Images at Librifly

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Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; second state of four, plate: 7 x 10 7/16 in. (17.8 x 26.5 cm), Prints, Designed and etched by Joseph Mallord William Turner

Courtyard of the Palazzo Vecchio, Florence, 19th century, Watercolor, 25-7/8 x 17-5/16 in. (65.8 x 44.0 cm), Drawings, S. Cecchi (Italian, 19th century

Marble Floor Design for Hunslet Church, 1894, Pen and ink, over graphite, with watercolor, sheet: 13 x 21 1/2 in. (33 x 54.6 cm), Ernest Geldart (British, London 1848–1929

Tale à la Hoffmann, 1921, Watercolor, graphite, and transferred printing ink on paper bordered with metallic foil, mounted on cardboard, 15 7/8 × 12 5/8 in. (40.3 × 32.1 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee

Juvenile Tricks (Liber Studiorum, part V, plate 22), January 1, 1811, Etching and mezzotint; first state, plate: 7 1/16 x 10 3/8 in. (17.9 x 26.4 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851

Heads of Goddesses (Pallas, Venus, Juno), ca. 1600, Watercolor and gouache, border in black wash, framing lines in pen and gold ink., Sheet: 5 11/16 x 7 3/16 in. (14.5 x 18.3 cm), Drawings, Anonymous, French, 17th century

Seven Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

St. Mark's Square, Venice, with Loggetta, 19th century, Watercolor and ink over graphite, sheet: 10 1/16 x 7 3/16 in. (25.6 x 18.2 cm), Drawings, William Wyld (British, London 1806–1889 Paris), This lively watercolor unites several famous

Five Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

River Wye (Liber Studiorum, part X, plate 48), May 23, 1812, Etching and mezzotint; first state of five, plate: 7 1/4 x 10 1/2 in. (18.4 x 26.7 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851

From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36), June 1811, Etching and mezzotint; first state of four, plate: 7 3/16 x 10 3/8 in. (18.3 x 26.4 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Eight Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Botanical Study of a type of Yellow Gentian (genus Gentiana Major) (recto); Botanical Study of the Ascyrum Hypericoides (verso), ca. 1820, Watercolor, 19 1/2 x 12 1/2 in. (49.5 x 31.7 cm), Drawings, Anonymous, French, 19th century

Design for a Lavish Headdress with Feathers, ca. 1620–56 , Blue gouache or watercolor heightend with white, Sheet: 10 9/16 x 7 1/2 in. (26.9 x 19 cm), Possibly by Baccio del Bianco (Italian, Florence 1604–1656 Escorial) (and workshop),

Lauffenbourgh on the Rhine (Liber Studiorum, part VI, plate 31), January 1, 1811, Etching and mezzotint; first state of six (Finberg), plate: 7 x 10 1/4 in. (17.8 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner

Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24), January 1, 1811, Etching and mezzotint; third state of four, plate: 7 1/8 x 10 1/2 in. (18.1 x 26.7 cm), Prints, Designed and etched by Joseph Mallord William Turner

Green Beetle with Brown Legs, late 17th–early 18th century, Watercolor, Varied dimensions, Drawings, Jan Vincentsz van der Vinne (Dutch, Haarlem 1663–1721 Haarlem

Flag Station, Elizabeth, New Jersey, 1925, Watercolor on paper, 10 5/8 x 13 3/8 in. (27 x 34 cm), Drawings, Oscar Bluemner (American (born Germany), Hanover 1867–1938 Braintree, Massachusetts

François Henri Schlick, Count of Bassano de Weisskirchen, 1837, Watercolor and gouache, graphite, Sheet: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Drawings, Franz Eybl (Austrian, Gumpendorf (Vienna) 1806–1880 Belvedere

Panoramic View of New York Taken from the East River, 1844, Engraving and aquatint with watercolor, image: 8 15/16 x 31 7/8 in. (22.7 x 81 cm), Prints, Vessels drawn by James Fulton Pringle (British, 1788–1847), This view is typical of the

Six Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Designs for Two Tureens and a Plate, 1845–55, Graphite, ink and wash, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

All Saints Church, Worcester, 1836, Ink and watercolor, sheet: 15 15/16 x 21 5/16 in. (40.5 x 54.2 cm), Richard Varden (British, 1812–1873 Peopleton, Worcestershire), J. & R. Varden (British, active Worcester, 19th century

Design for an Altar, 1700–1780, Pen and brown ink, brush and gray wash with watercolor, over lead point or graphite, with ruled and compass construction. Scale, at bottom, in pen and brown ink, sheet: 22 7/16 x 15 1/2 in. (57 x 39.3 cm),

View of a Palace Garden with a Central Pond Surrounded by Classical Architecture (Tapestry or Stage Design?), ca. 1700–1720 , Pen and black ink and watercolor, Sheet: 13 1/16 × 18 7/8 in. (33.1 × 48 cm), Drawings, Daniel Marot the Elder

'Wiggle Much' Baby Hiding from Mama, ca. 1910, Watercolor and brown ink, Image: 4 5/8 × 7 5/8 in. (11.7 × 19.4 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich

Drawings and Prints, Drawings Ephemera, Tattoo Design with a Dragon and Snake (Inspired by Japanese Examples), Artist, Clark & Sellers, American, active 20th century, Clark & Sellers, American, 1900, 1945, ca. 1900–1945, 1895, 1945,

Young Anglers (Liber Studiorum, part VII), June 1, 1811, Etching and mezzotint; first state of three, plate: 7 1/16 x 10 5/16 in. (17.9 x 26.2 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851

Fourteen Designs for Decorated Cups, including 'Camden', Sevigne' and 'Persian' Patterns, 1852, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872

Lake of Thun, Swiss (Liber Studiorum, part III, plate 15), June 10, 1808, Etching, drypoint and mezzotint; third state of three, plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm), Prints, Designed and etched by Joseph Mallord William Turner

Woodcutters at Park Place, Henley, the River Thames Beyond, ca. 1826, Graphite, watercolor and gouache with gum arabic and scratching out, sheet: 9 5/8 x 13 3/8 in. (24.4 x 33.9 cm), Drawings, William Havell (British, Reading 1782–1857

Seven Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Boy (loq.) O don't I pity them poor Nobs in Carriages this hot weather, 1830–64, Pen, brown ink, and watercolor, Sheet: 10 3/16 × 12 3/4 in. (25.8 × 32.4 cm), Drawings, John Leech (British, London 1817–1864 London

Ben Arthur, Scotland (Liber Studiorum, part XIV, plate 69), January 1, 1819, Etching and mezzotint; second state of three (Finberg), plate: 7 1/4 x 10 1/2 in. (18.4 x 26.7 cm), Prints, Designed and etched by Joseph Mallord William Turner

Head of a Woman, ca. 1405–10, Watercolor on vellum, sheet: 3 9/16 x 2 3/4 in. (9.1 x 7 cm), Drawings, Anonymous, Bohemian, 15th century, The refinement of the International Gothic Style and the flowering of the visual arts in Prague at the

First Premium Design for the Capitol of Ohio at Columbus by Walter of Cincinnati, ca. 1839, Watercolor, ink and graphite, sheet: 16 3/4 x 12 13/16 in. (42.5 x 32.6 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West

Mme Ida Rubinstein, ca. 1910, Watercolor, gouache, and graphite on paper, mounted on canvas, 50 1/2 x 27 1/4 in. (128.3 x 69.2 cm), Drawings, Léon Bakst (Russian, Grodno 1866–1924 Paris

CYAN, 1922, Watercolor on paper, 12 3/4 × 10 3/4 in. (32.4 × 27.3 cm), Drawings

Fan Mount: Ballet Girls, 1879, Watercolor, silver, and gold on silk, 7 1/2 x 22 3/4 in. (19.1 x 57.8 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), In 1879, when Degas created this work, he was organizing a gallery at the

Little Devil's Bridge over the Russ, above Altdorft, Switzerland (Liber Studiorum, part IV, plate 19), March 29, 1809, Etching and mezzotint; first state of three, plate: 7 x 10 1/8 in. (17.8 x 25.7 cm), Prints, Designed and etched by

The Rehearsal of the Ballet Onstage, ca. 1874, Oil colors freely mixed with turpentine, with traces of watercolor and pastel over pen-and-ink drawing on cream-colored wove paper, laid down on bristol board and mounted on canvas, 21 3/8 x 28 3/4

Little Devil's Bridge over the Russ, above Altdorft, Switzerland (Liber Studiorum, part IV, plate 19), March 29, 1809, Etching and mezzotint; third state of three, plate: 7 x 10 1/4 in. (17.8 x 26 cm), Prints, Designed and etched by Joseph

On the Thames at Hammersmith, ca. 1836, Watercolor and graphite, Sheet: 7 3/4 × 11 in. (19.7 × 27.9 cm), Drawings, John Varley (British, London 1778–1842 London), Varley's delightfully fresh watercolor describes a Thameside scene on a

Ponte Santa Trinità, Florence, before 1832, Watercolor and graphite, Sheet: 8 x 11 5/16 in. (20.3 x 28.8 cm), Drawings, James Duffield Harding (British, Deptford, Kent 1797–1863 Barnes, Surrey), Ponte Santa Trinità, a bridge across the

A Road in a Gorge near Naples, 1782, Watercolor, gum arabic glazes, over graphite, Sheet: 14 3/4 × 19 1/8 in. (37.5 × 48.5 cm), Drawings, Thomas Jones (British, Trevonen, Wales 1742–1803 Pencerrig, Wales), Jones belonged to an

View of Berlin with the Ephraim Palais at Left, 1847, Watercolor, Sheet: 7 7/8 x 5 7/8 in. (20 x 15 cm), Drawings, Eduard Gaertner (German, Berlin 1801–1877 Zechlin

Costume Study for Osmin in the 'Abduction from the Seraglio' by W.A. Mozart, ca. 1830–50, Watercolor, over graphite, gum arabic, Sheet: 11 1/8 × 8 1/16 in. (28.3 × 20.5 cm), Drawings, Johann Georg Christoph Fries (German, Nuremberg

A Standing Grenadier of the Municipal Guard, 1891, Watercolor over traces of graphite, heightened with white on gray wove paper, glued to cardboard, sheet: 20 1/2 x 11 5/8 in. (52 x 29.6 cm), Drawings, Édouard Detaille (French, Paris

Portrait of Two Children, 1837, Watercolor and gouache with touches of gum and gold, on yellow paper, sheet: 22 7/8 x 16 5/8 in. (58.1 x 42.2 cm), Drawings, George Richmond (British, Brompton 1809–1896 London), Richmond's career as a

Design for University of Michigan (elevation and plan of building and grounds), ca. 1838, Watercolor and ink, Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Five Designs for Decorated Cups and Three Designs for Saucers, 1845–55, Pen and ink, watercolor and gouache, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Peat Bog, Scotland (Liber Studiorum, part IX, plate 45), April 23, 1812, Etching, aquatint and mezzotint; first state of five, plate: 8 3/16 x 11 7/16 in. (20.8 x 29.1 cm), Prints, Designed and etched by Joseph Mallord William Turner

Eight Designs for Decorated Cups and Two Designs for Plate Rims, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

The Banquet of Anthony and Cleopatra, 17th century, Pen and brown ink, watercolor with white gouache over black chalk, 16 7/16 x 14 1/8 in. (41.7 x 35.8 cm), Drawings, Jacob Jordaens (Flemish, Antwerp 1593–1678 Antwerp

Eight Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Flower Study, ca. 1820, Watercolor, 19 5/8 x 12 9/16 in. (49.9 x 31.9 cm), Drawings, Anonymous, French, 19th century

Design for Patterned Silk, ca. 1780–1825 , Watercolor and gouache on pink paper, 16 3/8 x 23 9/16 in. (41.6 x 59.8 cm), Attributed to Jean François Bony (French, Givors 1760–1825 Paris

Design for Rock-work and Cascades at Virginia Water, Windsor Great Park, 1780s (?), Pen and ink and watercolor, over graphite on laid paper, sheet: 6 9/16 x 12 13/16 in. (16.7 x 32.5 cm), Drawings, Thomas Sandby (British, baptized Nottingham

Landscape with a Fantastic Castle, 1865, Watercolor and graphite, Sheet: 10 1/4 × 15 1/16 in. (26.1 × 38.3 cm), Drawings, George Sand (French, Paris 1804–1876 Nohant

Two Old Men Dressed in Basque Costumes Walking, 1956, Brush and black, blue and red watercolor., 18 3/16 x 14 1/8 in. (46.2 x 35.9 cm), Drawings, Jacques Ochs (Belgian, 1883–1944

Prince Felix of Schwarzenberg, 1838, Watercolor and gouache, graphite, Sheet: 6 1/2 x 4 15/16 in. (16.5 x 12.5 cm), Drawings, Moritz Michael Daffinger (Austrian, Vienna 1790–1849 Vienna

Rispah, 2nd Book of Samuel, Chapter 21 (Liber Studiorum, part IX, plate 46), May 23, 1812, Etching and mezzotint; fourth state of four, plate: 7 1/8 x 10 3/8 in. (18.1 x 26.4 cm), Prints, Designed and etched by Joseph Mallord William Turner

Eight Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Two Alternate Elevations for an Interior Wall, 1700–1780, Pen and gray ink, brush and watercolor over graphite, with ruled and compass construction, sheet: 18 1/16 x 23 9/16 in. (45.8 x 59.9 cm), Drawings, Anonymous, Italian, Piedmontese,

The Moat Island, Windsor Great Park, 1754–55 (?), Watercolor, pen and gray ink, graphite, Sheet: 11 1/8 x 18 1/4 in. (28.3 x 46.3 cm), Drawings, Thomas Sandby (British, baptized Nottingham 1723–1798 Windsor), Sandby and his younger

Italian Courtyard and Figures, 1843–1921, Brush and watercolor, 20-3/4 x 14-3/16 in. (52.7 x 36.0 cm), Drawings, Cavaliere Pio Joris (Italian, Rome 1843–1921 Rome

Interior View of the Basilica of Santa Maria Maggiore, Rome, 1833, Watercolor, pen and ink over graphite, Sheet: 30 3/8 × 13 9/16 in. (77.2 × 34.5 cm), Drawings, Anton Hallmann (German, Hannover 1812–1845 Livorno

Design for an Interior Wall, 1700–1780, Pen and gray ink, brush with gray wash and watercolor, over graphite or lead point, with ruled and compass construction. Framing outlines in pen and dark brown ink, sheet: 26 11/16 x 18 1/2 in. (67.8 x

Seven Designs for Decorated Cups, including Venice, Osborne Tapetry and Osborne Patterns, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London

Designs for a Decorated Dish, or Platter, and a Biscuit Barrel, 1845–55, Pen and ink, watercolor and gouache, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Design for Corner of Painting Ceiling with architectural perspective., 1700–1780, Pen and brown ink, brush with gray wash and watercolor, over graphite or lead point, with ruled and compass construction, sheet: 22 3/8 x 14 13/16 in. (56.9 x

Gothic Canopy, late 19th–early 20th century, Graphite, pen and ink and watercolor, sheet: 27 x 13 1/2 in. (68.6 x 34.3 cm), Ernest Geldart (British, London 1848–1929

The Castle above the Meadows (Liber Studiorum, part II, plate 8), 1808, Etching and mezzotint; first state of four, plate: 7 1/16 x 10 5/16 in. (17.9 x 26.2 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London

Morpeth North (Liber Studiorum, part IV, plate 21), March 29, 1809, Etching and mezzotint; first state of four (Finberg), plate: 7 x 10 1/4 in. (17.8 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London

Design for a Two-Handled Platter, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Southern Elevation of a church, 1900, Graphite, pen and ink and watercolor, sheet: 18 x 21 in. (45.7 x 53.3 cm), Ernest Geldart (British, London 1848–1929

Dumblain Abbey, Scotland (Liber Studiorum, part XI, plate 56), January 1, 1816, Etching and mezzotint; first state of four (Finberg), plate: 7 7/16 x 10 9/16 in. (18.9 x 26.8 cm), Prints, Designed and etched by Joseph Mallord William Turner

Miraculous Landing, or the '112!', 1920, Watercolor, transferred printing ink, and ink on paper mounted on cardboard, 12 1/4 in. × 15 in. (31.1 × 38.1 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940

Frascati, Near Rome, 1819, Watercolor, pen and ink, sheet: 9 1/16 x 12 9/16 in. (23 x 31.9 cm), Drawings, William Cowen (British, Rotheram 1797–1861 Brompton), This delicately painted watercolor, made when Cowen was twenty-two,

Ships in a Breeze (Liber Studiorum, part II, plate 10), February 20, 1808, Etching and mezzotint; first state of five (Finberg), plate: 7 3/16 x 10 3/16 in. (18.3 x 25.9 cm), Prints, Designed and etched by Joseph Mallord William Turner

A Carnation ('Hollandia Liberata'), 1675, Watercolor and gouache, Sheet: 11 1/4 x 7 5/8 in. (28.5 x 19.4 cm), Drawings, Zacharias Blijhooft (Dutch, ca. 1630–1681 Middelburg

Design for Elevation for Elaborate Wall and Vault with the Savoya Arms, 1700–1780, Pen and brown ink, brush with gray wash and watercolor, over lead point or graphite, with ruled and compass construction. Scale, at bottom, in pen and brown

The Prince's Promenade, possible a 'Wiggle Much' design, ca. 1910, Watercolor with pen and black ink, Sheet: 4 1/16 × 11 5/8 in. (10.3 × 29.5 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich

Costume Study for Konstanze in the 'Abduction from the Seraglio' by W.A. Mozart, ca. 1830–50, Watercolor, over graphite, gum arabic, Sheet: 11 3/16 × 7 15/16 in. (28.4 × 20.2 cm), Drawings, Johann Georg Christoph Fries (German, Nuremberg

University of Michigan (elevation and plan), 1838, Graphite, ink and watercolor, sheet: 13 9/16 x 9 3/16 in. (34.5 x 23.4 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Eight Designs for Decorated Cups, including Boabdil Pattern, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Design for an Opera Set, a Congress of Cupids, 18th century, Watercolor, Drawings, Carlo Zucchi the Younger (Italian, Venice 1728–1796 Russia

A Moth, early 18th–mid 18th century, Pen and black ink and watercolor, over touches of graphite, sheet: 3 1/8 x 3 9/16 in. (7.9 x 9.1 cm), Drawings, Nicolaas Struyk (Amsterdam 1686–1769 Amsterdam

Three Designs for Decorated Cups and Two Designs for a Candlestick, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Knoll for William and Philip R. Paulding, Tarrytown (south and east [front] elevations), 1838, Watercolor and ink on paper, image: 11 x 8 in. (27.9 x 20.3 cm), Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Inverary Castle and Town, Scotland (Liber Studiorum, part XIII, plate 65), January 1, 1816, Etching and mezzotint; second state of three, plate: 7 1/8 x 10 1/16 in. (18.1 x 25.6 cm), Prints, Designed and etched by Joseph Mallord William

Nine Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Three Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Classical Allegory with the arms of the Ochsenfelder, mid-16th century, Pen and black ink, bodycolor, watercolor, with highlights in gold, Sheet: 9 13/16 × 7 1/4 in. (25 × 18.4 cm), Drawings, Virgil Solis (German, (?) 1514–1562

The Temple of Minerva Medica (Liber Studiorum, part V, plate 23), January 1, 1811, Etching and mezzotint; first state of five (Finberg), plate: 7 3/16 x 10 1/2 in. (18.3 x 26.7 cm), Prints, Designed and etched by Joseph Mallord William Turner

Engagement of Princess Charlotte to William of Orange, London, 1813, ca. 1813, Pen and black ink, watercolor, and gouache, over graphite

Rivaux Abbey, Yorkshire (Liber Studiorum, part X, plate 51), May 23, 1812, Etching and mezzotint; first state of four, plate: 7 1/4 x 10 9/16 in. (18.4 x 26.8 cm), Prints, Drawn and etched by Joseph Mallord William Turner (British, London

ALUM, 1922, Watercolor and gouache on paper, H. 18-5/8, W. 14-5/8 in. (47.3 x 37.1 cm), Drawings

A Roadside Chapel near Tivoli, 1835, Watercolor over graphite, Sheet: 8 1/16 x 11 9/16 in. (20.4 x 29.4 cm), Drawings, August Georg Friedrich Lucas (German, Darmstadt 1803–1863 Darmstadt

The Fifth Plague of Egypt (Liber Studiorum, part III, plate 16), June 10, 1808, Etching and mezzotint; first state of three, plate: 7 1/16 x 10 1/4 in. (17.9 x 26 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

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