Images at Librifly

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Comforts of Bath: Gouty Gourmands at Dinner, Thomas Rowlandson, 1756–1827, British, 1798, Watercolor, pen and gray-brown ink, and graphite on medium, moderately textured, beige wove paper, Sheet: 5 x 7 7/8 inches (12.7 x 20 cm), chairs,

Ultima, One of Lord Maynard's Mares, William Henry Davis, active 1803–1849, British, 1815, Watercolor and graphite on moderately thick, slightly textured, cream, wove paper, Mount: 13 7/8 × 18 1/16 inches (35.2 × 45.9 cm), Sheet: 10

Interior of the Belfry, Bushey Church, William Henry Hunt, 1790–1864, British, ca. 1822, Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper, Contemporary drawn border: 16 7/8 x 13 inches

Harbledown, a Village near Canterbury, Jonathan Skelton, active 1754, died 1758, British, 1757, Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, blued white laid paper, pasted on contemporary mount

Coast Scene, Samuel Prout, 1783–1852, British, undated, Watercolor with pen and brown ink on moderately thick, slightly textured, beige wove paper, Sheet: 6 7/8 x 9 5/8 inches (17.4 x 24.4 cm), boats, chains, coast, coats, flag, genre

Entrance to Newmarket, William Westall, 1781–1850, British, undated, Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream, wove paper, Sheet: 3 3/4 × 5 5/8 inches (9.5 × 14.3 cm), architectural subject

Landscape Sketch with Figures in Foreground, Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 3 3/4 x 5 7/8 inches (9.5 x 14.9 cm), clouds, fields,

A Mountain Torrent, William James Muller, 1812–1845, British, undated, Watercolor and gouache on thick, rough, cream wove paper, Image: 10 5/8 x 15 1/8 inches (27 x 38.4 cm), landscape, mountains, movement, torrent

Bayswater - London, Paul Sandby RA, 1731–1809, British, undated, Pen and gray ink and watercolor on medium, beige, slightly textured wove paper, Sheet: 5 3/8 x 8 3/8 inches (13.7 x 21.3 cm), horses (animals), landscape, men, road,

Raftered Hall with Figures in 16th Century Dress, James Pattison Cockburn, 1778–1847, British, undated, Watercolor, gouache, and pen and brown ink on medium, slightly textured, beige wove paper, Sheet: 12 x 8 1/4 inches (30.5 x 21 cm),

Views in the Levant: View From a Hillside Over Looking a Seaside Village in Turkey, Attributed to Willey Reveley, 1760–1799, British, ca. 1785, Watercolor, over graphite, with traces of pen in brown ink on medium, moderately textured,

Design for a Landscape Garden with Ponds Seen Through Trees, James Spyers, active 18th century, undated, Watercolor, pen and black ink, and graphite on thin, slightly textured, cream laid paper, Sheet: 8 3/4 × 12 1/4 inches (22.2 × 31.1

Two Jeyties, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 7 × 9 3/8 inches (17.8 × 23.8 cm), figure study, genre subject, men, poles

Figures Harvesting, William Hamilton, 1751–1801, British, undated, Watercolor and pen and black ink, pen and brown ink and graphite on medium, slightly textured, cream laid paper, Sheet: 6 5/8 × 9 inches (16.8 × 22.9 cm), boy, farmers,

Castle on Holy Island, John Varley, 1778–1842, British, 1809, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 5 1/2 x 17 7/8 inches (14 x 45.4 cm), beaches, boats, castles, cliffs, islands,

Young's Night Thoughts, Page 57, 'Trembling Each Gulp, Lest Death Should Snatch the Bowl', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream

Lulworth Cove, William Daniell, 1769–1837, British, ca. 1813, Watercolor with brown wash and gouache over graphite on medium, slightly textured, beige wove paper, pasted on contemporary mount made of thick, slightly textured, beige card,

Split with Wedge and Beetel, Julius Caesar Ibbetson, 1759–1817, British, undated, Pen and black ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 2 3/8 × 3 inches (6 × 7.6 cm), chopping, genre subject, men,

Falls of Wilberforce, Hood River, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 12 7/8 × 16 1/8 inches (32.7 × 41 cm) and Binding: 16 1/8

Gardenia ternifolia Schum.& Thonn. (Wild Gardenia): finished drawing, James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 3/8 inches (40.6 × 31.4

River Landscape, Charles Hamilton Smith, 1776–1859, Belgian, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 × 8 7/8 inches (17.8 × 22.5 cm), horses (animals), landscape, river, tower

Interior of a Dressing Room with Jack Bannister, Thomas Rowlandson, 1756–1827, British, between 1790 and 1795, Watercolor and graphite with pen and red-brown ink on medium, slightly textured, cream laid paper, Sheet: 5 x 8 5/16 inches (12.7

Views in England, Scotland and Wales: Upper part of the Fall of Lowdoor, A Study from Nature, Amos Green, 1735–1807, British, Harriet Green, 1751–1807, British, 1803, Watercolor

Bowood Wiltshire; the Seat of the Marquis of Lansdown, John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1823, Watercolor and pen and black ink on moderately thick, cream wove paper, Sheet: 14 × 19

Memorial to Sir Thomas Chaloner, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches

Unidentified Ruins, Lewis Vulliamy, 1791–1871, British, between 1818 and 1822, Graphite and watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 5 1/2 × 13 1/8 inches (14 × 33.3 cm), architectural subject, ruins

The Vicar of Wakefield: The Fair Penitent, Thomas Rowlandson, 1756–1827, British, ca. 1817, Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, blued white wove paper, Sheet: 4 5/8 x 7 1/4 inches (11.7 x 18.4 cm),

Paradoxurus Dubius, Charles Hamilton Smith, 1776–1859, Belgian, James Stewart, 1791–1863, British, ca. 1837, Watercolor, pen and brown ink and graphite on moderately thick, smooth, cream, wove paper, Sheet: 5 × 8 inches (12.7 ×

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824–1881, British, undated, Pen, black ink and graphite with watercolor and gouache on medium,

Ladies' Church dress, Alfred Diston, active 1818–1829, ca. 1828, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/8 × 7 inches (23.2 × 17.8 cm), costume, figure study, genre subject,

Design for A Winter's Tale, Thomas Grieve, 1799–1882, British, undated, Watercolor, gouache, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 3/8 × 12 3/4 inches (18.7 × 32.4 cm), architectural subject,

Alton Towers August 1830, Anne Rushout, ca. 1768–1849, British, 1830, Watercolor on moderately thick, slightly textured, cream wove paper

The New Walk, York, Thomas Girtin, 1775–1802, British, ca. 1798, Watercolor with pen and black ink and brown ink over graphite with gouache on cream, thick, moderately textured, laid paper, Sheet: 12 5/16 x 21 13/16 inches (31.3 x 55.4

River Scene with Boy and Sheep, William Havell, 1782–1857, British, active in India (1820–26), undated, Watercolor over graphite with gum on moderately thick, moderately textured, cream wove paper, Sheet: 11 1/8 × 15 5/8 inches (28.3 ×

A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital, Thomas Hearne, 1744–1817, British, ca. 1775, Watercolor and black ink over graphite on moderately thick, slightly textured, cream laid

Tauraco leucotis (White-cheeked Turaco), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12 inches (40.3 ×

Old Church of St. Lawrence, Ayot St. Lawrence, Hertfordshire, Samuel Davis, 1757–1819, British, undated, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm),

Kom el Amhr, 1:00 pm, 4 January 1867 (68), Edward Lear, 1812–1888, British, 1867, Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/2 x 9 3/16 inches (14 x 23.3 cm),

Stormy Sunset, Legh Park, Wiltshire, Sir George Hayter, 1792–1871, British, 1816, Watercolor, gouache and graphite on medium, slightly textured, cream wove paper, Sheet: 5 3/4 × 8 1/2 inches (14.6 × 21.6 cm), clouds, landscape,

The Sporting Undergraduate, Henry William Bunbury, 1750–1811, British, 1772, Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper, Sheet: 3 3/4 × 3 1/8 inches (9.5 × 7.9 cm), caricature, horse

The First Book of Urizen, Plate 3 (Bentley 22), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 7 1/8

Memorial to Elizabeth Powle, from Barking Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 1/8 × 10 3/4

Procession of Watermen and Lightermen at Southwark, Francis Vincent, 1803–1883, after Francis Vincent, 1803–1883, 1820, Etching and watercolor

Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style, unknown artist, ca. 1780-1790, Graphite, pen and black ink, watercolor on textured, thin, beige laid paper, Sheet: 18 1/2 × 23 1/4 inches (47 × 59.1 cm),

The Mountains of Africa, from the Hospital at Gilbraltar, George Lothian Hall, 1825–1888, British, 1844, Watercolor over graphite with scraping out on thick, moderately textured, cream wove paper, Sheet: 6 1/4 × 10 inches (15.9 × 25.4

New Harbour, Malta, Edward Lear, 1812–1888, British, 1866, Watercolor with pen in brown ink and gouache, over graphite on moderately thick, moderately textured, beige wove paper, Sheet: 7 1/8 x 20 7/8 inches (18.1 x 53 cm), boats,

South East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart., John Buckler FSA, 1770–1851, British, and John Chessell Buckler, 1793–1894, British, 1818, Watercolor and pen and black ink on moderately thick, cream

In the Via Mala, Between Coire and Splugen, unknown artist, Monro School, ? Thomas Girtin, 1775–1802, British, ? Joseph Mallord William Turner, 1775–1851, British, ca. 1796, Watercolor, graphite, gray wash and blue wash on medium,

Philae, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, sligtly textured, cream wove paper, Sheet: 3 1/4 x 5 11/16 inches (8.3 x 14.4 cm), island, landscape, river, river, rocks (landforms),

The Newfoundland Dog, Original Breed, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, pen and brown ink, black ink and graphite on medium, smooth, cream, wove paper, Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm),

Memorial to Thomas Cartwright and to John Reynolds, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 × 11

Mussaenda arcuata Lam. ex Poir. : finished drawing without details, James Bruce, 1730–1794, British, undated, Watercolor and gouache over graphite on medium, slightly textured, cream laid paper, Sheet: 16 × 12 inches (40.6 × 30.5 cm

Jerusalem, Plate 68, 'O Skofield why art thou cruel?....', Print made by William Blake, 1757–1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper,

The Maratha Peshwa and his Ministers, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 3 × 2 3/8 inches (7.6 × 6 cm

Landscape, Castle by a River, William Green, 1760–1823, British, undated, Watercolor, with pen in gray ink, over graphite on moderately thick, moderately textured, cream, wove paper, Sheet: 15 3/4 × 22 1/16 inches (40 × 56 cm),

A Hoatzin? on a Branch, James Sowerby, 1756–1822, British, undated, Watercolor over graphite on medium, smooth, cream wove paper, Sheet: 8 1/4 × 13 1/4 inches (21 × 33.7 cm), animal art, bird, branch, Great Blue Turaco

Deck of a Paddle Steamer With a Girl Reading and a Horse Travelling in a Loose-Box, Edward Allen Everitt, 1824–1882, British, undated, Watercolor, pen and black ink, brown ink, gray ink, graphite, and gouache on moderately thick,

The Opera Singers, Thomas Rowlandson, 1756–1827, British, between 1790 and 1795, Watercolor with pen and black ink over graphite on medium, slightly textured, beige wove paper, Sheet: 5 1/2 x 4 11/16 inches (14 x 11.9 cm), bracelet

Portrait of a Young Woman as Psyche, Samuel Shelley, 1750–1808, British, undated, Watercolor and graphite on medium, slightly textured, beige wove paper, Sheet: 5 1/8 × 3 7/8 inches (13 × 9.8 cm), cup, girl, hair, lips (mouth),

Seated gardener with a shovel, William Egley, 1798–1870, British, undated, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 12 3/8 × 9 inches (31.4 × 22.9 cm), gardener, genre subject, hat,

Rievaulx Abbey, Yorkshire, Thomas Girtin, 1775–1802, British, ca. 1796, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 13 3/4 × 5 inches (34.9 × 12.7 cm), abbey, architectural subject, grass, hills,

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824–1881, British, undated, Black ink, red ink, graphite, watercolor and gouache on medium,

Near Mallwyd on the Dovey, Sir Robert Kerr Porter, 1777–1842, British, undated, Watercolor, wash, and graphite on medium, slightly textured, cream laid paper, Sheet: 10 5/8 x 15 13/16in. (27 x 40.2cm) and Sheet: 10 3/4 × 15 7/8 inches

Hilly Landscape with Figures Approaching a Bridge, Thomas Gainsborough RA, 1727–1788, British, ca. 1763, Watercolor and gouache on medium, slightly textured, cream laid paper, on contemporary mount, Sheet: 11 x 15 inches (27.9 x 38.1 cm),

Korosko, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, white gouache, pen and brown ink on moderately thick, moderately textured, gray wove paper, Sheet: 2 3/8 x 10 3/4 inches (6 x 27.3 cm), islands, landscape, mountains,

Memorial to Dame Ann Edwards and Sir Thomas Edwards from Ealing Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove

Fondi: Il Castello, Carlo Labruzzi, 1748–1817, Italian, undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 15 1/4 × 21 inches (38.7 × 53.3 cm), architectural subject, Fondi

Sketchbook, Barbara Bodichon, 1827–1891, British, 1861, Watercolor and black chalk; verso: watercolor and gray wash on thick, moderately textured, cream wove paper, Spine: 5 1/4 inches (13.3 cm) and Sheet: 5 x 7 inches (12.7 x 17.8 cm

Boat on the Nile, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, sligtly textured, cream wove paper, Sheet: 2 13/16 x 4 5/8 inches (7.1 x 11.7 cm), boat, flag, marine art, river, windows,

View in Wales, attributed to Paul Sandby RA, 1731–1809, British, undated, Watercolor, pen and brown ink and graphite on medium, slightly textured, cream card, Sheet: 15 1/2 x 22 1/2 inches (39.4 x 57.2 cm), bridge (built work), cart,

Tomb of Sir Edward Fennen of Hayes from Hayes Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14

Pont Aberglasslin, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm

Illustration to R.S. Surtees', 'Jorrocks's Jaunts and Jollities': 'Mr. Jorrocks Takes a Ride at St. Cloud', Henry Thomas Alken, 1785–1851, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper,

Memorial to Mr. Thomas Lant also to Mr. Robert Harington from Hornsey Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured,

Fanali di Villa Franca, Monro School, unknown artist, ca. 1795, Watercolor on medium, slightly textured, cream wove paper, Sheet: 4 15/16 × 7 7/16 inches (12.5 × 18.9 cm), boats, cliffs, landscape, lateen rig, lighthouse, marine art,

Saint Cuthbert's Holy Island, Thomas Girtin, 1775–1802, British, 1797, Watercolor with pen in brown ink over graphite on thick, moderately textured, blued white, wove paper, Sheet: 10 x 12 inches (25.4 x 30.5 cm) and Mount: 13 3/4 x 16 5/8

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London, George Edmund Street, 1824–1881, British, undated, Black and blue ink, pen and graphite with watercolor and gouache,

The Poultry Market, James Pollard, 1792–1867, British, undated, Watercolor, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/8 × 10 3/4 inches (23.2 × 27.3 cm), baskets, brick,

A Dead Bird, Paul Sandby RA, 1731–1809, British, undated, Watercolor and graphite on medium, moderately textured, beige laid paper, Sheet: 2 5/8 x 5 inches (6.7 x 12.7 cm), animal art, bird, death, game (hunted animal

Memorial to William Thompson, and to Elizabeth and Samuel Wegg, and Sarah Leheup, from Acton Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured,

Gray's Inn, Samuel Ireland, active 1760–died 1800, British, 1800, Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper, Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm) and Mount: 9 × 12 1/2 inches

Portia and Bassanio, Richard Parkes Bonington, 1802–1828, British, ca. 1826, Watercolor and gouache over graphite on medium, cream, slightly textured wove paper, Sheet: 6 1/2 x 5 1/8 inches (16.5 x 13 cm), literary theme, plays by William

Coursing, Plate 2, Print made by Samuel Howitt, 1756–1822, British, Published by Edward Orme, 1775–1848, British, 1812, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Protea gaguedi J.F. Gmel. (Protea): finished drawing with floral details, Luigi Balugani, 1737–1770, Italian, Formerly James Bruce, 1730–1794, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream

View of a Building with Chimneys, James Miller, active 1773–1814, undated, Watercolor, graphite, pen and black ink on medium, moderately textured, blued white, laid paper, Sheet: 7 13/16 × 6 3/8 inches (19.8 × 16.2 cm) and Mount: 10

Newark - upon - Trent, Joseph Mallord William Turner, 1775–1851, British, ca. 1796, Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper, Sheet: 12 x 16 1/2 inches

Landscape with Castle, Hills and Mountains, Thomas Sully, 1783–1872, American, undated, Watercolor and scratching out on moderately thick, moderately textured, beige, wove paper, Sheet: 11 1/8 × 8 9/16 inches (28.3 × 21.7 cm

Fruit trees, 3 April 1863, Edward Lear, 1812–1888, British, 1863, Watercolor with pen in brown ink over graphite on moderately thick, rough, cream wove paper, Sheet: 16 13/16 x 10 inches (42.7 x 25.4 cm), botanical subject, branches,

Gebel Sheikh Embarak, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/8 x 9 1/4 inches (13 x 23.5 cm), boats, figures (representations),

Epitaph of Lady Anne Southwell from Acton Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 3/4

Boarding a Train, John Leech, 1817–1864, British, undated, Graphite and watercolor on moderately thick, moderately textured, cream wove paper, Sheet: 3 7/8 × 3 1/8 inches (9.8 × 7.9 cm

Gebel Es Silsilis, Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, pen and black ink and brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 2 1/16 x 10 13/16 inches (5.2 x 27.5 cm), landscape, palm

A Devonshire Farm, Thomas Girtin, 1775–1802, British, ca. 1798, Watercolor, graphite and gouache on medium, slightly textured, cream laid paper, mounted on moderately thick, moderately textured, brown wove paper, Sheet: 7 3/4 × 11 5/8

Young's Night Thoughts, Page 41, 'One radiant Mark, the Deathbed of the Just', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

An Audience at Drury Lane Theatre, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and black and gray ink on beige/brown, thick, moderately textured, laid paper, glued to mat, Sheet: 8 1/2 x 17 3/16 inches (21.6 x 43.7

Europe. A Prophecy, Plate 2, Title Page, Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper

Two Tigers, Sawrey Gilpin, 1733–1807, British, 1760, Watercolor, graphite, pen and black ink on medium, slightly textured, beige, laid paper, Sheet: 6 7/8 x 5 7/8in. (17.5 x 14.9cm) and Image: 6 1/2 × 5 1/2 inches (16.5 × 14 cm),

View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge, Edward Francis Burney, 1760–1848, British, undated, Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, blued white, laid paper,

Buildings by a River, Robert Mabon, died 1798, British, undated, Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper, Sheet: 11 3/4 × 23 3/4 inches (29.8 × 60.3 cm

African Woman with Baskets, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 5 3/4 × 3 7/8 inches (14.6 × 9.8 cm

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