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Penmanmawr, David Cox, 1783–1859, British, 1855, Watercolor, gouache, with traces of graphite and black chalk on moderately thick, rough, cream, wove 'Scotch' paper, mounted on, very thick, smooth, cream, wove paper, Mount: 20 × 27

Gambia - a sandy bay with figures walking and riding at Cape St. Mary, William John Chamberlayne, 1821–1910, undated, Graphite, watercolor, gouache on textured, thick, brown wove paper, Sheet: 9 3/4 × 13 5/8 inches (24.8 × 34.6 cm

Trees, with a Man Crossing a Footbridge, Paul Sandby RA, 1731–1809, British, undated, Watercolor on thick, slightly textured card, Sheet: 9 5/8 x 7 1/8 inches (24.4 x 18.1 cm), crossing, footbridge, landscape, man, trees

Street in Maidstone, William Alexander, 1767–1816, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 3 1/2 × 4 1/2 inches (8.9 × 11.5 cm), architectural subject, chimneys

Drifting, John Burr, 1831–1893, British, 1885, Watercolor, white gouache, and graphite on thick, rough, cream wove paper, Sheet: 14 × 10 inches (35.6 × 25.4 cm), couple, fence, figures (representations), flirting, man, woman

A Sun-Bear, James Sowerby, 1756–1822, British, undated, Watercolor, gouache, and graphite with pen and black ink on medium, smooth, cream wove paper, Sheet: 6 1/2 × 6 inches (16.5 × 15.2 cm), animal art, bear, Sun Bear

The Celebrated Victory ... on the Glorious First of June 1794, Print made by Daniel Orme, 1766–1837, British, after Mather Brown, 1761–1831, American, active in Britain, Published by Daniel Orme, 1766–1837, British, 1795,

Caricature of the County Lancashire, John Leech, 1817–1864, British, undated, Watercolor and graphite on medium, slighlty textured, cream wove paper, Sheet: 7 × 4 inches (17.8 × 10.2 cm), caricature, costume, pickaxe, England,

Two Hounds Attacking a Stag at Bay, Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in black ink, over graphite on medium, slightly textured, beige, wove paper, Sheet: 5 3/16 × 7 3/16 inches (13.2 × 18.3 cm), animal

Ghent: Street with Figures, Leading Up to the Cathedral, William Frome Smallwood, 1806–1834, British, 1832, Graphite and watercolor on moderately thick, slightly textured, beige wove paper, Sheet: 12 5/8 × 9 5/8 inches (32.1 × 24.4 cm),

Ballianeh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 12 1/4 x 2 7/8 inches (31.1 x 7.3 cm), figures (representations),

Young Girl Standing Barefoot, William Henry Hunt, 1790–1864, British, ca. 1820, Brown ink and watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 x 4 1/2 inches (22.9 x 11.4 cm), barefoot, child,

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824–1881, British, undated, Pen, black ink and graphite with watercolor and gouache, verso:

Clare College, Cambridge, Richard Banks Harraden, 1778–1862, British, 1841, Watercolor, pen and gray ink, gouache, black chalk, gum and graphite on wove paper, Sheet: 16 3/4 × 24 1/8 inches (42.5 × 61.3 cm), architectural subject,

Collection of Prints by Notable Dilettanti, unknown artist, Annotated by James Chelsum, 1738–1801, British, ca. 1780, Watercolor

Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen, Willey Reveley, (?), 1760–1799, British, ca. 1785, Watercolor, with pen in brown ink, over graphite, with white gouache and gum arabic on medium, slightly textured,

The First Book of Urizen, Plate 1, 'The First Book of Urizen.' (Bentley 1), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream

Man with a Red Turban sitting Crosslegged, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black on medium, slightly textured, cream laid paper, Sheet: 6 1/2 × 5 11/16 inches

Landscape with Stream and Haymakers, David Hall McKewan, 1816–1875, British, undated, Watercolor with touches of gouache and scraping and gum over graphite on slightly textured, thick, cream wove paper, Sheet: 20 1/16 × 29 9/16 inches (51

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

The Cheesecake House, Hyde Park, Thomas Hearne, 1744–1817, British, ca. 1795, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 13 1/8 × 10 1/4 inches (33.3 × 26 cm) and Image: 13 x 10 1/4 inches

Elevation of a House, Edward Francis Burney, 1760–1848, British, undated, Watercolor, graphite and pen and black ink on medium, slightly textured, beige wove paper, Sheet: 10 3/4 × 8 1/8 inches (27.3 × 20.6 cm), architectural subject,

Osyris lanceolate A.DC. (African Sandalwood): finished drawing without details, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16

Costessy Hall, Norfolk, John Chessell Buckler, 1793–1894, British, 1831, Graphite, pen and brown ink, and watercolor on slightly textured, medium, cream wove paper, Sheet: 9 1/4 × 12 7/8 inches (23.5 × 32.7 cm), architectural subject,

Landscape with Three Trees, Robert Polhill Bevan, 1865–1925, British, undated, Watercolor on moderately thick, moderately textured, beige laid paper mounted on moderately thick, moderately textured, beige wove paper, Sheet: 10 x 13 7/16

Rochester, William Marlow, 1740–1813, British, 1780, Watercolor, gouache, pen and black ink, and graphite on medium, slightly textured, beige laid paper, Sheet: 14 5/8 × 20 1/4 inches (37.1 × 51.4 cm

The Windmill, Wandsworth Surrey, Capt. Francis Grose, 1731–1791, British, undated, Pen and brown ink, watercolor and graphite on medium, slighlty textured, beige laid paper, Sheet: 11 1/4 × 21 inches (28.6 × 53.3 cm

Ruin with Three Arches, William Sawrey Gilpin, 1762–1843, British, undated, Watercolor, graphite, pen and gray ink on moderately thick, moderately textured, beige, wove paper, Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm

The Porch, Reims Cathedral, Samuel Prout, 1783–1852, British, ca. 1840, Watercolor, pen and brown ink, gouache, and graphite, with scratching out on moderately thick, rough, beige wove paper, Sheet: 16 5/8 × 10 3/4 inches (42.2 ×

Weeke's Museum, Coventry Street, London, Robert Bremmel Schnebbelie, active 1803–1849, undated, Watercolor and graphite with pen and brown ink on medium, smooth, cream wove paper, Sheet: 5 × 5 1/8 inches (12.7 × 13 cm), chandeliers,

Oare Church, Architectural Details, Rev. James Bulwer, 1794–1879, British, undated, Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 17 1/4 × 13 5/8 inches (43.8 × 34.6 cm),

Binney: number one (a fish), Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, undated, Watercolor over graphite on medium, slightly texture, cream laid paper, Sheet: 12 1/4 × 9 3/4 inches (31.1 × 24.8

Mother and Infant, James Ward, 1769–1859, British, ca. 1798, Watercolor over graphite on medium, smooth, cream wove paper, Sheet: 4 1/2 x 6 5/8 inches (11.4 x 16.8 cm), baby, child, children, genre subject, infant, mother

Young's Night Thoughts, Page 35, 'Teaching, We Learn; and Giving, We Retain', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

Hengar Wood, St. Tudy, Cornwall, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red brown and gray ink over graphite on thick, slightly textured, beige, wove support, Sheet: 6 3/4 x 10 5/16 inches (17.1 x 26.2

Still Life with Earthenware Jug and Broken Basket, attributed to Peter DeWint, 1784–1849, British, undated, Watercolor on moderately thick, rough, cream wove paper, Sheet: 3 3/8 x 3 3/16 inches (8.5 x 8.1 cm), basket, cloth, jar, jug,

Young Cavalier, George Augustus Sala, 1828–1895, British, 1878, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 5/8 × 3 inches (11.7 × 7.6 cm), cavalier (soldier), figure study,

Seated Turk, John Frederick Lewis, 1804–1876, British, between 1840 and 1841, Watercolor, white gouache, black chalk, and graphite on medium, slightly textured, beige wove paper, Sheet: 17 x 11 5/8 inches (43.2 x 29.5 cm), fezes, men,

Foxhunting: Unkennelling the Pack, Edwin W. Cooper of Beccles, 1785–1833, British, 1816, Watercolor witih pen in gray ink and black ink, oever graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 12 11/16 × 19 3/16

Parisian Street Figures, Thomas Rowlandson, 1756–1827, British, 1786, Gray wash and graphite with pen and brown ink; verso: watercolor on medium, moderately textured, blued white laid paper, Sheet: 6 1/4 x 9 7/8 inches (15.9 x 25.1 cm),

View of Niagara Falls with Two Figures on Rock in Right Foreground, Isaac Weld, 1774–1856, Irish, between 1795 and 1797, Watercolor and graphite on moderately thick, moderately textured, cream, wove paper, mounted on, thick, slightly

Boschbeek & Gorenendaal: View from Turret towards Kamperlaan, Heernstede and Amsterdam, Gerrit Jan Schouten, Born 1815, Dutch, undated, Graphite, watercolor, pen and black ink on textured, medium, cream wove paper, Sheet: 5 1/2 × 14 1/16

Still Life: Pots, Basket and Cloth on a Chest, Peter DeWint, 1784–1849, British, undated, Watercolor over graphite on moderately thick, rough, cream wove paper, Sheet: 12 1/4 x 9 1/2 inches (31.1 x 24.1 cm), baskets, ceramics, studio,

Nice from the Genoa Road, Edward Lear, 1812–1888, British, 1865, Watercolor with pen and brown ink over graphite on medium, slightly textured, beige wove paper, Sheet: 5 5/8 × 9 3/4 inches (14.3 × 24.8 cm), cityscape, grass, landscape,

A Woodland Glade, Robert Hills, 1769–1844, British, undated, Watercolor and graphite on moderately thick, rough, cream wove paper, Sheet: 8 7/8 x 11 3/8 inches (22.5 x 28.9 cm), forest, landscape, light, trees

St. Jacques, Dieppe, Henry William Burgess, active 1809–1860, 1820, Watercolor, with pen, in brown ink, black ink, green ink, and graphite on moderately thick, moderately textured, cream, laid paper, Sheet: 11 15/16 × 17 1/2 inches

Tivoli, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor, gouache and black chalk on medium, slightly textured, blued white laid paper, Sheet: 5 5/8 × 6 5/8 inches (14.3 × 16.8 cm), buildings, church, cityscape,

Castle Acre Priory, Norfolk, West Front, John Sell Cotman, 1782–1842, British, ca. 1804, Watercolor and graphite on medium, slightly textured, cream laid paper, mounted to medium, moderately textured, cream wove paper, Sheet: 10 1/4 x

Jerusalem, Plate 97, 'Awake! Awake Jerusalem....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove

Albania, Edward Lear, 1812–1888, British, between 1848 and 1849, Watercolor with pen in brown ink and brown wash over graphite on thick, rough, cream wove paper, Sheet: 5 3/16 x 9 13/16 inches (13.2 x 24.9 cm) and Image: 4 5/8 x 7 1/8

Illustrations from Mr. Lambkin, plate 21, Print made by George Cruikshank, 1792–1878, British, undated, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Dieppe Pier, Stiff Breeze, David Cox, 1783–1859, British, ca. 1832, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 5/8 x 9 inches (16.8 x 22.9 cm), birds, coast, marine art, ships, Dieppe, Europe,

James Hope, third Earl of Hopetoun, Richard Cosway, 1742–1821, British, 1789, Watercolor and gouache on ivory, Image: 3 1/8 x 2 3/8 inches (7.9 x 6 cm) and Frame: 3 5/8 x 2 5/8 x 1/8 inches (9.2 x 6.7 x 0.3 cm), male, portrait

Design for a Vignette: Seated Classical Figure, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), undated, Graphite traced over in pen and brown ink, incised and squared for transfer, with sections mended in pen

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Watercolor with pen and brown ink over graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, undated, Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 13 3/8 × 17 1/4 inches (34 × 43.8 cm) and

Castle of Ostia with Mountains in the Distance, Isaac Weld, 1774–1856, Irish, 1818, Watercolor, gouache, pen and brown ink, over graphite on medium, moderately textured, blued white, wove paper, Sheet: 10 7/16 x 19in. (26.5 x 48.3cm),

A Castle Above an Estuary, William James Muller, 1812–1845, British, ca. 1831, Watercolor, goauche, and graphite on medium, smooth, cream wove paper, Sheet: 11 5/16 x 16 3/8 inches (28.7 x 41.6 cm) and Image: 4 11/16 x 10 1/2 inches (11.9

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Classical Style, unknown artist, ca. 1780-1790, Pen and black ink, graphite, watercolor on smooth, moderately thick, cream wove paper, Sheet: 19 × 12 inches (48.3 × 30.5 cm),

Margate, Joseph Mallord William Turner, 1775–1851, British, ca. 1822, Watercolor and scraping out on moderately thick, slightly textured, cream wove paper, Sheet: 6 1/8 x 9 1/4 inches (15.6 x 23.5 cm), cityscape, cliffs, fishermen,

Songs of Innocence and of Experience, Plate 14, 'Laughing Song' (Bentley 15), Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly

The Monnow Bridge, Monmouthshire, Samuel Prout, 1783–1852, British, before 1814, Watercolor and graphite with brown ink and gum arabic on moderately thick, moderately textured, cream wove paper, Sheet: 15 5/8 × 20 3/8 inches (39.7 × 51.7

Thatched-roof Barn, Edward Francis Burney, 1760–1848, British, undated, Watercolor and pen and black ink on medium, slightly textured, cream laid paper, Sheet: 8 1/8 × 12 3/4 inches (20.6 × 32.4 cm), architectural subject, barn, fence,

Portrait of a young man taken from the life, facing left, John Smart, 1741–1811, British, undated, Graphite and watercolor on medium, slightly textured, cream laid paper, Sheet: 2 × 1 13/16 inches (5.1 × 4.6 cm), coat, man, portrait,

Head of Loch Lomond, with Ben Lomond in the Distance, Paul Jacob Naftel, 1817–1891, British, 1859, Watercolor and gouache on moderately textured, cream wove paper, Sheet: 25 × 31 1/2 inches (63.5 × 80 cm) and Frame: 28 1/2 x 37 x 2 inches

Optical Phenomenon of an Inverted Ship on the Horizon near the Coast of Jameson's Land, Greenland, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper,

Mariscus cyperoides (L.) O. Kuntze (Sedge): finished drawing of inflorescence, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16

A Road by a Farm, Thomas Rowlandson, 1756–1827, British, undated, Watercolor and graphite with pen and red-brown ink and pen and gray ink on medium, slightly textured, blued white, wove paper, Sheet: 5 7/8 x 9 3/8 inches (14.9 x 23.8 cm),

Titlepage and thirteen sheets of ms. description for 'Thoughts and Pencillings', Charles Dyce, active 1848, British, undated, Watercolor, graphite and pen and black ink on moderately thick, smooth, beige wove paper, Sheet: 11 3/4 × 18 1/8

Ludlow Castle, Samuel Scott, 1701/2–1772, British, between 1765 and 1769, Watercolor, pen and ink and graphite on thick, moderately textured, cream laid paper with a thin, slightly textured, blue laid paper border, Sheet: 18 3/8 x 35 1/2

Views in the Levant: Malta, Attributed to Willey Reveley, ?, 1760–1799, British, ca. 1785, Watercolor and pen and gray ink on medium, slightly textured, cream laid paper, Sheet: 10 1/2 x 17 7/8in. (26.7 x 45.4cm) and Sheet: 10 5/8 × 17

Customs House at Boulogne, Thomas Rowlandson, 1756–1827, British, 1790s, Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, moderately textured, blued white, laid paper, Sheet: 8 x 11 9/16 inches (20.3 x

The Bayswater Turnpike, Paul Sandby RA, 1731–1809, British, undated, Watercolor, pen and black and gray ink on medium, slightly textured, wove paper mounted on card, Mount: 9 1/2 x 11 1/2 inches (24.1 x 29.2 cm) and Sheet: 5 1/2 x 7 3/8

Devoted Wife, George Cruikshank, 1792–1878, British, undated, Graphite, pen and brown ink, and watercolor on medium, slightly textured, beige wove paper, Sheet: 11 3/8 x 8 5/16in. (28.9 x 21.1cm) and Sheet: 11 3/8 × 8 1/4 inches (28.9 ×

Trees on a Hillside Path, George Chinnery, 1774–1852, British, undated, Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 6 1/8 × 5 inches (15.6 × 12.7 cm), landscape, pathways, trees,

Wroxhall, Warwickshire, John Roe of Warwick, active 1771–1812, British, undated, Pen and black ink and watercolor on thin, slighlty textured, cream wove paper, Sheet: 13 1/2 × 20 inches (34.3 × 50.8 cm), architectural subject

The Fall of Satan, circle of John Linnell, 1792–1882, British, after William Blake, 1757–1827, British, undated, Watercolor and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/4 x 3 7/8 inches (13.3 x 9.8

Caricature of Two Men with Drawn Swords (One of a Set of Three), John Sell Cotman, 1782–1842, British, after Robert Dighton, 1752–1814, British, 1799, Watercolor and brown ink on medium, smooth, cream wove paper, Sheet: 7 5/8 x 9 3/4

Ludlow Castle, 1830, Anne Rushout, ca. 1768–1849, British, 1830, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm), architectural subject

Flying Squirrel, Samuel Howitt, 1756–1822, British, ca. 1817, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 3/8 × 9 3/4 inches (18.7 × 24.8 cm), animal art, branch, flying, squirrel

Royal Masquerade, or, the European Plotters discovered and defeated and the Ex-Princes Crost in their Masked design against Liberty, (?) William Dent, active 1784–1793, 1792, Line engraving with watercolor on laid paper, Sheet: 9 1/4 x 15

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Study for a Stable Court of Kirkdale, Wigtownshire, Scotland, Robert Adam, 1728–1792, British, between 1770 and 1780, Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, blued white laid paper, (3

The Coupee, Isle of Sark, George Arthur Fripp, 1813–1896, British, undated, Watercolor over graphite with scraping out on thick, rough, cream wove paper, Sheet: 13 1/4 × 19 5/8 inches (33.7 × 49.8 cm), landscape, mountains, road,

A Review on Blackheath, May 1785, Thomas Rowlandson, 1756–1827, British, 1785, Watercolor with pen and black ink, over graphite on medium, slightly textured, blued white laid paper, Sheet: 7 9/16 x 13 inches (19.2 x 33 cm), carriages,

View of Isleworth Church, James Miller, active 1773–1814, undated, Watercolor graphite, pen and black ink on medium, moderately textured, blued white, laid paper, Sheet: 6 5/16 × 7 13/16 inches (16 × 19.8 cm) and Mount: 9 3/8 × 10 7/8

Landscape: Trees, Lakes and Mountains, Lake District, Thomas Sunderland, 1744–1828, British, undated, Watercolor and graphite with black ink on medium, slightly textured, cream wove paper, Sheet: 12 3/8 x 17 1/2in. (31.4 x 44.5cm) and

Sailing Ships and Small Boats in Rough Sea off the Coast, Samuel Owen, 1768–1857, British, undated, Watercolor and gouache with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 1/4 × 4 1/4 inches (13.3 × 10.8

Country Church, unknown artist, between 1826 and 1866, Watercolor over graphite, gum, Sheet: 6 3/8 x 8 15/16in. (16.2 x 22.7cm

A Bear Attacking a Fallen Indian, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm), animal art,

Coat of Arms in Stained Glass Window behind the Pulpit form Hanworth Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper,

Captain Marriott, John Smart, 1741–1811, British, 1777, Watercolor and gouache on ivory, Image: 1 5/8 x 1 3/8 inches (4.1 x 3.5 cm) and Frame: 1 3/4 x 1 3/8 x 1/8 inches (4.4 x 3.5 x 0.3 cm), portrait

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), boat, channel (water

Studies of Anglers, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor, Sheet: 4 7/8 × 8 3/16 inches (12.4 × 20.8 cm), angle, figure study, fishing, man, sporting art

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Landscape with Building Structure, Thomas Sully, 1783–1872, American, ca. 1805, Watercolor and graphite on medium, slightly textured, beige, wove paper, Sheet: 5 7/8 × 9 1/16 inches (14.9 × 23 cm

Europa Lighthouse, Ceuta, Spain, George Lothian Hall, 1825–1888, British, 1843, Watercolor and graphite on thick, moderately textured, cream wove paper, Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm), architectural subject, buildings,

Young's Night Thoughts, Page 41, 'One Radiant Mark; the Deathbed of the Just', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

A Chinese Warrior, William Alexander, 1767–1816, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 1/4 x 6 1/8 inches (20.9 x 15.5 cm), Chinese, costume, dragons, figure study,

South West View of Charlton House Wiltshire the Seat of the Earl of Suffolk, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1810, Watercolor and pen and black ink on moderately thick, cream wove

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