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Woodsman, Edward Francis Burney, 1760–1848, British, undated, Watercolor and pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 5 1/8 × 3 3/4 inches (13 × 9.5 cm), figures (representations), man, stump

Merrow Downs, Surrey, Follower of John Thirtle, 1777–1839, British, undated, Watercolor, with pen, in brown ink, and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 3/8 × 19 1/16 inches (21.3 × 48.4 cm

A Kaffir Village, Samuel Daniell, 1775–1811, British, ca. 1801, Watercolor, with pen in brown ink, graphite, gouache and gum arabic on moderately thick, slightly textured, cream, wove paper, Sheet: 12 11/16 × 17 3/4 inches (32.2 ×

A Scene in Derbyshire; Industrial Works spanning a River, William Day, 1764–1807, undated, Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, slightly textured, beige, wove paper, Sheet: 12 1/16 × 18

Sunset, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, rough, beige wove paper, Sheet: 2 13/16 x 7 13/16 inches (7.1 x 19.8 cm), boats, marine art, river, river, sails, sky,

View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold, John Thirtle, 1777–1839, British, undated, Watercolor and graphite with pen and brown ink on medium, moderately textured, cream wove paper, Sheet: 6 5/8 × 13 9/16

Family Gathered on a Porch, Opatow Kielecki, Poland, Robert Polhill Bevan, 1865–1925, British, ca. 1907, Black chalk and watercolor on medium, smooth, beige wove paper, Sheet: 6 5/8 x 9 inches (16.8 x 22.9 cm), buildings, children,

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824–1881, British, undated, Graphite, black ink, pen, watercolor and gouache on medium,

Moonlight over the Sea, Broadstairs, Attributed to George Richmond, 1809–1896, British, 1843, Watercolor on thick, moderately textured, cream wove paper, Sheet: 6 3/8 × 9 9/16 inches (16.2 × 24.3 cm), clouds, iconography, marine art,

Plaza Real and Procession, David Roberts, 1796–1864, British, 1835, Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 10 1/4 x 15in. (26 x 38.1cm) and Sheet: 10 1/8 × 15 inches (25.7 ×

A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Sudeley Castle, Gloucestershire, Capt. Francis Grose, 1731–1791, British, undated, Watercolor and graphite with

Coast Scene with Figures, Robert Brandard, 1805–1862, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 6 × 12 5/8 inches (15.2 × 32.1 cm), beaches, coast, landscape, sea,

A Winding River, Henry Edridge, 1769–1821, British, undated, Watercolor on medium, slightly textured, cream wove paper, Sheet: 5 5/8 × 8 1/4 inches (14.3 × 21 cm), clouds, landscape, river, storm, trees

Tomb of Catherine, Countess of Huntingdon, and Lady Jane Guildeford, Duchess of Northumberland of Chelsea Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over

Europe. A Prophecy, Plate 6, 'The shrill winds wake . . . . ' (Bentley 7), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick,

Abu Simbel, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, beige wove paper, Sheet: 2 5/16 x 10 5/8 inches (5.9 x 27 cm), cliffs, lake, landscape,

Rou Water Holder, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 9 7/8 × 6 3/4 inches (25.1 × 17.1 cm), genre subject,

Illustrations from Mr. Lambkin, plate 18, Print made by George Cruikshank, 1792–1878, British, undated, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Rider on a Brown Horse About to Jump a Rail Fence to the Right, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 9 1/16 × 12 3/16 inches (23 × 31 cm),

River Tamar, near Endsleigh, Devon, Frederick Christian Lewis the Elder, 1779–1856, British, ca. 1832, Watercolor and graphite with scratching out on thick, slighlty textured, cream wove paper, Sheet: 5 7/8 × 9 1/4 inches (14.9 × 23.5

A Pair of Jeyties, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 4 3/4 × 11 inches (12.1 × 27.9 cm

Memorial to Lord John Middleton from Brentford Chruch, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and and gouache over graphite on medium, slightly textured, cream wove paper,

The Botanical Garden near Port Orotava, Tenerife, Alfred Diston, active 1818–1829, 1821, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper, Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm), architectural

Memorial to Henry and Penelope Colchester, and Four Children and Two Grandchildren, from West Ham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly

Leominster, Richard Thomas Underwood, 1772–1835, British, undated, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 9 1/16 × 10 9/16 inches (23 × 26.8 cm

A Plan of the Mansion-house and Paddock of Edward Bacon, Isaac Johnson, 1754–1835, British, undated, Pen and brown ink and watercolor on vellum, Sheet: 20 3/8 × 23 3/4 inches (51.8 × 60.3 cm), architectural subject, designs, house,

Memorial to William, Robert and Mary Dyer, from Sudbury Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15

Elevation for the West Front of the New Quadrangle of Corpus Christi College, Cambridge, William Wilkins, 1778–1839, British, ca. 1825, Watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 18 5/8

Letter to Rev. Richard Burney with drawing of Colossal Head from British Museum Courtyard, Edward Francis Burney, 1760–1848, British, undated, Watercolor, pen and black and brown ink on medium, slightly textured, cream wove paper, Sheet: 6

The Doctor's Consultation, Thomas Rowlandson, 1756–1827, British, 1815-1820, Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream, wove paper, Sheet: 10 13/16 × 8 11/16 inches (27.5 × 22.1 cm),

Amada, 7:10 am, 12 February 1867 (420), Edward Lear, 1812–1888, British, 1867, Watercolor, pen and brown ink , and graphite on moderately thick, rough, cream wove paper, Sheet: 3 5/8 x 6 7/8 inches (9.2 x 17.5 cm), architectural

'Sporting Discoveries, or the Miseries of Driving:' ...You Discover a New Way of Bringing Your Equipage into a Small Compass, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen, in brown ink and black ink, over graphite

Abu Simbel, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, moderately textured, beige wove paper, Sheet: 2 1/2 x 10 5/8 inches (6.4 x 27 cm), cliffs, lake, landscape,

Portrait of a Young Officer, Samuel Andrews, ca. 1767–1807, Irish, 1804, Watercolor and gouache on card, Sheet: 3 1/4 x 2 3/4 inches (8.3 x 7 cm) and Frame: 4 1/4 x 3 1/8 x 1/4 inches (10.8 x 7.9 x 0.6 cm), portrait

Lybius guifsobalito (Black-billed Barbet), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 ×

Design for a Candlestick, unknown artist, eighteenth century, circle of Jacques Roëttiers, 1707-1784, French, and circle of Jacques-Nicolas Roëttiers, 1736-1788, French, between 1770 and 1779, Pen and black ink and watercolor on slightly

Church Hope, the Island of Portland, Dorset, George Cumberland, 1754–1848, British, undated, Watercolor, graphite and pen and black ink on moderately thick, moderately textured, cream wove paper, Sheet: 6 1/8 × 8 5/8 inches (15.6 ×

A Mad Dog in a Coffee House, Print made by Thomas Rowlandson, 1756–1827, British, 1809, Etching and watercolor on medium, brown, moderately textured wove paper, Sheet: 13 1/4 x 19 9/16 in. (33.7 x 49.7 cm), coffee, coffeehouse, food,

Farm Building, John Monro, 1801–1880, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 × 10 15/16 inches (20.3 × 27.8 cm), architectural subject, chimneys (architectural elements), farm,

Near Pontaberglaslyn, John Warwick Smith, 1749–1831, British, 1806, Watercolor over graphite on medium, smooth, cream wove paper, Sheet: 5 5/8 x 8 7/8 inches (14.3 x 22.5 cm) and Contemporary drawn border: 6 3/8 × 9 3/4 inches (16.2 ×

View of Plymouth taken from the Seven Trees, Exeter Road, William Payne, active 1850s, British, undated, Watercolor and pen and black ink on medium, slightly textured, cream laid paper, Sheet: 10 1/2 x 15 3/8in. (26.7 x 39.1cm) and Sheet: 10

The London-Dover Royal Mail, c. 1830-1840, Charles B. Newhouse, fl. c.1820–1836, British, undated, Watercolor, with pen, in brown ink, black ink, red ink, gum arabic, gouache and graphite on moderately thick, slightly textured, gray,

The Welsh Coast, John Varley, 1778–1842, British, 1837, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 4 1/8 x 11 5/8 inches (10.5 x 29.5 cm), boats, cart, cattle, clouds, cottages, landscape, marine

Near Norwich, pupil of Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on moderately thick, rough, cream wove paper mounted on thick, slightly textured, cream wove card, Sheet: 8 5/8 x 12 1/8 inches (21.9 x 30.8 cm) and

Red Fort, New Delhi, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor and gouache on medium, slightly textured, blue-green wove paper, Sheet: 7 3/8 × 11 5/8 inches (18.7 × 29.5 cm), architectural subject, buildings,

Llanrumny Estate, St. Mary's, Jamaica, James Hakewill, 1778–1843, British, between 1820 and 1821, Watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 12 1/4 × 16 1/2 inches (31.1 × 41.9 cm) and Binding: 21 3/4

Le Chateau de Blois, attributed to Thomas Shotter Boys, 1803–1874, British, undated, Watercolor with pen in brown ink over graphite with gouache on moderately thick, moderately textured, cream wove paper, Sheet: 18 x 25 5/16 inches (45.7 x

Three Ladies Standing on a Terrace, James Roberts, active 1766–1809, British, Formerly attributed: Anthony Highmore, 1719–1799, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid

Boats near a Dutch Folly Fort, Canton, Thomas Daniell, 1749–1840, British, active in India, ca. 1785, Watercolor, graphite, gray wash, with pen, in gray ink on medium, moderately textured, cream, laid paper, mounted on, moderately

Mauritius - a child watching her mother walking near the sea, presumably Mrs. Chamberlayne and one of her children, William John Chamberlayne, 1821–1910, undated, Graphite, watercolor, scratching out on slightly textured, moderately thick,

Shipping in a Calm, James Baker Pyne, 1800–1870, British, undated, Watercolor, gouache and graphite on medium, slighlty textured, cream wove paper, Sheet: 13 1/2 × 19 3/4 inches (34.3 × 50.2 cm

Sketches from Life in Paris: Man with Hanks of Rope, Ambrose Poynter, 1796–1886, British, ca. 1835, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 3 13/16 × 3 5/16 inches (9.7 × 8.4 cm), cap, genre

The Sinews of Old England, George Hicks, 1824–1914, British, 1857, Watercolor, graphite, gouache, gum arabic, and scraping out on moderately thick, slightly textured, cream wove paper, Sheet: 29 1/2 × 20 7/8 inches (74.9 × 53 cm) and

The Connoisseur, Print made by unknown artist, nineteenth century, after George Spratt, active 1830, 1830, Lithograph and watercolor on medium, beige, smooth wove paper, Sheet: 9 3/8 x 7 3/8 inches (23.8 x 18.7 cm

Portrait of an Elderly Lady, George Dance RA, 1741–1825, British, 1796, Graphite, brush, gray ink, and watercolor on medium, slightly textured, cream wove paper; mounted on thick, slightly textured, cream wove paper, Sheet: 8 3/4 x 7

View near Swansea, South Wales, James Ward, 1769–1859, British, ca. 1800, Watercolor over graphite on medium, modertately textured, beige laid paper mounted on moderately thick, smooth, beige wove paper, Sheet: 4 3/8 × 10 5/8 inches

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, 1834, Graphite, watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 17 × 13 1/4 inches (43.2 × 33.7 cm) and Image: 10 1/4 × 6 7/8

Angry Scene in a Street, Thomas Rowlandson, 1756–1827, British, between 1805 and 1810, Watercolor with pen and red-brown and gray-brown ink, over graphite on medium, wove paper, mounted on, moderately thick, cream, laid paper, Sheet: 5

Landscape with a Distant Tower, John Varley, 1778–1842, British, undated, Watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 6 1/4 x 8 5/8 inches (15.9 x 21.9 cm), castle, cliffs, clouds, figures, hills,

Theatrical Group, Theodor von Holst, 1810–1844, British, undated, Watercolor, gouache and graphite on medium, slightly textured, cream laid paper, Sheet: 8 1/4 × 5 1/2 inches (21 × 14 cm), Costumes, figure study, men, performers,

Clapton House, M. A. Gliddon, active 1840, British, 1842, Watercolor over graphite on wove paper, Sheet: 7 1/16 x 9 9/16in. (17.9 x 24.3cm

St. Maws Castle, Falmouth, East South East, John Thomas Serres, 1759–1825, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 3 1/8 × 6 3/4 inches (7.9 × 17.1 cm) and Image: 2 1/8 × 5 1/2

Design for a Church. Elevation of West Front, attributed to Paul Sandby RA, 1731–1809, British, undated, Watercolor, pen and black ink and graphite on medium, moderately textured, crean laid paper, Sheet: 17 1/2 x 13 1/8 inches (44.5 x

The Poems of Thomas Gray, Design 109, 'Elegy Written in a Country Church-Yard.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove

Jerusalem, Plate 21, 'O Vala! O Jerusalem....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13

Cobham Hall, Kent: Section of the drawing room, James Wyatt, 1746–1813, British, ca. 1790, Watercolor and pink and gray wash, over pen, black ink and graphite on moderately thick, moderately textured, cream laid paper, Sheet: 14 x 19 3/4

Sketch of an Elaborately Saddled Horse, Robert Mabon, died 1798, British, ca. 1792, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 9 1/2 × 13 3/8 inches (24.1 × 34 cm), animal art,

Tivoli, William Marlow, 1740–1813, British, ca. 1768, Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 10 3/4 x 15 1/8in. (27.3 x 38.4cm) and Sheet: 10 7/8 × 15 1/4 inches (27.6 × 38.7

Still Life with a Ginger Jar, William Henry Hunt, 1790–1864, British, ca. 1825, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 10 inches (19.1 x 25.4 cm), basket, blue, brick, ginger

Part of the South Pole Barrier to 180 Feet Above Sea Level, 1000 Feet Thick and 450 Miles in Length, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper,

MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV, Edward Francis Burney, 1760–1848, British, undated, Pen and black ink and watercolor on thin, smooth, brown wove paper, Sheet: 9 × 9 inches (22.9 × 22.9 cm), banquets, goblets,

Patras, Greece, Sir Robert Smirke the younger, 1781–1867, British, 1803, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 5/8 × 11 1/2 inches (21.9 × 29.2 cm

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Near Matlock, pupil of Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on medium, rough, cream wove paper, Sheet: 9 1/8 x 12 7/8 inches (23.2 x 32.7 cm) and Mount: 9 7/8 x 13 1/8 inches (25.1 x 33.3 cm), architectural

On the Cam . . . back of St. John's College, Cambridge, Amelia Long, 1762–1837, British, undated, Watercolor and graphite on moderately thick, rough, cream wove paper, Sheet: 9 3/8 × 12 inches (23.8 × 30.5 cm), buildings, landscape,

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

The Poems of Thomas Gray, Design 97, 'Ode for Music.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824–1881, British, undated, Pen, black and brown ink and graphite with watercolor and gouache

Songs of Innocence and of Experience, Plate 28, 'On Anothers Sorrow' (Bentley 27), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

The Poems of Thomas Gray, Design 59, 'The Bard.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress

A Punch and Judy Show, Thomas Rowlandson, 1756–1827, British, undated, Watercolor and graphite with pen and brown ink and pen and black ink on medium, moderately textured, blued white wove paper, Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8

Landscape with Cottage, Bridge and Figures, Samuel Hieronymus Grimm, 1733–1794, Swiss, 1774, Watercolor with gray ink over graphite on medium, slightly textured, cream laid paper, Sheet: 9 1/4 x 9 1/4 inches (23.5 x 23.5 cm), chickens,

The Vicar of Wakefield: The Dance, Thomas Rowlandson, 1756–1827, British, ca. 1817, Watercolor, with pen, and brown and red-brown ink; verso: graphite on medium, smooth, blued white wove paper, Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1

Memorial to John Davenport from Wickernham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 11 inches (37.5 ×

Songs of Innocence and of Experience, Plate 42, 'The Tyger' (Bentley 42), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper, Sheet:

Man and Woman with a Bag of Game, Marcellus Laroon the Younger, 1679–1772, British, undated, Graphite and watercolor on medium, slightly textured, beige, laid paper, Sheet: 8 × 11 15/16 inches (20.3 × 30.3 cm), bird, figure study,

A Tour in a Cathedral, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray and red-brown ink over graphite on medium, slightly textured, blued white laid paper, Sheet: 4 7/16 x 7 inches (11.3 x 17.8 cm), cathedral,

Alderley, New Lodge, June 19th, Maria Leycester, 1798–1870, 1821, Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm) and Binding: 6 1/2 inches

Christ Appearing to the Apostles after the Resurrection, Print made by William Blake, 1757–1827, British, 1795 to 1805, Color monotype with watercolor and pen and black ink, varnished on moderately textured wove paper, Sheet: 17 x 22 1/2

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12 1/2 inches (40.6 × 31.8 cm), animal

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Inscription to Ann Tolson, Caleb Cotesworth and Susannah Cotesworth from Isleworth Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, sligthly textured,

The Poems of Thomas Gray, Design 31, 'A Long Story.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress

The Castalian Spring, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 11 3/8 × 8 15/16 inches (28.9 × 22.7 cm

Portuguese, Madeira, Jan 30, '68, unknown artist, 1868, Watercolor and graphite on thick, moderately textured, beige wove paper, Sheet: 10 × 7 inches (25.4 × 17.8 cm), genre subject, hats, men, Portuguese

A Man wth a Large Nose: Profile Facing Right, Head and Shoulders, Henry William Bunbury, 1750–1811, British, undated, Graphite and watercolor on medium, slightly textured, white wove paper, Sheet: 4 7/8 × 4 3/4 inches (12.4 × 12.1 cm),

Brass Plate for Walter and Alice Pope and their son from Cowley Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper,

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, undated, Graphite, watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 13 1/2 × 17 1/8 inches (34.3 × 43.5 cm) and Image: 5 3/8 × 9

Religious Ceremony in Ancient Greece, Francis Oliver Finch, 1802–1862, British, ca. 1835, Watercolor, with pen, in brown ink, gouache, gum arabic, graphite, and scratching out on moderatly thick, moderately textured, cream, wove

Richmond Park, Thomas Rowlandson, 1756–1827, British, undated, Watercolor and graphite with pen and gray ink and pen and red ink on medium, slightly textured, cream wove paper, Mount: 8 1/2 x 11 inches (21.6 x 27.9 cm) and Sheet: 4 5/8 x 6

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