Images at Librifly

search results: Watercolor clear search

Jatropha Multifidis, Ann Lee, 1753–1790, British, 1771, Watercolor, gouache, pen and brown ink, and graphite on medium, smooth, cream wove paper, Sheet: 11 5/8 x 9in. (29.5 x 22.9cm) and Sheet: 12 3/4 × 10 1/4 inches (32.4 × 26 cm),

Preparing to lay eel traps, J. Tobin, active 1776, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 11/16 × 9 3/16 inches (17 × 23.3 cm), boats, eelspears, genre subject,

'Some Do and Some Don't: It is All a Notion:' Getting Home, Henry Thomas Alken, 1785–1851, British, between 1820 and 1821, Graphite, watercolor and gouache on medium, slightly textured, beige, wove paper, Sheet: 7 9/16 × 10 5/8 inches

Memorial to H.S.E. from Acton Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 10 3/4

Florence Opposite the Cassines, Charles Gore, 1729–1807, British, undated, Watercolor over graphite on moderately thick, moderately textured, blued white laid paper, Sheet: 6 3/8 x 11 3/4 inches (16.2 x 29.8 cm), cityscape, gardens,

Headfort House, Ireland: Ceiling of the Eating Parlor, Robert Adam, 1728–1792, British, between 1771 and 1775, Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper, Sheet: 12 3/8 x 15 1/2 inches (31.4

Cobham Hall, Kent: South Elevation of North Wing, George Shakespear, active 1752, died 1797, Studio of James Wyatt, 1746–1813, British, ca. 1790, Watercolor and gray wash, pen and black ink and graphite on moderatley thick, moderatlely

A Snipe, James Sowerby, 1756–1822, British, 1794, Watercolor and graphite on medium, smooth, cream wove paper, Sheet: 13 × 8 1/8 inches (33 × 20.6 cm), animal art, Snipes

Mutton Cove, Plymouth, Thomas Sewell Robins, 1814–1880, British, undated, Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 8 3/8 × 11 inches (21.3 × 27.9 cm), boats,

Near El Areesh, 3:30 pm, 30 March 1867 (27), Edward Lear, 1812–1888, British, 1867, Watercolor, pen and brown ink, and graphite on thick, rough, cream wove paper, Sheet: 4 3/4 × 9 7/8 inches (12.1 × 25.1 cm), camels (mammals),

Banded Mongoose, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink, gray ink and graphite on medium, smooth, white, wove paper, Sheet: 4 5/16 × 6 3/4 inches (11 × 17.1 cm), animal art

Place Royale, Paris, Augustus Welby Northmore Pugin, 1812–1852, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 4 5/8 x 8 5/8 inches (11.7 x 21.9 cm), architectural subject,

A Man holding a Scroll, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 7/8 × 5 3/8 inches (20 × 13.7 cm

Visitors Inspecting Abbey Ruins, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and gray ink, and pen and red ink, over graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 7/8 inches (14 x 25.1

Memorial to Henrici Hawley and Another to Henry, John and Thomas Whitehead from Brentford Church, Attributed to Daniel Lysons, 1762–1834, British, betweeen 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium,

View on the London and Birmingham Railway at Chalk Farm Showing the Train Carrying Livestock, W. S. Penson, 19th century, undated, Watercolor, pen and black ink, gouache, and graphite on thick, smooth, cream wove paper, Sheet: 9 1/2 x 14

View near Palermo, Edward Lear, 1812–1888, British, 1847, Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper, Sheet: 12 1/2 x 19 1/8 inches (31.8 x 48.6 cm), Grand Tour, hills,

Mountainous Landscape, unknown artist, nineteenth century, undated, Watercolor on thick, moderately textured, cream wove paper, Sheet: 8 5/8 × 13 1/8 inches (21.9 × 33.3 cm), grass, landscape, mountains, prairies, sky

Figures and Boats on the Thames, Samuel Scott, 1701/2–1772, British, undated, Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper with thin, slightly textured, blue laid paper border, mounted on

Memorial to Mary Gardiner from Hampton Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 1/4 × 11 inches (38.7 × 27.9

Still Life with a Jug and Copper Pan, Peter DeWint, 1784–1849, British, undated, Watercolor on moderately thick, rough, beige, wove paper, Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm), bowl (vessel), copper, jar, jug, pan, pottery,

Walenstadt, from Weesen, Switzerland, William Callow, 1812–1908, British, active in France, 1842, Watercolor with pen in brown ink, graphite, gouache and scratching out on medium, slightly textured, cream wove paper, Sheet: 17 9/16 x

Waterfall, Francis Nicholson, 1753–1844, British, undated, Watercolor over graphite on medium, textured, cream wove paper, Sheet: 12 3/8 × 16 7/8 inches (31.4 × 42.9 cm

Three Greyhounds in a Room, Peter Casteels, 1684–1749, Flemish, active in Britain (from 1708), undated, Graphite, watercolor, and pen in gray ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick,

Near Sterzing, Tyrol, Monro School, Thomas Girtin, 1775–1802, British, and Joseph Mallord William Turner, 1775–1851, British, ca. 1795, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 5/8 x 9 1/8

Caricatures of the counties of Devonshire and Gloucestershire, John Leech, 1817–1864, British, undated, Watercolor and graphite on moderately thick, slightly textured, beige wove paper, Sheet: 7 × 10 inches (17.8 × 25.4 cm), caricatures,

London from Greenwich Hill, John Robert Cozens, 1752–1797, British, ca. 1791, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 x 21 1/8 inches (37.8 x 53.7 cm), buildings, deer, domes, hills,

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Farm of Highbanks, John Howatson, active 1813, 1813, Graphite, watercolor, gray wash, pen and black ink on slightly textured, moderately thick, cream wove paper, backed

Naples from Posillipo, Jacob More, 1740–1793, British, 1780's, Watercolor over graphite on textured, medium, white laid paper, Sheet: 20 1/2 × 28 5/8 inches (52.1 × 72.7 cm), landscape, Naples, Posillipo

Spitzbergen, Bearing South, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8 inches

Sketches from Life in Paris: Seated Woman and Seated Man - two drawings on one mount, Ambrose Poynter, 1796–1886, British, ca. 1835, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 3 7/8 × 5 1/4 inches (9.8

Remains of a Temple at Corinth, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor, and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 11 5/16 × 16 15/16 inches (28.7 × 43 cm

View of Chepstow Castle, Monmouthshire, from Under the Bridge, John Varley, 1778–1842, British, 1802, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Mount: 11 9/16 x 20 1/16 inches (29.4 x 51 cm) and

Ground Plan of Thunderdell Lodge with Dog Kennel and Court, Earl of Bridgewater, Studio of Sir Jeffry Wyatville, 1766–1840, British, undated, Pen, black ink, graphite and watercolor on moderately thick, slightly textured, cream wove

Unidentified Fish, Luigi Balugani, 1737–1770, Italian, James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 1/4 inches (41.3 cm) and Sheet: 16 × 12

A Scene between Galle and Matura, about Six Miles from Galle, Samuel Daniell, 1775–1811, British, ca. 1801, Watercolor, graphite, pen in brown ink, and gouache on medium, slightly textured, cream, wove paper, Sheet: 12 5/16 × 17 7/8

View of the Houses of Lords and Commons from Old Palace Yard, Isaac Cruikshank, 1756–1810, British, 1808, Watercolor with pen and black ink over graphite on wove paper, Sheet: 10 1/2 x 15 1/2in. (26.7 x 39.4cm

Design for a Tudoresque Villa, Lewis Vulliamy, 1791–1871, British, undated, Pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 8 7/16 × 12 inches (21.4 × 30.5 cm), architectural subject,

Treeing a Fox, Samuel Alken, 1756–1815, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, blued white, wove paper, Sheet: 10 1/2 × 16 1/2 inches (26.7 × 41.9 cm), bushes, dogs (animals),

Houses Adjacent to Westminster Abbey in the Process of Demolition, John Phillipps Emslie, 1839–1913, British, 1896, Graphite and watercolor on smooth, medium, white wove paper, Sheet: 6 7/8 × 9 1/8 inches (17.5 × 23.2 cm), architectural

A House with Woman in the Doorway, unknown artist, between 1826 and 1866, Watercolor with gouache over graphite, Sheet: 4 15/16 x 6 15/16in. (12.5 x 17.6cm

Near Mereeh or Garf Hossayn, 4:00 pm, 31 January 1867 (302), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, gray wove paper, Sheet: 2 5/16 x 7

Pont-y-Pier near Llanroost, Denbighshire, Paul Sandby RA, 1731–1809, British, ca. 1800, Watercolor and gouache on medium, smooth, cream wove paper, Sheet: 7 3/4 x 10 1/2 inches (19.7 x 26.7 cm), arches, bridge (built work), figure,

A Collection of Surveys of Scottish Estates of the Earl of Selkirk: Palmangan, unknown artist, undated, Graphite, watercolor, gray wash, pen and black and brown ink on slightly textured, moderately thick, cream wove paper, Sheet: 13 3/16 ×

Design for Lypiatt Park, Studio of Sir Jeffry Wyatville, 1766–1840, British, undated, Watercolor with pen, black ink and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 24 1/8 × 38 inches (61.3 × 96.5 cm),

Wallenstadt from Wesen, Switzerland, William Callow, 1812–1908, British, active in France, 1838, Watercolor over graphite on medium, slightly textured, blued white wove paper, Sheet: 9 3/4 x 14 1/4 inches (24.8 x 36.2 cm), boats, lake,

A Groom Leading a Bay Horse, Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, moderately textured, blued white, wove paper, Sheet: 9 15/16 × 13 5/16 inches (25.2 × 33.8 cm), groom (caretaker of

A Ploughboy Riding One of a Pair of Draught-horses Up a Hill, John Frederick Tayler, 1802–1889, British, undated, Watercolor over graphite on medium, slightly textured, cream, wove paper, Sheet: 7 15/16 × 9 3/4 inches (20.2 × 24.8 cm),

Memorial to Elizabeth Askew from Fulham Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8

Sailors on Shore at Navarino, Print made by William Heath, 1795–1840, British, Published by Thomas McLean, 1788–1875, British, ca. 1827, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 17

Sky Study, No. 2, Attributed to Thomas Lindsay, 1793–1861, British, undated, Watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 2 5/8 × 4 1/4 inches (6.7 × 10.8 cm), blue, clouds, panorama, red, sky

Fisherman's Cottage, Dover, Joseph Mallord William Turner, 1775–1851, British, ca. 1790s, Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper, Sheet: 5 1/4 x 7 7/8 inches (13.3 x 20 cm), architectural

The Island of Hoy, the Orkneys, Edward Dayes, 1763–1804, British, undated, Watercolor, pen, brown ink, graphite, gray ink, and gray wash on thick, slightly textured, cream laid paper, Sheet: 11 1/8 x 15 7/8 inches (28.3 x 40.3 cm),

Horses Fighting, after George Stubbs, 1724–1806, British, undated, Watercolor, gouache, and pen and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 17 1/8 x 23 1/4 inches (43.5 x 59.1 cm), animal art,

Two Girls Under an Umbrella, Print made by Robert Barnes, 1840–1895, British, after Robert Barnes, 1840–1895, British, undated, Wood-engraving with watercolor on moderately thick, slightly textured, cream card mounted on moderately

The Environs of London: Brass plate for a Rector, illegible inscription, form Hayes Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove

One from Views in Saxony, France, Spain, Reba, Italy, Sicily..., Sir Richard Colt Hoare, 1758–1838, British, John Warwick Smith, 1749–1831, British, ca. 1817, Watercolor and black ink over graphite on wove paper, Sheet: 11 1/4 x 14

Study of Fish, Venice, Myles Birket Foster, 1825–1899, British, 1874, Watercolor and gouache over graphite on card on thick, moderately textured, card, Sheet: 8 7/8 × 11 1/8 inches (22.5 × 28.3 cm), animal art, baskets, dead, fish,

The Band of the 23rd Fusiliers, Michael Angelo Hayes, 1811–1880, British, 1838, Watercolor, with pen, in brown ink, blue ink, and black ink, over graphite on medium, slightly textured, blued white, wove paper, Sheet: 6 7/16 × 8 5/16

An Owl, an Eagle, Two Falcons, a Vulture and Other Birds Perched in Trees, Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in brown ink, with traces of graphite on medium, slightly textured, cream, wove paper,

Two Bay Horses in a Landscape, Sawrey Gilpin, 1733–1807, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 10 7/16 × 14 1/2 inches (26.5 × 36.8 cm), animal art

Naval Officers and a Bowl of Punch, Thomas Rowlandson, 1756–1827, British, undated, Watercolor and graphite with pen and red ink and pen and gray ink on medium, slightly textured, cream wove paper, Sheet: 5 11/16 x 6 inches (14.4 x 15.2

Study of a Male Nude, Edward Francis Burney, 1760–1848, British, undated, Watercolor and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 6 5/8 × 4 1/4 inches (16.8 × 10.8 cm), figure study, male, nude

Foundation of Stratten's Chapel, John Linnell, 1792–1882, British, 1811, Watercolor over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 3 7/8 x 5 5/8 inches (9.8 x 14.3 cm), architectural subject, beams,

Welsh Mountain Stream, David Cox Jr., 1809–1885, British, ca. 1850, Watercolor, pen and black ink, brown ink, gouache, graphite, and scratching out on thick, rough, white, wove paper, Sheet: 14 5/8 × 20 3/4 inches (37.1 × 52.7 cm),

Bradwell Lodge, Bradwell Quay, Essex, Thomas Rowlandson, 1756–1827, British, And Thomas Malton the Younger, 1748–1804, British, undated, Watercolor with pen and black and gray ink, over graphite on medium, slightly textured, blued

Harlech Castle, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), undated, Watercolor, gouache, varnish, and graphite, with scraping out on medium, slightly textured, brown wove paper, Sheet: 8 5/8 x 11 5/8 inches (21.9 x

Clovelly, North Devon, William Turner of Oxford, 1789–1862, British, undated, Watercolor, pen and brown ink, and graphite with scraping out on moderately thick, slightly textured, cream wove paper, Contemporary drawn border: 29 1/4 x 44

High Tor, Matlock, Henry Moore, 1831–1895, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 13 15/16 x 20 3/8in. (35.4 x 51.8cm), cliffs, clouds, ferns, flowers (plants), forest, grass,

On a Man-o'-War, William Anderson, 1757–1837, British, between 1794 and 1799, Watercolor, graphite, pen, and brown ink on medium, slightly textured, cream laid paper, Sheet: 17 × 10 1/2 inches (43.2 × 26.7 cm

Officer with Cockade and Sword, James Roberts, active 1766–1809, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 6 × 3 3/4 inches (15.2 × 9.5 cm), breeches,

On the Monnow, Monmouth, Henry Edridge, 1769–1821, British, undated, Watercolor, white gouache, and graphite with scratching out on medium, moderately textured, cream wove paper, Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm),

Wooded Rocks by a Stream (Derbyshire?), William Day, 1764–1807, undated, Watercolor, with pen, in brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige, laid paper, mounted on, thick, slightly

Bromley Hill, Peter DeWint, 1784–1849, British, 1812, Watercolor and graphite on thick, cream, rough wove paper, Sheet: 12 5/8 × 19 7/8 inches (32.1 × 50.5 cm), clouds, fences, forest, gates, hill, landscape, paths, road, trees,

Merida, Spain, John Varley, 1778–1842, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 3/16 x 20 1/4 inches (18.2 x 51.5 cm), architectural subject, beach, boats, bridge

Doctor Syntax loses his Money on the Race Ground at York, Thomas Rowlandson, 1756–1827, British, 1820, Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium medium, slightly textured, cream,

Two Blowfish, Luigi Balugani, 1737–1770, Italian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 13 1/2 x 9 inches (34.3 x 22.9 cm), blowing, fish

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794–1879, British, undated, Watercolor and graphite on slightly textured, moderately thick, cream wove paper, Sheet: 17 × 13 7/16 inches (43.2 × 34.1 cm) and Image: 9 5/16 × 7

Cottage on the grounds of Ayot St. Lawrence Hertfordshire, Samuel Davis, 1757–1819, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 3/8 x 11 3/4 inches (23.8 x 29.8 cm), architectural

Cobham Hall, Kent: Section of a Turret, James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and black ink and watercolor on moderately thick, moderately textured cream laid paper., Sheet: 14 1/4 x 20 7/8 inches (36.2 x 53 cm),

Memorial to Dame Jane Rawlison from Ealing Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14

Shelton Hall Lands, Isaac Johnson, 1754–1835, British, undated, Pen and brown ink and watercolor on medium, slightly textured, cream laid paper, Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm), architectural subject, designs, house,

Jerusalem, Plate 58, 'In beauty the Daughters of Albion....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove

Timber Wagon Crossing a Stream, Samuel Palmer, 1805–1881, British, active in Italy (1837–39), undated, Watercolor and gouache on thick, slightly textured, cream wove paper, Sheet: 6 7/8 × 8 3/4 inches (17.5 × 22.2 cm) and Image: 4 1/4

Landscape with a Clump of Trees near a Road and a Stream, John Varley, 1778–1842, British, undated, Watercolor on medium, moderately textured, cream laid paper mounted on board, Mount: 6 7/16 x 9 5/16 inches (16.3 x 23.7 cm) and Sheet: 3

Man of El Miradero, Alfred Diston, active 1818–1829, ca. 1828, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 8 × 6 1/2 inches (20.3 × 16.5 cm), costume, figure study, genre subject, man, Europe,

Foxhunting: The Meet, With Hounds Coming Out of Kennel, Samuel Alken, 1756–1815, British, undated, Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream, wove paper, Sheet: 10 3/4 × 17 7/16 inches

The Gap of Dunloe, Killarney, Published by Newman & Co., active 1820, undated, Lithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper

A View of the Old Crater of Morne Soufriere, St. Vincent, Rev. Lansdown Guilding, 1798–1831, British, undated, Watercolor, pen and black ink, gouache and graphite on medium, moderately textured, cream wove paper, Sheet: 12 1/4 × 17 3/4

America. A Prophecy, Plate 8, 'The Morning Comes....', Print made by William Blake, 1757–1827, British, 1793, Color-printed relief etching in green-black with pen and black ink and watercolor on moderately thick, slightly textured, cream

Finsbury Square, George Sidney Shepherd, 1784–1862, British, 1814, Watercolor, ink, and gouache on moderately thick, slightly textured, cream wove paper, Sheet: 8 3/4 × 11 5/8 inches (22.2 × 29.5 cm), architectural subject, bushes,

On the Washburn, Joseph Mallord William Turner, 1775–1851, British, ca. 1815, Watercolor, graphite and white highlighting on medium, slightly textured, cream wove paper mounted on thick, smooth, cream wove paper, Sheet: 10 3/4 x 15 3/8

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

The Church in Knebworth Park, Samuel Davis, 1757–1819, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm), architectural subject, architecture, chapel,

Bustard, Robert Mabon, died 1798, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 10 1/2 × 8 5/8 inches (26.7 × 21.9 cm), animal art, beak, bird, wings (furniture components

Stowe House, Buckingham, Robert Streatfeild, 1786–1852, 1797, Watercolor on medium, slightly textured, cream wove paper, Sheet: 5 7/8 × 8 1/2 inches (14.9 × 21.6 cm) and Mount: 8 3/16 × 12 1/4 inches (20.8 × 31.1 cm), architectural

Man Drinking from a Spout, Nicholas Pocock, 1740–1821, British, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 8 3/8 × 14 9/16 inches (21.3 × 37 cm), breeches, drinking, genre subject, jacket,

Design for the 1639 Altarpiece in Exeter Cathedral, William Cavell, undated, Pen and black ink, gray wash, watercolor on moderately textured, medium, white laid paper, Sheet: 15 3/4 × 26 3/8 inches (40 × 67 cm), architectural subject

The Zebra, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream, wove paper, Sheet: 3 7/8 × 6 7/16 inches (9.8 × 16.4 cm), animal art, zebra (mammal

Memorial to Elizabeth and Frances Boone, and Mrs. Esther Chapham from Sudbury Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream

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