Images at Librifly

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'Akbar Hunting', Folio from an Akbarnama (History of Akbar), late 16th century, Made in present-day Pakistan, probably Lahore, Opaque watercolor, ink, and gold on paper, Painting: 7 1/2 x 4 7/8 in. (19.1 x 12.4 cm), Codices

The Man Under the Pear Tree, 1921, Watercolor and transferred printing ink on paper, bordered with metallic foil, mounted on cardboard, 17 3/4 × 13 3/4 in. (45.1 × 34.9 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee

Large Boston Public Garden Sketchbook: A man and two women sitting in the park, 1895–97, Recto: watercolor and pencil, bordered in pencil; Verso: pencil, bordered, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast

'The Spy Zambur Brings Mahiya to the City of Tawariq', Folio from a Hamzanama (Book of Hamza), ca. 1570, Attributed to India, Ink, opaque watercolor, and gold on cloth; mounted on paper, H. 29 1/8 in. (74 cm), Codices, Attributed to Kesav

Young Lovers Embracing, 16th century, Attributed to Iran, Qazvin, Watercolor, opaque watercolor, ink, silver, and gold on paper, 14 5/16 x 9 1/2in. (36.4 x 24.1cm), Codices, This album page consists of cut out panels of calligraphy in

Doctor, 1930, Watercolor, gouache, and oil wash on paper, bordered with gouache and ink, mounted on cardboard, 25 1/2 × 18 7/8 in. (64.8 × 47.9 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940

University of North Carolina, Chapel Hill (distant perspective and plan of grounds), 1850–58, Watercolor, ink and graphite, sheet: 14 7/16 x 10 1/4 in. (36.6 x 26.1 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West

Mademoiselle Isabelle Lemonnier (1857–1926), 1879–82, Pastel on canvas, 22 x 18 1/4 in. (55.9 x 46.4 cm), Drawings, Édouard Manet (French, Paris 1832–1883 Paris), Isabelle Lemonnier was the daughter of a successful Parisian jeweler and

Large Boston Public Garden Sketchbook: Flowers and butterflies, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor; Verso: Pencil, bordered, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast

Strange Garden, 1923, Watercolor on gesso on fabric, bordered with gouache and ink, mounted on cardboard, 21 in. × 15 1/2 in. (53.3 × 39.4 cm), Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Suspended Fruit, 1921, Watercolor and graphite on paper mounted on green paper, mounted on cardboard, 12 1/4 × 7 7/8 in. (31.1 × 20 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Young Girl in a Blue Dress, ca. 1890, Watercolor with gouache highlights on thick cream wove paper, Image: 8 3/16 x 6 5/16 in. (20.8 x 16 cm), Drawings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer), This watercolor is a

Window Display for Lingerie, 1922, Watercolor and ink on paper, bordered with ink, mounted on cardboard, 21 1/8 × 14 3/8 in. (53.7 × 36.5 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Seated Female Nude, ca. 1917, Graphite and watercolor wash on thick paper, 14 7/8 x 13 3/8 in. (37.8 x 34 cm), Drawings, Attributed to Amedeo Modigliani (Italian, Livorno 1884–1920 Paris

Leaf of Calligraphy from Poems by Sa'di, 16th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper; decoupage and stenciled borders, 6 7/8 x 10 1/2in. (17.5 x 26.7cm), Codices, This folio’s border is composed of cut buff

Page of Calligraphy from a Shahnama (Book of Kings), ca. 1610, Attributed to India, Deccan, Bijapur, Ink, opaque watercolor, and gold on paper, H. 8 1/8 in. (20.6 cm), Codices

Little Hope, 1938, Plaster and watercolor on burlap mounted on cardboard, 18 1/8 × 20 3/8 in. (46 × 51.8 cm), Paintings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Jahangir Watching an Elephant Fight, ca. 1605, Attributed to India, Main support: Ink, opaque watercolor, gold on paper, 18 1/2 x 12 7/8in. (47 x 32.7cm), Codices, Elephants were prized for their strength and power in Mughal India, where

Marine Scene (recto), 1870–85, Watercolor over graphite on tan wove paper, 5 1/4 x 9 1/16 in. (13.4 x 23 cm), Drawings, Eugène Boudin (French, Honfleur 1824–1898 Deauville

Tuhfat al-Ahrar (The Gift to the Noble), 1485–90, Attributed to present-day Afghanistan, probably Herat, Ink, opaque watercolor, and gold on paper, 9 5/8 x 6 1/4in. (24.4 x 15.9cm), Codices

Album of Tournaments and Parades in Nuremberg, late 16th–mid-17th century, Nuremberg, German, Nuremberg, Pen and ink, watercolor, gold and silver washes; paper bound in gold-tooled leather, cover: 14 x 10 3/8 in. (35.56 x 26.35 cm); page:

Large Boston Public Garden Sketchbook: Young girls in hats and sashed dresses, 1895–97, Recto: watercolor over pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s, Newfoundland

Composition with the Yellow Half-Moon and the Y, 1918, Gouache and watercolor on gesso on fabric mounted on cardboard, 8 3/4 x 6 5/8in. (22.2 x 16.8cm), Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Landscape with a Girl, ca. 1890, Watercolor with traces of graphite on off-white laid paper with edges darkened from acid mat, 9 7/16 x 12 5/16 in. (23.9 x 31.2 cm), Drawings, Auguste Renoir (French, Limoges 1841–1919 Cagnes-sur-Mer

Panel with Coat of Arms, early 20th century (original dated 15th century), British, Watercolor, pencil on paper, Overall: (framed) 85 1/2 x 22 1/2 in. (217.2 x 57.2 cm), Reproductions-Stained glass, Alfred A. Bradbury

Lady Dressing Her Hair, late 18th century, Attributed to India, Ink, opaque watercolor, and gold on paper, 6.87 in. high 3.94 in. wide (17.5 cm high 10 cm wide), Codices

A Small Piece of Turf, 1584, Brush with gouache and watercolor over traces of charcoal underdrawing, 8 7/16 x 12 13/16 in. (21.5 x 32.6 cm), Drawings, Hans Hoffmann (German, Nuremberg ca. 1545/1550–1591/1592 Prague

Hamlet and Horatio in the Graveyard, 1827–28, Brush and brown wash with watercolor over graphite on heavy watercolor paper, 13 9/16 x 7 15/16 in. (34.4 x 20.1 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863

Kalki Avatar, the Future Incarnation of Vishnu, ca. 1700–1710, India (Basohli, Jammu), Ink, opaque watercolor, and gold on paper, Image: 6 3/4 x 10 1/2 in. (17.1 x 26.7 cm), Paintings, Sets of the avatars of Vishnu often precede

'Bizhan Slaughters the Wild Boars of Irman', Folio from a Shahnama (Book of Kings), dated A.H. 741/A.D. 1341, Made in Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Painting: H. 3 1/2 in. (8.9 cm), Codices, The colophon folio,

Qur'an Manuscript, probably 14th century, Made in Iran, Ink, opaque watercolor, and gold on paper, H. 2 1/4 in. (5.7 cm), Codices

Krishna and Radha with Their Confidantes: Page from a Dispersed Gita Govinda, ca. 1655–60, India (Rajasthan, Mewar), Ink and opaque watercolor on paper, Image: 9 1/8 x 7 1/4 in. (23.2 x 18.4 cm); Page: 10 1/4 x 8 3/8 in. (26 x 21.3 cm),

Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya, ca. 1780, India (Himachal Pradesh, Guler), Ink and opaque watercolor on paper, 7 3/4 x 11 5/8 in. (19.7 x 29.5 cm), Paintings, The second great

Baby with Rattle and Dog, 1842, Watercolor and gouache on ivory, 4 1/2 x 3 1/2 in. (11.4 x 8.9 cm), Paintings, Attributed to Mrs. Moses B. Russell (Clarissa Peters) (1809–1854), Clarissa Peters Russell painted miniatures in Boston between

Seated Youth with a Cup, late 16th–early 17th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, H. 6 1/4 in. (15.9 cm), Codices, Aspects of the pose and turban of this seated figure recall the ‘Man in a Furlined

Illuminated Leaf, 16th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, 7 1/2 x 3 5/8in. (19.1 x 9.2cm), Codices, This fully illuminated page depicts a landscape of monkeys, birds, hares and a lion painted in gold

Design for Brougham, no. 3774a, 1882, Pen and black ink, watercolor and gouache with gum arabic, sheet: 6 3/8 x 8 15/16 in. (16.2 x 22.7 cm), Drawings, Herman Stahmer (American, 1857–1894), Brewster & Company History Established in 1810 by

A Town in France, 1916, Watercolor on paper, 5 1/2 x 7 3/4 in. (14 x 19.7 cm), Drawings, E. Middleton Manigault (American (born Canada) 1887–1922

Man Holding a Bottle and a Cup, 16th–17th century, Made in Iran, Isfahan, Ink, opaque watercolor, and gold on plaster, H. 21 7/16 in. (54.5 cm), Paintings-Fresco, In the sixteenth and seventeenth centuries, mural paintings were

Folio from a Khavarannama (The Book of the East) of ibn Husam al-Din, ca. 1476–86, Attributed to Iran, Shiraz, Opaque watercolor, silver, and gold on paper, widtH. 11 1/8in. (28.2cm), Codices, The Khavarannama (Book of the East) chronicles

'Prophet Muhammad Preaching', Folio from a Maqtal-i Al-i Rasul of Lami'i Chelebi, late 16th century, Attributed to Turkey or Iraq, Ink, opaque watercolor, and gold on paper, H. 7 13/16 in. (19.8 cm), Codices, The text to which this detached

Large Boston Public Garden Sketchbook: A woman drinking from a cup, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St.

Lion (Chi'lin) in a Landscape, late 16th century, Attributed to Iran, Ink, watercolor, and gold on paper, H. 2 5/8 in. (6.7 cm), Codices

Maharana Amar Singh II with Ladies of the Zenana outside the Picture Hall at Rajnagar, ca. 1707–8, India (Udaipur, Rajasthan), Opaque watercolor, ink and gold on paper, Page: 18 7/8 x 14 7/8 in. (47.9 x 37.8 cm), Paintings, Attributed to

'Meeting between Babur and Sultan 'Ali Mirza near Samarqand', Folio from a Baburnama (The Book of Babur), ca. 1590, Made in present-day Pakistan, probably Lahore, Ink, opaque watercolor, and gold on paper, Page: 10 1/2 x 6 1/4 in. (26.6 x

Page of Calligraphy, 17th century, Attributed to Iran, Opaque watercolor, ink, and gold on paper, 6 1/2 x 3 1/4 in. (16.5 x 8.3 cm), Codices

Fragments of a Non-Illustrated Single Work, 13th century, Attributed to Egypt, Ink, opaque watercolor, and gold on paper, 3 1/2 x 2 3/8 in. (8.9 x 6 cm), Codices

Interior of Saint Peter's, ca. 1758, Pen and black ink over blue, green, and rose watercolor, gray and brown wash with red chalk underdrawing., 16 3/16 x 12 5/8 in. (41.1 x 32.1 cm), Drawings, Hubert Robert (French, Paris 1733–1808 Paris),

Royal Horse and Runner, 16th–17th century, Attributed to India, Ink, opaque watercolor, and gold on paper, Page: H. 11 3/4 in. (29.8 cm), Codices, The drawing of the blue-gray horse, its rich saddle, and the bare, rocky landscape are in

Folio from a Qur'an Manuscript, early 14th century, Attributed to Iran or Iraq, Ink, opaque watercolor, and gold on paper, 13 3/4 x 10 3/4in. (34.9 x 27.3cm), Codices, Already in the 11th century Qur'anic writing changed from the ceremonial

Large Boston Public Garden Sketchbook: Two women conversing on the street, 1895–97, Watercolor over pencil, bordered in pencil and watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St.

In the Oise Valley, 1878–80, Graphite, gouache, and watercolor, 12 3/4 x 19 11/16 in. (32.4 x 50 cm), Drawings, Paul Cézanne (French, Aix-en-Provence 1839–1906 Aix-en-Provence

Devananda's Fourteen Auspicious Dreams Foretelling the Birth of Mahavira: Folio from a Kalpasutra Manuscript, ca. 1465, India, (Gujarat, Jaunpur), Opaque watercolor on paper, Overall: 4 5/8 x 11 1/2 in. (11.8 x 29.2 cm), Paintings, Master of

Page of Calligraphy, dated A.H. 1017/A.D. 1608–9, Attributed to Iran, Ink, opaque watercolor, and gold on paper, 11 1/4 x 7 1/2 in. (28.6 x 19.1 cm), Codices

Before the Town, 1915, Watercolor on paper mounted on cardboard, 9 3/4 × 12 3/8 in. (24.8 × 31.4 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Samuel F. B. Morse House, Poughkeepsie, New York (perspective and plan), 1851, Watercolor, sheet: 9 5/8 x 6 7/8 in. (24.5 x 17.5 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

A Messenger is Dispatched: Page from a Dispersed Manuscript, last quarter of the 17th century, India (Punjab Hills, Bilaspur), Ink and opaque watercolor on paper, 8 7/8 x 12 in. (22.6 x 30.5 cm), Paintings, In this early Bilaspur miniature, a

Design for 8 spring Victoria, no. 4078, 1890, Pen and black ink watercolor and gouache with gum arabic and metallic ink, Plate: 5 1/2 x 9 1/4 in. (14 x 23.5 cm), Drawings, Herman Stahmer (American, 1857–1894), Brewster & Company History

Standing Girl, Back View, 1908, Gouache, watercolor, and graphite on paper, 12 3/8 x 9 1/8 in. (31.4 x 23.2 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

View of Flower Garden and Aviary at Kew, 1763, Watercolor, Sheet: 11 x 17 11/16 in. (28 x 45 cm), Drawings, Thomas Sandby (British, baptized Nottingham 1723–1798 Windsor), Leaf 39 in William Chambers album of drawings, 'Plans, Elevations,

'Husayn at the Bedside of the Dying Hasan', Folio from a Hadiqat al-Su'ada of Fuzuli (Garden of the Blessed), late 16th century, Attributed to Turkey, Ink, opaque watercolor, and gold on paper, H. 6 1/8 in. (15.5 cm), Codices, This painting

Episode Before an Arab Town, 1923, Watercolor and transferred printing ink on paper, bordered with gouache and ink, mounted on cardboard, 10 in. × 12 7/8 in. (25.4 × 32.7 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee

Folio from a Bestiary and Herbal, ca. 1600, Attributed to Iran, Isfahan, Opaque watercolor and gold on paper, H. 13 1/8 in. (33.3 cm), Codices

Medicinal Flora, 1924, Watercolor and transferred printing ink on paper, bordered with gouache and ink, mounted on cardboard, 12 1/2 × 15 3/4 in. (31.8 × 40 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940

Villa for David Codwise, near New Rochelle, NY (project; elevation and four plans), 1835, Pen and ink, watercolor, graphite, Sheet: 14 5/16 x 9 in. (36.4 x 22.9 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West

Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio,

Le Pont Neuf, ca. 1912–14, Watercolor and gouache on cream wove paper, upper edge torn from notebook, 9 13/16 x 7 1/2 in. (25 x 19 cm), Drawings, Hippolyte Petitjean (French, Mâcon 1854–1929 Paris), Hippolyte Petitjean mastered to

Large Boston Public Garden Sketchbook: Design for a bicycle poster, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor; verso: pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast

American Institute, New York City (front elevation), 1834–35, Watercolor, ink and graphite, Sheet: 31 x 25 1/8 in. (78.7 x 63.8 cm), Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey), This design for the

View of the Pantheon, Rome, early 1670s, Pen and brush and gray and brown ink, gray and brown washes, some watercolor and white gouache, on vellum., 3 5/16 x 5 9/16 in. (8.4 x 14.2 cm), Drawings, Lievin Cruyl (Ghent 1634–Ghent 1720

Maharaja Sardar Singh of Bikaner, ca. 1860–70, India (Rajasthan, Bikaner), Opaque watercolor, ink, and gold on paper, 16 x 12 in. (40.6 x 30.5 cm), Paintings, Chotu, Maharaja Sardar Singh (r. 1851–72) is captured here in an

Portrait of Islam Khan Mashhadi, 17th century, Made in India, Opaque watercolor and gold on paper, 15 x 9 13/16in. (38.1 x 24.9cm), Codices, Payag (Indian, active ca. 1591–1658), Portraits of emperors, their families, and other important

Illustrated Single Work, 14th century, Attributed to Egypt, Ink and opaque watercolor on paper, 10.37 in. high 6.56 in. wide (26.3 cm high 16.7 cm wide), Codices

Tower in Orange and Green, 1922, Watercolor, ink, and graphite on paper, bordered with ink, mounted on cardboard, 15 3/4 × 10 1/8 in. (40 × 25.7 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940

Bhima Slays Jarasandha: Page from a Bhagavata Purana Manuscript, ca. 1540, Northern India, Delhi or Agra region, Opaque watercolor and ink on paper, 6 3/4 x 9 1/16 in. (17.1 x 23 cm), Paintings, This painting is from a series illustrating

Folio from a Qur'an Manuscript, dated A.H. 485/A.D. 1092, Attributed to Iran or Afghanistan, Ink, opaque watercolor, and gold on paper, Ht. 10 1/2 in. (26.7 cm), Codices, These two pages almost certainly come from a dispersed Qur'an dated

Fortified City of Ranthambhor, ca. 1810–18, India (Jaipur, Rajasthan), Opaque watercolor and ink on paper, Overall: 29 x 40 5/8 in. (73.7 x 103.2 cm), Paintings, Generation of Bagta (active ca. 1761–1814), This topographical rendering of

'Sultan Bayazid before Timur', Folio from an Akbarnama (History of Akbar), ca. 1600, Made in present-day Pakistan, probably Lahore, Ink, opaque watercolor, and gold on paper, Image: H.13 3/8 in. (34 cm), Codices, Painting by Dharam Das,

Le Croisic, 1928, Watercolor over black crayon, 10 11/16 x 17 1/16 in. (27.1 x 43.3 cm), Drawings, Paul Signac (French, Paris 1863–1935 Paris

Untitled, 1914, Watercolor and ink on paper mounted on cardboard, 7 1/2 × 8 1/4 in. (19.1 × 21 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Yellow Harbor, 1921, Watercolor and transferred printing ink on paper mounted on cardboard, 15 5/8 × 22 3/8 in. (39.7 × 56.8 cm), Drawings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno

Mounted Hunter with Dog Pursuing Game Birds, 16th century, Attributed to Iran, Ink and transparent watercolor on paper, 4.75 in. high 3.62 in. wide (12.1 cm high 9.2 cm wide), Codices, The tiny holes around the figure of this hunter chasing

Study for 'Le Ranelagh', 1899, Watercolor over black chalk on cream wove paper, 4 3/4 x 6 5/8 in. (12 x 16.9 cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair

Large Boston Public Garden Sketchbook: Night scene with two women with parasols and a crowd of men in top hats, 1895–97, recto: watercolor over pencil, bordered in pencil and watercolor; Verso: pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm),

Woman with Vase of Lilies, second half 16th century, Attributed to Iran, Opaque watercolor and gold on paper, H. 12 7/8 in. (32.7 cm), Codices

Design Adopted by Governor Mason for University of Michigan (elevation and plan), 1838, Ink and watercolor, sheet: 14 9/16 x 10 3/8 in. (37 x 26.3 cm), Drawings, Alexander Jackson Davis (American, New York 1803–1892 West Orange, New Jersey

Monuments at G., 1929, Gypsum and watercolor on canvas, 27 3/8 × 19 7/8 × 1 1/4 in. (69.5 × 50.5 × 3.2 cm), Paintings, Paul Klee (German (born Switzerland), Münchenbuchsee 1879–1940 Muralto-Locarno), Shortly after his return to Dessau

Large Boston Public Garden Sketchbook: A woman walking in the rain under an umbrella, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor; Verso: watercolor over pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings,

Study for 'Alexander III, King of Scotland, Saved from a Stag by Colin Fitzgerald', 1784, Pen and brown ink, brown ink washes, black chalk, and graphite on off-white (now oxidized) laid paper., 13 5/8 x 20 1/8 in. (34.6 x 51.1 cm), Drawings,

Large Boston Public Garden Sketchbook: A woman reading in the park, 1895–97, Watercolor over pencil; bordered in pencil, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s, Newfoundland

Design for 8 spring Victoria, no. 3224, 1876, Pen and black ink watercolor and gouache with gum arabic, Sheet: 6 3/16 x 9 1/16 in. (15.7 x 23 cm), Drawings, Brewster & Company History Established in 1810 by James Brewster (1788–1866) in New

Anthology of Persian Poetry, 15th century, Attributed to Iran, Shiraz, Main support: Ink, opaque watercolor, silver, and gold on paper, 10 1/2 x 7in. (26.7 x 17.8cm), Codices, This deluxe manuscript was first copied in Shiraz in 1411 during

Hagen and the Nymphs of the Danube, 1802, Graphite, pen and brown ink, watercolor and gouache on cream wove paper, 12 5/16 x 13 1/4 in. (31.2 x 33.6 cm), Drawings, Henry Fuseli (Swiss, Zürich 1741–1825 London

The Pathos of Fertility, 1921, Watercolor and transferred printing ink on paper, bordered with ink, mounted on the verso of a lithograph by Paul Rohrbach, 20 1/8 × 15 7/8 in. (51.1 × 40.3 cm), Drawings, Paul Klee (German (born Switzerland),

Large Boston Public Garden Sketchbook: A woman in a veiled hat, 1895–97, Recto: watercolor over pencil, bordered in watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s,

Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio,

Large Boston Public Garden Sketchbook: A fountain in the Public Garden, 1895–97, Recto: watercolor over pencil, bordered in pencil and watercolor., 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St.

Large Boston Public Garden Sketchbook: A girl holding her hat, 1895–97, Watercolor over pencil, bordered in pencil and watercolor, 14 1/8 x 11 3/16 in. (35.8 x 28.4 cm), Drawings, Maurice Brazil Prendergast (American, St. John’s,

Crouching Nude in Shoes and Black Stockings, Back View, 1912, Watercolor, gouache and graphite on paper, 19 1/4 x 12 5/8 in. (48.9 x 32.1 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Lover's Eyes, ca. 1840, Watercolor on ivory, 1 x 3/4 in. (2.5 x 1.9 cm), Paintings

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