Images at Librifly

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Myalotis Caama, The Caama of South Africa, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor and graphite on moderately thick, smooth, white, wove paper, Sheet: 4 1/4 × 6 5/8 inches (10.8 × 16.8 cm), animal art

Study of Mrs. William Wilberforce, John Linnell, 1792–1882, British, ca. 1824, Watercolor and graphite on thick, smooth, beige wove paper, Sheet: 11 5/8 x 6 1/8 inches (29.5 x 15.6 cm), curls, figure study, gaze, portrait, wife,

Landscape with Mountains, Lake Castle, Seated Figure in Foreground, Thomas Sully, 1783–1872, American, 1834, Watercolor, graphite, and gouache on moderately thick, moderately textured, beige, wove paper, Sheet: 7 1/16 × 9 3/4 inches

Elevation of a Proposed Design for Cambridge Colleges, William Wilkins, 1778–1839, British, undated, Watercolor, pen and black ink, graphite on slightly textured, medium, cream wove paper, Sheet: 8 3/4 × 14 3/4 inches (22.2 × 37.5 cm),

South American Sea Lion, James Stewart, 1791–1863, British, ca. 1837, Watercolor, graphite, pen and black ink on thick, slightly textured, white, wove paper, Sheet: 5 5/8 × 8 inches (14.3 × 20.3 cm

Landscape with Cart, Attributed to William Collins, 1788–1847, British, undated, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 2 1/2 x 3 1/8in. (6.3 x 7.9cm), clouds, landscape, path, town

A Temple in Harewood Park, Thomas Girtin, 1775–1802, British, ca. 1798, Watercolor, gouache, black chalk and graphite on medium, slightly textured, beige laid paper, Sheet: 8 3/8 × 7 inches (21.3 × 17.8 cm), architectural subject,

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Bhagulpur, Thomas Daniell, 1749–1840, British, active in India, William Daniell, 1769–1837, British, undated, Graphite with watercolor on medium, moderately textured, blued white, laid paper, Sheet: 12 7/8 × 20 11/16 inches (32.7 ×

A Parti Carré for a Crown, Print made by Henry Heath, active 1824–1835, British, Print made by S. W. Fores, 1761–1838, British, 1827, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 11

Trees and Foliage, Richard Pettigrew Leitch, active 1870, ca. 1870, Watercolor on medium, slightly textured, cream wove paper, Sheet: 5 × 7 inches (12.7 × 17.8 cm

A Vole, James Sowerby, 1756–1822, British, Or James de Carle Sowerby, 1787–1871, British, Or Charles E. Sowerby, 1795–1842, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove

Dracaena steudneri Engl. (Dragon Tree): outline detail of infloresence among leaves, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12

Fishing Boat on the Beach with a Brig at Sea, Samuel Prout, 1783–1852, British, undated, Watercolor, gouache, and graphite, with stumping on moderately thick, slightly textured, beige wove paper, Sheet: 10 1/2 × 7 7/8 inches (26.7 × 20

Hauling in the Nets, George Bryant Campion, 1796–1870, British, undated, Watercolor, graphite, black chalk, and white gouache on moderately thick, moderately textured, beige, wove paper, Sheet: 9 13/16 × 18 5/16 inches (24.9 × 46.5

A House of Assembly, Quebec: Elevation, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1812, Watercolor, pen and black ink on slightly textured, medium, white wove paper bar scale of 1/14 inch to 1 foot, Sheet: 12 3/4 × 17 13/16

High Cliff Castle (Hants), Adam Callander, active 1780–1811, undated, Watercolor and pen and black ink on slightly textured, medium, white wove paper, Sheet: 14 × 21 1/2 inches (35.6 × 54.6 cm), architectural subject, castle

Boat on the Nile, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, beige wove paper, Sheet: 2 x 3 1/4in. (5.1 x 8.3cm), boat, marine art, river, sails, Africa, Nile

The Cossack, Gregory Yelloserf, July 1814, James Ward, 1769–1859, British, 1814, Graphite and watercolor on medium, slightly textured, cream wove paper mounted on medium, smooth, cream wove paper, Sheet: 14 3/4 x 10 inches (37.5 x 25.4

Snipe Shooting, Robert Dighton, 1752–1814, British, ca. 1790, Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, blued white, laid paper, Sheet: 10 1/16 × 14 7/16 inches (25.6 × 36.7 cm), Image: 9

Memorial to Isabella Nelson from Norwood Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8

French Liberality, Or, An attempt to conquer all the world by being too civil by half, William Dent, active 1784–1793, 1792, Etching with watercolor on laid paper, Sheet: 9 15/16 x 13 7/8in. (25.2 x 35.2cm

Jumping a Double Oxer - A Rider in Difficulties, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen, in brown ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 10 3/4 × 14 5/8 inches

Jerusalem, Plate 72, 'And the Thirty-two Counties....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper,

On the Side of the Rhine near the Source, Light Coming from the Right, Francis Towne, 1740–1816, British, undated, Watercolor and brown wash and brown ink over graphite on medium, slightly textured, cream wove paper, Sheet: 11 1/8 x 11 5/8

An Elopement by Moonlight, Charles B. Newhouse, fl. c.1820–1836, British, 1834, Watercolor, with pen, in brown ink, black ink, red ink, gouache and graphite on moderately thick, slightly textured, beige, wove paper, Sheet: 9 11/16 ×

Woman of Ycod el Alto, Tenerife, Alfred Diston, active 1818–1829, 1828, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm), chickens, cliff, costume, figure study,

Jerusalem, Plate 100, Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper, Sheet: 10 3/8 x 13 1/2

The Three Witches from Macbeth: Double, Double, Toil and Trouble, Mary Hoare, 1753–1820, British, 1781, Watercolor with black ink and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly

Street Scene in Calais, John Scarlett Davis, 1804–1845, British, undated, Watercolor with scratching out over graphite on thick, moderately textured, cream wove paper, Sheet: 7 1/4 × 5 5/8 inches (18.4 × 14.3 cm), abbey, arch,

Young's Night Thoughts, Page 65, Night the Fourth, 'The Christian Triumph.', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

The Comforts of Bath: The Breakfast, Thomas Rowlandson, 1756–1827, British, 1798, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Mount: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm) and Sheet: 4 3/4 x

Brass Plate Memorial to John and Maud de Bladigdone, from Wickham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Graphite, watercolor, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 14 1/2

The Start Point, North East by North (one of five drawings on one mount), John Thomas Serres, 1759-1825, British, undated, Watercolor, graphite and pen and brown ink on medium, slighlty textured, cream wove paper, Sheet: 3 1/8 x 10 1/4

On the Appian Way, Carlo Labruzzi, 1748–1817, Italian, undated, Watercolor and graphite on medium, slighlty textured, cream laid paper, Sheet: 15 1/8 × 21 inches (38.4 × 53.3 cm), architectural subject, Grand Tour, landscape,

Hurdum ?, Samuel Davis, 1757–1819, British, undated, Watercolor, pen, gray ink, graphite on moderately thick, slightly textured, cream laid paper, Sheet: 9 3/4 x 13 1/2 inches (24.8 x 34.3 cm), architectural subject, architecture,

A Seated Figure on Horseback, attributed to Richard Dadd, 1817–1886, British, undated, Watercolor, gouache, and graphite on thick, rough, beige wove paper, Sheet: 10 x 7 7/8 inches (25.4 x 20 cm), coat, equestrian, genre subject, hat,

Interior of a Rom in Samlesbury Hall; Lancashire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1814, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 19 3/4 × 14

River Landscape, imitator of John Varley, 1778–1842, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 3/8 x 10 3/8 inches (21.2 x 26.4 cm), boats, canoe, cottage, figure, fisherman,

Patience in a Punt, Henry William Bunbury, 1750–1811, British, undated, Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, rough, cream, wove paper, Sheet: 8 1/16 × 12 1/2 inches (20.5 × 31.8 cm),

Green Park, George Sidney Shepherd, 1784–1862, British, ca. 1830, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 4 1/2 × 6 15/16 inches (11.4 × 17.6 cm), bonnets, children, dog (animal), dresses, fountain, genre

Bridgnorth, John Thirtle, 1777–1839, British, undated, Watercolor and graphite on medium, moderately textured, beige laid paper, Sheet: 9 13/16 × 14 7/16 inches (24.9 × 36.7 cm), architectural subject

Young's Night Thoughts, Page 73, 'Draw the Dire Steel? -- Ah No!', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2

A Bridal Pair (Figures copied from Hogarth's Rake's Progress), Julius Tidd, active 1773–1779, 1780, Watercolor with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 5 1/4 × 9 inches (13.3 × 22.9 cm), bride, fan

One of eighteen designs for a series of plates illustrating Venus and Adonis, Hablot Knight Browne, 1815–1882, British, undated, Graphite, red chalk, watercolor and white gouache on medium, slighlty textured, gray wove paper, Sheet: 6 5/8

North East View of Crest Park, Bedfordshire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1831, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4 inches

Tucumán, Argentina, Godfrey Thomas Vigne, 1801–1863, British, 1854, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/4 × 13 inches (23.5 × 33 cm), figures, historical subject, horses (animals),

Leonessa, 3 October 1844, Edward Lear, 1812–1888, British, 1844, Watercolor with pen in brown ink over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 12 1/8 × 10 1/2 inches (30.8 × 26.7 cm), architectural

Memorial to Anthony and Katherine Nourse from Fulham Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper,

Lord Henry Charles Capel Somerset, 5th Light Infantry - Cheltenham, Richard Dighton, 1795–1880, British, between 1837 and 1848, Gouache, watercolor, pen, black ink, and graphite on thick, slightly textured, cream wove paper, Sheet: 10

Ashridge, Plans and Elevations, Studio of Sir Jeffry Wyatville, 1766–1840, British, undated, Pen and black ink, graphite and watercolor on moderately thick, moderately textured, cream wove paper, Sheet: 21 1/8 × 14 1/2 inches (53.7 ×

The Night Riders of Nacton: The Last Field near Nacton Heath, Henry Thomas Alken, 1785–1851, British, undated, Watercolor and gouache on medium, slighlty textured, brown wove paper, mounted to card, Sheet: 10 1/8 × 14 1/8 inches (25.7 ×

The Music Lesson or the Governess: a Sketch, Richard Dadd, 1817–1886, British, 1855, Watercolor and black ink with gouache on moderately thick, rough, blue wove paper, Sheet: 10 1/8 × 7 inches (25.7 × 17.8 cm), braids, genre subject,

Dregea abyssinica (Hochst) K. : finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and

Romantic Landscape with Cliffs and a Castle, John Varley, 1778–1842, British, undated, Watercolor on medium, slightly textured, beige wove paper, Sheet: 5 3/4 x 9 1/8 inches (14.6 x 23.2 cm), castles, cliffs, clouds, hills, landscape,

A Scene from 'The Abbot', Sir David Wilkie, 1785–1841, British, 1833, Watercolor with pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm), gown, literary theme, man,

Memorial to James and Elizabeth Clitherow from Brentford Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper,

Dr. Syntax Bound to a Tree by Highwaymen, Thomas Rowlandson, 1756–1827, British, 1820, Watercolor with pen and brown and red ink over graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/4 x 7 1/4 inches (13.3 x 18.4 cm) and

The Poems of Thomas Gray, Design 23, 'A Long Story.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress

Memorial to Humphry Primat, Nathaniel and Ann Primat from Hampton Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper,

North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire, Paul Sandby RA, 1731–1809, British, 1767, Watercolor with pen and gray ink and touches of gold paint over graphite on medium, slightly textured laid paper laid down

Landscape with Knoll with Trees, Figure on Horseback, Thomas Sully, 1783–1872, American, undated, Watercolor on moderately thick, rough, beige, wove paper, Sheet: 5 5/16 × 9 7/8 inches (13.5 × 25.1 cm

Shipwreck off the Needles, Isle of Wight, Peter DeWint, 1784–1849, British, undated, Graphite and watercolor on moderately thick, rough, cream wove paper, Sheet: 9 7/8 x 13 1/8 inches (25.1 x 33.3 cm), cliffs, figures, masts, rocks

The Start, West North West, John Thomas Serres, 1759–1825, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 3 3/8 × 10 1/4 inches (8.6 × 26 cm) and Image: 2 3/8 × 9 1/2 inches (6 × 24.1

Landscape: House and Trees, Attributed to William Collins, 1788–1847, British, undated, Watercolor and graphite on thin, slightly textured, cream wove paper, Sheet: 3 × 4 1/4 inches (7.6 × 10.8 cm), erasure, landscape, orchards,

Scene on the Mawddlach, near Barmouth, Cornelius Pearson, 1807–1891, Thomas F. Wainewright, active 1831–1899, 1872, Watercolor, gouache, and graphite, with stopping out on moderately thick, slightly textured, cream wove paper, Sheet:

Girl Hoeing: Elizabeth Dew, Joshua Cristall, 1768–1847, British, 1826, Watercolor and graphite on moderately thick, slightly textured, cream laid paper, Sheet: 6 3/4 x 5 5/8 inches (17.1 x 14.3 cm), agriculture, apron, farming, figure

The Vicar of Wakefield: The Surprise, Thomas Rowlandson, 1756–1827, British, ca. 1817, Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, blued white wove paper, Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm), bonnets

Lock Gates, attributed to François Louis Thomas Francia, 1772–1839, French, active in Britain, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 1/2 x 11 inches (21.6 x 27.9 cm), architectural

Lady's Slipper (Cypripedium Canadense, Calceolus Maria), Robert Blyth, 1750–1784, 1770, Watercolor and gouache on medium, slightly textured, cream laid paper, Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm

Font and Memorial to John Carter from Hornsey Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 × 11 3/8

Young's Night Thoughts, Page 10, 'Disease Invades the Chastest Temperence', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine:

The North-West Porch of Salisbury Cathedral, Thomas Shotter Boys, 1803–1874, British, 1832, Watercolor, pen and brown ink, pen and black ink, graphite, and gouache on moderately thick, moderately textured, cream wove paper, Sheet: 13

A Bedouin Encampment; or, Bedouin Arabs, John Frederick Lewis, 1804–1876, British, between 1841 and 1851, Watercolor, white gouache and graphite with scratching out on medium, slightly textured, beige wove paper, Sheet: 13 3/4 x 20 3/8

Cobham Hall, Kent: Elevation of the Stables, James Wyatt, 1746–1813, British, 1789, Watercolor with pen, black ink and graphite on moderately thick, moderately textured, cream laid paper, Sheet: 13 5/8 x 19 15/16 inches (34.6 x 50.6 cm),

Mexican Street Scene - Aquas Caliente, Daniel Thomas Egerton, c.1800–1842, British, ca. 1840, Watercolor, pen, black ink, gouache, and graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured beige

The Garden of Thomas Sandby's House at Englefield Green near Windsor, Paul Sandby RA, 1731–1809, British, ca. 1800, Watercolor and gouache over graphite on thick, moderately textured, beige wove paper, Sheet: 11 5/8 x 17 3/4 inches (29.5 x

Avicennia marina (Forssk.) Vierh. (White Mangrove): finished drawing of flowering shoot with details of flowers, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on

Illustrations from Mr. Lambkin, plate 14, Print made by George Cruikshank, 1792–1878, British, undated, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Village of Stonethwaite and Eagle Cragg, Borrowdale, John Warwick Smith, 1749–1831, British, 1792, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 13 1/2 x 20 1/4 inches (34.3 x 51.4 cm), birds, clouds,

Shipping in a Calm, unknown artist, ca. 1790, Watercolor, pen, and blue ink on medium, slightly textured, cream laid paper, Sheet: 7 1/2 × 10 3/4 inches (19.1 × 27.3 cm

Portrait of a Child, unknown artist, nineteenth century, 1831, Watercolor and graphite on thick, smooth, cream card, Sheet: 7 3/4 × 6 inches (19.7 × 15.2 cm), portrait

Sailing Barge at Sea, Edward Duncan, 1803–1882, British, undated, Watercolor, gouache, and graphite, with scratching out on medium, slightly textured, cream wove paper, Sheet: 9 1/4 x 12 5/8 inches (23.5 x 32.1 cm), barge, boats,

A Preacher, John Dunthorne, active 1783–1792, British, undated, Pen and black ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 4 5/8 × 5 inches (11.7 × 12.7 cm), genre subject, minister, pulpit, sermon,

A Bandit, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor, gouache, and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 5 1/2 × 7 3/8 inches (14 × 18.7 cm), animal art

Shipping off Staffa, Anthony Vandyke Copley Fielding, 1787–1855, British, 1842, Watercolor, pen, brown ink, gray ink, black ink, gouache, gum, and graphite, with scraping on medium, slightly textured, cream, wove paper, Sheet: 12

North Parade, Bath, Humphrey Repton, 1752–1818, British, 1784, Graphite and watercolor on moderately thick, moderately textured, white laid paper, Sheet: 10 3/16 x 15 1/4in. (25.9 x 38.7cm) and Sheet: 10 1/8 × 15 1/4 inches (25.7 × 38.7

Ingleborough from Chapel-Le-Dale, Joseph Mallord William Turner, 1775–1851, British, between 1810 and 1815, Watercolor, graphite and scratching out on moderately thick, slightly textured, cream wove paper, Sheet: 11 x 15 1/2 inches (27.9 x

Bodmin Moor, Thomas Rowlandson, 1756–1827, British, ca. 1825, Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, beige, wove paper, Sheet: 11 3/16 x 16 15/16 inches (28.4 x 43 cm), cottage, country

Young's Night Thoughts, Page 16, 'Oft Bursts My Song beyond the Bounds of Life', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

The Miller's Cottage at Chatsworth, Derbyshire: West Front Elevation, Studio of Sir Jeffry Wyatville, 1766–1840, British, after 1818, Watercolor, pen and black ink, graphite on slightly textured, medium, cream wove paper bar scale of 1/4

Color Guide, Based on Varley's List of Colors, Thomas Sully, 1783–1872, American, between 1814 and 1838, Watercolor, with pen and brown ink on medium, moderately textured, beige, laid paper, Sheet: 11 1/2 × 9 3/8 inches (29.2 × 23.8

The Tithe Barn at Abbotsbury with the Abbey on the hill..., Thomas Girtin, 1775–1802, British, ca. 1795, Watercolor, pen and black ink and graphite mounted on moderately thick, slightly textured, brown wove paper, Sheet: 4 1/8 x 5 7/8

A Warlike Minister, (?) William Dent, active 1784–1793, 1791, Etching with watercolor on laid paper, Sheet: 7 x 10 7/8in. (17.8 x 27.6cm

The Vision of Eliphaz, circle of John Linnell, 1792–1882, British, after William Blake, 1757–1827, British, undated, Watercolor and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/4 x 3 3/4 inches (13.3 x

The Staircase at Blickling, Norfolk; the Seat of the Right honourable Lord Suffield, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1820, Watercolor and pen and black ink on moderately thick, cream

Grand Canary-Man on a Donkey, Alfred Diston, active 1818–1829, 1828, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 9 1/8 × 7 1/4 inches (23.2 × 18.4 cm), costume, costume, donkey, figure study,

Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam, Joseph Mallord William Turner, 1775–1851, British, 1793, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 7/8 x 10 7/8

Drawing Covert, Possibly Henry Thomas Alken, 1785–1851, British, or possibly Samuel Henry Gordon Alken, 1810–1894, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 8 5/8 × 10 11/16

View of Hampton Court, Herefordshire, from the Southeast, Joseph Mallord William Turner, 1775–1851, British, ca. 1806, Watercolor and scraping out on moderately thick, slightly textured, cream wove paper, Sheet: 8 x 12 inches (20.3 x 30.5

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