Images at Librifly

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Tivoli, Thomas Jones, 1742–1803, British, active in Italy (1776–83), ca. 1777, Watercolor and graphite with gum on medium, slightly textured, cream laid paper, Sheet: 10 7/8 x 16 1/4 inches (27.6 x 41.3 cm) and Sheet: 10 7/8 × 16 1/4

Sections of Room under Painted Chamber, George Birch, 1842–1904, British, 1827, Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper, Sheet: 10 3/4 × 8 3/8 inches (27.3 × 21.3 cm),

A Sailor and His Family, George Chinnery, 1774–1852, British, undated, Pen and brown ink, graphite, and watercolor on moderately thick, moderately textured, cream wove paper, Sheet: 5 5/8 × 4 1/2 inches (14.3 × 11.4 cm), cat (domestic

Views in the Levant: Landscape With Sea, Town and Hills, Willey Reveley, (?), 1760–1799, British, ca. 1785, Watercolor, with pen in gray ink on medium, slightly textured, cream, laid paper, mounted on thick, smooth, brown, wove

An Uralsky Cossack, Sir Robert Kerr Porter, 1777–1842, British, 1810, Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper, Sheet: 17 1/4 × 14 5/8 inches (43.8 × 37.1 cm), horses (animals),

San Marino, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, brown wove paper, Sheet: 2 5/8 x 8 7/8 inches (6.7 x 22.5 cm), herd, landscape,

Landscape with Two Men and a Boat, Charles Reginald Aston, 1832–1908, British, undated, Watercolor and white gouache with scraping out on medium, slightly textured, cream wove paper, Frame: 17 1/2 × 21 1/2 × 3/4 inches (44.5 × 54.6 ×

The Ascent of Vesuvius, Henry Tresham, 1751–1814, British, 1785 to 1790, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 17 5/8 x 27 5/8 inches (44.8 x 70.2 cm), ash, climbers, clouds, genre subject,

A Brown long-eared bat (Plecotus auritus), James Ward, 1769–1859, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 7 5/8 x 13 1/8 inches (19.4 x 33.3 cm), animal art, bat (animal), study

Cobham Hall, Kent: Section Through the Offices, James Wyatt, 1746–1813, British, 1798, Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper with one fold mark, Sheet: 13 1/4 x 21 7/8 inches

An Actor, Samuel De Wilde, 1748–1832, British, undated, Watercolor, graphite, and colored pencil on medium, slightly textured, cream wove paper, Sheet: 15 × 9 1/4 inches (38.1 × 23.5 cm

Fishing Vessels in a Heavy Swell off the Coast, George William Crawford Chambers, 1830–ca. 1900, British, 1857, Watercolor over graphite with scraping out on medium, slightly textured, cream laid paper, Sheet: 9 1/2 x 14 1/4 inches (24.1 x

Carlisle, Joseph Mallord William Turner, 1775–1851, British, ca. 1832, Watercolor and scratching out on medium, slightly textured, cream wove paper, Sheet: 3 1/4 x 5 5/8in. (8.3 x 14.3cm), bridge (built work), cities, cityscape, clouds,

Songs of Innocence and of Experience, Plate 20, 'The Blossom' (Bentley 11), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

The Poems of Thomas Gray, Design 63, 'The Bard.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress

Old and New London Bridge, Edward William Cooke, 1811–1880, British, undated, Watercolor, gouache, and scraping out on thick, moderately textured, cream wove paper, Sheet: 12 1/2 × 22 7/8 inches (31.8 × 58.1 cm), architectural subject,

The Baptism of Christ, Attributed to John Martin, 1789–1854, British, undated, Watercolor, pen and brown ink, white gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm), baptism,

Bridge and Tower, Edward Francis Burney, 1760–1848, British, undated, Graphite and watercolor on medium, slightly textured, beige wove paper, Sheet: 6 7/8 × 8 3/4 inches (17.5 × 22.2 cm), bridge (built work), landscape, river, tower

A Distant View of Norwich, John Joseph Cotman, 1814–1878, British, undated, Watercolor and graphite with scratching out on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 × 28 1/4 inches (18.1 × 71.8 cm), fall,

Lugano, Hercules Brabazon Brabazon, 1821–1906, British, undated, Watercolor and gouache over graphite on thick, smooth, gray wove paper, Sheet: 5 1/2 × 7 inches (14 × 17.8 cm), arches, architectural subject, buildings, cityscape,

Garden Front of Stationer's Hall, Samuel Ireland, active 1760–died 1800, British, between 1794 and 1800, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 5 x 7in. (12.7 x 17.8cm) and

Temple and Falls, Sezincote, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm) and Image: 7 × 9 inches (17.8

A Calm Day in the Anchorage, John Cleveley the younger, 1747–1786, British, undated, Watercolor, graphite, and pen and gray ink on medium, slightly textured, cream laid paper, Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm), birds, boats,

Landscape at East Bergholt, John Constable, 1776–1837, British, ca. 1805, Watercolor over graphite on medium, moderately textured, blued white laid paper, Sheet: 7 x 8 1/2 inches (17.8 x 21.6 cm), landscape, sheep, trees, East Bergholt,

An Apple Tree Near a Cottage, Richard Westall, 1765–1836, British, undated, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 5 7/8 x 7 1/8 inches (14.9 x 18.1 cm) and Image: 4 x 4 7/8 inches (10.2 x 12.4 cm), apple tree,

Interior of a Church, Looking West from South Aisle, imitator of John Sell Cotman, 1782–1842, British, ca. 1804, Watercolor and graphite on medium, moderately textured, cream laid paper, Sheet: 11 3/8 x 7 1/2 inches (28.9 x 19.1 cm),

A Map of the Land in Needham, Isaac Johnson, 1754–1835, British, undated, Pen and brown ink and watercolor on vellum, Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm), architectural subject, designs, house, surveys, England, Europe,

A Yorkshire Road, John Glover, 1767–1849, British, undated, Watercolor over graphite with scraping out on moderately thick, slightly textured, blued white wove paper, Sheet: 4 1/4 x 7 1/4 inches (10.8 x 18.4 cm), hills, landscape, road,

L'Assemble Nationale, (?) William Dent, active 1784–1793, 1791, Etching with watercolor on laid paper, Sheet: 13 7/8 x 5 3/8in. (35.2 x 13.7cm

Findlater Castle, Banff, Thomas Girtin, 1775–1802, British, between 1792 and 1793, Watercolor and scratching out over graphite on medium, slightly textured, cream wove paper, pasted on moderately thick, slightly textured, beige wove

A European Gentleman Entering a Bungalow in India, Samuel Davis, 1757–1819, British, undated, Watercolor, pen and black ink over graphite on medium, moderately textured, cream laid paper, Sheet: 7 3/8 × 9 1/8 inches (18.7 × 23.2 cm),

Funchal Castle Del Oiso (?), Madeira, Samuel Davis, 1757–1819, British, undated, Watercolor and graphite on moderately thick, moderately textured, beige wove paper, Sheet: 16 5/16 × 22 7/16 inches (41.4 × 57 cm), architectural subject

Sant Ghur in the Carnatic, Samuel Davis, 1757–1819, British, undated, Watercolor and graphite on medium, slightly textured, cream, laid paper, mounted on, thick, moderately textured, cream, wove paper, Mount: 18 1/4 × 24 15/16 inches

The Temple near Brighton, Mary Smirke, 1779–1853, British, undated, Pen and ink and watercolor over graphite on medium, smooth, white wove paper, Sheet: 5 3/16 × 7 5/8 inches (13.2 × 19.4 cm), architectural subject, exterior view,

Fort Opposite the Factory, Canton, William Alexander, 1767–1816, British, 1793, Watercolor. pen and gray ink over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 4 1/2 × 6 inches (11.4 × 15.2 cm), boats,

Songs of Innocence and of Experience, Plate 4, 'Introduction' (Bentley 4), Print made by William Blake, 1757–1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick,

Barden Tower, Yorkshire, Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on medium, cream, rough wove paper, Sheet: 21 7/8 x 16 3/16 inches (55.6 x 41.1 cm), autumn, castle, landscape, river, rocks (landforms),

Portrait of an Indian Prince, Henry Edridge, 1769–1821, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 9 5/8 × 12 7/8 inches (24.4 × 32.7 cm), Indian, portrait, prince,

The Prince Regent and the Moneylenders, Henry William Bunbury, 1750–1811, British, undated, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 8 1/8 × 13 1/8 inches (20.6 × 33.3 cm

Studies of Peasants, Diligences, and Hay Wagons, Samuel Prout, 1783–1852, British, undated, Graphite and watercolor on moderately thick, slightly textured, beige, wove paper, Sheet: 4 1/8 × 5 7/8 inches (10.4 × 14.9 cm), bales,

Conway Castle, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), 1836, Graphite, watercolor, gouache and pen and brown ink on medium, smooth, brown wove paper on heavy card, Sheet: 12 3/4 x 17 7/8 inches (32.4 x 45.4 cm)

Tarbert Castle, Joshua Cristall, 1768–1847, British, undated, Watercolor with gouache over graphite on thick, slightly textured, beige wove paper, Sheet: 12 x 17 1/4 inches (30.5 x 43.8 cm), architectural subject, architectural subject,

Dunkerswell Abbey, August 20, 1783, Francis Towne, 1740–1816, British, 1783, Watercolor with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 3/8 x 10 3/8 inches (18.7 x 26.4 cm), house, landscape, sky,

Design for Gameskeeper's Cottage, George Pyne, 1800–1884, undated, Watercolor and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 5 7/8 × 8 7/8 inches (14.9 × 22.5 cm),

The Book of Thel, Plate 8, 'IV. / The eternal gates . . . .', Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper,

A View of the Castle and Town of Dover, James Mason, 1710–1783, British, after George Lambert, 1700–1765, British, 1762, Engraving tinted with watercolor, Sheet: 16 1/2 x 20 1/4in. (41.9 x 51.4cm

Narima Furnaveese, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured. cream wove paper, Sheet: 4 1/2 × 3 1/2 inches (11.4 × 8.9 cm) and Mount: 6 3/8 × 5 1/4 inches (16.2

Brussels from the Paris Road, Thomas Shotter Boys, 1803–1874, British, 1831, Watercolor, gouache, and scratching out on moderately thick, moderately textured, cream wove paper, Sheet: 6 11/16 x 10 3/16 inches (17 x 25.9 cm) and Mount: 11

East Front of Wilton House, Wiltshire, the Seat of the Earl of Pembroke, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1809, Watercolor and pen and black ink on moderately thick, cream wove paper,

London Cries: A Girl with a Basket of Oranges, Paul Sandby RA, 1731–1809, British, undated, Watercolor on medium, moderately textured, cream laid paper, Sheet: 7 3/8 x 6 3/4 inches (18.8 x 17.1 cm), basket, cries, food, fruits, genre

H.M.S. Hecla & Griper, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches (41

At Pointy, Samuel Davis, 1757–1819, British, 1788, Watercolor and pen and black ink over graphite on medium, slightly textured, cream laid paper, Sheet: 7 5/16 × 9 3/16 inches (18.6 × 23.3 cm), arches, architectural subject, domes,

The Pont des Arts, Paris, Thomas Shotter Boys, 1803–1874, British, between 1831 and 1837, Pen and black ink and brown ink, graphite and watercolor on thick, moderately textured, cream wove paper, Sheet: 6 5/8 x 13 1/8 inches (16.8 x 33.4

Sweet William's Farewell to Black Eyed Susan, Print made by Paul Fourdrinier, French, after Peter Monamy, 1681–1749, British, Published by Bowles & Carver, 1763–1830, British, Published by Robert Wilkinson, 1758–1825, British,

Headfort House, Ireland: Plan of Principal Floor, Sir William Chambers RA, 1723–1796, British, ca. 1765, Graphite, gray wash, watercolor and pen and black and brown ink on moderately thick, moderately textured, cream laid paper, Sheet:

Foxhunting: Breaking Cover, Samuel Howitt, 1756–1822, British, undated, Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 12 1/2 × 17 15/16 inches (31.8

Mediterranean Port (or Aden?), Charles Dyce, active 1848, British, 1848, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/4 × 13 3/4 inches (24.8 × 34.9 cm), boats, landscape, leisure, marine art, men,

Memorial to Orlando Bridgeman from Teddington Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15

The Pont Neuf, Thomas Shotter Boys, 1803–1874, British, undated, Watercolor, graphite, and scratching out on medium, slightly textured, cream wove paper, Sheet: 7 1/2 x 10 3/8 inches (19.1 x 26.4 cm), architectural subject, birds,

Coutances Cathedral, William Frome Smallwood, 1806–1834, British, undated, Watercolor, brown wash, and graphite on thick, slightly textured, cream laid paper, Sheet: 9 3/4 × 13 1/8 inches (24.8 × 33.3 cm), architectural subject

Stone Buildings, Lincoln's Inn, Samuel Ireland, active 1760–died 1800, British, 1800, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 4 3/4 × 7 inches (12.1 × 17.8 cm) and

A Tropical Coast, Sunset, John Martin, 1789–1854, British, between 1840 and 1850, Watercolor, gouache, and brown ink over graphite with scratching out on moderately thick, slightly textured, beige wove paper, Sheet: 6 1/8 x 9 3/8 inches

Memorials to Richard Carmarden and Thomas Wigg, Chislehurst, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 × 11

An Officer and his Servant, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray ink over graphite on medium, moderately textured, blued white laid paper, Sheet: 6 1/8 x 3 7/8 inches (15.6 x 9.8 cm), boots, coat,

Rogero, after Thomas Rowlandson, 1756–1827, British, formerly Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and brush in gray ink on medium, slightly textured, blued white, laid paper, Sheet: 11 3/16 x 8 1/8

Aberystwyth Castle, John Sell Cotman, 1782–1842, British, 1796 to 1806, Watercolor on Medium, moderately textured, cream laid paper, Sheet: 11 1/4 x 19 1/2 inches (28.6 x 49.5 cm) and Contemporary drawn border: 12 1/8 x 20 1/2 inches (30.8

Garden Landscape, August 6, 1827, Anne Rushout, ca. 1768–1849, British, 1827, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 21 inches (17.8 × 53.3 cm) and Image: 7 × 13 inches (17.8 × 33

View of Lambeth Palace on Thames, David Cox, 1783–1859, British, between 1820 and 1829, Watercolor, gouache, and graphite, with scratching out on thick, slightly textured, white wove paper, Sheet: 9 5/8 x 13 inches (24.4 x 33 cm),

The Trees and River in the Park at Coleorton Hall, Leicestershire, Thomas Hearne, 1744–1817, British, undated, Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 3/8 x 10 1/2 inches

The Book of Thel, Plate 3, 'Thel / I / The daughters of Mne Seraphim . . . .', Print made by William Blake, 1757–1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured,

Mountain Landscape with Lake, Joseph Mallord William Turner, 1775–1851, British, ca. 1842, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 18 3/4 x 23 3/4 inches (47.6 x 60.3 cm), clouds, hills,

Dr. Syntax Copying the Wit of the Window, Thomas Rowlandson, 1756–1827, British, between 1809 and 1812, Watercolor with pen and gray and brown ink, over graphite on medium, moderately textured, cream wove paper, Sheet: 5 3/8 x 8 3/16

A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Combe Sydenham, Somerset, Capt. Francis Grose, 1731–1791, British, undated, Watercolor with pen and black ink on

In the Cortile of the Anatomical School, Vienna, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor and graphite on moderatly thick, moderately textured, beige, wove paper, Sheet: 6 11/16 × 4 5/8 inches (17 × 11.7

Ptarmigan, George Edwards, 1694–1773, British, ca. 1738, Watercolor and gouache on moderately thick, slightly textured, cream laid paper, Sheet: 10 3/4 × 8 5/8 inches (27.3 × 21.9 cm), animal art, bird, feathers, ptarmigan

Boschbeek & Gorenendaal: View towards Leidschevaart and Zantvoort, Gerrit Jan Schouten, Born 1815, Dutch, undated, Graphite, pen and black ink, watercolor on slightly textured, medium, cream wove paper, Sheet: 5 5/8 × 14 1/8 inches (14.3

Sooty Falcon, William Swainson, 1789–1855, British, ca. 1837, Watercolor, pen and black ink, gouache, gum arabic, gray wash and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 9 × 5 7/8 inches (22.9 × 14.9

Fort Putnam From Capn. Philips Parlour. W. P. 1st Attempt, From Nature, Thomas Sully, 1783–1872, American, 1814, Watercolor on moderately thick, moderately textured, beige, wove paper, Sheet: 3 9/16 × 5 5/16 inches (9 × 13.5 cm

Dover Pier, Joshua Cristall, 1768–1847, British, ca. 1807, Watercolor with scraping over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 12 5/16 x 16 3/16 inches (31.2 x 41.1 cm), barrels, baskets, birds,

Grove Cottage, Wanstead May 18th, 1825, Anne Rushout, ca. 1768–1849, British, 1825, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 × 10 1/2 inches (17.8 × 26.7 cm), architectural subject

Plan and View of Room under the Painted Chamber, George Birch, 1842–1904, British, 1827, Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper, Sheet: 10 13/16 × 8 3/16 inches (27.5 × 20.8

America. A Prophecy, Plate 1, Frontispiece, Print made by William Blake, 1757–1827, British, 1793, Color-printed relief etching in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper,

Banded Mongoose, Charles Hamilton Smith, 1776–1859, Belgian, James Stewart, 1791–1863, British, ca. 1837, Watercolor, pen and brown ink and graphite on thick, smooth, white, wove paper, Sheet: 4 1/4 × 6 3/4 inches (10.8 × 17.1 cm),

The Erechtheum, Athens, Hugh William 'Grecian' Williams, 1773–1829, British, undated, Graphite, pen and black ink, watercolor and gouache on textured, thick, cream wove paper, Sheet: 17 3/16 × 24 5/8 inches (43.7 × 62.5 cm),

Near Edfu, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and cochineal ink on moderately thick, slightly textured, beige wove paper, Sheet: 2 7/16 x 6 1/16 inches (6.2 x 15.4 cm), landscape, palm trees, river,

Man in a Green Turban Sitting Crosslegged, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 9 × 6 inches (22.9 × 15.2 cm),

Cottage at Belton House, Lincolnshire: Plan, Section and Elevations, Studio of Sir Jeffry Wyatville, 1766–1840, British, undated, Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper, Sheet: 18 × 13

A Tigress Leaping to the Right, Samuel Howitt, 1756–1822, British, ca. 1807, Watercolor, with pen, in gray ink, and graphite on moderately thick, moderately textured, beige, laid paper, Sheet: 6 5/8 x 9 1/4in. (16.8 x 23.5cm), animal

Bridge Crossing River, William Sawrey Gilpin, 1762–1843, British, undated, Watercolor, graphite, pen and black ink and brown ink on moderately thick, moderately textured, beige, wove paper, Sheet: 11 13/16 × 15 7/8 inches (30 × 40.3

Madonna and Child, Richard Cosway, 1742–1821, British, undated, Watercolor and graphite on medium, slightly textured, beige wove paper, Sheet: 13 3/4 x 11 3/8 inches (34.9 x 28.9 cm), basket, birds, child, Christ-child playing ~

Funchal, Madeira: A Square with a Church, Samuel Davis, 1757–1819, British, 1779, Watercolor, pen, gray ink, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 12 7/8 x 16 7/8 inches (32.7 x 42.9 cm),

St. Davids Head, Pembrokeshire, John Glover, 1767–1849, British, ca. 1805, Watercolor, pen and black ink, brown ink, and graphite on moderately thick, slightly textured, blued white wove paper, Sheet: 14 3/8 × 25 3/16 inches (36.5 ×

Mountainous Landscape, John Ruskin, 1819–1900, British, undated, Pen and brown ink, watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 4 5/8 x 9 1/4 inches (11.7 x 23.5 cm), clouds, landscape, mountains

Full Cry, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 9 1/4 × 13 7/16 inches (23.5 × 34.1 cm), dogs (animals), farm, fields, fox (animal), fox

A Farm at Eton, Robert Hills, 1769–1844, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 3/8 x 10 7/8 inches (18.7 x 27.6 cm), architectural subject, farm, fences, house, trees,

Centropus monachus (Blue-Headed Coucal), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 ×

Landscape with Hamlet and Cart, William Brockedon, 1787–1854, British, 1800, Watercolor over graphite, Sheet: 7 5/8 x 11 1/2in. (19.4 x 29.2cm

Spirit of Aristocracy enforcing Reform, Or, The Rights of Kings maintained, (?) William Dent, active 1784–1793, 1792, Etching with watercolor on laid paper, Sheet: 10 1/8 x 16 1/2in. (25.7 x 41.9cm

Donati's Comet, William Turner of Oxford, 1789–1862, British, between 1858 and 1859, Watercolor and gouache over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 10 1/8 x 14 3/8 inches (25.7 x 36.5 cm), astronomy,

Tongusian Raindeer Breeders Erecting Their Tent for the Night, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 ×

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