Images at Librifly

search results: Watercolor clear search

Ipswich from the Grounds of Christchurch Mansion, Paul Sandby RA, 1731–1809, British, undated, Watercolor and pen and brown ink over graphite on medium, cream, slightly textured laid paper, Sheet: 11 7/8 x 18 1/8 inches (30.2 x 46 cm),

A Red Parrot, Sarah Stone, active 1786, British, 1786, Watercolor and gouache on card on very thick, slightly textured, beige card, Sheet: 17 7/8 x 13 7/8in. (45.4 x 35.2cm) and Sheet: 18 × 14 inches (45.7 × 35.6 cm), animal art

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Torrs, unknown artist, nineteenth century, undated, Graphite, watercolor, gray wash, pen and black ink on slightly textured, moderately thick, cream wove paper, Sheet: 31

Antwerp, Morning, David Cox, 1783–1859, British, 1832, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/8 x 9 7/8 inches (18.1 x 25.1 cm), birds, boats, church, cityscape, figures (representations),

Carnarvon, Cornelius Varley, 1781–1873, British, 1802, Watercolor with gray wash over graphite on medium, slightly textured, cream wove paper, Sheet: 10 1/8 x 19 1/4 inches (25.7 x 48.9 cm), architectural subject, battlements, bay (body

Boarding the Ferry, Edward Francis Burney, 1760–1848, British, undated, Pen and black ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 4 5/8 × 8 3/8 inches (11.7 × 21.3 cm), barrels (containers), boat, ferry,

Jerusalem, Plate 76, Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8

Prince Rasselas and His Sister Conversing in Their Summer Palace on the Banks of the Nile, Samuel Shelley, 1750–1808, British, 1804, Watercolor, gouache, graphite and white chalk on moderately thick, slightly textured, beige wove paper,

Memorial to Jane Coke, from Sunbury Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/8 × 11 inches (38.4

Villa Salviati on the Arno, Joseph Mallord William Turner, 1775–1851, British, between 1796 and 1797, Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove

The Three Marys, Benjamin West, 1738–1820, American, active in Britain (from 1763), 1783, Watercolor with pen in brown ink.; verso: graphite on moderately thick, moderately textured, beige wove paper, Sheet: 16 3/16 x 8 1/4 inches (41.1 x

Jumping a Low Rail and a Brook, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, with pen, in brown ink, and graphite on moderately thick, slightly textured, blued white, wove paper, Sheet: 10 11/16 × 14 1/2 inches (27.1 ×

Herstmonceux Castle, East Sussex: The Kitchen, James Lambert of Lewes, 1725–1788, British, undated, Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper, Sheet: 25 1/4 x 18

Naked Child, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 3/4 × 5 3/8 inches (17.1 × 13.7 cm

Pot Valiant: Scene in a Tap-Room, John Leech, 1817–1864, British, undated, Watercolor and graphite on medium, smooth, blue wove paper, Sheet: 9 x 6 15/16in. (22.9 x 17.6cm) and Sheet: 8 5/8 × 6 7/8 inches (21.9 × 17.5 cm), boy, genre

Landscape with Hay Cart before a Cottage, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, Sheet: 6 1/2 × 9 inches (16.5 × 22.9 cm), cart, cottage,

Study for 'The Penny Wedding', Sir David Wilkie, 1785–1841, British, ca. 1818, Watercolor over graphite on medium, slightly textured, light blue wove paper, Sheet: 3 5/8 × 2 7/8 inches (9.2 × 7.3 cm), chairs, genre subject, girls,

Foxhunting: The Death, Edwin W. Cooper of Beccles, 1785–1833, British, 1816, watercolor, with pen in gray ink and black ink, over graphite, on medium, moderately textured, cream wove paper, Sheet: 12 5/8 × 19 1/8 inches (32.1 × 48.6

The Hazard Room at Crockford's, T. J. Rawlins, active 1837–1840, 1837, Watercolor, graphite, and gouache on medium, smooth, cream wove paper, Sheet: 4 3/4 × 7 1/4 inches (12.1 × 18.4 cm), architectural subject, card game, curtains,

Unidentified Chameleon, Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 × 30.5 cm), animal

Design for a Frontispiece: A Bishop Conferring an Honor, Scene Within a Cartouche, Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45), undated, Pen and black ink, over red chalk, and graphite, Incised for transfer

Sketch of the Valley and Village of Errole taken from Dookumba, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and black chalk with pen and black ink on medium, slightly textured, cream laid paper,

Goats in Glencoe, Print made by Newton Limbird Smith Fielding, 1799–1856, British, Published by Rudolf Ackermann, 1764–1834, British, 1836, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove

Chalcomitra senegalensis (Scarlet Chested Sunbird), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches

A Village Scene outside a Church, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and brown and gray ink over graphite on moderately thick, slightly textured, beige, wove paper, Sheet: 7 1/4 x 10 inches (18.4 x 25.4

Coastal Scene with Troops Embarking, George Bryant Campion, 1796–1870, British, undated, Watercolor, black chalk, and gouache on moderately thick, moderately textured, beige wove paper, Sheet: 18 × 29 inches (45.7 × 73.7 cm), coast,

The Vicar of Wakefield: Fortune-Telling, Thomas Rowlandson, 1756–1827, British, ca. 1817, Watercolor, with pen and red-brown ink over graphite on medium, smooth, blued white wove paper, Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm),

A Fisherwoman, Hands under Apron, Louis Philippe Boitard, active 1734–1760, undated, Pen and black ink, and watercolor on medium, slightly textured, beige laid paper mounted to medium, slightly textured, cream laid paper, Sheet: 6 1/2 ×

Carter Filling his Pipe, Henry William Bunbury, 1750–1811, British, undated, Watercolor and crayon on medium, slightly textured, cream wove paper, Sheet: 11 1/2 × 15 1/4 inches (29.2 × 38.7 cm), animal art, cart, genre subject, horse

Near Dishna, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on thick, moderately textured, brown wove paper, Sheet: 1 5/16 x 5 7/8 inches (3.3 x 14.9 cm), boat, camels (mammals), figures

Cavalrymen Passing Through a Stream, Being Mustered by a Trumpeter, John Augustus Atkinson, 1775–1831, British, undated, Watercolor, pen and brown ink, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 8 7/8 x

In and Out Clever, Henry Thomas Alken, 1785–1851, British, undated, Watercolor, gouache and graphite on medium, slightly textured, cream wove paper mounted to medium, slighlty textured, beige laid paper, Sheet: 8 1/4 × 11 1/4 inches (21

Portrait of a Lady, Facing Left, John Downman, 1750–1824, British, undated, Black and red chalk with watercolor and stumping on medium, smooth, blued white wove paper, Sheet: 7 7/8 x 6 3/8 inches (20 x 16.2 cm), bow (costume accessory),

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824–1881, British, undated, Brown ink, black ink, watercolor and gouache on moderately thick,

Landscape with River and Cattle Driver in Background, William P. Sherlock, c.1780–1850, undated, Watercolor on medium, slightly textured, cream laid paper, Sheet: 9 7/8 × 15 1/8 inches (25.1 × 38.4 cm

Englefield House, Berkshire, Samuel Hieronymus Grimm, 1733–1794, Swiss, undated, Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream laid paper, Sheet: 9 5/8 x 11 3/4 inches (24.4 x 29.8 cm), buildings,

Brass Plate of Constance Bothwell and her Baby from Heston Church, Attributed to Daniel Lysons, 1762–1834, British, 1796-1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 ×

Uncle George in the Dress of a Highland Herdsman, George Walker, active 1792–died 1795, British, undated, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 4 3/8 × 3 inches (11.1 × 7.6 cm), Balmoral (cap), costume,

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray wash, watercolor, pen and brown ink, and graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x

Barnard's Inn, Samuel Ireland, active 1760–died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 7/8 × 6 3/4 inches (12.4 × 17.1 cm) and Mount: 9

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

Memorial of Ricardi Dewell, Elizabeth Dikenson and Johnathon Rogers from the Acton Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache on medium, slightly textured,

Brass Plate inscription Thomas Priestly the Elder and the Younger from Hornsey Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream

The Book of Thel, Plate 2, Title Page, Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 12 x 9 1/2

A Park, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor and gouache on medium, moderately textured, cream wove paper, Sheet: 10 x 14 inches (25.4 x 35.6 cm), landscape, park (grounds), trees

Taunting with Smoke from a Pipe, Thomas Rowlandson, 1756–1827, British, 1823, Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 3/4 x 10 3/8 inches (22.2

A Young Lover, John William North, 1842–1924, British, 1867, Watercolor and gouache on medium, slightly textured cream wove paper mounted on very thick, slightly textured cream wove paper, Sheet: 6 5/8 x 7 inches (16.8 x 17.8 cm), beret,

Kirkstall Abbey near Leeds, John Varley, 1778–1842, British, 1804, Watercolor on moderately thick, rough, beigecollector's stamp laid paper, Sheet: 3 15/16 x 5 15/16 inches (10 x 15.1 cm), abbey, architectural subject, rocks (landforms),

Passage Through the Ice, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41

Views in the Levant: Back View of the Head of the Sphinx, Willey Reveley, (?), 1760–1799, British, ca. 1785, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream, laid paper, mounted on moderately thick,

Boats on the Nile, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 1 13/16 x 3 5/16 inches (4.6 x 8.4 cm), boats, marine art, river, river, sails,

Near Hackney, unknown artist, follower of Paul Sandby RA, 1731–1809, British, undated, Watercolor, pen and brown ink, pen and gray ink on medium, cream, moderately textured laid paper, Sheet: 17 7/8 x 14 1/8 inches (45.4 x 35.9 cm),

Study of a Pilgrim, attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39), undated, Watercolor, brown wash, white gouache, gold, black chalk, and graphite on slightly textured, medium, green wove paper, Sheet:

The Mangosteen Fruit, Malacca, Samuel Davis, 1757–1819, British, 1793, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 7 1/8 × 25 1/4 inches (18.1 × 64.1 cm), botanical subject, fruit, text

Design for a Monument, Lewis Vulliamy, 1791–1871, British, undated, Graphite, pen and black ink and watercolor on smooth, thick, cream wove paper, Sheet: 8 3/4 × 6 3/4 inches (22.2 × 17.1 cm), architectural subject, monument, tower

Houses by the Riverside, William Marlow, 1740–1813, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 1/16 x 12 3/8in. (20.5 x 31.4cm), Sheet: 8 × 12 3/8 inches (20.3 × 31.4 cm), and

A Bird, James Sowerby, 1756–1822, British, undated, Watercolor and gouache over graphite on medium, smooth, cream wove paper, Sheet: 13 × 8 1/8 inches (33 × 20.6 cm), animal art, Bearded Reedling, bird, branch

Country House, Edward Francis Burney, 1760–1848, British, undated, Watercolor and graphite on medium, slightly textured, wove paper, Sheet: 7 1/8 × 8 3/4 inches (18.1 × 22.2 cm), architectural subject, country house, door, trees,

Comforts of Bath: The Pump Room, Thomas Rowlandson, 1756–1827, British, 1798, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm) and Sheet: 4 3/4 x 7

Views in the Levant: Gateway in a City Wall With Towers, Attributed to Willey Reveley, ?, 1760–1799, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 12 13/16 x 19 3/4in. (32.5 x 50.2cm) and

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray wash and watercolor with pen and brown ink over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Gray and brown wash and watercolor with pen and brown ink, over graphite on laid paper, Sheet: 5 1/8 x 3

The Death of Cordelia, unknown artist, after Thomas Barker, 1769–1847, British, undated, Watercolor, gouache, red crayon, and graphite on moderately thick, slightly textured, beige laid paper, Sheet: 12 x 9 3/4 inches (30.5 x 24.8 cm),

A Village Pond with Farm Buildings, George Lambert, 1700–1765, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 x 12 7/16in. (20.3 x 31.6cm), Mount: 9 7/8 x 14 1/4in. (25.1 x 36.2cm),

Highland Regiment in Camp, John Leech, 1817–1864, British, undated, Watercolor and graphite on medium, slightly textured, beige wove paper, Sheet: 16 1/8 × 8 7/8 inches (41 × 22.5 cm

Memorial of Francis Stratford from Acton Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 3/4

Mount Haddington & Cape Gage, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches

One of eighteen designs for a series of plates illustrating Venus and Adonis, Hablot Knight Browne, 1815–1882, British, undated, Graphite, brown chalk, watercolor and gouache on medium, slightly textured, gray wove paper, Sheet: 6 5/8 ×

Cobham Hall, Kent: Design for a Lintel for One End of a Passage, James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper, Sheet: 13 1/4 x 8 inches

Young's Night Thoughts, Page 92, 'When Faith Is Virtue, Reason Makes It So', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite and watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm),

Sabooa, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured wove paper, mounted on moderately thick, slightly textured, cream wove paper, Sheet: 3 11/16 x 7 1/2 inches (9.4 x 19.1

The Building of Waterloo Bridge, William Henry Hunt, 1790–1864, British, ca. 1816, Pen and brown ink, brown wash, gray wash, and watercolor on moderately thick, slightly textured, beige laid paper, Sheet: 10 x 15 5/8 inches (25.4 x 39.7

Headfort House, Ireland: Lady's Room Ceiling, Robert Adam, 1728–1792, British, 1772, Graphic, watercolor with pen and black ink on moderately thick, moderately textured, cream laid paper, Sheet: 17 3/8 x 22 3/16 inches (44.1 x 56.3 cm),

Diana and Actaeon: A Study for a Panel on a Staircase, follower of Sir James Thornhill, 1675–1734, British, undated, Watercolor with pen and brown ink and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 6 x 6 1/4in.

Allahabad, from the Right Bank of the Jumna, William Simpson, 1823–1899, British, 1865, Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 14 5/8 x 20 1/4 inches (37.1 x 51.4 cm),

Moonlight on the River near Bruges, Attributed to John Berney Crome, 1794–1842, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 9 × 13 1/8 inches (22.9 × 33.3 cm), boat,

General Washington, Print made by Thomas Cheesman, 1760–1834/35, British, after John Trumbull, 1756–1843, American, 1796, Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream

Furnival's Inn, Samuel Ireland, active 1760–died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 7/8 × 6 1/2 inches (12.4 × 16.5 cm) and Mount: 9

Stone Wall, Clarkson Stanfield, 1793–1867, British, 1863, Watercolor, graphite, and white gouache on moderately thick, slightly textured, cream wove paper, Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm) and Binding: 5 1/4 inches (13.3 cm

Coursing: Setting Out, Samuel Howitt, 1756–1822, British, 1794, Watercolor, with pen, in black ink, gray ink, and brown ink on medium, slightly textured, cream, wove paper, Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm), dogs

A Stag Hunt, John Wootton, 1682–1764, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 11 3/4 × 18 inches (29.8 × 45.7 cm

The Launch of 'La Sorciére' on the Lake of Geneva, Francis Danby, 1793–1861, Irish, undated, Watercolor and brown ink over graphite on moderately thick, slightly textured, blued white wove paper, Sheet: 7 5/8 × 11 3/8 inches (19.4 × 28.9

Hatfield, July 2, 1832, Anne Rushout, ca. 1768–1849, British, 1832, Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/4 × 20 inches (17.1 × 50.8 cm), architectural

Egpytian Man on Camel, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 2 1/16 x 1 11/16 inches (5.2 x 4.3 cm), blanket (covering), camel (mammal),

Near Mesghouneh, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, gouache, cochineal, pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 2 1/4 x 8 5/8 inches (5.7 x 21.9 cm), boats, marine

Barn Elmes, Edward Edwards, 1738–1806, British, 1793, Watercolor, gray wash, pen, gray ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, moderately textured, cream laid paper (contemporary mount),

River Landscape, Alfred Downing Fripp, 1822–1895, British, 1842, Watercolor and graphite, with gum arabic and scraping out on thick, rough, cream wove paper, Sheet: 10 3/4 × 20 3/4 inches (27.3 × 52.7 cm

Memorial to Sir John Benett and his wives Elizabeth and Bridget from Harlington Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream

Illustration to R.S. Surtees', 'Jorrocks's Jaunts and Jollities': 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, 'My Vig, Here's Wombwell's Wildbeast show' ', Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor

Basilica of the Virgin of Copacabana, Bolivia, Godfrey Thomas Vigne, 1801–1863, British, 1855, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 10 3/4 × 17 inches (27.3 × 43.2 cm), cityscape, convent,

Landscape with Courting Couple, John Martin, 1789–1854, British, 1839, Watercolor and gum over graphite and scratching out on medium, slightly textured, cream wove paper mounted on board, Sheet: 8 3/4 x 12 1/4 inches (22.3 x 31.1 cm),

View from Panwell, Robert Mabon, died 1798, British, undated, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 10 × 14 1/2 inches (25.4 × 36.8 cm

A Wagon With Hops and Two Sketches of Horses, Robert Hills, 1769–1844, British, undated, Graphite and watercolor on medium, cream, slightly textured wove paper, Sheet: 6 1/4 x 8 3/8 inches (15.9 x 21.3 cm), animal art, cart, genre

Castles of Rheinfels and Thurnberg on the Rhine, Clarkson Stanfield, 1793–1867, British, undated, Watercolor, graphite, and gouache on thick, slightly textured, cream wove paper, Sheet: 7 3/4 x 13 5/8in. (19.7 x 34.6cm) and Sheet: 7 3/4

Theodosius Forrest, Thomas Theodosius Forrest, 1728–1784, British, undated, Watercolor, pen, black ink, and graphite on medium, slightly textured, cream laid paper, Sheet: 9 3/4 × 14 1/4 inches (24.8 × 36.2 cm), architectural subject,

The Sluice Gate near Slough, Paul Sandby Munn, 1773–1845, British, 1811, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 11 1/4 × 12 5/8 inches (28.6 × 32.1 cm) and Sheet: 11 1/4 × 12 3/4 inches (28.6 ×

The London-Dumphries Royal Mail, Charles B. Newhouse, fl. c.1820–1836, British, between 1830 and 1840, Watercolor, with pen, in brown ink, black ink, red ink, graphite, gouache and gum arabic on moderately thick, slightly textured,

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Watercolor with pen and brown ink over graphite, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm

Peasant Girls, attributed to John Absolon, 1815–1895, British, formerly attributed to William Henry Hunt, 1790–1864, British, undated, Watercolor and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 12 3/4 × 9

search results: Watercolor clear search