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South West View of Norwich Castle October 20, 1775, Capt. Francis Grose, 1731–1791, British, 1775, Watercolor and pen and ink on medium, slightly textured, cream laid paper, Sheet: 7 5/8 x 12in. (19.4 x 30.5cm), Sheet: 7 3/4 × 12 inches

Mimosa pigra (L.): finished drawing, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 12 3/4 × 9 1/4

Man Toasting Another Man . . ., George Walker, active 1792–died 1795, British, undated, Watercolor with pen and black ink; verso: graphite on medium, smooth, cream wove paper, Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm), drinking glass,

Amouk, after Goya, Hercules Brabazon Brabazon, 1821–1906, British, after Francisco Goya, 1746–1828, Spanish, undated, Watercolor and gouache on medium, slightly textured, cream laid paper mounted on moderately thick, moderately

Cavalier and Maid in Spanish Costume, George Augustus Sala, 1828–1895, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 5 3/16 × 4 3/8 inches (13.2 × 11.1 cm), cavalier

Red and Yellow Macaw, unknown artist, nineteenth century, after Edward Lear, 1812–1888, British, 1832, Watercolor and pen and black ink on beige board, Sheet: 22 × 16 inches (55.9 × 40.6 cm), animal art

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), boats, channel (water

A Necklace, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 3 5/8 × 3 5/8 inches (9.2 × 9.2 cm

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, 1834, Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 13 1/2 × 17 inches (34.3 × 43.2 cm) and

Design for Grosvenor House, London: Plan, Thomas Cundy, 1790–1867, British, 1827, Watercolor with pen and black ink over graphite on slightly textured, moderately thick, cream wove paper, Sheet: 20 3/4 × 28 7/8 inches (52.7 × 73.3 cm),

Cathedral, Caen, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm), architectural subject

Villa d'Este, Joseph Mallord William Turner, 1775–1851, British, after John Robert Cozens, 1752–1797, British, ca. 1796, Watercolor, graphite, pen and back ink, blue wash and gray wash on moderately thick, slightly textured, cream

A Mistake, Print made by William Heath, 1795–1840, British, Published by Thomas McLean, 1788–1875, British, 1829, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper, Mount: 12 5/8 × 16 1/2 inches

Interior View of the Gallery of Hatfield House, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1812, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 19 3/4 × 14

Landscape with trees, David Charles Read, 1790–1851, British, undated, Watercolor on medium, moderately textured, cream laid paper, Sheet: 4 1/8 × 7 1/8 inches (10.5 × 18.1 cm), bushes, landscape, leaves, trees

Foxhunting: The Chase, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 12 1/2 × 17 7/8 inches (31.8 × 45.4 cm

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

One of a Group of Three Studies on the Venetian Logoon, Myles Birket Foster, 1825–1899, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 1 3/4 × 2 3/4 inches (4.4 × 7 cm), boats, lagoon,

Barnard Castle, County Durham, John Varley, 1778–1842, British, undated, Watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 3 3/16 x 5 1/4 inches (8.1 x 13.4 cm), architectural subject, castle, figures, hills,

Young's Night Thoughts, Page 31, ''Tis Greatly Wise to Talk with Our Past Hours', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

A Crane, James de Carle Sowerby, 1787–1871, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/8 × 7 7/16 inches (23.2 × 18.9 cm), animal art, crane, text

Abbey St-Amand, Rouen, Richard Parkes Bonington, 1802–1828, British, undated, Watercolor, gouache and graphite on medium, cream, slightly textured, wove paper, Sheet: 7 1/2 x 5 inches (19.1 x 12.7 cm), abbey, arches, architectural

Figure with Cattle Standing in the Shadow of a Building, George Chinnery, 1774–1852, British, undated, Watercolor and graphite with scratching out on moderately thick, moderately textured, cream wove paper, Sheet: 3 7/8 × 6 3/8 inches (9.8

The Lavatory Tower, Canterbury, Kent, Capt. Francis Grose, 1731–1791, British, undated, Watercolor, graphite and pen and black ink on medium, slighlty textured, cream laid paper, Sheet: 14 3/4 × 21 1/4 inches (37.5 × 54 cm),

Old Church and House, Amelia Long, 1762–1837, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 14 5/16 x 10 1/4in. (36.4 x 26cm) and Sheet: 14 1/4 × 10 3/8 inches (36.2 × 26.4 cm),

Figures and Animals in a Vineyard, John Frederick Lewis, 1804–1876, British, ca. 1829, Watercolor and gouache with gum over graphite, with scratching out on thick, moderately textured, cream wove paper, Sheet: 16 1/2 × 20 1/2 inches (41.9

London Chatham and Dover Railway Viaduct, S Mary Cray, Kent, Feb. 16, 1881 - Dec. 15, 1882, George Buchanan Wollaston, Active 1879–1886, 1881, Watercolor and gouache with brown ink and black ink and graphite on moderately thick,

A Fish from the Red Sea, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 17 7/8 x 13 1/2 inches (45.4 x 34.3 cm), fish

Wollaton Hall, Nottingham: Elevation, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1801, Watercolor over graphite on medium, slightly textured, white wove paper, Sheet: 15 9/16 × 21 5/8 inches (39.5 × 55 cm), architectural

The Sporting Parson: 'He Sends Mother Eve's Apples Flying', Hablot Knight Browne, 1815–1882, British, undated, Black chalk, watercolor, and gouache on moderately thick, slightly textured, brown, wove paper, Sheet: 10 3/4 × 14 13/16

Portrait of the Artist's Dromedary, Elijah Walton, 1832–1880, British, 1862, Watercolor, graphite, and pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 10 × 14 inches (25.4 × 35.6 cm), animal art,

Dr. Messenger Monsey of Chelsea Hospital, 1693-1788, John Thomas Smith, 1766–1833, British, undated, Pen and black ink and watercolor on medium, smooth, cream wove paper, Sheet: 5 7/8 × 4 9/16 inches (14.9 × 11.6 cm), genre subject,

Cliffs, Paul Nash, 1889–1946, British, undated, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 9 7/8 × 6 3/4 inches (25.1 × 17.1 cm), abstract art, cliffs

At Bromley, Kent, Ramsay Richard Reinagle, 1775–1862, British, undated, Watercolor, gouache and graphite on medium, moderately textured, cream wove paper, Sheet: 13 × 17 1/2 inches (33 × 44.5 cm

Priory Sands, Isle of Wight, William P. Sherlock, (?), c.1780–1850, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm

Fishmarket on the Beach, Giles F. Phillips, 1780–1867, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 7/16 × 8 1/4 inches (13.8 × 21 cm) and Mount: 9 5/8 × 13 3/8 inches (24.4

Pusa Seals, A. Fussel, active 1838–1881, British, ca. 1837, Watercolor, graphite, pen and black ink, brown ink and gray ink on moderately thick, slightly textured, cream, wove paper, Sheet: 5 1/4 × 7 1/2 inches (13.3 × 19.1 cm

Keilghee or Ornament for Horses Forelock, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 13 5/8 × 9 1/2 inches (34.6 × 24.1 cm), feather,

The Deposition, Richard Cosway, 1742–1821, British, undated, Black ink, gray ink, graphite and watercolor on medium, slightly textured, cream wove paper, Mount: 13 3/4 x 11 3/8 inches (34.9 x 28.9 cm) and Sheet: 9 x 7 inches (22.9 x 17.8

Single Hermaphrodite Brig, Joseph Cartwright, c.1789–1829, British, undated, Watercolor, with pen, in gray ink, gray wash and graphite on moderately thick, moderately textured, cream, wove paper, mounted on, moderately thick, smooth,

Memorial to Edward Smyth, Elizabeth Smyth, Mary Smyth, Elizabeth Barry and Mary Savoy of Acton Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor on medium, slightly textured,

Elevation of a Proposed Building for Downing College, Cambridge, William Wilkins, 1778–1839, British, ca. 1806, Watercolor, pen and black ink on slightly textured, heavy, brown wove paper mounted on linen, Sheet: 12 1/8 × 15 3/4 inches

Two Men on Horseback Seen from Behind, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown and gray ink over graphite on medium, smooth, cream wove paper, Sheet: 5 3/4 x 4 1/2 inches (14.6 x 11.4 cm), coats,

Cluny Castle, Aberdeenshire, Scotland: Elevation, William Wilkins, 1778–1839, British, ca. 1816, Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 13 3/4 × 18 5/8 inches (34.9 × 47.3 cm),

Dustanborough Castle, Edward Swinburne, 1765–1847, after Joseph Mallord William Turner, 1775–1851, British, undated, Watercolor over graphite with scraping-out on medium, slightly textured, cream laid paper mounted to thick, slightly

St. Malo, France, Alfred Herbert, 1820–1861, British, undated, Watercolor, graphite, and gouache on moderately thick, slightly textured, beige, wove paper, mounted on, moderately thick, moderately textured, beige, wove paper,

South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart., John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1822, Watercolor and pen and black ink on moderately thick, cream

In the Garden at Eastnor Castle, September 29, 1829, Anne Rushout, ca. 1768–1849, British, 1829, Watercolor on moderately thick, slightly textured, cream wove paper

A Gentleman driving a four-in-hand to a Mail Phaeton, accompanied by three grooms, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor, Sheet: 6 x 14in. (15.2 x 35.6cm) and Frame: 12 1/16 × 19 15/16 × 1 inches (30.7 ×

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite and watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel

'Hark': Startled Horse and Alert Rider, Hablot Knight Browne, 1815–1882, British, undated, Graphite, watercolor, and white gouache on medium, slightly textured, gray wove paper, Contemporary drawn border: 8 1/4 × 11 5/8 inches (21 ×

Grotesque Maiden with Dog, George Augustus Sala, 1828–1895, British, undated, Pen and brown ink with watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 4 13/16 × 4 1/8 inches (12.2 × 10.5 cm), bloomers,

Girl with Packhorse, Paul Sandby RA, 1731–1809, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream, laid paper, mounted on moderately thick, slightly textured, cream, wove paper, Sheet:

English Draught Horse, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm), animal art

Monger's Almshouse, M. A. Gliddon, active 1840, British, 1843, Watercolor with pen and brown ink over traces of graphite on wove paper with graphite drawn on border with overlay of the entrance gate hinged to allow view of the lower elevation,

Memorial to Richard Taverner from Ealing Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 3/4

Sam Adams, unknown artist, ca. 1790, Watercolor on ivory, Frame: 3 1/2 x 2 1/2 x 1/2 inches (8.9 x 6.4 x 1.3 cm) and Image: 2 5/8 x 2 1/8 inches (6.7 x 5.4 cm), coat, collar, drapery, man, nobility, portrait, ruffle

Vesuvius, Isaac Weld, 1774–1856, Irish, ca. 1818, Watercolor and graphite on medium, moderately textured, blued white, laid paper, Sheet: 8 x 12 5/8in. (20.3 x 32.1cm), landscape, Campagna

Riders Outside an Inn, Samuel Howitt, 1756–1822, British, undated, Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm), carriages, genre subject,

Landscape waith Figures, Cromach Water, Paul Sandby Munn, 1773–1845, British, 1805, Watercolor and graphite on medium, slightly textrued, cream laid paper, Sheet: 8 3/8 × 6 3/4 inches (21.3 × 17.1 cm), animals, banks, branches,

The Thames at Windsor, John Varley, 1778–1842, British, ca. 1830, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 5/8 x 10 3/8 inches (16.8 x 26.4 cm), boat, buildings, cattle, city, cityscape, fence,

Jumping a Wooden Fence, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen, in brown ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm), dogs

Four Corners Played at the Swan, Chelsea, Robert Dighton, 1752–1814, British, ca. 1784, Pen and black ink and brown ink and watercolor, Sheet: 6 x 8in. (15.2 x 20.3cm) and Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5 × 0.8 cm),

Thornbury Castle, Gloucestershire, John Inigo Richards RA, 1730/31?–1810, British, undated, Watercolor and pen and gray ink on moderately thick, moderately textured, cream wove paper, Sheet: 8 3/8 × 12 5/8 inches (21.3 × 32.1 cm),

The First Book of Urizen, Plate 14, '7. From the Caverns of His Jointed Spine....' (Bentley 11), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick,

Valley of Rocks, Lynton, North Devon, Francis Oliver Finch, 1802–1862, British, undated, Watercolor, with pen, in brown ink, gouache, graphite and scratching out on moderately thick, slightly textured, cream, wove paper, Sheet: 11

A Project for a Triumphal Archway with Classical Figures in Foreground (a fragment of this depicting two horsemen is mounted separately), James Gray Mayhew, 1771–1845, undated, Pen and black ink, watercolor on slightly textured, thick, beige

The First Book of Urizen, Plate 2(b), 'Preludium' (Bentley 2b), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in pale brown with pen and black ink and watercolor on moderately thick, slightly textured,

The Palace of the Deib Rajan at Tassisudon, Samuel Davis, 1757–1819, British, undated, Watercolor, with pen, in brown ink, graphite, and scratching out on moderately thick, slightly textured, cream, wove paper, mounted on, thick,

Nymphs Bathing in a Wooded Glade, William Taverner, 1703–1772, British, ca. 1765-1770, Watercolor, gouache and pen and brown ink on medium, slighlty textured, cream laid paper, Sheet: 12 × 15 1/4 inches (30.5 × 38.7 cm

Adelaide, Francis Wheatley, 1747–1801, British, between 1785 and 1786, Watercolor and graphite with pen and black ink on medium, smooth, cream laid paper mounted on moderately thick, slightly textured, beige wove paper, Sheet: 3 1/2 x 4

Illustration to the Virtuous Orphan, Thomas Stothard, 1755–1834, British, undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 4 7/8 × 2 7/8 inches (12.4 × 7.3 cm), flowers (plants), genre subject, literary theme,

A Map of Redenhall Farm or Clyntegate Farm, Isaac Johnson, 1754–1835, British, undated, Pen and brown ink and watercolor on vellum, Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm), architectural subject, designs, house, surveys, England,

Westminster Abbey and St. Paul's from Battersea Fields, Nathaniel Smith, 1740–1787, undated, Watercolor, ink, and graphite on medium, slightly textured, cream laid paper mounted on medium, moderately textured, blued white laid paper,

Near Benout, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper, Sheet: 2 13/16 x 11 13/16 inches (7.1 x 30 cm), boats, landscape, marine art, river,

The Return of the Fleet to Great Yarmouth in 1797, Thomas Rowlandson, 1756–1827, British, 1797, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 10 3/4 x 17 inches (27.3 x 43.2 cm), beach, boats,

The Nile, William Holman Hunt, 1827–1910, British, 1854, Watercolor on thick, moderately textured, cream wove paper, Sheet: 4 3/16 × 10 inches (10.6 × 25.4 cm), landscape, river, trees, Africa, Nile

Laditcher Bruck, Tyrol, Rev. Charles Annesley, 1787–1863, British, 1823, Watercolor and pen and brown ink on medium, moderately textured, cream wove paper, Sheet: 18 1/8 x 11 1/8in. (46 x 28.3cm), Tyrol

Ulanding of a Cutter, Benjamin Thomas Pouncey, active 1772–1799, British, after John Kitchingman, c. 1740–1781, British, 1785, Engraving with watercolor, Sheet: 9 x 12in. (22.9 x 30.5cm

Church House - Hackney, M. A. Gliddon, active 1840, British, 1841, Watercolor and pen and brown ink over traces of graphite on wove paper, Sheet: 5 1/8 x 8in. (13 x 20.3cm

Tapha, 7:50 a.m., February 17, 1867, Edward Lear, 1812–1888, British, 1867, Watercolor with pen in brown ink on thick, rough, cream wove paper, Sheet: 8 1/2 x 13 3/4 inches (21.6 x 34.9 cm), desert, figure (illustration), landscape,

Machinery for the Manufacture of Paper, John Farey Jr., 1791–1851, British, ca. 1810, Watercolor, pen and black ink, graphite, and gray wash on moderately thick, slightly textured, cream, wove paper, Sheet: 17 13/16 × 39 3/4 inches

Sunset along the Nile, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper, Sheet: 2

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

St. Goarhausen on the Rhine between Koblenz and Mainz, John Frederick Lewis, 1804–1876, British, 1827, Watercolor, white gouache, black chalk, and graphite, with scratching out on medium, slightly textured, cream wove paper, Sheet: 6

The Fall of Wolsey, or, turning a Great Man out of Office., (?) William Dent, active 1784–1793, 1792, Etching with watercolor on laid paper, Sheet: 9 1/4 x 5 5/8in. (23.5 x 14.3cm

View West of Lout Harbour; Spitzberger, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16

Three Chinese Women Street Vendors, William Alexander, 1767–1816, British, undated, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 3 7/8 × 3 1/2 inches (9.9 × 8.9 cm), baskets, Chinese,

Felis caligata (Booted Lynx), James Bruce, 1730–1794, British, ca. 1768, Watercolor, pen and black ink, over graphite on moderately thick, slightly textured, cream, laid paper, Sheet: 11 3/4 × 9 3/4 inches (29.8 × 24.8 cm), animal

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Bishopton, unknown artist, undated, Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 33 1/8 × 22 5/8 inches (84.1 ×

Thatched Barn, Anne Peacock, 1786, Watercolor and graphite on medium, slightly textured, white laid paper, Sheet: 8 x 12 11/16in. (20.3 x 32.2cm) and Sheet: 8 × 12 3/4 inches (20.3 × 32.4 cm), architectural subject

Town Scene on River, Thomas Sully, 1783–1872, American, undated, Watercolor, gouache and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 9/16 × 12 3/16 inches (21.7 × 31 cm

Tomb of John Greg from Hampton Churchyard, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 11 1/4 inches

Cobham Hall, Kent: Elevation of Stables, James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and black ink and watercolor on thick, moderately textured, cream laid paper with two fold marks, Sheet: 4 1/4 x 11 5/8 inches (10.8 x 29.5

Rome from Monte Mario, Joseph Mallord William Turner, 1775–1851, British, ca. 1818, Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper, Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm), children,

Fort Putnam From Across the River, Thomas Sully, 1783–1872, American, undated, Watercolor and graphite on medium, moderately textured, beige, laid paper, Sheet: 10 5/16 × 6 3/8 inches (26.2 × 16.2 cm

Crossing the Line Ceremony on Board the Ship, 'Vestal', Julius Caesar Ibbetson, 1759–1817, British, undated, Watercolor, pen and gray ink, and gouache on medium, slightly textured, cream wove paper, Sheet: 7 1/8 × 9 5/8 inches (18.1 ×

Brass Plate of Henry and Julia Redman and two Children from Brentford Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured,

Staithes, Yorkshire, Francis Nicholson, 1753–1844, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/8 x 12 7/16in. (23.2 x 31.6cm) and Sheet: 9 1/4 × 12 1/2 inches (23.5 × 31.8 cm),

A Priest with Two Children, Sir David Wilkie, 1785–1841, British, between 1825 and 1828, Watercolor and red chalk over graphite on medium, slightly textured, cream wove paper, Sheet: 9 7/8 x 7 13/16 inches (25.1 x 19.9 cm), arch,

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