Images at Librifly

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attributed to Louis Chéron, French, 1660-1725, Esther Before Ahasuerus, late 17th century, pen and ink and watercolor on buff laid paper, Sheet: 22 1/16 × 32 1/16 inches (56 × 81.4 cm

Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm

Unknown (Indian), Tantric Manuscript Sangrahani Sutra, late 16th Century, watercolor on paper, Sheet 4 11/16 x 10 1/2 (11.9cm. x 26.6cm

Unknown (Indian), Tantric Manuscript Sangrahani Sutra, late 16th Century, watercolor on paper, Sheet 4 11/16 x 10 1/2 (11.9cm. x 26.6cm

Shen Shichong, Chinese, active ca. 1607-1640, Landscapes After Old Masters, 1619, Ink and watercolor on paper, Image: 12 inches × 8 3/4 inches (30.5 × 22.2 cm

Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm

Ganku, Japanese, 1756-1838, Houses and Trees beneath Snowy Mountains, between late 18th and mid-19th century, Ink and watercolor on linen, mounted on paper, Overall: 66 3/4 × 19 inches (169.5 × 48.3 cm

Anna Claypoole Peale, American, 1791-1878, Rosalba Peale, 1820, watercolor on ivory, Unframed: 3 1/8 × 2 3/4 inches (7.9 × 7 cm

Henri Marie Raymond de Toulouse-Lautrec, French, 1864-1901, At the Circus, 1899, crayon, pastel, and watercolor on wove paper, Sheet: 9 7/8 × 14 inches (25.1 × 35.6 cm

Abu'l-Hasan al-'Usayli al-Hanafi, Egyptian, active Cairo, Qur'an Bi-folio, 1561/1562, Opaque watercolor, ink and gold on paper, Height: 54.5 (21 7/16 in

Unknown (Indian), Tantric Manuscript Sangrahani Sutra, late 16th Century, watercolor on paper, Sheet 4 11/16 x 10 1/2 (11.9cm. x 26.6cm

Unknown (Indian), Book, c. 1700, Watercolor and gold on paper, Illust: 10 1/4 x 5 7/8 (26cm. x 15cm

Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm

Claud Lovat Fraser, English, 1890 - 1921, Costume Design for Touchstone in As You Like It, Act I, ca. 1919, Watercolor, gouache, and pen and ink over graphite pencil, Sheet: 15 1/2 × 10 inches (39.4 × 25.4 cm

Unknown (Indian), Tantric Manuscript Sangrahani Sutra, late 16th Century, watercolor on paper, Sheet 4 11/16 x 10 1/2 (11.9cm. x 26.6cm

Unknown (Indian), Tantric Manuscript Sangrahani Sutra, late 16th Century, watercolor on paper, Sheet 4 11/16 x 10 1/2 (11.9cm. x 26.6cm

Eugène Fromentin, French, 1820-1876, Two Studies of a Hare, between 1840 and 1876, watercolor and graphite pencil on cream wove paper, Sheet: 9 1/8 × 12 5/8 inches (23.2 × 32.1 cm

Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm

Unknown (Indian), Tantric Manuscript Sangrahani Sutra, late 16th Century, watercolor on paper, Sheet 4 11/16 x 10 1/2 (11.9cm. x 26.6cm

Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm

Unknown (Indian), Book, c. 1700, Watercolor and gold on paper, Illust: 10 1/4 x 5 7/8 (26cm. x 15cm

Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm

Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm

Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm

Shen Shichong, Chinese, active ca. 1607-1640, Landscapes After Old Masters, 1619, Ink and watercolor on paper, Image: 12 inches × 8 3/4 inches (30.5 × 22.2 cm

Unknown (Indian), Tantric Manuscript Sangrahani Sutra, 17th Century, Watercolor and gold on paper, Sheet 11 3/4 x 4 5/16 (29.9cm. x 11cm

Arcadian Landscape with Shepherds, Joshua Cristall, 1768–1847, British, 1814, Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 x 7 11/16 inches (12.7 x 19.5 cm), arcadian art,

Songs of Innocence and of Experience, Plate 13, 'Nurse's Song' (Bentley 24), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

Irmingland Hall, Norfolk, Miles Edmund Cotman, 1810–1858, British, undated, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 6 5/8 × 10 1/4 inches (16.8 × 26 cm), architectural subject, clouds, farm,

Paddington Station, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor, graphite and goauche on medium green slightly textured wove paper, Sheet: 9 1/4 x 10 7/8 inches (23.5 x 27.6 cm), architectural subject, buildings,

Llyn Geirionedd not Far from Trefriew, on the River Conway, Carnarvonshire, John Warwick Smith, 1749–1831, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 5 5/8 x 8 3/4 inches (14.3 x 22.2

Gebel Sheikh Eredi, before sunrise, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, brown wove paper, mounted on moderately thick, moderately

Study of a Pollarded Tree - a Willow, Edward Duncan, 1803–1882, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 7/8 x 11 1/8 inches (22.5 x 28.3 cm), landscape, tree, willow

Foxhunting: Hunt Servants Leading Out Hounds, Samuel Henry Gordon Alken, 1810–1894, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 8 7/16 × 9 5/16 inches (21.4

Headland on the Coast of South Devon, Possibly Shaldon, Thomas Girtin, 1775–1802, British, undated, Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, blued white laid paper, Sheet: 12 5/16 x 17 7/16

A Rocky Stream, Samuel Woodforde, 1763–1817, British, undated, Watercolor, pen and gray ink over graphite on medium, slightly textured, cream laid paper, Sheet: 12 5/16 x 15 13/16 inches (31.3 x 40.2 cm), grasses, landscape, plants,

A View of Waltham Abbey, Herts, Essex, John Thirtle, 1777–1839, British, undated, Graphite and watercolor on medium, slightly textured, cream laid paper, Sheet: 8 1/2 × 11 7/8 inches (21.6 × 30.2 cm

Arundinaria alpina K. Schum. (African Bamboo): finished drawing of sections of stem and of shoot with leaves, James Bruce, 1730–1794, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream laid paper,

Italian Hill Town, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), after 1838, Watercolor, gouache, and graphite on medium, slightly textured, blue wove paper, Sheet: 9 1/4 x 12 5/8 inches (23.5 x 32.1 cm), Grand Tour,

Songs of Innocence and of Experience, Plate 14, 'The Shepherd' (Bentley 5), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

Study of a Plunging Eagle, James Ward, 1769–1859, British, undated, Varnish over graphite and watercolor on medium, slightly textured, beige wove paper, Sheet: 14 1/2 x 13 5/8 inches (36.8 x 34.6 cm), animal, bird, nature study,

View of Portsmouth Harbor with Shipping, Showing Buildings on Shore, George Bulteel Fisher, 1764–1834, British, undated, Pen, ink, blue wash, and watercolor on medium, slightly textured, cream laid paper, Sheet: 8 5/8 × 13 7/8 inches

Composition: An Italian landscape with colonnade and tower, Richard Thomas Underwood, 1772–1835, British, undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 5 5/16 × 7 3/8 inches (13.5 × 18.7 cm), architectural

The Bear and the Bee-Hives, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, pen and brown ink and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 × 7 1/4 inches (13 × 18.4 cm), animal

The Archangel Gabriel Awaiting Night, Thomas Girtin, 1775–1802, British, ca. 1799, Watercolor and brown wash over graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 12 1/16 x 9 7/8 inches (30.6 x 25.1 cm), angel,

Wooded Landscape with Figures Round a Cooking Pot, Thomas Hand, died 1804, British, 1793, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 6 7/8 × 9 5/8 inches (17.5 × 24.4 cm), child,

Foxhunting: Drawing a Cover, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen, in brown ink, graphite, and gouache on medium, slightly textured, cream, wove paper, Sheet: 9 3/8 × 12 7/16 inches (23.8 × 31.6 cm),

Young's Night Thoughts, Page 49, 'As If the Sun Could Envy, Check'd His Beam', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

Loading a Cart for Market, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream, wove paper, Sheet: 6 7/16 × 9 1/4 inches (16.4 × 23.5 cm), Contemporary

Travellers in Turkey, William Hamilton, 1751–1801, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 6 1/2 × 20 3/8 inches (16.5 × 51.8 cm

Mountainous Scene with a lake, Thomas Colman Dibdin, 1810–1893, British, 1867, Watercolor, with pen, in brown ink, gouache and graphite on thick, rough, beige, wove paper, Sheet: 14 1/2 × 21 3/8 inches (36.8 × 54.3 cm

Songs of Innocence and of Experience, Plate 52, 'A Little Girl Lost' (Bentley 51), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

Cottage Scene, Thomas Greenwood, died 1797, British, undated, Watercolor with pen and brown ink on Very thick, slightly textured, beige wove paper, Sheet: 12 13/16 x 6 13/16in. (32.5 x 17.4cm) and Sheet: 11 1/4 × 15 3/8 inches (28.6 × 39.1

Conservatory at Thoresby Hall, Nottinghamshire: Perspective, Studio of Sir Jeffry Wyatville, 1766–1840, British, Undated, Watercolor and pen and ink on thin, moderately textured, cream wove paper, Sheet: 13 x 20 5/8 inches (33 x 52.4 cm),

Pass in the Mountains Between Nisa and Villa Velha, William Bradford, active 1809, 1809, Watercolor and graphite on medium, slightly textured, cream wove paper mounted to card, Sheet: 8 1/8 × 12 inches (20.6 × 30.5 cm), aqueducts, genre

Greenwich Hospital, Richard Henry Nibbs, 1816–1893, British, undated, Watercolor, gouache, and graphite with scratching out on thick, moderately textured, cream wove paper, Sheet: 17 3/4 × 24 7/8 inches (45.1 × 63.2 cm

Memorial of Mrs. Mary Skippon from Acton Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache on medium, slightly textured, cream wove paper, Sheet: 14 5/8 × 10 7/8

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, undated, Graphite and watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 13 3/8 × 17 inches (34 × 43.2 cm) and Image: 8 1/8 × 6 3/4

Still Life with Gooseberries, Raspberries, Red Currants, Spring Onions, a Gherkin and Foliage, Richard Dadd, 1817–1886, British, 1874, Watercolor and gouache on medium, slightly textured, beige wove paper, Sheet: 9 7/8 x 14 7/8 inches

Wollaton Hall, Nottingham: Elevation, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1801, Graphite, pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 20 5/8 × 27 5/8 inches (52.4 ×

Leander Taking Leave of Hero Before Swimming Back Across the Hellespont, Attributed to William Hamilton, 1751–1801, British, Previously attributed to James Barry, 1741–1806, Irish, undated, Watercolor, gray wash, pen and brown ink, red

Songs of Innocence and of Experience, Plate 17, 'A Cradle Song' (Bentley 17), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

Songs of Innocence, Plate 30, 'The Little Black Boy' (Bentley 10), Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream

River Landscape with Cattle Watering, John Laporte, 1761–1839, British, undated, Watercolor and gouache on medium, slightly textured, cream laid paper, Sheet: 10 3/4 x 14 13/16in. (27.3 x 37.6cm) and Sheet: 11 × 14 7/8 inches (27.9 × 37.8

Near Ambleside, unknown artist, nineteenth century, ca. 1830, Watercolor and black chalk on medium, slightly textured, cream wove paper, Sheet: 7 7/8 × 12 1/8 inches (20 × 30.8 cm) and Mount: 11 1/8 × 15 1/2 inches (28.3 × 39.4 cm

The Wellesley-Pole Sisters, Sir Thomas Lawrence, 1769–1830, British, 1814, Graphite, black chalk, red chalk and watercolor on medium, smooth, cream, wove paper, Frame: 25 1/2 × 21 7/16 × 1 3/4 inches (64.8 × 54.5 × 4.4 cm) and Sheet:

On Mt. Palatine, John Warwick Smith, 1749–1831, British, 1764 to 1831, Watercolor over graphite on medium, moderately textured, cream laid paper, mounted on thick, moderately textured, cream laid paper, Sheet: 17 x 11 inches (43.2 x 27.9

Landscape with Cows and Barn, pupil of Peter DeWint, 1784–1849, British, undated, Watercolor over graphite on thick, cream, rough wove paper, Sheet: 15 1/8 x 11 5/8 inches (38.4 x 29.5 cm), barns, cattle, clouds, cows, landscape,

Woman with Cattle, Charles Towne, 1763–1840, British, 1803, Watercolor on moderately thick, moderately textured, cream, laid paper, Sheet: 11 1/2 × 14 7/8 inches (29.2 × 37.8 cm), animal, animal art, cattle, cow, farm, genre

Lee's Cottage, Countess Wear, Rev. William Warren Porter, 1776–1804, British, undated, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm), architectural subject, cottage,

The Barns, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), undated, Watercolor and graphite on moderately thick, moderately textured, gray, wove paper, Sheet: 10 × 13 9/16 inches (25.4 × 34.4 cm), barns, farm,

Windsor Castle, Berkshire: Elevation of the East Front, Studio of Sir Jeffry Wyatville, 1766–1840, British, undated, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper with one fold mark, Sheet: 14

Haram el Ketab, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, white wove paper, Sheet: 1 9/16 x 6 inches (4 x 15.2 cm), landscape, river, river, riverbank, sky,

Otaria Ursina, A. Fussel, active 1838–1881, British, ca. 1837, Watercolor, graphite, pen and black ink on moderately thick, slightly textured, cream, wove paper, Sheet: 4 3/4 × 7 3/8 inches (12.1 × 18.7 cm

Mr. Hobson of Markfield and Family, John Constable, 1776–1837, British, ca. 1806, Graphite, gray wash, and watercolor on medium, slightly textured, gray laid paper, Sheet: 4 1/4 x 6 7/8 inches (10.8 x 17.5 cm), family, games, genre

A Weasel, James Sowerby, 1756–1822, British, undated, Watercolor and graphite with pen and black ink on medium, smooth, cream wove paper, Sheet: 7 1/8 × 10 1/4 inches (18.1 × 26 cm), animal art, weasel

The Miller's Cottage at Chatsworth, Derbyshire: North Front Elevation, Studio of Sir Jeffry Wyatville, 1766–1840, British, after 1818, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper with black ink

A Young Scholar Goes Fishing, William Henry Hunt, 1790–1864, British, ca. 1820, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 5/8 x 8 inches (21.9 x 20.3 cm), fishing, fishing pole, genre

The Icebergs of Kotzebue Sound, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8

Jerusalem, Plate 14, 'One hair nor particle of dust....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream

Steeplechasing: The Field taking a Stone Wall and Gate, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 10 9/16 × 14 5/8 inches (26.8 × 37.1 cm),

The Duke of Cumberland Riding With Mr. de Burgh's Hunt, John Ferneley, 1782–1860, British, undated, Watercolor, pen and brown ink, graphite, gouache and gum arabic on thick, rough, cream, wove paper, Sheet: 8 11/16 × 12 9/16 inches

Part of the Construction in the Old House of Lords, Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British, 1823, Graphite, black and brown pen, and watercolor on slightly textured, moderately thick, white wove paper,

Design for Midsummer Night's Dream, Thomas Grieve, 1799–1882, British, undated, Watercolor, gouache, pen and brown, pen and black ink over graphite on two pieces of medium, cream, slightly textured wove paper and two pieces of medium,

An Estate in Naughton, Bricett, Bildeston and Offton, Suffolk, Isaac Johnson, 1754–1835, British, 1781, Graphite, pen and black ink and watercolor on smooth, moderately thick, white wove paper, Sheet: 22 1/2 × 24 inches (57.2 × 61

Section of an Ancient Building, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 11 1/2 × 8 13/16 inches (29.2 × 22.4 cm

One Tree Hill Greenwich Park, Print made by Thomas Rowlandson, 1756–1827, British, 1811, Etching with watercolor on medium, brown, slightly textured wove paper, Sheet: 10 3/16 x 14 3/16 in. (25.8 x 36.1 cm

Battersea Fields, Painted for Charles Matthews, Esq., Patrick Nasmyth, 1787–1831, British, undated, Watercolor and gouache on medium, slightly textured gray wove paper, Sheet: 5 1/2 × 9 1/4 inches (14 × 23.5 cm), boats, buildings,

A Crane, William Hayes, active 1775–1794, British, 1791, Watercolor, gouache, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 17 1/8 × 13 1/8 inches (43.5 × 33.3 cm), bird

Trafalgar Square, George Hawkins, 1819–1852, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 19 1/4 × 13 3/4 inches (48.9 × 34.9 cm), architectural subject

Memorial to George and Elizabeth MacKenzie from Kensngton Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove

Classical Church, Ayot St. Lawrence, Hertfordshire, Samuel Davis, 1757–1819, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm), architectural subject,

'Doing the Thing: and the Thing Done:' The Down Leap Done, Henry Thomas Alken, 1785–1851, British, 1818, Watercolor, with pen, in brown ink, over graphite on medium, slightly textured, cream, wove paper, Sheet: 6 1/16 × 9 1/4 inches

Rosia Bay, Gibraltar and Algeciras, Spain, George Lothian Hall, 1825–1888, British, 1844, Watercolor over graphite with scraping out on thick, moderately textured, cream wove paper, Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm), bay,

Landscape with Trees; a River in the Background, David Charles Read, 1790–1851, British, undated, Watercolor, pen and brown ink, and graphite on medium, rough, beige, wove paper, Sheet: 3 7/8 × 6 11/16 inches (9.8 × 17 cm), fence,

A View of Core's Library, Dawlish, Devon, John White Abbott, 1763–1851, British, 1837, Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount, Sheet: 5 1/4 x 8 inches (13.3

Cottage on a Bay, Attributed to Cornelius Varley, 1781–1873, British, undated, Watercolor and graphite on medium, cream, slightly textured wove paper, Sheet: 5 7/8 x 8 7/8 inches (14.9 x 22.5 cm), architectural subject, bay (body of

Gerf Hoseyn, 2:30 pm, 15 February 1867 (484), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink over graphite on moderately thick, rough, beige wove paper, Sheet: 9 1/2 × 13 3/4 inches (24.1 × 34.9 cm),

On the Colne, Middlesex, John Preston Neale, 1771/80–1847, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 6 9/16 × 10 5/16 inches (16.7 × 26.2 cm), landscape, river, river

Remains of an Ancient Amphitheatre Near Corinth, Sir Robert Smirke the younger, 1781–1867, British, 1803, Watercolor, graphite, pen and gray ink on moderately thick, moderately textured, beige, wove paper, Sheet: 11 1/2 × 16 7/8 inches

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