Images at Librifly

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Ten Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

A Caterpillar, late 17th–early 18th century, Watercolor with gum arabic, sheet: 2 x 3 7/8 in. (5.1 x 9.8 cm), Drawings, Jan Vincentsz van der Vinne (Dutch, Haarlem 1663–1721 Haarlem

Gate Lodge for Amos G. Hull, Newburgh, New York (front elevation), 1849, Watercolor, ink, and graphite on paper, Sheet: 14 3/4 x 19 3/4 in. (37.5 x 50.2 cm), Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey),

Eight Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Holy Island Cathedral (Liber Studiorum, part III, plate 11), February 20, 1808, Etching and mezzotint; first state of four, plate: 7 1/8 x 10 7/16 in. (18.1 x 26.5 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

St. Catharine's Hill near Guilford (Liber Studiorum, part VII, plate 33), June 1811, Etching and mezzotint; third state of three, plate: 7 3/8 x 10 7/16 in. (18.7 x 26.5 cm), Prints, Designed and etched by Joseph Mallord William Turner

Three Boys Save the Despairing Pamina from Suicide, 1864, Pen and black ink with watercolor, 10 13/16 x 20 7/8 in. (27.5 x 53 cm), Drawings, Moritz von Schwind (Austrian, Vienna 1804–1871 Munich

Ruin of Burg Schachenstein at Thörl in Styria, 19th century, Watercolor, over graphite (?), sheet: 12 1/4 x 18 11/16 in. (31.1 x 47.5 cm), Drawings, Thomas Ender (Austrian, Vienna 1793–1875 Vienna

Prince Paul Clemens von Metternich as a Child, Surrounded by Toys, 1841, Watercolor and gouache, graphite, Sheet: 8 7/16 x 7 5/16 in. (21.5 x 18.5 cm), Drawings, Rudolf Gaupmann (Austrian, Vienna 1815–1877 Graz

Design for a Hall Lamp, ca. 1800–1810 , watercolor and gouache, Sheet: 12 5/16 × 15 11/16 in. (31.2 × 39.8 cm), Lamqua (Chinese, 19th century), Design for a hall lamp in the shape of a Chinese palace lantern. The hexagonal body of the

Design for a Theater Curtain, 1818–1838, Watercolor, gouache, and gilt, sheet: 15 13/16 x 16 9/16 in. (40.2 x 42 cm), Aimé Chenavard (French, 1798–1838

Fifth Plague of Egypt (Liber Studiorum, part III, plate 16), 1808, Etching only; before first state of three, plate: 7 x 10 in. (17.8 x 25.4 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851

'Portrait of Shaikh Hasan Chishti', Folio from the Shah Jahan Album, recto and verso: early 19th century, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/8 in. (38. 4 cm), Codices, This portrait of a sufi is

View of the Menagerie at Kew, 1763, Watercolor, Sheet: 10 13/16 x 17 11/16 in. (27.5 x 45 cm), Drawings, Thomas Sandby (British, baptized Nottingham 1723–1798 Windsor), Leaf 40 in William Chambers album of drawings, 'Plans, Elevations,

Interior of a Church (Liber Studiorum, part XIV, plate 70), January 1, 1819, Etching and mezzotint; first state of five (Finberg), plate: 7 x 10 11/16 in. (17.8 x 27.1 cm), Prints, Turner distilled his ideas about landscape In 'Liber

Portrait of a Lady, ca. 1827, Watercolor on ivory, 3 x 2 in. (7.6 x 5.1 cm), Paintings, Henry Inman (American, Utica, New York 1801–1846 New York), Thomas Seir Cummings (American (born England), Bath 1804–1894 Hackensack, New Jersey),

Psyche Asleep in a Landscape, 1837, Watercolor, white gouache, over graphite, sheet: 9 13/16 x 15 13/16 in. (24.9 x 40.2 cm), Drawings, Karl Joseph Aloys Agricola (Austrian, Bad Säckingen 1779–1852 Vienna

Botanical Study with a Species of the Nettle Family (genus Urtica), ca. 1820, Watercolor over graphite, 19 11/16 x 12 1/2 in. (50 x 31.8 cm), Drawings, Anonymous, French, 19th century

Joie de Campagne (Pleasures of the Countryside), a 'Wiggle Much' Design, ca. 1910, Watercolor and black ink, Image: 2 7/8 × 5 1/16 in. (7.3 × 12.8 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich

Designs for Metalwork, 19th century, Pen and grey ink, brush and watercolor, heightened with white over black chalk, sheet: 20 3/4 x 16 in. (52.7 x 40.7 cm), Anonymous, Italian, 19th century

Scene in the Campagna (Liber Studiorum, part VIII, plate 38), February 1, 1812, Etching and mezzotint; first state of two (Finberg), plate: 7 1/2 x 10 3/8 in. (19.1 x 26.4 cm), Prints, Designed and etched by Joseph Mallord William Turner

Junction of Severn and Wye (Liber Studiorum, part VI, plate 28), June 1811, Etching, aquatint and mezzotint; first state of three, plate: 7 1/8 x 10 7/16 in. (18.1 x 26.5 cm), Prints, Turner distilled his ideas about landscape In 'Liber

Album with drawings, prints and text, 1861–64, Watercolor, pen and ink, wood engravings, lithographs, sheet: 19 x 13 3/4 in. (48.3 x 34.9 cm), Marcus Clayton Stone (British, London 1840–1921 London

Drawings and Prints, Drawing; Watercolor, Kirri Cottage for Julia Jackson Davis, Artist, Alexander Jackson Davis, American, New York 1803–1892 West Orange, New Jersey, Davis, Alexander Jackson, 1803, 1892, 1849

Juvenile Tricks (Liber Studiorum, part V, plate 22), January 1, 1811, Etching and mezzotint; first state, plate: 7 1/16 x 10 3/8 in. (17.9 x 26.4 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London 1775–1851

The Leader Sea Piece (Liber Studiorum, part IV, plate 20), March 29, 1809, Etching and mezzotint; first state of three, plate: 7 x 10 3/16 in. (17.8 x 25.9 cm), Prints, Designed and etched by Joseph Mallord William Turner (British, London

Landscape near Rome, 1867, Brush and brown ink, watercolor, white gouache, over black chalk, sheet: 13 7/8 x 21 7/8 in. (35.3 x 55.6 cm), Drawings, August Leopold Venus (German, Dresden 1843–1886 Pirna

Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39), February 11, 1812, Etching, aquatint and mezzotint; second state of four, plate: 8 1/4 x 11 1/2 in. (21 x 29.1 cm), Prints, Turner distilled his ideas about landscape In 'Liber

Embroidery Design for a Frame, No. 098, after 1875, Watercolor, sheet: 16 x 13 in. (40.6 x 33 cm), Morris & Company

Three Designs for a Funerary Monument or Epitaph, ca. 1770–90, Pen and ink, watercolor over graphite, Sheet: 8 3/8 x 10 1/16 in. (21.2 x 25.5 cm), Jean Michel Moreau the Younger (French, Paris 1741–1814 Paris), Three variants for a

Design for Bookcover, Sir Roland Ashton, by Lady Long, 1845–70, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Sassafras Linen Press, 1904, Watercolor, colored pencil, and black ink, over graphite, sheet: 10 x 7 3/8 in. (25.4 x 18.8 cm), Byrdcliffe Arts and Crafts Colony (American, 1902–1915), attrib. to Ralph Radcliffe Whitehead (American (born

St. Paul's Cathedral from St. Martin's-le-Grand, ca. 1795, Watercolor, pen, black ink over graphite, sheet: 19 3/16 x 14 7/8 in. (48.8 x 37.8 cm), Drawings, Thomas Girtin (British, London 1775–1802 London), In this vibrant rendering of a

Study for a figure of Fame, from the Hémicycle des Beaux-Arts, École des Beaux-Arts, ca. 1837–41, Watercolor and gouache over black chalk, Sheet: 17 11/16 × 10 13/16 in. (45 × 27.5 cm), Drawings, Paul (Hippolyte) Delaroche (French,

An Exceptionally Peaceful Moment, ca. 1910, Watercolor and black ink, Image: 3 15/16 × 4 7/8 in. (10 × 12.4 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich

Portrait of a Sufi, first quarter 17th century, Attributed to India, Deccan, probably Bijapur, Ink, opaque watercolor, and gold on paper, Page: 15 1/8 x 9 3/4 in. (38.4 x 24.8 cm), Codices, The primitive fur, the alms bowl, the flute,

The Second Premium Design for the Capitol of Ohio, Columbus, ca. 1839, Watercolor, ink and graphite, sheet: 16 7/8 x 12 7/8 in. (42.8 x 32.7 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

London at the Sea Side, 1830–64, Pen, brown ink, and watercolor, Sheet: 9 x 12 1/8 in. (22.9 x 30.8 cm), Drawings, John Leech (British, London 1817–1864 London

PALM, 1911, Gouache and watercolor on paper, H. 18-5/8, W. 14-5/8 in. (47.3 x 37.1 cm), Drawings

ALUM, 1922, Gouache and watercolor on paper, H. 18-5/8, W. 14-5/8 in. (47.3 x 37.1 cm), Drawings

View of the Bay of Naples with Mount Vesuvius, early 19th century, Graphite, watercolor, sheet: 5 3/8 x 7 3/8 in. (13.6 x 18.8 cm), Drawings, Anonymous, German, 19th century

The Pike is a voracious fish and bites readily in the Winter months–Old Gentleman is VERY fond of fishing, 1830–64, Pen, brown ink, and watercolor, Sheet: 10 1/8 × 12 3/4 in. (25.7 × 32.4 cm), Drawings, John Leech (British, London

Solway Moss (Liber Studiorum, part XI, plate 52), January 1, 1816, Etching and mezzotint; fifth state of five (Finberg), Plate: 8 3/16 × 11 5/16 in. (20.8 × 28.8 cm), Prints, Drawn and etched by Joseph Mallord William Turner (British,

The 'Wiggle Much' Creature on a Tree Stump Looking at a Bug, ca. 1910, Watercolor, black and brown ink, Image: 7 3/4 × 4 9/16 in. (19.7 × 11.6 cm), Drawings, Herbert E. Crowley (British, London 1873–1939 Zurich

Design for the Proposed Church at Middlesborough, 1837, Pen and brown ink, heightened with watercolor washes, sheet: 16 9/16 x 21 9/16 in. (42 x 54.8 cm), John Green (British, Northumberland 1787–1852 Newcastle), Benjamin Green (British,

Berry Pomeroy Castle (Liber Studiorum, part XII, plate 58), January 1, 1816, Etching and mezzotint; first state of three (Finberg), plate: 7 3/4 x 10 3/4 in. (19.7 x 27.3 cm), Prints, Designed and engraved by Joseph Mallord William Turner

Parrish Hall at Bennington, Hertfordshire, 1902, Pen and in, over graphite, with watercolor, sheet: 12 1/2 x 24 3/4 in. (31.8 x 62.9 cm), Ernest Geldart (British, London 1848–1929

Cuirassier, 1872, Watercolor on paper, Sheet: 10 1/8 x 7 in. (25.7 x 17.8cm), Drawings

Design for a fountain with an obelisk, ca. 1760–1780 , Pen and ink over graphite and watercolor, Frame: 17 5/16 x 18 1/8 in. (44 x 46 cm), Anonymous, 18th century (possibly French), Neoclassical fountain in the style of Delafosse, Boullée

Design for a Framing Motif, 1712–93, Pen and brown ink, brush with light and dark green watercolor (?), over graphite or lead or black chalk, 16-1/4 x 17 in. (41.2 x 43.2 cm), Drawings, Attributed to Francesco Guardi (Italian, Venice

Prince Rudolph Joseph of Colloredo-Mansfeld, 1835, Watercolor and gouache, graphite, Sheet: 6 1/2 x 4 15/16 in. (16.5 x 12.5 cm), Drawings, Ferdinand Georg Waldmüller (Austrian, Vienna 1793–1865 Helmstreitmühle in der Hinterbrühl

Head Study of a Fisherman from Capri, ca. 1849, Watercolor, heightened with white gouache, over graphite, Sheet: 11 9/16 × 9 7/16 in. (29.4 × 23.9 cm), Drawings, Lorenz Frølich (Danish, Copenhagen 1820–1908 Hellerup

Deer under Beech Trees in Winter, mid-19th century, Watercolor, black chalk; framing line in graphite, Sheet: 4 7/16 x 5 15/16 in. (11.3 x 15.1 cm), Drawings, Hendrik Gerrit ten Cate (Dutch, Amsterdam 1803–1856 Amsterdam

Seven Designs for Decorated Cups, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Water Mill (Liber Studiorum, part VIII, plate 37), February 1, 1812, Etching and mezzotint; first state of three (Finberg), plate: 7 3/16 x 10 3/8 in. (18.3 x 26.4 cm), Prints, Designed and etched by Joseph Mallord William Turner (British,

Deer under Beech Trees in Summer, mid-19th century, Watercolor, black chalk; framing line in graphite, Sheet: 4 7/16 x 5 15/16 in. (11.3 x 15.1 cm), Drawings, Hendrik Gerrit ten Cate (Dutch, Amsterdam 1803–1856 Amsterdam

Abstract Trio, 1923, Watercolor and transferred printing ink on paper, bordered with gouache and ink, mounted on cardboard, 18 7/8 × 25 3/8 in. (47.9 × 64.5 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940

Parents Teaching Their Daughter a Song, early 19th century, Watercolor, pen and brown and black inks; framing line in pen and black ink, Sheet: 17 9/16 x 13 9/16 in. (44.6 x 34.4 cm), Drawings, Abraham van Strij (Dutch, Dordrecht 1753–1826

A Member of the Institute, 1798, Pen and gray ink with watercolor, over traces of graphite, 11 13/16 x 7 5/8 in. (30 x 19.4 cm.), Drawings, Jean-Baptiste Regnault (French, Paris 1754–1829 Paris

ZIGZAG BRAID, 1922, Watercolor, gouache and graphite on paper, H. 18-5/8, W. 14-5/8 in. (47.3 x 37.1 cm), Drawings

Chatsworth Conservatory, 19th century, Pen and ink, was and watercolor, over graphite, Thomas Guilford (British, active 19th century

Guildhall, London: The Great Hall, Facing East, ca. 1864, Watercolor, pen and ink, graphite, image (peaked at top): 26 1/4 x 18 in. (66.7 x 45.7 cm), Drawings, Sir Horace Jones (British, London 1819–1887 London

Design for a Cottage-Villa in the Bracketted Mode, Constructed in Wood (perspective and plan), ca. 1842, Watercolor and ink, over graphite, sheet: 9 3/16 x 5 11/16 in. (23.4 x 14.5 cm), Alexander Jackson Davis (American, New York 1803–1892

Winter Scene in Moonlight, 1869, Watercolor and gouache on white wove paper, 11 7/8 x 15 3/16 in. (30.2 x 38.6 cm), Drawings, Henry Farrer (American, London 1844–1903 New York), English-born Henry Farrer was the brother of Thomas C. Farrer,

The Source of the Arvaron in the Valley of Chamouni, Savoy (Liber Studiorum, part XII, plate 60), January 1, 1816, Etching and mezzotint; first state of three, plate: 7 3/4 x 10 5/8 in. (19.7 x 27 cm), Prints, Designed and engraved by Joseph

Early Morning near Loch Katrine in the Trossachs, Scotland, before 1831, Graphite, watercolor and gum arabic, sheet: 16 x 21 9/16 in. (40.7 x 54.7 cm), Drawings, John Glover (British, Houghton-on-the-Hill, Leicester 1767–1849 Launceston,

Six Designs for Decorated Plates, 1845–55, Pen and ink, and watercolor, sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm), Alfred Henry Forrester [Alfred Crowquill] (British, London 1804–1872 London

Design for a Fish-Pond in Plan and Section, 18th century, Pen and black ink, over traces of graphite; brush with green and pink watercolor; framing lines in pen and ink, 14 1/2 x 19 11/16 in. (36.9 x 50 cm) , Drawings, Anonymous, Italian,

Pembury Mill, Kent (Liber Studiorum, part III, plate 12), June 10, 1808, Etching and mezzotint; first state of four (Finberg), plate: 7 1/8 x 10 7/16 in. (18.1 x 26.5 cm), Prints, Designed and etched by Joseph Mallord William Turner

View of the Library, Kirtlington Park, Oxfordshire, 1886, Watercolor over graphite on wove paper, sheet: 12 3/16 x 18 1/4 in. (31 x 46.3 cm), Susan Alice Dashwood (British, 1856–1922

Page of Calligraphy, dated A.H. 973/A.D 1565–66, Attributed to Iran, Ink and opaque watercolor on parchment, 6 5/16 x 4in. (16 x 10.2cm), Codices

Majnun in the Wilderness, second half 16th century, Attributed to Iran, Ink, transparent watercolor, and gold on paper, H. 3 7/8 in. (9.8 cm), Codices, This drawing depicts Majnun in the desert chucking a fawn under the chin. The Arab boy

Page of Calligraphy, early 16th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Codices, Poetry, calligraphic exercises, and headings have been pasted onto both sides of this folio. The text, which was written in

Imaginary Landscape, 1543, Pen and dark brown ink and brush and grayish blue watercolor, washed in blue, heightened with brush and opaque white, on greenish blue prepared paper., 5 11/16 x 8 3/8 in. (14.4 x 21.3 cm), Drawings, Hanns

'Hamid Bhakari Punished by Akbar', Folio from an Akbarnama, ca. 1604, Made in India, Ink, opaque watercolor, and gold on paper, Page: H. 13 1/8 in. (33.3 cm), Codices, Painting attributed to Manohar (active ca. 1582–1624), Written by the

A Dervish, late 16th–early 17th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, H. 8 3/8 in. (21.3 cm), Codices

Folio from a Qur'an Manuscript, dated A.H. 531/ A.D. 1137, Attributed to Iran or Iraq, Ink, gold, and watercolor on paper, H. 8 9/16 in. (21.8 cm), Codices

Le Pouliguen: Fishing Boats, 1928, Black crayon and watercolor, 10 13/16 x 17 1/16 in. (27.5 x 43.3 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris), Although Paul Signac never abandoned Neo-Impressionist principles, he found that

Rain Landscape, 1911, Watercolor on paper, 10 x 12 1/2 in. (25.4 x 31.8 cm), Drawings, Vasily Kandinsky (French (born Russia), Moscow 1866–1944 Neuilly-sur-Seine

Large Boston Public Garden Sketchbook: A woman passing a café, 1895–97, Recto: watercolor over pencil, bordered with a straight edge in pencil and freehand watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil

'Balarama and Krishna Fighting the Enemy', Folio from a Harivamsa (The Legend of Hari (Krishna)), ca. 1590–95, Attributed to present-day Pakistan, probably Lahore, Ink, opaque watercolor, and gold on paper, Image: H. 12 in. (30.5 cm),

Portrait of a Youth, late 16th century, Attributed to Iran, Opaque watercolor and gold on paper, H. 11 5/8 in. (29. 5 cm), Codices

Interior of a Lottery, 1821, Gouache, watercolor, and graphite on toned wove paper, 15 x 10 3/4 in. (38.1 x 27.3 cm), Drawings, James Kidder (1793–1837

Youthful Falconers in a Landscape, second half 16th century, Attributed to Iran, Ink, transparent and opaque watercolor, silver, and gold on paper, H. 6 3/4 in. (17.2 cm), Codices

Page of Calligraphy from the Kulliyat of Sa'di, 18th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, H. 8 5/8 inches, Codices

Darvish, 18th century, Attributed to Iran, Opaque watercolor, ink, and gold on paper, 4 1/4 x 2 1/16 in., Codices

Folio from a Manuscript by Mir Ali Shir Nava'i, early 16th century, Attributed to present-day Uzbekistan, Bukhara, Ink, opaque watercolor, and gold on paper, 5 7/8 x 4in. (14.9 x 10.2cm), Codices

Mediterranean Landscape with a White House, 1900–1905, Watercolor over graphite on heavy wove paper, 6 3/4 x 9 3/4 in. (17.2 x 24.8 cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair

Seated Figure with Crossed Legs Holding a Carafe, 14th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, H. 9 1/8 in. (23.1 cm), Codices

Design for a Covered Dish in the 'Service au Filet' (Fish Net Ware), Maison J. Vieillard et Cie, Bordeaux, 1875–85, Graphite, pen and black and brown ink, watercolor, gold paint, 26 7/8 x 20 in. (68.3 x 50.8 cm), Drawings, Attributed to

35r. A crowd watching fireworks; 35v. A woman walking toward the right, 1895–97, Recto: Watercolor over pencil; Verso: pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s, Newfoundland

Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet 'La Péri' (The Flower of Immortality), first performed in Paris, 1912, Dated 1922, Watercolor and gold and silver paints over graphite, 26 5/8 x 19 1/4in. (67.6 x 48.9cm),

Still-Life with a Watermelon and Pomegranates, 1900–1906, Watercolor over graphite on laid paper, sheet: 12 3/8 x 19 3/16 in. (31.4 x 48.8 cm), Drawings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence

Decorative Drawing, first half 15th century, Attributed to present-day Afghanistan, Herat, Ink, watercolor, and gold on paper, H. 5 1/2 in. (14 cm), Codices, Ornamental brush drawings with lush foliage bearing a variety of human figures,

'Abu'l Mihjan and Sa`d ibn Abi Wakkas Become Angry and Leave King Khusrau (?)', Folio from a Khavarannama (The Book of the East) of ibn Husam al-Din, ca. 1476–86, Attributed to Iran, Shiraz, Opaque watercolor on paper, 15 5/8 x 10 7/8 in.

Large Boston Public Garden Sketchbook: Night scene with figures carrying umbrellas, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor; verso: pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil

Lion Attacking an Antelope, second half 16th century, Attributed to Turkey, Ink and watercolor on paper, Painting: H. 6 1/8 in. (15.5 cm), Codices

Folios from a Non-Illustrated Manuscript, 16th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Codices

Madame la Comtesse de Boufflers and Thérèse, mid-1760s, Pencil, black and red chalk, watercolor with white chalk highlights, 12 x 8 in. (30.5 x 20.3 cm), Drawings, Louis de Carmontelle (French, Paris 1717–1806 Paris

View of Les Sables d'Olonne, 1929 (?), Black crayon and watercolor, 10 15/16 x 17 1/16 in. (27.8 x 43.4 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris

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