Images at Librifly

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Part of the Construction in the Old House of Lords, Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British, 1823, Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper,

Millettia ferruginea (Hochst.) Baker: finished drawing with a few details excluded, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 1/8

Songs of Innocence and of Experience, Plate 18, 'Night' (Bentley 20), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly

A Dandy Quizzing a Mule's Head seen over a Stable Door, George Dance RA, 1741–1825, British, after 1797, Watercolor, gray wash, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 15 1/8 x 11 1/4 inches (38.4 x

A Street in Harborne, David Cox, 1783–1859, British, ca. 1808, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 5 x 8 inches (12.7 x 20.3 cm), figures (representations), genre subject, street, town,

Design for Ardgowan House, Scotland: North North West Elevation, Claud Cleghorn, active 1797–1800, 1797, Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper bar scale of 1/12 inch to 1

Cyperus species 2: finished drawing of flowering plant and root, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 15 15/16 × 12 5/16 inches (40.5 × 31.3 cm) and

Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly

Young's Night Thoughts, Page 95, 'The Goddess Bursts in Thunder and in Flame', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

Entrance to Christmas Harbour, Kerguelen Island and The Arched Rock, Christmas Harbour, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 16 1/8

North East View of Hatfield House, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1812, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4 inches (35.6 ×

At Hailsham, Sussex: a Storm Approaching, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1821, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/4 × 12 1/2 inches (21 × 31.8 cm) and

A Mohametan with his Parrot, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 5/8 × 5 inches (16.8 × 12.7

The Royal Palace, Madrid, 1832, David Roberts, 1796–1864, British, 1832, Graphite, watercolor, and gouache on thick, slightly textured, cream wove paper, Sheet: 6 3/8 × 9 7/8 inches (16.2 × 25.1 cm), architectural subject, bulls,

Near St. Malo, Sir Augustus Wall Callcott, 1779–1844, British, undated, Watercolor, black chalk with scratching out on medium, slightly textured white wove paper, mounted to card, Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm), marine art,

Tempio d' Antonio e Faustina, Thomas Girtin, 1775–1802, British, after Giovanni Piranesi, 1720–1778, Italian, between 1798 and 1799, Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid

North Front of Belton house Lincolnshire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1817, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4 inches

The Wagon, Peter DeWint, 1784–1849, British, undated, Watercolor over graphite on medium, rough, cream wove paper mounted on card, Sheet: 8 3/4 x 11 1/8 inches (22.2 x 28.3 cm) and Mount: 8 3/4 x 11 1/8 inches (22.2 x 28.3 cm), bonnets,

Ridge Road, Thomas Sully, 1783–1872, American, undated, Watercolor and graphite on medium, slightly textured, beige, wove paper, Sheet: 4 1/16 × 5 1/4 inches (10.3 × 13.3 cm

North American Prairie Wolf, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 3/16 × 6 9/16 inches (10.6 × 16.7 cm), animal art

Visions of the Daughters of Albion, Plate 8, 'But when the morn arose . . . . ', William Blake, 1757–1827, British, 1793, Relief etching printed in green with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 13

The Dilkoosha, Lucknow in the Distance, William Simpson, 1823–1899, British, 1866, Watercolor and gouache over graphite on moderately thick, moderately textured, cream wove paper, Sheet: 14 x 21 1/4 inches (35.6 x 54 cm), architectural

Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall, Willey Reveley, 1760–1799, British, ca. 1785, Watercolor, and pen and black ink on medium, slightly textured, cream, laid paper, mounted on moderately

Chlamyphorus Truncatus, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, smooth, cream, wove paper, Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm), animal art

The Book of Thel, Plate 3, 'Thel / I / The daughters of Mne Seraphim . . . .', Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured,

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Meikle Sypeland; Brockcleugh, unknown artist, undated, Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 33 11/16 × 22

Coast Near Sorrento, John Warwick Smith, 1749–1831, British, 1764-1831, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 11 3/4 x 18 1/8 inches (29.8 x 46 cm) and Contemporary drawn border: 13 3/4 x 20 inches

Isola Bella, Lago Maggiore, Charles Gore, 1729–1807, British, ca. 1776, Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, blued white laid paper, Sheet: 7 5/8 x 22 1/4 inches (19.4 x 56.5 cm),

Exhibition of a Democratic Transparency, -with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended...,

Caernarfon Castle, Thomas Rowlandson, 1756–1827, British, undated, Watercolor and graphite with pen and brown ink on very thick, slightly textured, cream wove paper, Mount: 10 1/4 x 9 1/2 inches (26 x 24.1 cm) and Sheet: 4 5/8 x 7 5/8

Four Horses Standing in a Group in the Shade of Large Trees by Water, Sawrey Gilpin, 1733–1807, British, undated, Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, blued white, laid paper, Sheet: 14

The Seven Bishops Going To Trial, Richard Westall, 1765–1836, British, 1790, Watercolor with gouache and black, brown, and gray ink on moderately thick, slightly textured, cream card, Sheet: 13 1/2 x 18 3/8 inches (34.3 x 46.7 cm) and

South Front of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart., John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1818, Watercolor and pen and black ink on moderately thick, cream wove

January 1st: 'of all the birds on bush or tree' (Vol. 1, p.30) January 2nd: The Stood in an Avenue (Vol. 1, p. 54), Thomas Stothard, 1755–1834, British, undated, Watercolor with pen and black ink on thin, smooth, cream wove paper, Sheet:

Part of a House and Garden, Henry Edridge, 1769–1821, British, undated, Pen and brown ink, watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/8 × 11 1/2 inches (20.6 × 29.2 cm), architectural subject,

York Water Gate, Thomas Malton the Younger, 1748–1804, British, 1795, Watercolor with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 8 5/16 × 11 3/4 inches (21.1 × 29.8 cm), arches, architectural subject,

Figure Study of a Lady, James Miller, active 1773–1814, undated, Watercolor, graphite, gouache, pen and gray ink on medium, moderately te4xtured, blued white, laid paper, Sheet: 7 13/16 × 6 3/8 inches (19.8 × 16.2 cm) and Mount: 10 7/8

Evening on the Lagoon, Venice, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor, gouache and graphite on medium, moderately textured, cream wove paper, Sheet: 5 1/2 x 9 5/8 inches (14 x 24.4 cm), boats, clouds,

The Cypresses at the Villa d'Este, Tivoli, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1838, Watercolor, gouache, and graphite on moderately thick, moderately textured, blue wove paper, Sheet: 12 3/8 x 9 1/8 inches

Bocorvus abyssinicus (Abyssinian Ground Hornbill), James Bruce, 1730–1794, British, undated, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 12 3/8 × 9 3/4 inches (31.4 × 24.8 cm), animal art

A View at Lucerne, William Pars, 1742–1782, British, 1775, Watercolor with pen and gray and brown ink over graphite with brown and gray wash on moderately thick, moderately textured, cream laid paper, Sheet: 16 1/2 × 23 1/8 inches (41.9 ×

Benares, Edward Lear, 1812–1888, British, 1873, Watercolor with pen in brown ink over graphite and gouache on moderately thick, rough, beige wove paper, Sheet: 13 1/2 x 20 inches (34.3 x 50.8 cm), architecture, bathers, bathing, boats,

Nant Francon, North Wales, George Arthur Fripp, 1813–1896, British, 1862, Watercolor, with pen, in brown ink, gouache, graphite, gum arabic, and scratching out on thick, moderately textured, cream, wove paper, Sheet: 18 5/16 × 28

Landscape with Ruined Castle on the Esk, Richard Principle Leitch, 1844–1875, British, 1874, Watercolor, gouache, and graphite, with scratching out on moderately thick, slightly textured, cream wove paper, Sheet: 10 7/16 x 15 3/4in.

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

The Strand Hyaena, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, smooth, white, wove paper, Sheet: 3 13/16 × 6 11/16 inches (9.7 × 17 cm), animal art

Jerusalem, Plate 6, 'His Spectre driv'n....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13

Portrait of an Unknown Lady, Jeremiah Meyer RA, 1735–1789, German, active in Britain, undated, Watercolor and gouache on ivory, Image: 3 5/8 x 2 3/4 inches (9.2 x 7 cm) and Frame: 4 1/4 x 2 5/8 x 1/4 inches (10.8 x 6.7 x 0.6 cm), portrait

Toske, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, beige wove paper, Sheet: 9 5/16 x 12 1/2 inches (23.7 x 31.8 cm), cliffs, landscape, palm trees, river,

Beside the Lily-Pond, Henry Towneley Green, 1836–1899, British, 1869, Watercolor and gouache over graphite on moderately thick, smooth, cream wove paper, Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm), dress, feathers, flowers (plants),

Landscape with Footbridge, unknown artist, ca. 1780, Watercolor on medium, slightly textured, cream laid paper, Sheet: 7 5/8 × 9 1/2 inches (19.4 × 24.1 cm), architectural subject

At Haughley, Samuel Davis, 1757–1819, British, 1785, Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, Sheet: 7 1/2 × 9 1/8 inches (19.1 × 23.2 cm), architectural subject, cliffs, country

Dunmore Park, William Wilkins, 1778–1839, British, ca. 1820, Watercolor with scratching out over graphite on smooth, medium, white wove paper, Sheet: 13 3/8 × 33 inches (34 × 83.8 cm), architectural subject

Maharraka, 7:15 am, 14 February 1867 (462), Edward Lear, 1812–1888, British, 1867, Watercolor, pen and brown ink, and graphite on thick, rough, cream wove paper, Sheet: 3 3/4 × 6 7/8 inches (9.5 × 17.5 cm), architectural subject,

Setters and Pheasant, Edwin Gill, active 1810, died 1868, undated, Graphite and watercolor on medium, smooth, cream, wove paper, Sheet: 10 3/4 × 13 5/16 inches (27.3 × 33.8 cm) and Image: 10 1/2 × 13 1/16 inches (26.7 × 33.2 cm), dogs

Cottage Amongst Trees, pupil of Peter DeWint, (?), 1784–1849, British, formerly attributed to John Varley, 1778–1842, British, undated, Watercolor on medium, moderately textured, cream laid paper mounted on medium, moderately

Deepdene, Ground Floor, unknown artist, ( A. Roos ), 1841, Pen and black ink, watercolor, graphite on slightly textured, medium, cream wove paper, Image: 12 1/4 × 17 5/16 inches (31.1 × 44 cm) and Sheet: 19 × 26 1/2 inches (48.3 × 67.3

Sketch of Three Boats, Clarkson Stanfield, 1793–1867, British, 1863, Graphite and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm) and Binding: 5 1/4 inches (13.3 cm

The Sporting Parson: 'He Joins to Cheer Them on Hallelujah!!!!', Hablot Knight Browne, 1815–1882, British, undated, Black chalk, watercolor and gouache on moderately thick, moderately textured, gray, wove paper, Sheet: 10 3/4 × 14 13/16

Pettenasco, Lago d'Orta, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, slightly textured, blue wove paper, Sheet: 3 11/16 x 8 9/16 inches (9.4 x 21.7 cm), genre subject, lake, landscape,

Soldiers and Country Women, Francis Wheatley, 1747–1801, British, undated, Pen and black ink with watercolor on medium, smooth, cream wove paper, Sheet: 5 x 7 3/8 inches (12.7 x 18.7 cm), apron, babies, bonnet, breeches (trousers),

Full Cry, Cecil Charles Windsor Aldin, 1870–1935, British, undated, Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream, wove paper, Image: 9 11/16 × 14 3/16 inches (24.6 × 36 cm),

Wooded River Scene, Thomas Sully, 1783–1872, American, undated, Watercolor, pen and brown ink, gouache, and graphite on medium, slightly textured, beige, wove paper, Sheet: 3 15/16 × 5 1/4 inches (10 × 13.3 cm

Two Men on a Bridge, William Sawrey Gilpin, 1762–1843, British, undated, Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige, wove paper, Sheet: 11 1/2 × 16 5/16 inches (29.2 × 41.4 cm) and Image: 11

Isherah - Water Procession of the Image of Doorga Previous to Her Immersion at Sunset, William Prinsep, active 1819–1850, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 12 1/16 inches (12.7 ×

St. George's Chapel, Windsor, Berks., George Sidney Shepherd, 1784–1862, British, undated, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 5 1/2 × 7 1/2 inches (14 × 19.1 cm), arches, architectural subject,

Thebes, Edward Lear, 1812–1888, British, 1854, Watercolor, graphite, pen and cochineal and brown ink on moderately thick, moderately textured, cream wove paper, Sheet: 1 7/8 x 6 3/16 inches (4.8 x 15.7 cm), figures (representations),

Richmond Castle, Yorkshire, follower of John Thirtle, 1777–1839, British, undated, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 9 1/2 × 13 1/2 inches (24.1 × 34.3 cm), architectural subject, castle,

A House of Assembly, Quebec: Plan, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1812, Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 x 17 7/8 inches (32.7 x

Scene at Elmham, Norfolk, Miles Edmund Cotman, 1810–1858, British, ca. 1840, Pen and brown ink and Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 × 10 1/8 inches (17.8 × 25.7 cm), birds, ditch, fence,

Maned Wolf, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, brown ink and graphite on medium, smooth, cream, wove paper, Sheet: 4 11/16 × 7 5/16 inches (11.9 × 18.6 cm), animal art

Coyote of Mexico, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and black ink, gray ink, brown ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 9/16 × 7 3/8 inches (11.6 × 18.7 cm),

The Derby Day: Tits and Trampers on the Road to Epsom, Possibly James Pollard, 1792–1867, British, undated, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 9 15/16 × 15 1/16 inches (25.2 × 38.3

View through the South East Window of the Crypt beneath St Stephen's, Westminster, George Johann Scharf, 1788–1860, British, 1852, Graphite, gray watercolor and pen and black ink on Smooth, moderately thick, cream wove paper, Sheet: 13 ×

Waterfall in a Desolate Landscape, John Sell Cotman, 1782–1842, British, undated, Watercolor on moderately thick, moderately textured, beige wove paper, Sheet: 8 5/8 x 13 5/8 inches (21.9 x 34.6 cm), landscape, rocks (landforms), stump,

Teignmouth Harbor with Ships, unknown artist, nineteenth century, undated, Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/4 × 9 1/4 inches (18.4 × 23.5 cm), cliff, harbor, marine

Lewes Bridge, Sussex, Alexander Monro, 1802–1844, undated, Watercolor and graphite on moderately thick, smooth, cream wove paper, Sheet: 2 7/8 × 4 1/2 inches (7.3 × 11.4 cm), arch, arch bridge, architectural subject, barge

Herstmonceux Castle, East Sussex: Brass Ornament on a Gravestone, James Lambert of Lewes, 1725–1788, British, undated, Graphite and watercolor triple-ruled and wash border on moderately thick, moderately textured, cream laid paper, Sheet:

Memorial to Thomas Fuller from Cranford Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, sligthtly textured, cream wove paper, Sheet: 14 3/4 × 10 7/8

Sharaone, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, beige, wove paper, mounted on, moderately thick, slightly textured, cream wove paper, Sheet: 2 1/8 x 10 inches (5.4

Between Ibreem and Wady Halfeh, 2:45 pm, 2 February 1867 (328), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, gray wove paper, Sheet: 3 x 5 3/8

Gone Away, Possibly Henry Thomas Alken, 1785–1851, British, or possibly Samuel Henry Gordon Alken, 1810–1894, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 8 11/16 × 10 11/16

The Chancel Window of Hanworth Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 10 5/8 inches (37.5

Visions of the Daughters of Albion, Plate 2, Title Page, William Blake, 1757–1827, British, 1793, Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 13

Kitty Overcome, Thomas Rowlandson, 1756–1827, British, 1821, Watercolor with pen and red-brown and brown ink, over graphite, with pen and gray ink and wash line on border on medium, slightly textured, cream, wove paper, Sheet: 5 7/16 x 7

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Plan of a Chain Bridge Now Being Erected over the Menai at Bangor Ferry, Studio of Thomas Telford, 1757–1834, British, 1819, Watercolor, pen and black ink, brown ink, and graphite on moderately thick, moderately textured, cream, wove

Garden with Thatched Gazebo, Wanstead Grove, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm

Francesco Bartolozzi, Thomas Rowlandson, 1756–1827, British, ca. 1815, Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, blued white, wove paper, Sheet: 10 1/4 x 8 1/8 inches (26 x 20.6 cm) and Mount:

Sasso di Pelmo as seen from St. Luzia, Tyrol, Elijah Walton, 1832–1880, British, 1866, Watercolor, gouache, and graphite on very thick, slightly textured, cream wove paper, Sheet: 13 7/8 × 9 7/8 inches (35.2 × 25.1 cm

Parts of the Properly Proportioned Horse, Sawrey Gilpin, 1733–1807, British, 1760, Watercolor, graphite, pen and brown ink on medium, moderately textured, beige, laid paper, Sheet: 8 1/4 × 13 1/4 inches (21 × 33.7 cm), animal art

Fording the Stream in a Mountain Valley, James Duffield Harding, 1798–1863, British, undated, Watercolor with pen and black ink over graphite on moderately thick, moderately textured, cream laid paper, Sheet: 2 11/16 x 6 7/8 inches (6.8 x

Haughton Court, Hanover, Jamaica, James Hakewill, 1778–1843, British, between 1820 and 1821, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 12 1/4 × 16 5/8 inches (31.1 × 42.2 cm) and Binding:

Landscape and Cattle, imitator of Thomas Gainsborough RA, 1727–1788, British, undated, Watercolor over traces of graphite on medium, slightly textured, cream wove paper laid down on old mount with black ruled lines, in turn laid on card,

Tulips, unknown artist, undated, Graphite, watercolor and collage on medium, slightly textured, cream laid paper, Sheet: 15 3/8 × 10 3/8 inches (39.1 × 26.4 cm), botanical subject

Near Dendour, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, wove paper, mounted on moderately thick, slightly textured, cream wove paper, Sheet: 2 1/2 x 7 7/16 inches (6.3

Labyrinth at Walworth, Surrey, Edward Francis Burney, 1760–1848, British, undated, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 7 1/4 × 11 7/8 inches (18.4 × 30.2 cm), architectural subject,

Blois on the Loire, William Callow, 1812–1908, British, active in France, 1856, Watercolor over graphite on cream, moderately thick, moderately textured, wove paper, Sheet: 5 5/16 x 13 3/8 inches (13.5 x 34 cm), architectural subject,

The Alpine, or Great St. Bernard Dog, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 1/4 × 6 1/2 inches (10.8 × 16.5 cm),

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