Images at Librifly

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Westminster Bridge and the Abbey, Thomas Hollis, 1818–1843, British, 1833, Watercolor over graphite with some scraping on wove paper, Sheet: 4 1/2 x 8 7/8in. (11.4 x 22.5cm

The Gypsy Fortune-Teller, Paul Sandby RA, 1731–1809, British, ca. 1758, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 9 5/8 x 12 1/8 inches (24.4 x 30.8 cm) and Mount: 13 1/2 x 16 1/8

Memorial to Edmund Scofield and his wife Ann from Cowley Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 3/4

Paddington Canal: The Junction at Wormwood Scrubbs, with a Passenger Hailing the Uxbridge Passage Boat, Edward Francis Burney, 1760–1848, British, undated, Watercolor and pen and brown ink on medium, slightly textured, cream wove paper,

Lyons from Quayside on the Rhone, James Duffield Harding, 1798–1863, British, ca. 1824, Watercolor, pen and brown ink, pen and red ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 9 1/8 × 13 inches (23.2 × 33

Study of a Woman Sewing, Robert Polhill Bevan, 1865–1925, British, undated, Watercolor, gouache and black chalk on medium, slightly textured, beige laid paper, Sheet: 13 11/16 × 17 inches (34.8 × 43.2 cm) and Image: 12 5/16 × 10 inches

Horses Resting in a Meadow near Bolsover Castle, Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on medium, slightly textured, beige, wove paper, Sheet: 9 5/16 × 12 3/4 inches (23.7 × 32.4 cm), animal art, cattle,

An English Man-of-War Taking Possession of a Ship, Robert Cleveley, 1747–1809, British, 1783, Watercolor, pen and black ink, graphite on thick, slightly textured, cream laid paper, Sheet: 13 1/2 × 19 3/4 inches (34.3 × 50.2 cm

Carlton House, Pall Mall, London: Section of the Portico, Hall and Tribune, Henry Holland, 1745–1806, British, ca. 1787, Watercolor over pen and graphite on meidum, slightly textured, cream laid paper, Sheet: 13 15/16 x 28 1/4 inches

Partridge Netting, Print made by Samuel Howitt, 1756–1822, British, Published by Edward Orme, 1775–1848, British, 1812, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Near Aswan, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, beige wove paper, Sheet: 2 11/16 x 7 5/8 inches (6.8 x 19.4 cm), boat, hills, landscape,

Boschbeek & Groenendaal: Bosbeek en Groenendaal nabig Heernstede - later view, Gerrit Jan Schouten, Born 1815, Dutch, undated, Watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 7 7/8 × 10 15/16

Man with a Black Shawl, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor, graphite, and gouache with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 5 3/8 × 5 7/8 inches

Windsor Castle from near Brocas Meadows, William Daniell, 1769–1837, British, 1827, Watercolor, with pen, in brown ink, gray ink, graphite, gouache and scratching out on medium, slighly textured, cream wove paper, mounted on, thick,

The Meat Market, James Pollard, 1792–1867, British, undated, Watercolor, pen and black ink, pen and brown ink, and gouache on medium, slightly textured, cream wove paper, Sheet: 9 x 10 3/4 inches (22.9 x 27.3 cm), aprons (main

Swan Lake, Craven Hill, Bayswater, Albert Fleetwood Varley, 1804–1876, British, undated, Watercolor with gouache ovre graphite on medium, slightly textured, cream laid paper, Sheet: 8 7/8 × 13 inches (22.5 × 33 cm

Boy Playing by the Sea, Print made by Robert Barnes, 1840–1895, British, after Robert Barnes, 1840–1895, British, undated, Wood-engraving with watercolor on moderately thick, moderately textured, cream wove paper mounted on thick,

The Stable, Print made by Newton Limbird Smith Fielding, 1799–1856, British, Published by Rudolf Ackermann, 1764–1834, British, 1836, Etching and aquatint with hand coloring in watercolor and gouache on medium, slightly textured, cream

A Peasant Girl Shading Her Eyes, Joshua Cristall, 1768–1847, British, 1812, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, laid on thick, rough, beige wove paper, Sheet: 16 3/4 x 10 9/16 inches (42.5 x

Delhi, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream board, Mount: 9 3/4 x 12 1/8 inches (24.7 x

Il Parco degli Astroni - The Wooded Crater Bottom with Hunt in Progress, John Robert Cozens, 1752–1797, British, 1783, Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured,

Maharraka, 7:30 am, 14 February 1867 (464), Edward Lear, 1812–1888, British, 1867, Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 2 1/2 x 6 7/8 inches (6.3 x 17.5 cm),

Unidentified Bird, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 × 30.5 cm), animal art

Shelaal, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, beige wove paper, Sheet: 2 15/16 x 5 1/4 inches (7.5 x 13.3 cm), cliffs, landscape, river,

Unidentified House for Giles Hudson, Putney, Surrey: Garden Front Elevation, William Wickham, born ca.1750, British, undated, Graphite, pen and black ink and watercolor on moderately textured, moderately thick, cream laid paper, Sheet: 9

Barn Interior, William Henry Hunt, 1790–1864, British, 1836, Watercolor and gouache, with scraping on moderately thick, slightly textured, cream wove paper, Sheet: 13 5/8 x 9 5/8 inches (34.6 x 24.4 cm), architectural subject, barn,

South East View of Samlesbury Hall, Lancashire, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1818, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4

Foxhunting: Gone to Ground, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on moderately thick, slightly textured, beige, wove paper, Sheet: 10 × 14 1/4 inches (25.4 × 36.2 cm), building, dogs (animals),

A Dead Hare and a Cooked Lobster on a Bench, William Henry Hunt, 1790–1864, British, ca. 1827, Watercolor and brown ink over graphite on moderately thick, slightly textured, cream laid paper, Contemporary drawn border: 6 1/4 x 10 3/4 inches

The Death of Ananias, Attributed to John Martin, 1789–1854, British, after Raphael, Italian, 1483–1520, Italian, undated, Watercolor, pen and black ink, graphite, and gouache on medium, slightly textured, cream wove paper, Sheet: 2

Steeplechasing: The Field Coming up to a Ditch, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 9 7/8 × 16 3/16 inches (25.1 × 41.1 cm), ditch, fields,

Elizabeth, Countess of Hopetown, Richard Cosway, 1742–1821, British, 1789, Watercolor and gouache on ivory, Image: 3 x 2 3/8 inches (7.6 x 6 cm) and Frame: 3 5/8 x 2 5/8 x 1/4 inches (9.2 x 6.7 x 0.6 cm), female, portrait

Memorial to Benjamin Lucas from Brentford Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 12 7/8

Bridge Over a Deep Gorge, Heneage Finch fourth Earl of Aylesford, 1751–1812, British, undated, Watercolor, pen and brown ink over graphite on medium, slightly textured, cream wove paper, Sheet: 6 1/4 × 6 7/8 inches (15.9 × 17.5 cm),

Pettenasco, Lago d'Orta, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, slightly textured, cream wove paper, Sheet: 4 1/4 x 6 5/16 inches (10.8 x 16 cm), genre subject, grass, lake, trees,

Ripon Minster, Yorkshire, Thomas Girtin, 1775–1802, British, 1800, Watercolor with pen and black and brown ink and scraping over graphite on medium, moderately textured, beige laid paper, Sheet: 10 13/16 x 17 3/16 inches (27.5 x 43.7 cm)

Crabodago Aguara Fox, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink, bladk ink, gray ink and graphite on moderately thick, moderately textured, white, wove paper, Sheet: 4 7/16 × 7 3/8 inches (11.3

Southwest View of Middle Temple, Samuel Ireland, active 1760–died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 × 7 inches (12.7 × 17.8 cm) and

A Sandwich Islands Group, Julia Swinburne, ca. 1795–1893, June 5, 1824, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 7 3/4 × 5 3/8 inches (19.7 × 13.7 cm), figure study, hats, officers (administrators), Sandwich

Lowestoft, Edward Hull, 1810–1877, 1858, watercolor, pen and black ink, gray ink, red ink, graphite, and gouache on thick, moderately textured, beige, wove paper, Sheet: 12 1/16 x 21 11/16in. (30.6 x 55.1cm

Boxchbeek & Gorenendaal: View from Turret towards Lisse, Leidsche Vaart and the Sea, Gerrit Jan Schouten, Born 1815, Dutch, undated, Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 5

St. Paul's Cathedral, Thomas Hosmer Shepherd, 1792–1864, British, undated, Watercolor, black ink, brown ink, graphite, and gouache on medium, slightly textured, cream wove paper, Sheet: 5 5/16 × 7 5/8 inches (13.5 × 19.4 cm),

Doorway and Window of a Church, attributed to John Sell Cotman, 1782–1842, British, undated, Watercolor, with pen, in brown ink, and graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 12 15/16 × 9 7/16 inches

The River Chenab, Punjab, William Simpson, 1823–1899, British, 1865, Watercolor and gouache over graphite on moderately thick, moderately textured, cream wove paper, Sheet: 14 3/8 x 20 1/2 inches (36.5 x 52.1 cm), bridge (built work),

Hippotigris Quacha, Charles Hamilton Smith, 1776–1859, Belgian, James Stewart, 1791–1863, British, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 4 5/8 × 6 15/16 inches

Haymakers, Louisa Anne Beresford, 1818–1891, British, born in France, undated, Graphite, watercolor and gouache on very thick, moderately textured, cream wove paper, Sheet: 8 3/8 × 19 1/2 inches (21.3 × 49.5 cm

Study for a Girl Reading, William Mulready, 1786–1863, Irish, undated, Watercolor on medium, slighlty textured, cream wove paper, Sheet: 4 5/8 × 3 inches (11.7 × 7.6 cm), chair, dress (costume), genre subject, girl, gown, reading,

A Diligence, Side View: Nuremberg, Samuel Prout, 1783–1852, British, undated, Graphite and watercolor on moderately thick, moderately textured, beige, wove paper, Sheet: 4 1/8 × 5 11/16 inches (10.4 × 14.5 cm), boxes (containers),

Ruins on Pir Pahar, near Monghy, Bihar, Thomas Daniell, 1749–1840, British, active in India, And William Daniell, 1769–1837, British, 1790, Watercolor, with pen, in brown ink, and graphite on medium, slightly textured, cream laid

Memorial to Thomas Weldish from Bedfont Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 11 1/8

Distant view of Llandrillo, Moses Griffith, 1747–1819, British, 1805, Watercolor over graphite; verso: graphite traced over with pen and brown ink on moderately thick, slightly textured cream wove paper, Sheet: 10 5/8 x 16 5/8in. (27 x

A Picnic on Richmond Hill, Joseph Murray Ince, 1806–1859, British, undated, Watercolor, gouache, and gum, with scraping on medium, moderately textured, cream wove paper, Sheet: 9 × 11 7/8 inches (22.9 × 30.2 cm), benches, genre

A Cavalry Barracks, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, beige wove paper, Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm), barracks, Box,

Bovisand, near Plymouth, William Daniell, 1769–1837, British, ca. 1813, Watercolor with brown wash and gouache over graphite on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured,

Magdalen Bridge, Near Oxford, Rev. William Warren Porter, 1776–1804, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/4 × 12 inches (24.8 × 30.5 cm), architectural subject, bridge

Rouen, Attributed to Amelia Long, 1762–1837, British, Formerly Henry Edridge, 1769–1821, British, 1819, Watercolor, pen and gray ink, and graphite on medium, slighlty textured, blued white laid paper, Sheet: 12 3/4 × 18 5/8 inches

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Portrait of a Chinese Soldier, William Alexander, 1767–1816, British, undated, Watercolor and graphite on medium, slightly textured, beige wove paper mounted on card, Mount: 11 3/4 x 8 1/16 inches (29.9 x 20.4 cm) and Sheet: 9 7/8 x 6 9/16

Mr. Michell's Picture Gallery, Grove House, Enfield 1817, Thomas Rowlandson, 1756–1827, British, 1817, Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured, cream wove paper, Sheet: 5 7/8 x 9

Two Figures in Stream, Bordered by Large Trees, Thomas Sully, 1783–1872, American, undated, Watercolor on medium, slightly textured, beige, wove paper, Sheet: 3 7/8 × 6 7/8 inches (9.8 × 17.5 cm

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style, unknown artist, ca. 1780-1790, Graphite, pen and black ink, watercolor on smooth, moderately thick, cream wove paper, Sheet: 19 × 11 1/2 inches (48.3 × 29.2 cm),

London Cries: 'Any Kitchen Stuff', Paul Sandby RA, 1731–1809, British, ca. 1759, Watercolor and black chalk and graphite on medium, cream, slightly textured laid paper, Sheet: 7 1/2 x 5 3/4 inches (19.1 x 14.6 cm), beggars, bucket,

Pool and Falls, Thornery, Sezincote, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm

The Church of St. Laurent, John Skinner Prout, 1806–1876, British, undated, Watercolor, pen and black ink and white gouache on medium, slightly textured, beige laid paper, Sheet: 21 5/8 × 13 inches (54.9 × 33 cm

A Factory Interior, unknown artist, ( W. W. ), 1871, Watercolor, pen and gray ink, graphite, and white gouache on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 × 14 1/2 inches (30.2 × 36.8 cm), architectural

On the Wye, Pupil of William Payne, active 1850s, British, undated, Watercolor, brush and black ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/4 x 12 1/8in. (21 x 30.8cm) and Sheet: 8 1/4 × 12 inches (21 ×

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, 1834, watercolor, pen and brown and red ink, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 17 3/16 × 13 1/2 inches (43.7 × 34.3

Wollaton Park, Nottingham: East Elevation, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1801, Pen and black and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 13 13/16 × 20

Hinton St. George, Somerset: View of the Saloon, Sir John Soane, 1753–1837, British, 1797, Graphite, pen and black and brown ink and watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 9 1/4 x 14 15/16 inches

Venice, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor, gouache, blue chalk and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 5 1/2 × 7 inches (14 × 17.8 cm), architectural subject,

Autumn Sowing of the Grain, Joseph Mallord William Turner, 1775–1851, British, ca. 1794, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/2 x 12 7/8in. (21.6 x 32.7cm), autumn, baskets, chickens, dogs

'The Poacher's Progress:' 'Poachers Snaring Pheasants', C. Blake, active 1825–1826, undated, Graphite, watercolor, and varnish on thick, moderately textured, brown, wood board, Sheet: 12 1/8 × 17 7/16 inches (30.8 × 44.3 cm), hunting,

A View of the North Front of Chelsea Hospital, Thomas Malton, 1726–1801, British, undated, Watercolor, pen and black ink, graphite, etched outline, with perspective lines indicated; prepared for transfer, with black chalk, on verso on

Country House, Edward Francis Burney, 1760–1848, British, undated, Watercolor and pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 5/8 × 9 1/4 inches (19.4 × 23.5 cm), country house, farm, fence, landscape,

Tomb of Mary Barton and her Servant Erasmia Kirsopp from Paddington Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove

The Parthenon, Thomas Hartley Cromek, 1809–1873, British, ca. 1834, Watercolor over graphite on thick, slightly textured, cream wove paper, Sheet: 14 3/4 x 21 7/16 inches (37.4 x 54.5 cm), architectural subject, Classical, colonnade,

Illustration to R.S. Surtees', 'Jorrocks's Jaunts and Jollities': 'Water, I do Declare with Worms in it', Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor; verso: graphite on medium, slightly textured, blued white,

South East View of Chatsworth House, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1812, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19 3/4 inches (35.6 ×

Thatched Cottage and Church, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 3 1/8 x 4 1/8 inches (7.9 x 10.5 cm), buildings, church, cottage,

Two Creepers, James Sowerby, 1756–1822, British, undated, Watercolor over graphite on moderately think, slightly textured, cream wove paper, Sheet: 13 × 8 1/4 inches (33 × 21 cm), animal art, birds, Creepers

Headfort House, Ireland: Elevation of the Eating Parlor, Robert Adam, 1728–1792, British, 1775, Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper, Sheet: 17 7/8 x 24 1/2 inches (45.4 x 62.2 cm),

One of Five Ceiling Designs, John Sanderson, active 1730–died 1774, British, undated, Watercolor with pen and black ink on medium, slightly textured, beige wove paper, Sheet: 4 x 6 13/16 inches (10.2 x 17.3 cm), architectural subject,

A Goose, James Sowerby, 1756–1822, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 1/2 × 11 3/4 inches (24.1 × 29.8 cm), animal art, goose, water

A Fallen Oak, attributed to William Henry Hunt, 1790–1864, British, ca. 1815, Watercolor, with pen, in brown ink, gray ink, and graphite on moderately thick, rough, beige, wove paper, Sheet: 14 5/8 x 21 inches (37.1 x 53.3 cm), boy,

Design for Grosvenor House, London: Plan for Rebuilding the South Front, Thomas Cundy, 1790–1867, British, 1833, Graphite, pen and black ink and watercolor on smooth, medium, white wove paper with three fold marks, Sheet: 6 13/16 × 6

Plan of the Temple of Juno at Samos and Details of a Column, Giovanni Battista Borra, 1713–1770, Italian, ca. 1750, Watercolor with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper, Sheet: 21 1/4

Stanwich Park, Yorkshire, William Beilby, 1740–1819, British, undated, Watercolor on slightly textured, medium, beige laid paper, Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm), architectural subject, deer, exterior view, figures,

Encampment one of 25 originally bound, Sawrey Gilpin, 1733–1807, British, undated, Graphite and watercolor on medium, moderately textured, cream, laid paper, Sheet: 7 3/4 × 15 1/8 inches (19.7 × 38.4 cm), encampments, military, genre

Church at Birkenhead, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor on moderately thick, slightly textured, cream wove paper

Bridgnorth Bridge, Shropshire, Rev. William Gilpin, 1724–1804, British, 1799, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 9/16 x 11 7/8 inches (19.2 x 30.2 cm), arch bridge, architectural subject,

Temple at Phigalia, Sir Robert Smirke the younger, 1781–1867, British, 1803, Watercolor and graphite on moderately thick, moderately textured, beige, wovve paper, Sheet: 8 15/16 × 11 1/4 inches (22.7 × 28.6 cm

Songs of Innocence, Plate 1, Frontispiece (Bentley 2), Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper,

On the Thames, pupil of John Varley, 1778–1842, British, undated, Watercolor and graphite on thick, moderately textured, cream wove paper, Sheet: 8 3/4 x 12 1/2 inches (22.2 x 31.8 cm), banks, cattle, cottages, houses, landscape,

Herstmonceux Castle, East Sussex: The North Front, James Lambert of Lewes, 1725–1788, British, undated, Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper, Sheet: 18 5/8 x

The Undergraduate's Room, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown and brown-gray ink on medium, slightly textured, blued white, wove paper, Sheet: 4 3/4 x 7 9/16 inches (12.1 x 19.2 cm), bed

Sunset along the Nile, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and cochineal ink on thick, slightly textured, cream wove paper, Sheet: 2 15/16 x 8 1/2 inches (7.5 x 21.6 cm), landscape, river, river, sunset,

Young's Night Thoughts, Page 73, 'Draw the dire steel? -- ah no!', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16

South East View of Longleat House, Wiltshire, the Seat of the Marquis of Bath, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1805, Watercolor and pen and black ink on moderately thick, cream wove

The Market Square, Bury St. Edmunds, Michael 'Angelo' Rooker, 1746–1801, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 7/8 x 9 inches (17.5 x 22.9 cm), animal art, architectural

The Conciergerie, Paris, Henry Edridge, 1769–1821, British, ca. 1818, Watercolor, with pen, in brown ink and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 13 5/8 × 19 1/2 inches (34.6 × 49.5 cm),

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