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Plan of Wollaton Hall, Notthinghamshire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1811, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 19 3/4 × 14 inches

Young's Night Thoughts, Page 72, 'And vapid; sense and reason shew the door', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

Welsh Fair, John Preston Neale, 1771/80–1847, British, 1813, Watercolor, graphite, and white gouache on moderately thick, moderately textured, cream wove paper, Sheet: 6 1/8 × 9 3/16 inches (15.6 × 23.3 cm), buildings, cart,

Lausanne, attributed to John Ruskin, 1819–1900, British, undated, Watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 5 x 17 inches (12.7 x 43.2 cm), Lausanne

Coursing, Plate 3, Print made by Samuel Howitt, 1756–1822, British, Published by Edward Orme, 1775–1848, British, 1812, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Jerusalem, Plate 75, 'And Rahab Babylon the Great....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove

Study of a Lady, Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on), undated, Graphite, gray wash, brown wash, and watercolor on medium, slightly textured, cream laid paper, Sheet: 9 1/2 x 7 1/2 inches (24.1 x 19.1

Lake with Sunset, Clarkson Stanfield, 1793–1867, British, 1863, Watercolor and black gouache on moderately thick, slightly textured, light blue wove paper, Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm) and Binding: 5 1/4 inches (13.3 cm

Wanstead House, Richard Westall, 1765–1836, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 7 1/8 x 11 1/8 inches (18.1 x 28.3 cm) and Contemporary drawn border: 7 3/4 x 11 5/8 inches (19.7 x

Notre Dame, Paris, William Parrott, 1813–ca. 1869, British, 1842, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 8 7/8 x 13 1/16in. (22.5 x 33.2cm) and Sheet: 9 × 13 1/4 inches (22.9 × 33.7

The Gallery at Newby Hall; the Seat of the Right Hon'ble Lord Grantham, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1817, Watercolor and pen and black ink on moderately thick, cream wove paper,

Study of a Vampire Bat, Samuel Howitt, 1756–1822, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/8 × 6 1/2 inches (23.2 × 16.5 cm), animal art, bat (animal), flying

Projected Design for Fonthill Abbey, Wiltshire, James Wyatt, 1746–1813, British, And (?) Joseph Mallord William Turner, 1775–1851, British, 1798, Watercolor and graphite on slightly textured, cream wove paper, Frame: 28 1/2 x 43 1/2 x

Mahdorou Narin Peshwa, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor, gouache, and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 5 1/4 × 5 1/4 inches (13.3 × 13.3 cm

Antique Sculpture, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor, graphite, gray wash on moderately thick, moderately textured, beige, wove paper, Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm

Girl Pinning Flowers on a Hat, Print made by Robert Barnes, 1840–1895, British, after Robert Barnes, 1840–1895, British, undated, Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 6 7/8 x 7

Landscape with Hills in the Distance, David Charles Read, 1790–1851, British, undated, Watercolor on medium, moderately textured, beige, wove paper, Sheet: 4 7/16 × 7 3/16 inches (11.3 × 18.3 cm), clouds, field, hills, landscape,

Temple of Edfou, Upper Egypt, John Frederick Lewis, 1804–1876, British, between 1841 and 1851, Watercolor, white gouache and graphite on medium, slightly textured, beige wove paper, Sheet: 12 7/8 x 19 7/8 inches (32.7 x 50.5 cm),

Dutch Fishing Vessels by a Quay, Clarkson Stanfield, 1793–1867, British, undated, Watercolor over graphite with scrapping out on medium, slightly textured, cream wove paper, Sheet: 17 1/2 × 12 3/4 inches (44.5 × 32.4 cm

Althorp House, Northamptonshire, William Daniell, 1769–1837, British, undated, Watercolor and graphite with scraping on moderately thick, slightly textured, cream wove paper, Sheet: 4 3/8 x 6 7/8 inches (11.1 x 17.5 cm), architectural

Lilleshall, Shropshire: Plan of Roof, Sir Jeffry Wyatville, 1766–1840, British, 1826, Graphite, pen and black ink, gray wash, and watercolor on slightly textured, medium, white wove paper bar scale of 1/12 inch to 1 foot, Sheet: 12 7/8

Inner Temple, Samuel Ireland, active 1760–died 1800, British, 1800, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm) and Mount: 9 × 12 1/2

Songs of Innocence and of Experience, Plate 11, 'Spring' (Bentley 22), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly

Ensete ventricosum (Welw.) Cheesman (African Wild Banana): finished drawing, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, 1765-1770, Watercolor over graphite on medium, slightly textured, cream laid

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), breakwaters, channel

Mill on the Avon, Pershore, Worcestershire, Samuel Hieronymus Grimm, 1733–1794, Swiss, undated, Watercolor with gray ink over graphite on medium, smooth, cream wove paper, Sheet: 16 3/4 x 21 3/4 inches (42.5 x 55.2 cm), boats,

A Hay Wagon Drawn by Four Horses, Charles Cooper Henderson, 1803–1877, British, undated, Watercolor, with pen, in brown ink, over graphite with traces of, white gouache on moderately thick, moderately textured, cream, wove paper;

Memorial to James Smith and Sarah Smith, his wife, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and qouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14

Cottage, Thomas Sully, 1783–1872, American, undated, Watercolor and graphite on medium, slightly textured, beige, wove paper, Sheet: 4 1/2 × 5 15/16 inches (11.4 × 15.1 cm

Design for Grosvenor House, London: Plan, Thomas Cundy, 1790–1867, British, 1827, Graphite, pen and black ink and watercolor on slightly textured, moderately thick, white wove paper, Sheet: 8 1/4 × 13 1/8 inches (21 × 33.3 cm),

Castle, John Varley, 1778–1842, British, undated, Watercolor on moderately thick, slightly textured, beige wove paper mounted on board, Mount: 5 3/8 x 5 7/8 inches (13.6 x 15 cm) and Sheet: 4 3/4 x 5 5/16 inches (12.1 x 13.5 cm),

Christ Preaching to the Elders in the Temple, Attributed to John Martin, 1789–1854, British, undated, Watercolor, pen and black ink, pen and brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 2 1/8 x 2 3/4

The Village of Aldbury, Hertfordshire, George Shepheard, ca. 1770–1842, British, 1816, Watercolor with pen and black ink and gouache over graphite on thick, slightly textured, cream wove paper, Sheet: 8 1/8 × 13 inches (20.7 × 33 cm),

One of eighteen designs for a series of plates illustrating Venus and Adonis, Hablot Knight Browne, 1815–1882, British, undated, Graphite, red chalk, watercolor and white gouache on medium, slightly textured, gray wove paper, Sheet: 6 5/8

Cottage Interior, John Burnet, 1784–1868, British, undated, Watercolor, pen and brown ink, and scraping out on medium, slightly textured, cream wove paper, Sheet: 7 1/4 × 8 7/8 inches (18.4 × 22.5 cm

A Black and White Indian Bird, (one of a pair), unknown artist, Undated, Watercolor, with pen, in brown ink, gouache, and graphite on medium, moderately textured, cream, wove paper, Sheet: 24 7/8 × 18 1/8 inches (63.2 × 46 cm), animal

Tenerife-Women of Candelaria, Alfred Diston, active 1818–1829, 1828, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm), baskets, Costumes, figure

The Visiting Card - Langham Sketching Club Subject, Charles Green, 1840–1898, British, undated, Graphite, watercolor, white gouache, pen and brown ink on thick, smooth, white wove paper, Sheet: 6 × 4 9/16 inches (15.2 × 11.6 cm),

Rocky Landscape, Large Tree Trunk in Foreground, Thomas Sully, 1783–1872, American, undated, Watercolor and graphite on medium, slightly textured, beige, wove paper, Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm

Sankrydroog, Madras, William Daniell, 1769–1837, British, 1792, Watercolor and graphite on medium, smooth, cream laid paper, Sheet: 17 5/8 x 21 1/8 inches (44.8 x 53.7 cm) and Mount: 20 × 24 1/8 inches (50.8 × 61.3 cm), landscape,

Chaffinch, Possibly Joseph Wolf, 1820–1899, German, ca. 1840, Watercolor, with pen in brown ink, over graphite on medium, slightly textured, beige, wove paper, Sheet: 4 3/4 × 4 1/16 inches (12.1 × 10.3 cm) and Image: 2 5/8 × 2 13/16

Captain Leigh and His Dragoman, Sir David Wilkie, 1785–1841, British, 1840 or 1841, Watercolor with brown ink, gouache, black crayon, and gum arabic over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 16 1/2 ×

Chalfont Lodge, Buckinghamshire, Thomas Girtin, 1775–1802, British, undated, Watercolor with pen and black ink over graphite on moderately thick, rough, gray-brown laid paper, Sheet: 11 1/16 x 14 15/16 inches (28.1 x 37.9 cm),

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Plan of Drumore and Howwell Meadows, unknown artist, nineteenth century, 1815, Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove

Portrait of a Man in Armour, Richard Cosway, 1742–1821, British, 1808, Watercolor and gouache with scraping on ivory, Image: 2 7/8 x 2 3/8 inches (7.3 x 6 cm) and Frame: 3 3/8 x 2 3/4 x 1/4 inches (8.6 x 7 x 0.6 cm), armors, portrait

View of Leghorn, William Marlow, 1740–1813, British, undated, Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 10 3/16 x 13 15/16in. (25.9 x 35.4cm) and Sheet: 10 1/4 × 14 inches (26 ×

St. Jago, Cape de Verde, 3 November, Henry William Parish, active 1792, 1792, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Checkmate, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and black ink over graphite on medium, slightly textured, blued white laid paper, Sheet: 5 1/2 x 7 3/8 inches (14 x 18.7 cm), chairs, chess, dog (animal),

Prospero and Miranda, Mary Hoare, 1753–1820, British, 1781, Watercolor with gouache, black ink, and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with

Scene of a Bacchanalia, Robert Smirke, 1752–1845, British, and / or Mary Smirke, 1779–1853, British, undated, Watercolor, pen and brown ink, groache and graphite on medium, moderately textured, cream, wove paper, mounted on, thick,

Pines on Hampstead Heath, William James Muller, 1812–1845, British, 1842, Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 19 5/8 x 13 inches (49.8 x 33 cm), clouds, landscape, pines,

Old British Camp in Bulstrode Park, George Arthur Fripp, 1813–1896, British, 1860, Watercolor, gouache, graphite, and gum with scraping out on moderately thick, slighlty textured, cream wove paper, Sheet: 13 7/8 × 24 1/4 inches (35.2 ×

Interior View of the Hall at Hatfield House, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1812, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 19 3/4 × 14 inches

An Arch at Holy Island, Northumberland, John Varley, 1778–1842, British, 1809, Watercolor and graphite on thick, moderately textured, beige, wove paper, Sheet: 11 1/2 x 9 1/2 inches (29.2 x 24.1 cm), arches, architectural subject,

A Storm Damaged Windmill, John Middleton, 1826–1856, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 3/8 x 11 7/8in. (21.3 x 30.2cm) and Sheet: 8 3/8 × 11 7/8 inches (21.3 ×

The Gateway of Lancaster Castle, Thomas Hearne, 1744–1817, British, ca. 1778, Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, beige laid paper, Contemporary drawn border: 7 5/8 x 10 1/2 inches

The Love Letter, Thomas Rowlandson, 1756–1827, British, ca. 1790, Watercolor with pen in gray ink over graphite on thick, beige, slightly textured, wove paper, glued to mat, Sheet: 11 x 7 9/16 inches (27.9 x 19.2 cm), chair, dress,

America. A Prophecy, Plate 12, 'Thus Wept the Angel Voice....', Print made by William Blake, 1757–1827, British, 1793, Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Near Bajoura, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 2 1/4 x 3 1/4 inches (5.7 x 8.3 cm), boat, figure study, figures (representations),

Luxembourg, Joseph Mallord William Turner, 1775–1851, British, ca. 1825 or 1834, Watercolor, gouache, pen and brown ink and scratching out on medium, slightly textured, beige wove paper, Sheet: 5 3/8 x 7 1/2 inches (13.7 x 19.1 cm),

Jerusalem, Plate 53, 'Jerusalem / Chap. 3', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper,

St. James's Park, London: Plan, Lancelot ('Capability') Brown, 1716–1783, British, 1770, Pen and black and brown ink, watercolor on moderately thick, smooth, cream vellum, Sheet: 19 1/2 x 27 1/16 inches (49.5 x 68.7 cm), architectural

Windsor Castle From the Long Walk, F. Norice, 19th century, British, undated, Watercolor, graphite, and gouache on moderately thick, moderately textured, cream wove paper, Sheet: 6 7/8 × 10 5/8 inches (17.5 × 27 cm), alleys (gardens),

The Stable of an Inn, Thomas Rowlandson, 1756–1827, British, ca. 1790, Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, laid paper, mounted on, thick, moderately textured, beige, wove

Near Suez, 1 pm, 16 January 1849 (48), Edward Lear, 1812–1888, British, 1849, Watercolor with pen in brown ink over graphite on moderately thick, rough, beige wove paper, Sheet: 5 3/16 x 9 1/16 inches (13.2 x 23 cm), animal art, bags

Design for an Egyptian Column, Thomas Grieve, 1799–1882, British, undated, Watercolor and graphite; verso: graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/2 x 3 1/4in. (21.6 x 8.3cm) and Sheet: 8 1/4 × 3 3/8 inches (21

The Slate Quarries at Bron Llwyd, John Warwick Smith, 1749–1831, British, undated, Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 5 x 8 1/4 inches (12.7 x 21 cm) and Contemporary drawn

Waterfall of Lodore, Cumberland, Joseph Mallord William Turner, 1775–1851, British, undated, Watercolor, gray wash, blue wash, graphite and black chalk on moderately thick, slightly textured, cream wove paper, Sheet: 6 1/4 x 9 1/4

Near Caistor, Thomas Collier, 1840–1891, British, 1889, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 9 3/4 x 14 inches (24.8 x 35.6 cm), Aves (class), birds, buildings, figures, grasses,

Scene Outside an Inn, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 7 3/16 x 10 3/8 inches (18.3 x 26.4 cm), children,

Tomb of Thomas Higate from Hayes Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8

Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786, Robert Dighton, 1752–1814, British, 1786, Watercolor, pen, black ink, graphite, and gouache on medium,

Sir Paul Pindar's House, Bishopsgate Street, Thomas Hosmer Shepherd, 1792–1864, British, 1856, Watercolor, Sheet: 7 7/8 x 6 11/16in. (20 x 17cm

A View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills, Paul Sandby RA, 1731–1809, British, 1794, Gouache, watercolor and graphite on handmade Whatman wove paper laid down on canvas on a wooden stretcher, Sheet: 27 5/16 x

Jerusalem, Plate 23, 'Jerusalem! Jerusalem!....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper,

The Alco: Young, Carrier Dog of the Indians, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 3/4 × 7 7/16

Landscape with a Distant View of London, John Henry Campbell, 1757–1829, Irish, undated, Watercolor and graphite on medium, slighlty textured, cream wove paper, Sheet: 7 x 9 1/8in. (17.8 x 23.2cm) and Mount: 8 1/8 × 10 1/4 inches (20.6 ×

'Doing the Thing: and the Thing Done:' Doing the Thing Well - giving Dribblers the go bye, Henry Thomas Alken, 1785–1851, British, 1818, Watercolor, with pen, in brown ink, over graphite on medium, moderately textured, beige, wove paper,

View of Swanage Bay, Dorset, unknown artist, nineteenth century, formerly John Constable, 1776–1837, British, 1816, Watercolor over graphite on medium, smooth wove paper laid to card, Sheet: 4 1/2 x 5 3/4in. (11.4 x 14.6cm) and Mount: 5

Solanum piperiferum A. Rich. (Nightshade): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3

A Creek at Wilmington, N.C., Alfred Parsons, 1847–1920, British, undated, Watercolor, graphite, and gouache on moderately thick, slightly textured, cream laid paper, Sheet: 8 5/8 × 14 3/8 inches (21.9 × 36.5 cm), banks, creek,

Study of a Beached Fishing Boat, Clarkson Stanfield, 1793–1867, British, 1863, Watercolor, white gouache, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm) and Binding: 5 1/4

Design for a Medal: Figure of the Virgin, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), undated, Graphite, pen and black ink, incised for transfer on medium, slightly textured, beige laid paper mounted on

Reverend Moore, Richard Dighton, 1795–1880, British, 1841, Graphite and watercolor on medium, smooth, cream wove paper, Image: 9 1/4 × 7 11/16 inches (23.5 × 19.5 cm) and Frame: 10 11/16 × 26 3/16 × 13/16 inches (27.2 × 66.5 × 2 cm),

Opposite Beni Hassan, Looking North, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, beige, wove paper, mounted on thick, moderately textured cream paper, Sheet: 3 3/16 x 10

Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866), Edward Lear, 1812–1888, British, 1866, Watercolor with pen and brown ink over graphite on moderately thck, slightly textured, cream wove paper, Sheet: 9 5/8 x 14 1/4 inches (24.4 x

Blacksmith's Hall, Samuel Ireland, active 1760–died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm) and Mount: 9

Loch Coruisk, Isle of Skye, Dawn, George Fennell Robson, 1788–1833, British, between 1826 and 1832, Watercolor, gouache, scraping out and gum on thick, moderately textured, cream wove paper mounted on card, Sheet: 17 3/4 x 25 3/4 inches

Songs of Innocence and of Experience, Plate 22, 'The Little Girl Found' (Bentley 36), Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in green with pen and ink and watercolor on moderately thick, slightly

Landscape with an Abbey, Jonathan Girtin, ca.1780–aft.1820, 1805, Watercolor and graphite on moderately thick, moderately textured, cream laid paper, laid on contemporary mount made of thick, slightly textured, cream card, Mount: 12 3/4 x

Windsor Castle, Berkshire: Upper Floor Plan, Studio of Sir Jeffry Wyatville, 1766–1840, British, after 1830, Watercolor, pen and black ink, graphite on slightly textured, moderately thick, white wove paper, Sheet: 16 1/4 × 28 7/8 inches

A Design for a Prison, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1830, Pen and blue and black ink with graphite and watercolor and brown wash on moderately thick, slightly textured, beige wove paper, Sheet: 19 1/4 × 29 inches

Facade of a Prison, Studio of Sir Jeffry Wyatville, 1766–1840, British, undated, Graphite, pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 10 × 14 1/2 inches (25.4 × 36.8 cm),

Indian River Landscape, Edward Lear, 1812–1888, British, 1874, Watercolor with pen and brown ink, gouache, and colored pencil on moderately thick, slightly textured, cream wove paper mounted on thick, slightly textured, beige wove paper,

A Woodpecker, James Sowerby, 1756–1822, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 13 1/2 × 8 1/8 inches (34.3 × 20.6 cm), animal art, birds, European Green Woodpecker,

Torquay, William Payne, active 1850s, British, undated, Watercolor and graphite with pen and gray ink on moderately thick, slightly textured, cream wove paper, Sheet: 4 3/16 × 6 inches (10.6 × 15.2 cm), boats, children, docks, genre

An Underground Shrine with Two Figures Kneeling before a Pieta, Richard Wilson RA, 1714–1782, British, active in Italy (1750–56), undated, Graphite and watercolor white gouache on moderately thick, moderately textured, cream laid paper,

Slate Quarry at Widecombe, Devon, John White Abbott, 1763–1851, British, 1792, Watercolor, pen, and brown ink on medium, slightly textured, cream laid paper, Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm) and Mount: 13 7/8 × 12 inches

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