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Three Arab Horsemen at an Encampment, ca. 1832, Watercolor on wove paper, Overall: 8 9/16 x 11 5/8 in. (21.7 x 29.6 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Delacroix’s journey to North Africa in

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