Images at Librifly

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Bird of Paradise and Verso: Sketch of a Flower, James Sowerby, 1756–1822, British, undated, Watercolor, graphite, and gouache on medium, slightly textured, cream wove paper, Sheet: 9 × 10 1/4 inches (22.9 × 26 cm), animal art,

3 sketchbooks of 82 drawings by Anne Rushout (B1977.14.9506-9587), Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor on moderately thick, slightly textured, cream wove paper, Spine: 7 1/4 inches (18.4 cm) and Cover: 7 1/4 × 11

Steeplechasing: Three Riders Taking a Brook, Spectators on Right, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on moderately thick, moderately textured, blued white, wove paper, Sheet: 10 7/16 × 14 11/16

Pale-headed Parakeet, unknown artist, nineteenth century, after Edward Lear, 1812–1888, British, 1832, Watercolor, pen and black ink and graphite on beige board, Sheet: 18 × 14 inches (45.7 × 35.6 cm), animal art

Charity Children and Little Vagabonds, Thomas Stothard, 1755–1834, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 3/4 × 6 3/4 inches (14.6 × 17.1 cm), charity,

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Boat Sailing to the Left with Island in the Background, John Christian Schetky, 1778–1874, British, 1834, watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 10 1/2 × 17 1/4 inches (26.7 × 43.8 cm

Thetford Priory, James Stark, 1794–1859, British, undated, Watercolor and graphite on medium, slightly textured blue wove paper, Sheet: 9 5/8 x 13 5/8in. (24.4 x 34.6cm) and Sheet: 9 3/4 × 13 5/8 inches (24.8 × 34.6 cm), architectural

Korah Girl with a Jar, Samuel Daniell, 1775–1811, British, 1802, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 9 1/8 × 6 1/2 inches (23.2 × 16.5 cm), figure study, girl, grass skirt, Africa

Verona, Attributed to George Clarkson Stanfield, 1828–1878, British, Formerly attributed: Clarkson Stanfield, 1793–1867, British, 1833, Watercolor over graphite touched with white gouache on thick, slightly textured, cream wove paper,

The Temple of Vesta, Rome, James Holland, 1799–1870, British, 1849, Watercolor, gouache, and graphite, with scraping on medium, slightly textured, cream wove paper, Sheet: 7 3/4 x 10 7/8in. (19.7 x 27.6cm), architectural subject,

Bardon Hill, Charnwood Forest, Leicestershire, attributed to Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 3 3/8 x 10 1/4 inches (8.6 x 26 cm), forest, hills,

Landscape Study of a River Valley with Cattle in the Foreground, Rev. William Warren Porter, 1776–1804, British, undated, Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 17 ×

Part of the Bay of the Town of San Miguel, La Palma, Alfred Diston, active 1818–1829, undated, Watercolor with pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 7 5/8 × 13 3/4 inches (19.4 × 34.9 cm), landscape,

Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife, Julius Caesar Ibbetson, 1759–1817, British, undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 5 1/2 × 4 inches (14 × 10.2 cm), lady,

An architectural fantasy, John Devoto, active 1708–1752, British, undated, Watercolor and pen and brown ink on medium, slightly textured cream wove paper mounted to medium, slightly textured, cream wove paper, Sheet: 9 × 6 1/4 inches

Study of Turkeys, David Cox, 1783–1859, British, 1840s, Watercolor and graphite on medium, slightly textured, beige wove paper, Sheet: 4 x 9 1/2 inches (10.2 x 24.1 cm), animal art, turkeys (birds

A Girl Peeling Vegetables, Joshua Cristall, 1768–1847, British, between 1810 and 1815, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, laid on mount, Sheet: 17 11/16 x 14 inches (45 x 35.5 cm), aprons,

Bridge at Alnwick Castle, Northumberland, William Beilby, 1740–1819, British, undated, Watercolor on slightly textured, medium, beige laid paper, Sheet: 8 1/8 × 10 3/4 inches (20.6 × 27.3 cm), animals, architectural subject, bridge

Aldgate, Robert Bremmel Schnebbelie, active 1803–1849, 1817, Watercolor on medium, slightly textured, cream wove paper, Sheet: 9 x 11 3/8in. (22.9 x 28.9cm) and Sheet: 9 × 11 3/8 inches (22.9 × 28.9 cm

On the Lake of Nemi, John Robert Cozens, 1752–1797, British, between 1780 and 1783, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 1/4 x 11 7/8 inches (21 x 30.2 cm) and Mount: 10 5/8 x 14 1/4 inches (27 x

The Ruins of the College of Lincluden, Near Dumfries, Thomas Hearne, 1744–1817, British, ca. 1778, Watercolor and gray ink over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm),

Ziziphus abyssinica A. Rich. (Ethiopian Christ-Thorn): finished drawing without detail, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12

Brother of Thomas De Quincey, follower of Thomas Hazlehurst, active 1740–1821, British, undated, Gouache and watercolor on ivory, Image: 2 3/8 x 1 3/4 inches (6 x 4.4 cm) and Frame: 2 5/8 x 2 x 1/4 inches (6.7 x 5.1 x 0.6 cm), brother,

The Avon Gorge, Looking toward Clifton, Francis Danby, 1793–1861, Irish, ca. 1820, Watercolor, gouache, and graphite with scraping out on medium, moderately textured, cream wove paper, Sheet: 19 1/4 x 28 3/4 inches (48.9 x 73 cm),

The Town Hall, Danzig, Alfred Gomersal Vickers, 1810–1837, British, undated, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 14 5/8 × 10 1/2 inches (37.1 × 26.7 cm), architectural subject

Looking towards Ryde, Isle of Wight, Thomas Lindsay, 1793–1861, British, 1832, Watercolor and gouache over graphite on medium, smooth, cream wove paper, Sheet: 5 x 11 5/8 inches (12.7 x 29.5 cm), coast, landscape, seascape, shoreline,

The Monk Seal-Monachus monachus, unknown artist, ( Italian School ), undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 5/8 × 16 3/4 inches (21.9 × 42.5 cm), animal art

Halle au Blé, - Interior, Benjamin Ferrey, 1810–1880, British, undated, Pen and black ink and watercolor on moderately thick, moderately textured, cream wove paper, Sheet: 5 3/4 × 6 1/8 inches (14.6 × 15.6 cm), architectural subject,

Figures Seated Under a Stone Arch, William Page, 1794–1872, undated, Watercolor and graphite on medium, rough, cream wove paper, Sheet: 8 × 11 1/4 inches (20.3 × 28.6 cm), arch, architectural subject, genre subject, men, road, ruins,

Vault of Helen and William Gates, Mrs. Helen Gardnor, Mr. Lewis Combrune and Mrs. Helen Combrune, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly

Landscape with River or Lake, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 9 7/8 × 16 7/16 inches (25.1 × 41.8 cm

El Areesh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 2 1/16 x 4 11/16 inches (5.2 x 11.9 cm), landscape, moon, sky, water, Africa, Arish,

Evening, unknown artist, after Thomas Rowlandson, 1756–1827, British, 1799, Watercolor, with pen in gray ink over graphite on medium, slightly textured, beige, wove paper, Sheet: 4 × 5 13/16 inches (10.2 × 14.8 cm), evening, figure

Common Fiscal, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 × 30.5 cm), animal art

A Dramatic Scene with Three Women in an Interior, William Hamilton, 1751–1801, British, 1794, Watercolor, gray wash, pen and black ink, pen and blue ink, black chalk, gouache, and graphite on medium, slightly textured, cream laid

A Stiff Breeze, Samuel Prout, 1783–1852, British, ca. 1805, Watercolor, pen and brown ink, and gouache, with scratching out on medium, slightly textured, beige wove paper, Sheet: 7 1/4 × 12 inches (18.4 × 30.5 cm), boat, dock,

Walls of Rome: The Aurelian Wall, with the Pyramid of Cestius, Isaac Weld, 1774–1856, Irish, 1818, Watercolor, pen and brown ink, gouache, gum arabic, and graphite on moderately thick, moderately textured, blued white, wove paper,

The Coast of Antrim, Andrew Nicholl, 1804–1866, Irish, undated, Watercolor, gouache and graphite with scratching out on thick, rough, beige wove paper, Sheet: 11 3/8 × 19 3/4 inches (28.9 × 50.2 cm

Dover, David Cox, 1783–1859, British, 1832, Watercolor, gouache and graphite on medium, slightly textured, cream wove paper mounted to moderately thick, cream wove paper, Sheet: 5 3/4 x 9 7/8 inches (14.6 x 25.1 cm) and Mount: 10 3/8 × 6

Aquaduct at Cherchel, James Bruce, 1730–1794, British, ca. 1768, Watercolor, pen and brown ink, gouache, and graphite on moderately thick, moderately textured, cream laid paper, Sheet: 12 × 16 1/8 inches (30.5 × 41 cm), architectural

Cow Grazing, Sawrey Gilpin, 1733–1807, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream laid paper, Sheet: 7 × 10 1/8 inches (17.8 × 25.7 cm), animal art, cow

Brick Bridge, William Beilby, 1740–1819, British, undated, Pen and black ink and watercolor on medium, slightly textured, cream laid paper, Sheet: 8 1/4 × 10 7/8 inches (21 × 27.6 cm), architectural subject, boats, bridge (built work),

Design for a Bookcase, Charles Heathcote Tatham, 1772–1842, British, undated, Gray wash, watercolor, pen and ink over graphite on slightly textured, medium, white wove paper, Sheet: 11 1/8 × 12 3/16 inches (28.3 × 31 cm), architectural

Banquet Scene, with a Roman Soldeir Kneeling to a Famale Figure Sitting on a Throne, Robert Smirke, 1752–1845, British, and / or Mary Smirke, 1779–1853, British, undated, Watercolor, pen and gray ink, graphite and gouache on medium,

Near the Ferry going to Gott's, Leeds, attributed to John Thirtle, 1777–1839, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 10 1/2 × 8 3/8 inches (26.7 × 21.3 cm

Cat Like Courtship, Thomas Rowlandson, 1756–1827, British, undated, Watercolor, pen and gray ink, pen and red-brown ink, gray wash, and graphite on medium, slightly textured, beige wove paper mounted on thick, moderately textured,

Two Coongs in their Proper Uniform, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 6 × 6 1/4 inches (15.2 × 15.9 cm

A Lady in a White Dress, wearing a Blue Hat, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with gray wash over graphite on medium, slightly textured, laid paper, mounted on very thick, smooth, beige, laid paper, Sheet: 13

Jerusalem, Plate 28 Proof Impression, Print made by William Blake, 1757–1827, British, ca. 1820, Relief etching with pen and black ink and watercolor on medium, smooth wove paper, Sheet: 4 3/8 x 6 1/4 inches (11.1 x 15.9 cm), kissing,

Weymouth: with figures, shipping and view of (?) the Custon House, John Henderson, 1764–1843, British, undated, Watercolor and pen and brown ink over graphite on medium, slightly textured, cream laid paper, Sheet: 5 1/2 × 5 1/2 inches (14

Two Boys and a Dog in a Wood, Anthony Devis, 1729–1817, British, undated, Watercolor, gray wash, and pen and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 × 8 1/8 inches (14 × 20.6 cm), boys, dog

Dosing a Racehorse, Louis Philippe Boitard, active 1734–1760, undated, Watercolor, pen and black ink, gray ink, graphite, gray wash and gouache on moderately thick, moderately textured, cream, laid paper, mounted on, medium, slightly

Songs of Innocence and of Experience, Plate 3, Innocence Title Page (Bentley 3), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

Cottages at Chatsworth, Derbyshire: Elevation, Studio of Sir Jeffry Wyatville, 1766–1840, British, after 1818, Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper, Sheet: 13 9/16 × 20 1/8 inches (34.4

Windsor Castle - Devil's Tower, July 17, 1832 - 11 am, Dr. William Crotch, 1775–1847, 1832, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Mount: 9 1/8 × 13 inches (23.2 × 33 cm), Contemporary drawn

Public Credit, Or, The State Idol..., William Dent, active 1784–1793, 1791, Etching with watercolor on laid paper, Sheet: 13 7/8 x 9 11/16in. (35.2 x 24.6cm

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Peasants of Ycod el alto, Tenerife, Alfred Diston, active 1818–1829, 1825, Watercolor, graphite and pen and black ink on medium, slightly texured, cream wove paper, Sheet: 9 3/8 × 7 1/8 inches (23.8 × 18.1 cm), costume, figure study,

Two Drawings on One Sheet: Landscape With Tree in Foreground and Mountains in Distance - Hobbema and Ruysdael's Principle (no. 5); Figure in interior Scene - Teniers and Ostade's Principle (no. 6), Thomas Sully, 1783–1872, American, undated,

Evening, Cornelius Varley, 1781–1873, British, 1828, Watercolor, graphite and varnish on thick, cream, moderately textured wove paper, Sheet: 11 3/4 x 15 3/4 inches (29.8 x 40 cm), architectural subject, cattle, chickens, chimney,

Ships on a Stormy Sea, Samuel Owen, 1768–1857, British, 1836, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 1/2 × 11 1/4 inches (14 × 28.6 cm), boats, clouds, longboat, marine

St.Helen's Place Numbers 45-48 Bishopsgate as in the year 1833, unknown artist, 1839, Watercolor

Portrait of an Unknown Lady, Richard Cosway, 1742–1821, British, ca. 1770, Watercolor and gum arabic on ivory in gold pendant frame with hanger, surrounded by seed pearls and emeralds, Frame: 1 15/16 × 1 9/16 inches (5 × 4 cm), figure

Eragrostis Tef, Andrew Fyfe, 1752–1824, British, 1775, Watercolor on moderately thick, slightly textured, cream, laid paper, Sheet: 15 7/8 × 11 7/8 inches (40.3 × 30.2 cm), Contemporary drawn border: 13 1/8 × 9 3/8 inches (33.3 × 23.8

The River Avon: with Passing Vessels, Nicholas Pocock, 1740–1821, British, 1785, Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper, Sheet: 16 3/8 × 22 1/8 inches (41.6 × 56.2 cm

Dolbadarn Castle, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor, gray wash and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/4 × 20 inches (17.1 × 50.8 cm

Shipping off the Coast at Amalfi, John Thomas Serres, 1759–1825, British, 1791, Watercolor with pen and black ink over graphite on medium, slightly textured, beige wove paper, Sheet: 8 1/2 x 14 5/16in. (21.6 x 36.4cm) and Sheet: 8 1/2 × 14

Romantic Landscape - Peasants at the Foot of a Castle on a Crag, Paul Sandby RA, 1731–1809, British, undated, Watercolor, pen and gray ink, black chalk and graphite on medium, cream, slightly textured laid paper mounted on thick, beige,

North East View of Mr. Hare's New House, Samuel Hieronymus Grimm, 1733–1794, Swiss, 1783, Watercolor with gray ink over graphite on medium, smooth, cream laid paper, Contemporary drawn border: 7 1/4 x 10 1/2 inches (18.4 x 26.7 cm) and

Nîmes from the Tour Magne, William Marlow, 1740–1813, British, ca. 1765, Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill, Paul Sandby RA, 1731–1809, British, 1802, Gouache and watercolor over graphite on medium, cream, moderately textured laid paper, Sheet: 22 x 30 1/2 inches (55.9 x 77.5 cm),

`Ar Never Gets Off' - Hunting Scene, Cecil Charles Windsor Aldin, 1870–1935, British, undated, Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream, wove paper, Image: 11 5/8 × 18 15/16

Peaks Hole, Derbyshire, Print made by W. Pickett, active 1792–1820, British, colored by John Heaviside Clark, c.1771–1863, British, after Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771), Published

The Lecture House, Watford, William Henry Hunt, 1790–1864, British, ca. 1820, Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 12 3/4 x 16 3/4 inches (32.4 x 42.5 cm), arches,

Sea Breaking on Stony Cliffs at Left, James Ward, 1769–1859, British, undated, Watercolor on medium, moderately textured, cream laid paper, Sheet: 5 1/2 x 12 1/4 inches (14 x 31.1 cm), cliffs, landscape, sea

The Annual Resort of Hindoos to Mundar Hill near Bhagulpore Bhagalpur, Samuel Davis, 1757–1819, British, undated, Watercolor, with pen, in brown ink, graphite, and scratching out on medium, slightly textured, beige, wove paper, mounted

London Cries: Last Dying Speech and Confession, Paul Sandby RA, 1731–1809, British, ca. 1759, Watercolor over graphite on medium, cream, slightly textured wove paper, Sheet: 6 7/8 x 5 5/8 inches (17.5 x 14.3 cm), confession, cries,

Boats on a Calm Sea, François Louis Thomas Francia, 1772–1839, French, active in Britain, undated, Watercolor over graphite on moderately thick, rough, cream wove paper, Sheet: 4 x 6 3/8 inches (10.2 x 16.2 cm), boats, figures, marine

View in the Court of Compton Winyate, Warwickshire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1823, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4

View of the City of San Cristoval de la Laguna as Seen from the Road to Las Mercedes, Alfred Diston, active 1818–1829, 1819, Pen and ink, watercolor on moderately thick, smooth beige wove paper, Sheet: 10 5/8 × 14 3/8 inches (27 × 36.5

Bitch Fox and Cubs, Print made by Samuel Howitt, 1756–1822, British, Published by Edward Orme, 1775–1848, British, 1812, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Temple and Lake at Wanstead Grove, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 21 inches (17.8 × 53.3 cm), architectural subject

The Royal Terrace, Adelphi, Thomas Malton the Younger, 1748–1804, British, undated, Watercolor on slightly textured, medium, beige wove paper, Sheet: 19 3/8 × 28 3/4 inches (49.2 × 73 cm), architectural subject

Canna bidentata Bertol. (Canna Lily; Indian Shot Plant): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches

Pink Fairy Armadillo, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 4 7/8 × 7 11/16 inches (12.4 × 19.5 cm), animal

Mr. Smith Dorian, 1841, Richard Dighton, 1795–1880, British, 1841, Graphite and watercolor on medium, smooth, cream wove paper, Frame: 10 11/16 × 26 3/16 × 13/16 inches (27.2 × 66.5 × 2 cm) and Image: 9 1/4 × 7 11/16 inches (23.5 ×

Cobham Hall, Kent: Section of the great staircase, south wing at Cobham Hall, James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 14 5/8

Songs of Innocence, Plate 28, 'Laughing Song' (Bentley 15), Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper,

Jerusalem, Plate 45, 'Bath, healing City!....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet:

Rolls Chapel, Samuel Ireland, active 1760–died 1800, British, 1800, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 5 × 6 1/4 inches (12.7 × 15.9 cm) and Mount: 9 × 12 1/2

Memorial to Gulielmi Millman from Chelsea Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4

Design for Silverton Park, Devon, studio of James Knowles, c. 1806–1884, British, between 1839 and 1845, Watercolor, gouache, pen and black ink, and graphite on medium, moderately textured, cream wove paper, Sheet: 9 1/8 × 15 inches

A Moated House, Cornelius Varley, 1781–1873, British, undated, Watercolor and graphite on medium, cream, slightly-textured wove paper, Sheet: 10 3/4 x 15 3/4 inches (27.3 x 40 cm), architectural subject, bushes, chimney, house,

Figures by a Lake, Samuel Davis, 1757–1819, British, undated, Pen, ink, gray wash, brown wash, watercolor, and graphite on moderately thick, moderately textured, cream laid paper, Sheet: 10 1/4 x 14 3/4 inches (26 x 37.5 cm) and Mount:

Sabooa, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, wove paper, mounted on moderately thick, moderately textured, cream wove paper, Sheet: 3 9/16 x 7 7/16 inches (9 x

Memorial to Baybrigg Buckeridge, his wife Mary, and his son, Thomas from West Ham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured,

Boat with Cityscape and Cathedral in Background, unknown artist, (T. Leonard?), undated, Watercolor and graphite on thin, slightly textured, cream wove paper, Frame: 13 1/2 × 16 1/2 inches (34.3 × 41.9 cm) and Sheet: 6 3/4 × 9 5/8 inches

Memorial to Judith Bell also to John Crosse from Hendon Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15

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