Images at Librifly

search results: Watercolor clear search

Songs of Innocence and of Experience, Plate 44, 'The Human Abstract' (Bentley 47), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

Dendera, 9:15 am, 15 January 1867 (157), Edward Lear, 1812–1888, British, 1867, Watercolor, pen and brown ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 3 1/4 × 10 1/2 inches (8.3 × 26.7

Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1835 or 1836, Gouache, watercolor, graphite and black chalk on medium, smooth, brown

Lyssons Estate, St. Thomas in the East, Jamaica, James Hakewill, 1778–1843, British, between 1820 and 1821, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 12 1/8 × 16 1/2 inches (30.8 × 41.9 cm)

Cloud Study, Aaron Edwin Penley, 1807–1870, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm) and Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm

Songs of Innocence and of Experience, Plate 33, 'The Little Girl Lost' (Bentley 34), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately

Peasant Woman with Staff, La Palma, Alfred Diston, active 1818–1829, 1828, Watercolor, pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 9 5/8 × 7 3/8 inches (24.4 × 18.7 cm), costume,

El Luxor, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, modertately textured, gray wove paper, Sheet: 2 3/4 x 13 5/8 inches (7 x 34.6 cm), boats, figures

Mellawi, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, gray wove paper, Sheet: 2 1/4 x 10 13/16 inches (5.7 x 27.5 cm), boat, figures

The Reverand Dr. John Harris, Bernard Lens III, 1682–1740, British, 1707, Watercolor and gouache over graphite on ivory, Image: 3 1/4 x 2 1/2 inches (8.3 x 6.4 cm) and Frame: 4 1/4 x 3 5/8 x 3/8 inches (10.8 x 9.2 x 1 cm), portrait

Tomb of John Merick from Norwood Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10

Coach And Highwayman, Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708), undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm

Jerusalem, Plate 83, 'Corruptability appears upon thy limbs....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove

London from Blackheath, Francis Nicholson, 1753–1844, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/8 x 15 7/8in. (23.8 x 40.3cm) and Sheet: 9 3/8 × 15 7/8 inches (23.8 × 40.3 cm),

Myrsine africana L. (African Myrsine ): finished drawing, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm)

A Country Lane with Haystack and Gate, Robert Hills, 1769–1844, British, undated, Watercolor and graphite on medium, moderately textured, beige wove paper, Sheet: 9 3/4 x 8 3/8 inches (24.8 x 21.3 cm), fence, gate, hay, landscape

A Young Lady Encouraging the Low Comedian, Print made by William Ward, 1766–1826, British, after James Northcote, 1746–1831, British, 1787, Mezzotint with hand coloring in watercolor on medium, slightly textured, cream laid paper,

Landscape with Water Cart and Clothesline, Joshua Cristall, 1768–1847, British, undated, Watercolor and graphite on moderately thick, moderately textured, beige laid paper, Sheet: 10 1/2 × 12 7/8 inches (26.7 × 32.7 cm), agriculture,

The Entrance Front of Hayley's House at Eartham, William Blake, 1757–1827, British, 1801, Pen and black ink with watercolor and graphite on medium, smooth, beige wove paper, Sheet: 5 1/2 x 9 inches (14 x 22.9 cm), architectural subject,

Canis Lupus, or Gray Wolf, Samuel Howitt, 1756–1822, British, undated, Watercolor and pen and brown ink over graphite on medium, slightly textured, cream wove paper, Sheet: 7 3/4 × 8 inches (19.7 × 20.3 cm), animal art, dog (animal

Bee Cuckoo, James Bruce, 1730–1794, British, ca. 1768, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 13 3/8 × 11 1/2 inches (34 × 29.2 cm), animal art

The Thames Near the Penitentiary, Millbank, London, John Varley, 1778–1842, British, 1816, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 11 1/2 x 16 1/8 inches (29.2 x 41 cm), architectural

A Man Buying Snuff, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and brown ink, over graphite on medium, slightly textured, blued white wove paper, Sheet: 7 3/8 x 5 5/8 inches (18.7 x 14.3 cm), barrels (containers),

Mahometan Devotee, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 1/4 × 4 1/4 inches (15.9 × 10.8 cm), field, figure study, landscape,

Pidcock, Dealer in Birds and Beasts, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream, wove paper, Sheet: 7 1/16 × 10 7/16 inches (17.9 × 26.5 cm),

Abu Simbel, 10:30 am, 9 February 1867 (383), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink, and white gouache, over graphite on moderately thick, moderately textured, beige wove paper, Sheet: 3 7/8 x 10 1/8

Memorial to Thomas Lant also to Robert Harington from Hornsey Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove

Two Sprays of Imaginary Flowers, Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain, artist Jean Baptiste Pillement, 1727–1808, French, 1760, Etching with hand coloring in watercolor on medium, slightly

The Book of Thel, Plate 6, 'III. / Then Thel astonish'd . . . .', Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove

'Sporting Discoveries, or the Miseries of Driving ...' You Discover you Have Overlooked a Small Post on you Whip Hand, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen, in brown ink and black ink, over graphite on

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Dedham, George Bryant Campion, 1796–1870, British, Previously William Henry Bartlett, 1809–1854, British, undated, Watercolor over graphite on medium, slightly textured, beige wove paper, Sheet: 5 5/8 x 8 3/8in. (14.3 x 21.3cm),

Sable Antelope, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink and graphite on medium, smooth, white, wove paper, Sheet: 4 3/16 × 6 11/16 inches (10.6 × 17 cm), animal art

A Devon River at Low Tide, June 16, 1859, Edward Thompson Davis, 1833–1867, British, 1859, Watercolor, gouache, and pen and black ink on medium, slightly textured, blue wove paper, Sheet: 5 1/8 × 7 5/8 inches (13 × 19.4 cm), boat,

Madonna with a Rabbit, William Callow, 1812–1908, British, active in France, after Titian, (?), 1488/90–1576, Italian, undated, Watercolor with gum arabic and gouache on medium, moderately textured, cream wove paper, Sheet: 4 3/4 x 6

The Seven Pagodas, Mamallapuram, Samuel Davis, 1757–1819, British, undated, Watercolor, pen and black ink, gray wash, and graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 15 x 20 1/8in. (38.1 x 51.1cm

Bridge in a Continental Town, John Sell Cotman, 1782–1842, British, ca. 1830, Watercolor and gouache over graphite on medium, smooth, cream wove paper, Sheet: 13 5/8 x 20 1/2 inches (34.6 x 52.1 cm) and Contemporary drawn border: 15 3/8 x

Figures at Mass, Poland, Robert Polhill Bevan, 1865–1925, British, ca. 1904, Black chalk and watercolor on medium, cream, smooth laid paper, Sheet: 10 1/2 x 16 1/2 inches (26.7 x 41.9 cm), figure study, figures, men, monks, priests,

A View of the Town and Harbour of St Peter and St Paul, in Kamtschatka, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches

Section of the Court of Common Pleas and the Robery Room, Studio of Sir John Soane, 1753–1837, British, 1823, Pen and black ink and watercolor on smooth thin brown wove paper, Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm), architectural

Santa Giustina at Padua, Monro School, after John Robert Cozens, 1752–1797, British, ca. 1820, Watercolor and graphite on thick, slightly textured, cream wove paper, Sheet: 6 7/8 x 9 1/8 inches (17.5 x 23.2 cm), architectural subject,

Landscape with Two Men on a Hill and a Castle in the Distance, Rev. William Gilpin, 1724–1804, British, between 1762 and 1783, Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige laid paper, Sheet: 6

Wild Duck Shooting, Edward Duncan, 1803–1882, British, 1825, Watercolor, with pen, in brown ink, and gouache, over graphite, with scratching out on medium, slightly textured, cream, wove paper, Sheet: 6 5/8 × 10 5/16 inches (16.8 ×

Staircase at Blithfield, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1823, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm) and

A Water Rail, Isaac Spackman, died 1771, British, undated, Watercolor and gouache on vellum, Sheet: 11 x 8 3/8in. (27.9 x 21.3cm) and Sheet: 11 × 8 3/8 inches (27.9 × 21.3 cm), animal art

Songs of Innocence and of Experience, Plate 51, 'London' (Bentley 46), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly

A Review on Epson Downs, John Nixon, ca. 1760–1818, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 3 1/2 × 8 7/8 inches (8.9 × 22.5 cm), dresses, flags, horses

Gloucester Cathedral, unknown artist, Previously Joseph Mallord William Turner, 1775–1851, British, ca. 1795, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 1/8 x 10 inches (20.6 x 25.4 cm) and Mount: 10

The Road to the Lake, pupil of Francis Towne, 1740–1816, British, undated, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 x 13 1/16in. (40.5 x 33.2cm) and Image: 10 3/4 x 8 3/8 inches (27.3 cm),

Homage to Nelson, Edward Francis Burney, 1760–1848, British, undated, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 9 × 11 1/2 inches (22.9 × 29.2 cm

Christ Stilling the Tempest, Attributed to John Martin, 1789–1854, British, undated, Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm),

A Bird, James Sowerby, 1756–1822, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream wove paper, Sheet: 8 1/8 x 6 1/4in. (20.6 x 15.9cm),

Elevation of a Proposed Design for Cambridge Colleges, William Wilkins, 1778–1839, British, undated, Watercolor, pen and black ink on slightly textured, thick, brown wove paper, Sheet: 12 × 11 1/4 inches (30.5 × 28.6 cm), architectural

The Crested Seal, James Stewart, 1791–1863, British, ca. 1837, Watercolor, graphite, pen and brown ink on thick, slightly textured, white, wove paper, Sheet: 5 1/4 × 8 5/16 inches (13.3 × 21.1 cm

A Notch, or Dance of Dommies before a Moghul Gentleman, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 11

Rockhewn Temple of Elephanta, student of Thomas Sandby RA, 1721–1798, British, ca. 1770-1790, Watercolor and gray wash over graphite on slightly textured, moderately thick, beige wove paper, Sheet: 18 5/8 × 27 inches (47.3 × 68.6 cm),

A Stone Curlew, George Edwards, 1694–1773, British, ca. 1790, Watercolor, pen, black ink, brown ink, and graphite on moderately thick, moderately textured, cream laid paper, Sheet: 10 × 11 1/4 inches (25.4 × 28.6 cm), animal art,

Baudins Cockatoo, unknown artist, nineteenth century, after Edward Lear, 1812–1888, British, 1832, Watercolor and pen and black ink on beige board, Sheet: 18 × 14 inches (45.7 × 35.6 cm), animal art

Ceapen Pichan Bridge, Moelwyn Mawr, Samuel Davis, 1757–1819, British, undated, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 16 9/16 × 15 1/2 inches (42.1 × 39.4 cm) and Image: 15 11/16 ×

London from the Thames, John Varley, 1778–1842, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/2 x 7 5/8 inches (14 x 19.4 cm), boats, bushes, city, cityscape, deer, domes,

Coal Fish, James Sowerby, 1756–1822, British, undated, Watercolor with touches of white gouache on medium, slightly textured, cream wove paper, Sheet: 8 x 12 5/8in. (20.3 x 32.1cm) and Sheet: 8 × 12 3/4 inches (20.3 × 32.4 cm), animal

River Landscape, Aaron Edwin Penley, 1807–1870, British, undated, Watercolor and graphite; verso: graphite on medium, slightly textured, cream wove paper, Sheet: 4 3/4 × 8 1/8 inches (12.1 × 20.6 cm), clouds, fields, fields

Jeweled Box for Buttee Nuts, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 13 3/4 × 11 7/8 inches (34.9 × 30.2 cm

The West Door, Rochester Cathedral, Kent, Frederick Mackenzie, 1788–1854, British, undated, Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 5 13/16 × 7 3/8 inches (14.8 × 18.7 cm),

Steeplechasing: The Field taking a Low Rail and a Brook, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on moderately thick, moderately textured, blued white, wove paper, Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8

Mr. Grose's House at Wandsworth, Capt. Francis Grose, 1731–1791, British, 1767, Watercolor on moderately thick, slightly textured, cream laid paper, Sheet: 9 1/4 × 10 1/8 inches (23.5 × 25.7 cm) and Mount: 10 3/4 × 11 3/4 inches (27.3 ×

Songs of Innocence and of Experience, Plate 48, 'The Sick Rose' (Bentley 39), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

El Areesh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, slightly textured, beige wove paper, Sheet: 4 1/16 x 6 5/16 inches (10.3 x 16 cm), landscape, moon, sand, sky, water, Africa,

Between Dendour and Kalabshe, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper, mounted on thick, slightly textured, cream wove paper, Sheet: 2 1/2 x 6 7/8 inches (6.3 x

Sketch of a Horse, Robert Hills, 1769–1844, British, undated, watercolor and graphite on moderately thick, rough, beige, laid paper, Sheet: 7 13/16 × 8 1/4 inches (19.8 × 21 cm), animal art, horse (animal), studies (visual works

Elevation of a Proposed Design for Cambridge Colleges, William Wilkins, 1778–1839, British, ca. 1823, Graphite and watercolor on slightly textured, medium, cream wove paper, Sheet: 8 5/8 × 15 5/8 inches (21.9 × 39.7 cm), architectural

Asinus Hippagrus The Yo-To-Tze, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, graphite, pen and brown ink and black ink on medium, slightly textured, cream, wove paper, Sheet: 4 1/8 × 6 3/8 inches (10.5 × 16.2 cm),

Fountain's Boarding School, Marylebone, James Miller, active 1773–1814, 1780, Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper, laid down on a contemporary mount, Sheet: 9 3/4 x 14

Royal Review at Windsor - Queen Victoria and Khedive Ismail Pashe of Egypt, June 26th, 1868, George Bryant Campion, 1796–1870, British, undated, Watercolor, gouache and black chalk on thick, moderately textured, brown wove paper, Sheet:

Harb. Gozo, Edward Lear, 1812–1888, British, 1866, Watercolor, graphite, gouache, pen and brown ink on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, brown wove paper, Mount: 6 1/4 x 8

Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Graphite, watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 13 3/4 × 10

'Qualified Horses and Unqualified Riders:' 'Got in and Getting Out. Very Clever', Henry Thomas Alken, 1785–1851, British, undated, Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, blued white, wove

Hilly Landscape with River and Cattle, John Glover, 1767–1849, British, ca. 1810, Watercolor over graphite on moderateley thick, slightly textured, cream wove paper, Sheet: 8 1/4 x 12 3/4 inches (21 x 32.4 cm), cattle, labor, landscape,

Great Bookham, Surrey, Henry Edridge, 1769–1821, British, 1814, Watercolor, pen and black ink, brown ink and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 11 11/16 × 18 1/16 inches (29.7 × 45.9 cm),

Piveral Point (one of five drawings on one mount), John Thomas Serres, 1759-1825, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 3 3/8 x 12 5/8 inches (8.6 x 32.1 cm) and Image: 2 x 9 3/8

The Countryman's Dream of Coalescing Virtue and Vice, Round about the Maypole see how we trot, hot pot, hot, brown Ale we have got..., William Dent, active 1784–1793, 1784, Etching with watercolor on laid paper, Sheet: 10 x 13 13/16in.

The Misses Van and Lady Salisbury, Lady Salesbury, active 1791, British, formerly attributed to Paul Sandby RA, 1731–1809, British, 1791, Watercolor and graphite on medium, cream, sligthly textured wove paper, Sheet: 6 1/2 x 8 1/4 inches

Memorial to George Oldmixon, his Wife Jane and Child George from Ealing Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured,

Kurayim, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, wove paper, mounted on moderately thick, moderately textured, cream wove paper, Sheet: 2 1/2 x 9 inches (6.3 x 22.9

Montague House, Whitehall, David Roberts, 1796–1864, British, 1862, Watercolor over graphite on medium, slightly textured, cream wove paper mounted on board, Sheet: 9 3/4 x 13 5/8in. (24.8 x 34.6cm) and Sheet: 9 3/4 × 13 5/8 inches (24.8

Plains of Sparta, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm

Corsac Dog-Fox, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown ink and graphite on modeately tick, smooth, cream, wove paper, Sheet: 4 3/16 × 6 5/8 inches (10.6 × 16.8 cm), animal art, fox

Undentified Tomb from Norwood Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 10 3/4

Waterfall and Forest, unknown artist, nineteenth century, undated, Watercolor and graphite on thick, moderately textured, cream wove paper, Sheet: 10 × 7 inches (25.4 × 17.8 cm), forest, landscape, waterfall

The English Race-Horse, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, graphite, pen and black ink on medium, slightly textured, cream, wove paper, Sheet: 4 1/4 × 6 3/8 inches (10.8 × 16.2 cm), animal art, horse

Brighton Races, John Nixon, ca. 1760–1818, British, 1805, Watercolor, pen and gray ink, gouache, and graphite with scratching out on thick, slightly textured, cream wove paper, Sheet: 20 1/4 × 26 3/4 inches (51.4 × 67.9 cm), genre

The Rustic Lover, Francis Wheatley, 1747–1801, British, 1786, Watercolor with black ink over graphite on medium, slightly textured, cream laid paper, Sheet: 17 x 13 3/4 inches (43.2 x 34.9 cm), apron, barrel, basket, bird, birdcage,

View of the Early Castle of Diganwy, John Warwick Smith, 1749–1831, British, undated, Watercolor and graphite with pen and gray ink on medium, slightly textured, cream wove paper, Sheet: 5 1/8 x 8 3/4 inches (13 x 22.2 cm), castle,

Sixty-six Guns: Single Frigate, Joseph Cartwright, c.1789–1829, British, undated, Watercolor, with pen, in brown ink and graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured,

Rheinfels Looking to Katz and Gourhausen, Joseph Mallord William Turner, 1775–1851, British, 1817, Watercolor, gouache, gray wash and scraping out on medium, slightly textured, cream wove paper, Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8

A Young Lady Seated Wearing a White Dress, Edward Edwards, 1738–1806, British, 1788, Watercolor, pen, brown ink, and graphite on medium, slightly textured, cream laid paper mounted on medium, slightly textured, cream wove paper, Sheet:

Young Woman of Loheia in Arabia Felix of the Tribe Beni-Koreish, James Bruce, 1730–1794, British, undated, Watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 7 1/4 × 5 3/4 inches (18.4 × 14.6 cm) and Mount: 11

Portrait of a Gentleman, George Chinnery, 1774–1852, British, ca. 1800, Watercolor and gouache on ivory, Image: 3 x 2 3/8 inches (7.6 x 6 cm) and Frame: 3 5/8 x 2 5/8 x 5/8 inches (9.2 x 6.7 x 1.6 cm), portrait

Ruined Gambler, Luke Clennell, 1781–1840, British, undated, Watercolor and pen and black ink on medium, slightly textured, white wove paper, Sheet: 2 3/4 × 2 3/4 inches (7 × 7 cm), gambler, genre subject, saloon

The Poems of Thomas Gray, Design 101, 'Ode for Music.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid

search results: Watercolor clear search