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Denton Court, Rev. Cooper Williams, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/8 × 14 inches (23.2 × 35.6 cm), architectural subject, cattle, country house, horses (animals), landscape,

Entrance to Pidcock's Exhibition Tent at a Fair, Henry William Bunbury, 1750–1811, British, undated, Watercolor, pen, in brown ink, and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 14 1/16 x 12 3/4in.

Peers in their Robes, Samuel Shelley, 1750–1808, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 3/8 × 6 3/4 inches (18.7 × 17.1 cm), aristocrats, breeches, ceremonial objects, coats,

Study of an Oak Leaf, John Ruskin, 1819–1900, British, undated, Pen and brown ink with watercolor over graphite heightened with gouache and gum; verso: graphite on medium, smooth, white wove paper, Sheet: 7 9/16 × 6 7/8 inches (19.2 ×

Landscape on the Stour near Sandwich, Clarkson Stanfield, 1793–1867, British, 1863, Watercolor, white gouache, and graphite on moderately thick, slightly textured, light blue wove paper, Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm) and

Pied Wagtail and Dragonfly, George Edwards, 1694–1773, British, undated, Watercolor, gouache, and graphite on moderately thick, slightly textured, cream laid paper, Sheet: 9 7/8 × 8 inches (25.1 × 20.3 cm), animal art, bird,

Grand and Effectual Attack in the Baltic, William Dent, active 1784–1793, 1791, Etching with watercolor on laid paper, Sheet: 9 9/16 x 13 5/8in. (24.3 x 34.6cm

Corvs crassirostris (Thick-Billed Raven), James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 inches (40.6 × 30.5 cm), animal art, bird,

The Summer Lodden, Sept. 1832: A Still Life Study of Three Apples, James Sillett, 1764–1840, British, 1832, Graphite and watercolor on moderately thick, smooth, cream wove paper, Sheet: 5 11/16 × 7 13/16 inches (14.4 × 19.8 cm), apples,

Fives played at the Tennis court Leicester Fields, Robert Dighton, 1752–1814, British, ca. 1784, Pen and black ink and brown ink and watercolor, Sheet: 6 x 8in. (15.2 x 20.3cm) and Frame: 7 11/16 × 9 1/4 × 5/16 inches (19.6 × 23.5 × 0.8

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

The First Book of Urizen, Plate 11, 'Two nostrils bent down to the deep . . . .' (Bentley 13), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in green with watercolor on moderately thick, slightly

Mr. William Williams, Frederick Tatham, 1805–1878, British, ca. 1830, Watercolor on ivory, Frame: 6 3/4 x 6 x 1 5/8 inches (17.1 x 15.2 x 4.1 cm) and Image: 3 7/8 x 3 inches (9.8 x 7.6 cm), coat of arms, crest, lion, man, middle class,

Songs of Innocence and of Experience, Plate 29, Experience Frontispiece (Bentley 28), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately

Corsham Court, Wiltshire: Elevation of the North Front, John Nash, 1752–1835, British, John Adey Repton, 1775–1860, British, ca. 1797, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper,

Landscape with Lake and Figures on a Rocky Road, unknown artist, formerly attributed to William Pars, 1742–1782, British, 1777, Watercolor, pen, brown ink, gray ink, and white gouache on medium, slightly textured, beige laid paper,

Upnor Lodge, Mary Smirke, 1779–1853, British, 1820, Watercolor, ink, and graphite on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream laid paper, Sheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm),

Baug near Ahmednagar, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor, gouache, and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 10 3/4 × 16 7/8 inches (27.3 × 42.9 cm),

Landscape after Wynants (in the Louvre), William Callow, 1812–1908, British, active in France, after Jan Wijnants, ca. 1635–1684, Dutch, undated, Watercolor with pen and black, blue and brown ink, over graphite, with scratching out on

America. A Prophecy, Plate 4, 'Silent as despairing love....', Print made by William Blake, 1757–1827, British, 1793, Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove

Design for a Fan, Angelica Kauffmann RA, 1741–1807, Swiss, active in Britain (1766–81), 1775, Watercolor, gouache and gold over graphite on medium, slightly textured, cream wove paper, Sheet: 6 3/4 × 21 inches (17.1 × 53.3 cm

Westminster Hall, Samuel Ireland, active 1760–died 1800, British, 1798, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 7/8 × 6 1/2 inches (12.4 × 16.5 cm) and Mount: 9 × 12 1/2

Design for a London Townhouse: Elevation, Michael Searles, 1750–1813, British, undated, Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 10 1/2 × 8 3/4 inches (26.7 × 22.2 cm),

Memorial to Sir Robert Carr from Hampton Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 10 5/8

A Bird, James Sowerby, 1756–1822, British, undated, Watercolor and gouache over graphite on medium, slighlty textured, cream wove paper, Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm), animal art, bird, Eurasian Skylark

Memorial to Mrs. Martha Whish, from Stanwell Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 11 inches (37.8

Madeira Fishman, January 14, '68, unknown artist, nineteenth century, 1868, Watercolor and graphite on thick, moderately textured, cream wove paper, Sheet: 5 × 7 inches (12.7 × 17.8 cm), figure study, fisherman, marine art, rocks

The Bright Cloud, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), undated, Watercolor on thick, smooth, cream wove paper, Sheet: 5 15/16 x 7 1/4 inches (15.1 x 18.4 cm), clouds, landscape, sky, Europe, Italy

A Warship Preparing to Leave the Anchorage, Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804), between 1787 and 1808, Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured,

Soldiers Being Rowed Out to an Indiaman at Northfleet, George Chambers, 1803–1840, British, undated, Watercolor, pen and brush with black and brown ink, gouache, with scratching out, over graphite on slightly textured, moderately thick,

Hippotigris Quacha, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 1/8 × 6 1/8 inches (10.5 × 15.6 cm), animal art

Songs of Innocence and of Experience, Plate 38, 'Holy Thursday' (Bentley 33), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

Steeplechasing: The Field Jumping in and Out of a Lane, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on moderately thick, smooth, blued white, wove paper, Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm),

Luxor, 7:30 am, 20 January 1867 (199), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, brown wove paper, Sheet: 3 1/8 x 10 3/8 inches (7.9 x 26.4 cm), boats,

Roller: Garrulous Roller, William Lewin, 1747–1795, British, before 1790, Watercolor and gouache over graphite with gum arabic on medium, smooth, white vellum, Sheet: 8 1/2 × 6 1/2 inches (21.6 × 16.5 cm), animal art, beak, bird,

Donkey Beside a Tree, Hampstead, John Linnell, 1792–1882, British, undated, Watercolor, with pen, in brown ink, over graphite on medium, smooth, beige, wove paper, Contemporary drawn border: 4 7/16 × 5 1/2 inches (11.3 × 14 cm) and

On the Thames, John Varley, 1778–1842, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 13 3/8 x 10 7/8 inches (34 x 27.6 cm), boats, bridges (built works), clouds, docks,

Gebel Sheikh Eredi, (Pigeon House of Er Raineh), Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and cochineal ink on moderately thick, slightly textured, beige wove paper, Sheet: 3 1/16 x 8 9/16 inches

Ground Plan of Cobham Hall, Kent; The Seat of the Right Honourable the Earl of Darnley, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, undated, Watercolor and pen and black ink on moderately thick,

The Race of Daldey, Heneage Finch fourth Earl of Aylesford, 1751–1812, British, undated, Watercolor, pen, brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/4 × 10 7/8 inches (21 × 27.6 cm) and Mount: 14

The Opening of the New London Bridge, David Cox, 1783–1859, British, 1831, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/2 x 14 3/4 inches (24.1 x 37.5 cm), boats, bridge (built work), celebration,

The Edge of the Lake, Dr. Thomas Monro, 1759–1833, British, Monro School, formerly attributed to Joseph Mallord William Turner, 1775–1851, British, undated, Watercolor, graphite, and gray wash on medium, slightly textured, cream wove

William Grimaldi, Son of the Artist, William Grimaldi, 1751–1830, British, 1808, Gouache and watercolor on ivory, Image: 2 3/4 x 2 1/4 inches (7 x 5.7 cm) and Frame: 4 1/8 x 3 1/2 x 3 inches (10.5 x 8.9 x 7.6 cm), portrait

A Lady with Light Brown Hair Worn in Ringlets, Adam Buck, 1759–1833, British, undated, Watercolor on ivory, Overall: 15/16 × 15/16 × 1/4 inches (2.4 × 2.4 × 0.6 cm), hair, woman

Tysoe Windmill and Church, Warwickshire, William Turner of Oxford, 1789–1862, British, 1849, Watercolor over graphite on moderately thick, smooth, beige wove paper, Sheet: 8 3/8 x 14 7/8 inches (21.3 x 37.8 cm), agriculture,

The Same Temple Viewed on the Side of the Postious, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 15/16 × 11 5/16 inches (22.7

Greenwich, James Holland, 1799–1870, British, undated, Graphite and watercolor on moderately thick, moderately textured, cream wove paper, Sheet: 11 3/8 × 10 inches (28.9 × 25.4 cm), architectural subject, clouds, columns, dômes,

Shipping in an Estuary, Probably near Quilleboeuf, Richard Parkes Bonington, 1802–1828, British, 1825 to 1826, Watercolor over graphite with scratching out on medium, slightly textured, cream wove paper, Sheet: 5 3/4 x 9 inches (14.6 x

Habit of an Arabian Soldier, Print made by unknown artist, after Hans Weigel, active 1549–1577, German, between 1757 and 1772, Etching and watercolor on medium, cream, slightly textured, laid paper, Sheet: 11 x 19 1/4 in. (27.9 x 48.9

The Battle of Cape St. Vincent, Robert Cleveley, 1747–1809, British, 1797, Watercolor, graphite and black ink on medium, moderately thick, beige wove paper, Sheet: 4 1/8 x 8in. (10.5 x 20.3cm) and Contemporary drawn border: 4 5/8 × 8 5/8

Songs of Innocence and of Experience, Plate 39, 'London' (Bentley 46), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7

Rocky Landscape in Wales, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1835 or 1836, Gouache and watercolor with gum and black chalk on moderately thick, slightly textured, cream wove paper, Sheet: 15 × 18 7/8 inches

Brass Plate for Richard de Thorp, from Stanwell Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches

Young's Night Thoughts, Page 12, 'Its favours here are trials, not rewards', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

Canton/ Berne (Switzerland), Isaac Weld, 1774–1856, Irish, ca. 1817, Watercolor, gouache, graphite, and gum arabic, with sponging on moderately thick, moderately textured, cream, wove paper, Sheet: 8 9/16 x 13 9/16in. (21.7 x 34.4cm),

Design for a Country House, James Lewis, 1751–1820, British, undated, Graphite, pen and black ink, watercolor on smooth, thick, brown laid paper, Sheet: 8 5/8 × 25 5/8 inches (21.9 × 65.1 cm), architectural subject, country house,

Second Temple of Hera, in the Foreground, First Temple of Hera in the Background, at Paestum, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor, graphite, pen and brown ink on moderately thick, moderately textured,

Argos, Remains of a Roman Building, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 4 11/16 × 7 11/16 inches (11.9 × 19.5 cm

Greenwich, pupil of Peter DeWint, 1784–1849, British, undated, Watercolor over graphite on medium, moderately textured, cream wove paper, Sheet: 13 1/8 x 9 3/4 inches (33.3 x 24.8 cm), boats, buildings, figures, rivers, sailboats,

Vesuvius in Eruption, Clarkson Stanfield, 1793–1867, British, undated, Watercolor, gouache, graphite, and black chalk on medium, slightly textured, brown wove paper, Sheet: 13 × 19 3/8 inches (33 × 49.2 cm), geology, science,

A Raree Show, William Alexander, 1767–1816, British, between 1792 and 1793, Watercolor and pen and black ink over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 7 5/8 × 6 1/4 inches (19.4 × 15.8 cm),

Memorial to Thomas Chamber from Hanworth Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 11 inches

Cottage Near Snaresbroke, May 11th, 1829, Anne Rushout, ca. 1768–1849, British, 1829, Watercolor on moderately thick, slightly textured, cream wove paper

Dover, John Martin, 1789–1854, British, 1833, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 3/4 x 10 1/4 inches (19.7 x 26 cm), cliffs, hills, landscape, sea, Dover, England, Europe, United

The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner, Henry Thomas Alken, 1785–1851, British, undated, Watercolor and gouache on medium, slighlty textured, brown wove paper mounted to thick card, Sheet: 10 1/8 ×

Threkiornis aethiopicus (African Sacred Ibis), James Bruce, 1730–1794, British, undated, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 12 5/8 × 9 7/8 inches (32.1 × 25.1 cm), animal art

Town with Mountainous Landscape, unknown artist, nineteenth century, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 × 12 1/4 inches (22.9 × 31.1 cm), cityscape, landscape, mountains,

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Jerusalem, Plate 52, 'To the Deists....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

North West view of Burleigh House The Seat of the Marquis of Exeter, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1817, Watercolor and pen and black ink on moderately thick, cream wove paper,

Jerusalem, Plate 94, 'Albion cold lays on his Rock....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper,

Ealing House, Middlesex, Charles Tomkins, 1757–1823, British, undated, Pen and brown and black ink and watercolor over graphite on medium, smooth, white wove paper, Sheet: 6 7/8 × 8 1/8 inches (17.5 × 20.6 cm), architectural subject,

Bridge at Corpo di Cava, Hannah Linnell Palmer, 1818–1893, British, 1838, Watercolor, graphite, and gouache on medium, slightly textured, cream wove paper, Sheet: 12 3/4 × 8 7/8 inches (32.4 × 22.5 cm), arch bridge, bridge (built

A Finch, Isaac Spackman, died 1771, British, undated, Gouache, watercolor, and graphite on medium, moderately textured, cream laid paper, Sheet: 10 5/8 × 8 3/8 inches (27 × 21.3 cm), animal art, branch, finch

Ladrone Islands in the China Sea, Samuel Davis, 1757–1819, British, undated, Watercolor, pen and black ink, and graphite on moderately thieck, moderately textured, cream, laid paper, mounted on, moderately thick, moderately textured,

Studland Dock Yard, John Baverstock Knight, 1785–1859, British, 1822, Watercolor, gouache, pen and black ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 5 5/8 × 18 1/2 inches (14.3 × 47 cm), beach, boat,

Near Pont Aberglaslin, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm

The Summer Room in the Artist's House at Patna, Sir Charles D'Oyly, 1781–1845, British, active in India, 1824, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 × 13 1/2 inches (17.8 × 34.3 cm),

Near Dakkeh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, wove paper, mounted on moderately thick, slightly textured, cream wove paper, Sheet: 2 7/16 x 7 11/16 inches (6.2

Windsor Castle, Berkshire: The Round Tower, King Edward III Tower and King George IV Gateway, Studio of Sir Jeffry Wyatville, 1766–1840, British, undated, Graphite, pen and black and brown ink, watercolor on moderately thick, slightly

West Front of Longford Castle, Wiltshire the Seat of the Earl of Radnor, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1811, Watercolor and pen and black ink on moderately thick, cream wove paper,

Near the Caravan Bridge, Smyrna, William James Muller, 1812–1845, British, 1843, Watercolor and graphite on thick, moderately textured, cream wove paper, Sheet: 14 x 20 3/4 inches (35.6 x 52.7 cm), architectural subject, cemetery,

Steller Sea Lion, James Stewart, 1791–1863, British, ca. 1837, Watercolor, graphite, pen and brown ink, and gray ink on thick, smooth, cream, wove paper, Sheet: 5 5/8 × 8 1/4 inches (14.3 × 21 cm

Windsor Castle, Berkshire: North-Facing View of the Upper Ward, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1830, Watercolor with pen and brown ink over graphite on slightly textured, medium, white wove paper, Sheet: 3 × 6 1/2

Distant View of Church, James Miller, active 1773–1814, undated, Watercolor and graphite on medium, moderately textured, blue white, laid paper, Sheet: 6 3/8 × 7 3/4 inches (16.2 × 19.7 cm) and Mount: 9 1/4 × 10 5/8 inches (23.5 × 27

Three Jeyties Exercising, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, ca. 1792, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 8 × 11 inches (20.3 × 27.9 cm), athletes,

Two Girls, One Crying, Print made by Robert Barnes, 1840–1895, British, after Robert Barnes, 1840–1895, British, undated, Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately

Samuel Johnson, unknown artist, after James Barry, 1741–1806, Irish, undated, Graphite, watercolor, and colored pencils on medium, slightly textured, cream wove paper, Sheet: 5 3/16 × 3 13/16 inches (13.2 × 9.7 cm), Contemporary drawn

Lismore Castle, Ireland, Francis Wheatley, 1747–1801, British, 1783, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm), boats, bonnet, breeches

Sir Thomas Makdougall Brisbane, Simon Jacques Rochard, 1788–1872, French, 1819, Gouache and watercolor on ivory, Image: 3 3/8 x 2 3/4 inches (8.6 x 7 cm) and Frame: 4 7/8 x 3 3/8 x 1/2 inches (12.4 x 8.6 x 1.3 cm), portrait

The Tomb of Van Balen, Antwerp, September 7, 1832, John Scarlett Davis, 1804–1845, British, 1832, Graphite and watercolor on medium, slightly textured, pale orange wove paper, Sheet: 5/8 x 7 3/4 inches (1.6 x 19.7 cm), architectural

Industrious Jenny, George Walker, active 1792–died 1795, British, undated, Watercolor with pen and brown ink on medium, smooth, cream wove paper, Sheet: 4 1/2 × 3 inches (11.4 × 7.6 cm), chair, genre subject, girl, nightgown,

The First Book of Urizen, Plate 13, 'Chap: IV, 1 Ages on Ages Roll'd over Him....' (Bentley 10), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick,

Cobham Hall, Kent: North Elevation of South Wing, James Wyatt, 1746–1813, British, undated, Graphite, pen and black and brown ink and watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 14 1/4 x 20 7/8 inches

Jerusalem, Plate 41, 'Bath who is Legions....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13

Girl from Hierro, Alfred Diston, active 1818–1829, 1828, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 8 3/8 × 6 inches (21.3 × 15.2 cm), costume, figure study, genre subject, woman,

Soldiers on a March, Thomas Rowlandson, 1756–1827, British, 1805, Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper, Mount: 10 3/16 x 14 1/2 inches (25.9 x 36.8 cm) and Sheet:

Landscape with Two Men on a Road, George Lambert, 1700–1765, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 8 7/8 x 13 3/16in. (22.5 x 33.5cm) and Sheet: 12 1/4 × 17

Harvest Time: Cumberland, Peter DeWint, 1784–1849, British, undated, Watercolor over graphite on medium, rough, cream wove paper, Sheet: 6 5/8 x 17 inches (16.8 x 43.2 cm), clouds, fields, forest, harvest, hay, hills, landscape,

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