Images at Librifly

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Study of Rocks Covered with Seaweed, Edward Duncan, 1803–1882, British, formerly attributed to John Ruskin, 1819–1900, British, undated, Watercolor, graphite and gum arabic on moderately thick, moderately textured, blue wove paper,

Egyptian Man, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 1 13/16 x 15/16 inches (4.6 x 2.4 cm), figure study, man, standing, tunic, turban,

Capri, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor and gouache on medium, smooth, brown wove paper, Sheet: 7 1/8 x 10 3/8 inches (18.1 x 26.4 cm), cityscape, island, landscape, trees, Capri, Isola di, Italia,

Gibraltar, The Signal House, John Thomas Serres, 1759–1825, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 × 12 1/8 inches (15.2 × 30.8 cm) and Image: 3 1/8 × 10 3/8 inches (7.9 ×

The Village of Chiddingstone, Kent, George Shepheard, ca. 1770–1842, British, undated, Watercolor on thick, slightly textured, cream wove paper mounted on board, Sheet: 10 5/8 × 16 3/4 inches (27 × 42.5 cm), architectural subject

Peasants of Chasna, Tenerife, Alfred Diston, active 1818–1829, 1825, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 7 7/8 × 6 5/8 inches (20 × 16.8 cm), basket, Costumes, figure

The First Book of Urizen, Plate 22 (Bentley 24), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 x

Pheasant Shooting, Henry Thomas Alken, 1785–1851, British, or possibly Samuel Henry Gordon Alken, 1810–1894, British, undated, Graphite and watercolor on thick, slightly textured, cream, wove paper, Sheet: 9 9/16 × 13 15/16 inches

Windsor, circle of David Cox, 1783–1859, British, mid-19th century, Watercolor and black chalk on medium, moderately textured, cream wove paper, Sheet: 6 x 12 3/8 inches (15.3 x 31.4 cm), castle, landscape, United Kingdom, Windsor,

Plough Horses, Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on moderately thick, rough, beige, wove paper, mounted on medium, moderately textured, beige, laid paper, Sheet: 3 3/4 × 9 inches (9.5 × 22.9 cm) and

An Egyptian Vulture, unknown artist, Undated, Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream wove paper mounted on, very thick, moderately textured, cream, cardboard, Mount: 20 9/16

View on the Lake, Como, John Webber, 1752–1793, British, 1787, Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 11 1/2 × 19 inches (29.2 × 48.3 cm), Como, Como, Lago di

Man in a Red Turban, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm

Rocky Valley of Mosta, Malta, Edward Lear, 1812–1888, British, 1866, Watercolor, graphite, gouache, pen and brown ink on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, brown wove paper,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Mahadji Sindia, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 7/8 × 3 3/4 inches (12.4 × 9.5 cm), portrait

The Horse Guards Parade, Possibly William Henry Pyne, 1769–1843, British, undated, Watercolor, with pen, in brown ink, and graphite on moderately thick, moderately textured, cream, wove paper, Sheet: 9 7/16 × 15 11/16 inches (24 ×

Parent of the Modern Coach Dog - Turnspit Dog, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and gray ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 11/16 × 7 7/16 inches (11.9 × 18.9

Remarkable Iceberg, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm),

Budds Green, Kent, Robert Hills, 1769–1844, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 1/8 x 12 1/4 inches (20.6 x 31.1 cm), architectural subject, beams, house, roofs,

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824–1881, British, undated, Black ink, watercolor and gouache on moderately thick, moderately

Brass Plate for Robert Lellee from Hayes Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 ×

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

'The Poacher's Progress:' 'Poachers Stalking for Partridges', C. Blake, active 1825–1826, undated, Graphite, watercolor, and varnish on thick, moderately textured, brown, wood pulp paper, Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm),

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, 1837, Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 17 5/16 × 13 1/2 inches (44 × 34.3 cm) and

The Lake of Albano and Castel Gandolfo, John Robert Cozens, 1752–1797, British, between 1783 and 1785, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 17 x 24 3/8 inches (43.2 x 61.9 cm), castles, goats,

Trees and Barns in Ashstead Park, Surrey, Robert Hills, 1769–1844, British, undated, Watercolor and graphite on moderately thick, rough, cream wove paper, Sheet: 13 1/2 × 9 1/2 inches (34.3 × 24.1 cm), barn, branches, landscape,

Ruined Palace by a River, Samuel Davis, 1757–1819, British, undated, Watercolor, pen, black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper, Sheet: 11 7/8 x 16 1/4 inches (30.2 x 41.3 cm),

Views in the Levant: Stormy Landscape with Rockfall at Right, Viewed From the Sea, Willey Reveley, (?), 1760–1799, British, ca. 1785, Watercolor, with pen in gray ink, and graphite on medium, slightly textured, cream, Sheet: 7 3/8 × 23

View on the Upper Lake (Ireland), Isaac Weld, 1774–1856, Irish, ca. 1806, Watercolor, pen and brown ink, graphite and scratching out on medium, smooth, cream, wove paper, mounted on, very thick, slightly textured, beige, wove paper,

Allington Castle, Kent, Robert Nixon, 1759–1837, British, ca. 1790, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 10 7/8 × 15 1/8 inches (27.6 × 38.4 cm), architectural subject

Cader Idris, Samuel Davis, 1757–1819, British, undated, Watercolor, with pen, in brown ink and graphite on medium, slightly textured, cream, wove paper, mounted on, medium, slightly textured, cream, wove paper, Mount: 18 9/16 × 23

The Passing of 1880, Thomas Danby, 1818–1886, British, ca. 1880, Watercolor with gouache and scraping out on thick, rough, cream wove paper, Sheet: 12 3/8 x 19in. (31.4 x 48.3cm), bird, boat, evening, journey, landscape, light, lyre,

Memorial to Francis Phelips, from Sunbury Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/4 × 11 inches

Coulman Island, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41 cm),

A Parrot, James de Carle Sowerby, 1787–1871, British, undated, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 9 1/4 × 5 3/4 inches (23.5 × 14.6 cm), animal art, branch, parrot

A Regency House, George Shepheard, ca. 1770–1842, British, ca. 1820, Watercolor over graphite with scraping on moderately thick, slightly textured, cream wove paper, Sheet: 14 5/8 × 21 inches (37.2 × 53.3 cm), architectural subject,

The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country, Possibly Henry Thomas Alken, 1785–1851, British, undated, Watercolor, graphite, gouache, with pen, in brown ink, and black ink on moderately thick, slightly textured,

Open Landscape with Cathedral in Distance, Joshua Cristall, 1768-1847, British, undated, Watercolor with black ink over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 5 1/4 x 22 inches (13.3 x 55.9 cm), cathedral,

Color Note, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 3 1/4 × 7 1/4 inches (8.3 × 18.4 cm), architectural subject, color, note,

The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs, Paul Sandby RA, 1731–1809, British, or Thomas Sandby RA, 1721–1798, British, undated, Watercolor, pen and black ink, gray ink, and graphite on medium,

Memorial to William Smith from Cranford Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8 inches

Summer Landscape, Lionel Constable, 1828–1887, British, ca. 1825, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 4 7/8 x 6 3/4 inches (12.4 x 17.1 cm), clouds, landscape, moon, sheep, summer, trees

Songs of Innocence and of Experience, Plate 21, 'The Little Boy Lost' (Bentley 13), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately

John Edwin and Mrs. Mary Wells as Lingo and Cowslip in 'The Agreeable Surprise', John Downman, 1750–1824, British, 1787, Watercolor with gouache, black chalk and stumping on medium, slightly textured, cream laid paper, Sheet: 16 5/16 x 12

Tomb de la Chretienne/ Juba and Cleopatra, James Bruce, 1730–1794, British, ca. 1769, Watercolor, pen and brown ink, black ink, gouache, gray wash and graphite on moderately thick, moderately textured, blued white, laid paper, Sheet:

View of the Market Place at Juliers in Westphalia, Thomas Rowlandson, 1756–1827, British, 1791, Watercolor with pen and brown, black, and gray ink over graphite on moderately thick, moderately textured, blued white, laid paper, Sheet: 12

Boschbeek & Gorenendaal: View from Turret towards Haarlem and Zaandam, Gerrit Jan Schouten, Born 1815, Dutch, undated, Graphite, watercolor, pen and black ink on textured, medium, cream wove paper, Sheet: 5 1/2 × 14 3/16 inches (14 × 36

A Village Street, Figures by Old Cottages, William Alexander, 1767–1816, British, undated, Watercolor and graphite on medium, moderately textured, cream laid paper, Sheet: 13 7/8 x 10 1/2 inches (35.2 x 26.6 cm), aprons, architectural

Memorial to George Tilson from Hampton Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on Not signed, not dated, Sheet: 15 3/8 × 11 inches (39.1 × 27.9 cm), architectural

Black-backed Jackal, Samuel Howitt, 1756–1822, British, ca. 1817, Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 9 × 7 inches (22.9 × 17.8 cm), animal art, fox (animal

Sussex Landscape, Robert Polhill Bevan, 1865–1925, British, undated, Black chalk and watercolor on medium, cream, smooth wove paper, Sheet: 13 1/2 x 17 3/4 inches (34.3 x 45.1 cm), architectural subject, buildings, landscape, trees,

Three Donkeys, Robert Hills, 1769–1844, British, undated, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 3 5/8 x 4 7/8 inches (9.2 x 12.4 cm), animal art, donkeys, fence, house, trees

Cobham Hall, Kent: Section of a Hallway with Four Doors, James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and black ink, gray wash and watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 14 1/2 x 19 1/4

South West View of Stockton House, Wiltshire; the Seat of John Biggs Esqr., John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1810, Watercolor and pen and black ink on moderately thick, cream wove

Design for an Elizabethan Style House, Charles James Richardson, 1806–1871, British, c.1840-1860, Watercolor, gouache, graphite and gold on medium, slightly textured, cream wove paper, Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm),

Dendera, 15 January 1867 (158), Edward Lear, 1812-1888, British, 1867, Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 2 7/8 x 12 5/8 inches (7.3 x 32.1 cm),

Credulity, Print made by Anthony Cardon, 1772–1813, Flemish, after Francis Wheatley, 1747–1801, British, 1796, Color-printed etching and stipple engraving, with hand coloring in watercolor on moderately thick, slightly textured, cream

Ferreting, Samuel Alken, 1756–1815, British, undated, Graphite and watercolor on medium, slightly textured, beige, wove paper, Sheet: 10 1/4 × 16 1/4 inches (26 × 41.3 cm), cane, dogs (animals), hares, hat, hill, hunter, hunting,

Egyptian Vulture, Attributed to Charles Collins, 1660–1744, British, ca. 1736, Watercolor, pen and brown ink, pen and gray ink, and graphite with scratching out on moderately thick, moderately textured, cream wove paper, Sheet: 19 × 23

Plains of Bengal, from above Siligoree, Edward Lear, 1812–1888, British, 1874, Watercolor, pen and brown ink, and gouache on moderately thick, moderately textured, cream wove paper, Mount: 11 9/16 x 17 1/8 inches (29.4 x 43.5 cm) and

Four Ponies on a Welsh Moor, Thomas Creswick, 1811–1869, British, undated, Watercolor and graphite on medium, rough, cream, wove paper, Sheet: 8 1/8 × 11 13/16 inches (20.6 × 30 cm), animal art

Between Chiswick and Brentford, Samuel Hieronymus Grimm, 1733–1794, Swiss, 1774, Watercolor with black ink over graphite on medium, smooth, cream laid paper, Sheet: 8 3/8 x 11 1/8 inches (21.3 x 28.3 cm) and Image: 5 7/8 x 8 1/8 inches

Landscape with Barn, Joseph Mallord William Turner, 1775–1851, British, ca. 1795, Graphite and watercolor on medium, slightly textured, cream wove paper, mounted on thick, smooth, wove paper, Mount: 9 3/4 x 15 1/4 inches (24.8 x 38.7 cm)

Llanberis, North Wales, John Linnell, 1792–1882, British, 1813, Watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 6 3/8 x 11 3/8 inches (16.2 x 28.9 cm), grass, hills, landscape, trees, Caernarfonshire and

Aswan, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on medium, slightly textured, gray wove paper, mounted on thick, moderately textured, cream wove paper, Sheet: 2 3/4 x 10 1/2 inches

At Chinsurah Chinsura, Samuel Davis, 1757–1819, British, 1785, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm), boats, coast, figures, landscape, port, stairs,

Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome, Carlo Labruzzi, 1748–1817, Italian, undated, Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 14

A Town House on the Thames, Samuel Scott, 1701/2–1772, British, undated, Watercolor and graphite on medium, slightly textured, beige laid paper, with thin, slightly textured, blue laid paper border, mounted on linen backed with

The Shah Nujeef, William Simpson, 1823–1899, British, 1861, Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper, pasted on contemporary mount made of moderately thick, slightly textured, cream

Haughton, Field and Shepheard Fighting, George Shepheard, ca. 1770–1842, British, undated, Watercolor, brown ink, and graphite on medium, moderately textured, cream laid paper, Sheet: 8 1/4 × 6 inches (21 × 15.2 cm), coats, fighting,

A European Goldfinch, James Sowerby, 1756–1822, British, undated, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 11 × 8 1/4 inches (27.9 × 21 cm), animal art, bird, European Goldfinch

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, 1834, Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 13 1/2 × 17 inches (34.3 × 43.2 cm) and

A Sepoy Punishment, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 3/16 × 5 5/16 inches (10.6 × 13.5 cm), drums, military art,

Figures on a Beach, Samuel Prout, 1783–1852, British, after 1827, Watercolor and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 5 7/16 x 11 inches (13.8 x 27.9 cm), barrel (container),

Rheinfels and St. Goar, William Callow, 1812–1908, British, active in France, 1838, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/4 x 11 1/16 inches (21 x 28.1 cm), architectural subject, blue,

A Road Near Bettws-y-Coed, George Price Boyce, 1826–1897, British, 1851, Watercolor, pen and brown ink, gouache, gum arabic, graphite, and scratching out on moderately thick, slightly textured, beige, wove paper, Sheet: 14 7/8 x 20

Margate, Great Cloud, George Richmond, 1809–1896, British, 1853, Watercolor, graphite, and white gouache on medium, slightly textured, cream wove paper, Sheet: 5 5/8 × 7 1/8 inches (14.3 × 18.1 cm), clouds, hills, landscape,

View of the South Front of Hamilton Palace, unknown artist, ca. 1800, Watercolor, pen, and black ink on medium, slightly textured, cream wove paper, Sheet: 8 1/8 × 12 3/4 inches (20.6 × 32.4 cm), architectural subject

The Prussian Prize-fighter and his Allies attempting to tame Imperial Kate, or, The State of the European Bruisers., William Dent, active 1784–1793, 1791, Etching with watercolor on wove paper, Sheet: 7 5/8 x 22 3/16in. (19.4 x 56.4cm

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite and watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel

Sheet of Studies of Deer, Figures and Landscape, Aaron Edwin Penley, 1807–1870, British, undated, Watercolor with pen and brown ink on medium, moderately textured, cream wove paper, Sheet: 7 3/16 × 10 3/8 inches (18.3 × 26.4 cm), animal

Farningham, Kent, Benjamin Thomas Pouncey, active 1772–1799, British, 1784, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 4 7/8 × 6 15/16 inches (12.4 × 17.6 cm) and Mount: 6 3/4 × 9 inches (17.1 × 22.9

Otter Hunting, Print made by Samuel Howitt, 1756–1822, British, Published by Edward Orme, 1775–1848, British, 1812, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Landscape with Pasture Gate, Edward Francis Burney, 1760–1848, British, undated, Watercolor on medium, slightly textured, cream laid paper, Sheet: 6 3/8 × 8 inches (16.2 × 20.3 cm), fence, horse (animal), landscape, pasture, trees,

Avignon: Bridge over a River, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor and gouache on moderately thick, slightly textured, gray wove paper, Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm), arch bridge, arches,

Dead Calm: Boats off Cowes Castle, Sir Augustus Wall Callcott, 1779–1844, British, undated, Watercolor, with pen, in brown ink, graphite, white gouache, and scratching out on thick, slightly textured, beige, wove paper, Sheet: 9 3/4

Moody Hall: Front Elevation and Principal Floor Plan, Attributed to Batty Langley, 1696–1751, British, undated, Graphite, pen and brown ink, pen and black ink, pen and gray ink, watercolor, and gray wash on medium, moderately textured,

Cottage near Newcastle, Northumberland, Thomas Girtin, 1775–1802, British, ca. 1797, Watercolor, pen and brown ink and graphite on medium, slightly textured, beige wove paper, Sheet: 4 5/8 × 8 1/8 inches (11.7 × 20.6 cm), architectural

Memorials to Xpofer and Agnes Merick, George Charles Black, and Sarah Horsnell, Elizabeth Ascough, and George Merick, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over

American Deer, Anthony Devis, 1729–1817, British, undated, Graphite and watercolor; verso: Graphite on medium, slightly textured, cream, laid paper, Sheet: 6 1/8 × 9 5/16 inches (15.6 × 23.7 cm), animal art

Memorial to Hannah Towers, Samuel Towers and Five of their Children, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper,

Looking Across the Maas from Rotterdam, Robert Hills, 1769–1844, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 1/4 × 9 3/4 inches (15.9 × 24.8 cm), marine art, masts, river,

View from Craig-y-Barns, Dunkeld, Looking South, John Henry Mole, 1814–1886, British, 1855, Watercolor and white gouache over graphite on thick, slightly textured, cream wove paper, Sheet: 14 1/16 x 21 1/8 inches (35.7 x 53.7 cm), birch

Mountainous Landscape, North Wales, John Sell Cotman, 1782–1842, British, ca. 1802, Watercolor and gum over graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/2 x 12 5/8 inches (21.6 x 32.1 cm), landscape, man,

Saint Peter's Church, Hereford, from Butcher's Row, follower of John Varley, 1778–1842, British, 1802, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 15 3/4 x 22 5/8 inches (40 x 57.5 cm), architectural

London from the South West, John Varley, 1778–1842, British, 1831, Watercolor and scraping out on medium, slightly textured, cream wove paper, Sheet: 6 1/8 x 10 3/4 inches (15.6 x 27.3 cm), campers, camps, cathedral, cattle, fields,

Banner Cross Hall, Sheffield: Roof Plan, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1819, Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 12 3/4 × 17 7/8 inches

Spitzbergen, Main Peaks Bearing West, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16

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