Images at Librifly

search results: Watercolor clear search

View of Calcutta and its Environs: Town and Port of Calcutta, Sir Charles D'Oyly, 1781–1845, British, active in India, 1812, Watercolor, graphite, white gouache, gray wash, and charcoal on moderately thick, slightly textured,

Banditti, unknown artist, ( W. Deacon ), undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 × 4 1/8 inches (13 × 10.5 cm) and Mount: 7 5/8 × 6 5/8 inches (19.4 × 16.8 cm),

Ostrich, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor, gouache, and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 8 5/8 × 11 1/2 inches (21.9 × 29.2 cm), animal art

The Flagstaff, Margate, William Henry Hunt, 1790–1864, British, undated, Watercolor over graphite on moderately thick, sightly textured, cream wove paper, Sheet: 7 7/8 x 11 1/2 inches (20 x 29.2 cm), architectural subject, buildings,

A Christening, Thomas Shotter Boys, 1803–1874, British, undated, Watercolor over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 5 × 4 3/8 inches (12.7 × 11.1 cm), baby, basin, children, christening,

Sheikh El Wachshee, El Luxor, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, rought, cream, wove paper, Sheet: 6 1/16 x 9 1/8 inches (15.4 x 23.2 cm), domes, figures

A Cockatoo, James de Carle Sowerby, 1787–1871, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/4 × 7 1/8 inches (21 × 18.1 cm), animal art, branch, cockatoo

Landscape View at Powerscourt, Thomas Creswick, 1811–1869, British, 1847, Watercolor and graphite, with scratching out on moderately thick, slightly textured, beige wove paper, Sheet: 8 1/4 × 14 5/8 inches (21 × 37.1 cm), fences,

Coat of Arms in Chancel at Bedfont Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches

Memorial to Elizabeth Grene also of Anne Grey from Enfield Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, sligthly textured, cream wove

Songs of Innocence and of Experience, Plate 45, 'The Chimney Sweeper' (Bentley 37), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove

St. Alban's Cathedral, Hertfordshire, Thomas Girtin, 1775–1802, British, ca. 1797, Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 12 9/16 x 9 11/16 inches (31.9 x 24.6

Foxhunting: The Start, Henry Thomas Alken, 1785–1851, British, 1822, Graphite and watercolor on medium, moderately textured, beige, wove paper, Sheet: 9 1/2 × 26 13/16 inches (24.1 × 68.1 cm

A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of Blodd, Print made by William O'Keefe, active 1794–1807, 1796, Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper, Plate: 13

Sailing Barges and Shrimpers off a Pier, David Cox, 1783–1859, British, 1832, Watercolor, gouache, and graphite, with scratching out on medium, smooth, cream wove paper, Sheet: 7 x 10 3/8 inches (17.8 x 26.4 cm), marine art, pier,

Occupied Fort, Samuel Davis, 1757–1819, British, undated, Watercolor, pen and black ink, gray in and graphite on medium, slightly textured, cream, laid paper, mounted on, thick, moderately textured, cream, laid paper, Mount: 14 5/16

Evening, Cattle Watering, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), undated, Gouache and watercolor and scraping out with varnish on card, Sheet: 4 1/4 x 3 inches (10.8 x 7.6 cm), cattle, evening, landscape, moon,

Aberdulais Mill, Glamorganshire, James Ward, 1769–1859, British, undated, Watercolor over graphite on medium, smooth, cream wove paper, Sheet: 10 1/4 x 14 1/2 inches (26 x 36.8 cm), house, landscape, rocks (landforms), trees, water,

Memorial to Elizabeth Summers from Stratford Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10

Boats, Fishermen and Peasents near a Weir, George Robertson, 1749–1788, British, undated, Pen and black ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 11 3/4 × 16 1/2 inches (29.8 × 41.9 cm

Election Expenses paid under the Rose, or, The Faithful and Blessed Performance of a Promising Treasurer, and Moderate Secretary - Addressed to those who feel the weight of excessive taxes in general, and the independent electors of Westminster

The Sower, George Richmond, 1809–1896, British, 1830, Watercolor, pen and black ink, pen and brown ink, and graphite on medium, moderately textured, cream wove paper, Sheet: 13 7/8 x 7 1/4 inches (35.2 x 18.4 cm), cape, figure study,

Elevation of a Proposed Design for King's College, Cambridge, William Wilkins, 1778–1839, British, ca. 1825, Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream laid paper, Sheet: 16 × 39 inches (40.6

The Enraged Vicar, Thomas Rowlandson, 1756–1827, British, undated, Watercolor and graphite with pen and gray ink and pen and brown ink on medium, smooth, cream wove paper, Sheet: 5 1/16 x 7 5/16 inches (12.9 x 18.6 cm), churches, fence,

Cleric in Powdered Wig and Black Robes, James Scouler, 1741–1812, British, 1777, Watercolor and gouache on ivory, Overall: 1 7/16 × 1 1/4 inches (3.7 × 3.1 cm), robes, wig

Egyptian Man, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 1 13/16 x 7/8 inches (4.6 x 2.2 cm), figure study, man, robes, standing, study

White Lady, Print made by Edward Scriven, 1775–1841, British, after Henry Howard, 1769–1847, British, Published by Chapman and Hall, 1833, Line engraving with hand coloring in watercolor and gouache on medium, slightly textured, cream

Going to Market, Thomas Rowlandson, 1756–1827, British, undated, Pen and red-brown ink, gray ink, gray wash, and graphite; verso: watercolor on cream, medium, slightly textured, wove paper, Sheet: 5 1/2 x 8 9/16 inches (14 x 21.7 cm),

Landscape with Vale and Mountains, William Green, 1760–1823, British, undated, Watercolor with stopping out and graphite on medium, moderately textured, cream wove paper, Sheet: 15 7/8 × 22 1/8 inches (40.3 × 56.2 cm), landscape,

Jerusalem, Plate 82, 'I have heard Jerusalems groans....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper,

Oena capensis (Namaqua Dove), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 × 30.5 cm),

English Dragoons and Hussars, Arthur Claude Cooke, 1867–op 1890, British, undated, Watercolor and graphite on medium, moderately textured, white wove paper., Sheet: 6 7/16 × 10 inches (16.4 × 25.4 cm), horse (animal), portrait,

Soldiers in a Landscape, Attributed to Gen. Edward Finch, 1756–1843, British, undated, Watercolor, pen, brown ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 11 1/8 × 16 1/8 inches (28.3 × 41 cm), clouds,

Palankeen Bearers, John Gantz, 1772–1853, 1828, Pen and black ink and watercolor on medium, slightly textured, cream wove paper mounted to card, Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm), genre subject, men, palanquin, turbans,

Hedingham Castle, Essex, Edward Dayes, 1763–1804, British, ca. 1791, Watercolor, graphite and pen and brown ink on medium, slightly textured, beige wove paper, Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm), architectural subject, castle,

Memorial to Henry Hawley, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 3/4 inches (37.8 × 27.3 cm),

View on the Nile, Charles Dyce, active 1848, British, ca. 1849, Watercolor and graphite on medium, slighlty textured, cream wove paper, Sheet: 9 5/8 × 13 7/8 inches (24.4 × 35.2 cm), bank, marine art, men, river, sailboats, Africa,

The Throne in Danger, Print made by William Heath, 1795–1840, British, Published by Thomas McLean, 1788–1875, British, ca. 1828, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 12 1/8 ×

The Thames with Montagu House and Westminster Bridge, Samuel Scott, 1701/2–1772, British, undated, Watercolor, graphite, pen and black ink and gouache on medium, slightly textured, beige laid paper with medium, slightly textured, cream

Entrance to Festiniog, Wales, Thomas Rowlandson, 1756–1827, British, 1797, Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, beige, wove paper, Sheet: 5 5/8 x 16 3/8 inches (14.3 x 41.6 cm),

The Rise of the Stocks (One of a Set of Three), John Sell Cotman, 1782–1842, British, after Robert Dighton, 1752–1814, British, 1799, Watercolor and brown ink over graphite on medium, smooth, cream wove paper, Sheet: 6 5/8 x 8 3/4

Boulogne, France - a Mill in a Wooded Valley, Robert Streatfeild, 1786–1852, undated, Graphite, pen, ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm), building, country (rural

Scops Owl, Samuel Howitt, 1756–1822, British, undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 7 3/4 × 6 1/8 inches (19.7 × 15.6 cm), animal art, branch, owl

Tomb of Mr. Stephen Horncastle, his Wife Susanna and William Horncastle from Paddington Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly

Folkestone, Hercules Brabazon Brabazon, 1821–1906, British, after Joseph Mallord William Turner, 1775–1851, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick,

A Boar and a Ram, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm), animal art, boar, dogs (animals),

Festa di San Antonio, Bay of Naples, Thomas Uwins, 1782-1857, British, ca. 1840, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/8 x 33 inches (18.1 x 83.8 cm), bay (body of water), crucifix, customs,

Young's Night Thoughts, Page 93, 'If Angels Tremble, 'Tis at Such a Sight', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

View of Hampton Court, Herefordshire, from the Northwest, Joseph Mallord William Turner, 1775–1851, British, ca. 1806, Watercolor, graphite, pen and black ink and scraping out on moderately thick, slightly textured, cream wove paper,

Barechested Man Sitting Crosslegged, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 1/8 × 5 11/16 inches (18.1 × 14.4

Boy Sketching a Man with Two Girls Watching, Print made by Robert Barnes, 1840–1895, British, after Robert Barnes, 1840–1895, British, undated, Wood-engraving with watercolor on moderately thick, slightly textured, beige wove paper,

Tempio di Clitumno, Rome, after Piranesi, unknown artist, after Thomas Girtin, 1775–1802, British, after Giovanni Piranesi, 1720–1778, Italian, undated, Watercolor and graphite on medium, moderately textured, beige laid paper,

Brass Plate, unidentified from Greenford Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4

Illustrations from Mr. Lambkin, plate 12, Print made by George Cruikshank, 1792–1878, British, undated, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Disproportioned Horse Drawing, Sawrey Gilpin, 1733–1807, British, ca. 1760, Watercolor, graphite, pen and black ink on medium, moderately textured, beige, laid paper, Sheet: 8 3/16 × 13 3/8 inches (20.8 × 34 cm), animal art

Trees on a Hill in a Wooded Lanscape, Charles Reginald Aston, 1832–1908, British, undated, Watercolor on medium, slightly textured, cream wove paper, Frame: 14 1/4 × 18 1/4 × 5/8 inches (36.2 × 46.4 × 1.6 cm) and Sheet: 8 3/4 × 12 7/8

Beaufort Island & Mount Erebus, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8

Trees before a House, James Miller, active 1773–1814, undated, Watercolor, gray wash and graphite on medium, slightly textured, blued white, laid paper, Sheet: 6 1/8 × 7 3/4 inches (15.6 × 19.7 cm) and Mount: 9 1/8 × 10 11/16 inches

The Poems of Thomas Gray, Design 67, 'The Fatal Sisters.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid

Memorial to James Scott and to Francis Wolley from Fulham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14

Young Lady with Brown Hair in a Mauve Dress, Philip Jean, 1755–1802, British, ca. 1795, Watercolor and white gouache on ivory, Overall: 2 3/8 × 1 7/8 × 1/8 inches (6 × 4.8 × 0.3 cm), dress, figure study, hair, headdress, portrait,

A Monkey and a Fox, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 × 7 1/8 inches (13 × 18.1 cm), animal art, fox (animal), jungle,

Queen Elizabeth's Oak near Finborough Hall July 31, 1824, Anne Rushout, ca. 1768–1849, British, 1824, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm

Woman and Child, James Roberts, active 1766–1809, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 × 3 7/8 inches (15.2 × 9.8 cm), child, costume, dress, figure

View of Calcutta and its Environs: Statue of the Marquis Warren Hastings in Tank Square - Calcutta, Sir Charles D'Oyly, 1781–1845, British, active in India, undated, Watercolor, white gouache, gray wash, and graphite on moderately thick,

Dr. Syntax Sketching the Lake, Thomas Rowlandson, 1756–1827, British, 1812, Watercolor with pen and red ink over graphite on medium, slightly textured, cream wove paper, Sheet: 5 3/8 x 7 5/16 inches (13.7 x 18.6 cm), boy, elderly,

Valley Landscape with Sheep, Samuel Howitt, 1756–1822, British, undated, Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/2 × 8 1/8 inches (14 × 20.6 cm), horses (animals),

The Decisive Victory over the Enterprizing Monsieur Thurot (off the Isle of Man), J. Miller, active 1769–1825, British, after Richard Wright, ca. 1720–ca. 1775, British, 1762, Line engraving with hand coloring in watercolor on medium,

Woman in a Kimono, Walter Crane, 1845–1915, British, 1910, Watercolor and gouache on moderately thick, moderately textured, brown wove paper, Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm), blue, flowers, genre subject, Japonism,

Epitaph to Richard Candish from Hornsey Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 × 11 inches

Memorial to Lady Caroline Adair, her two children, Caroline and Amelia and her husband Robert Adair form Acton Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor on medium,

Boat and Figures on Shore of a Lake, John Baverstock Knight, 1785–1859, British, undated, Watercolor and graphite on medium, rough, cream wove paper, Sheet: 6 3/8 × 9 7/8 inches (16.2 × 25.1 cm

Designs for a Ceiling and Interiors, Alfred Stevens, 1817–1875, British, undated, Graphite and blue watercolor on slightly textured, medium, white wove paper laid on wove paper, Sheet: 12 3/16 × 23 1/8 inches (31 × 58.7 cm),

Venice, the Doge's Palace, Edward Lear, 1812–1888, British, undated, Watercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream wove paper, Sheet: 7 × 10 inches (17.8 × 25.4 cm), architectural subject,

East Bergholt Church, Looking Out the South Archway of the Ruined Tower, John Constable, 1776–1837, British, 1806, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 7 3/8 x 5 3/8 inches (18.7 x 13.7 cm),

View on Lake Maggiore at Evening, Francis Towne, 1740–1816, British, 1781, Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 6 x 8 1/4 inches (15.2 x 21 cm) and Contemporary drawn

A Frigate Awaiting a Pilot, William Anderson, 1757–1837, British, 1797, Watercolor and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 7 7/8 x 11 3/4 inches (20 x 29.8 cm), boats, coast, frigate, frigates,

A Military Escapade, Thomas Rowlandson, 1756–1827, British, between 1794 and 1800, Watercolor with pen and black and gray ink over graphite; verso: watercolor splotches on medium, slightly textured, blued white, wove paper, Sheet: 15 1/4 x

Mid-Day, unknown artist, after Thomas Rowlandson, 1756–1827, British, 1799, Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm),

The Baths of Caracalla, Rome, Carlo Labruzzi, 1748–1817, Italian, undated, Watercolor, gray wash and graphite on medium, slightly textured, cream laid paper, Sheet: 11 1/2 x 18 5/8 inches (29.2 x 47.3 cm), architectural subject,

Royal Botanic Gardens, Kew: Design for Interior of a Mosque, Sir William Chambers RA, 1723–1796, British, ca. 1761, Pen and black ink, watercolor and gray wash on medium, moderately textured, beige laid paper, with additional sheet

The Prize Fight, Thomas Rowlandson, 1756–1827, British, 1787, Watercolor with pen and black and gray ink over graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 18 1/8 x 27 3/8 inches (46 x 69.5 cm) and Frame: 29

African Woman, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 5 1/2 × 4 7/8 inches (14 × 12.4 cm

Ferdinand Riding the Waves, Theodor von Holst, 1810–1844, British, ca. 1830, Watercolor with gray wash and gouache over graphite on moderately thick, moderately textured, beige wove paper, Sheet: 9 3/4 × 7 1/4 inches (24.8 × 18.4 cm),

Fifteen, Downshire Hill, Hampstead, John Werge, c.1850–1890, 1898, Watercolor

The Great Gate of St. Augustine's Monastery, Canterbury, Jonathan Skelton, active 1754, died 1758, British, 1757, Watercolor with pen and gray ink over graphite on thick, textured, cream laid paper on contemporary mount, Sheet: 8 1/8 × 15

Landscape with Waterfall, Joseph Mallord William Turner, 1775–1851, British, Formerly attributed to Edward Dayes, 1763–1804, British, ca. 1796, Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper, Sheet:

Richmond Bridge, Attributed to William Alfred Delamotte, 1775–1863, British, undated, Pen and black ink, watercolor, graphite and white gouache on medium, slightly textured, cream wove paper mounted to card, Sheet: 3 7/8 × 6 1/4 inches

Maya Stela at Copan, Honduras, Frederick Catherwood, 1799–1854, British, 1843, Watercolor, pen and brown ink, brown wash, graphite, and scratching out on thick, moderately textured, cream wove paper, mounted on moderately thick,

Chamaeler Chamaeleon, unknown artist, ( Italian School ), undated, Watercolor and varnish on medium, slightly textured, cream laid paper, Sheet: 7 3/4 × 11 3/4 inches (19.7 × 29.8 cm) and Mount: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm),

A View of Susa, Italy, from the West, John Ruskin, 1819–1900, British, 1858, Watercolor, gouache, graphite and pen and black ink on thick, smooth, brown wove paper, Sheet: 11 1/2 x 14 5/8 inches (29.2 x 37.1 cm), buildings, campanile,

Lady Percy Watching the Sleeping Hotspur, Mary Hoare, 1753–1820, British, 1781, Watercolor with black ink and scraping over graphite on thick, slightly textured cream laid paper mounted on moderately thick, slightly textured cream laid paper

Design for Ardgowan House, Scotland: Principal Floor Plan, Claud Cleghorn, active 1797–1800, 1797, Watercolor, gray wash, and pen and black and brown ink on smooth, moderately thick, beige wove paper bar scale of 1/12 inch to 1 foot,

Paysanne de Cracouie; Paysan de Kalmieux, Print made by Gabriel Charton, active 1810, after unknown artist, ca. 1810, Lithograph hand-colored with watercolor on moderately thick, slightly textured, beige laid paper, Sheet: 10 1/4 x 12 15/16

Morning, unknown artist, Previously Thomas Rowlandson, 1756–1827, British, 1799, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm), figure study,

The Murder of Banquo, George Fennell Robson, 1788–1833, British, ca. 1830, Watercolor and gouache with pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 7 3/16 × 10 1/2 inches (18.2 × 26.7 cm), armor,

The Fortune Teller, Thomas Stothard, 1755–1834, British, 1827, Watercolor and graphite with pen and black ink on moderately think, smooth, cream wove paper, Sheet: 6 5/8 × 8 inches (16.8 × 20.3 cm), cane, cat, chairs, dog (animal),

Westminster Bridge from the Lambeth Shore, Thomas Hollis, 1818–1843, British, 1835, Watercolor over graphite with some scraping on wove paper, Sheet: 4 11/16 x 9 7/8in. (11.9 x 25.1cm

'Doing the Thing: and the Thing Done:' Doing it No How, Henry Thomas Alken, 1785–1851, British, 1818, Watercolor, with pen, in brown ink, over graphite on medium, moderately textured, beige, wove paper, Sheet: 6 × 9 3/16 inches (15.2

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

search results: Watercolor clear search