Images at Librifly

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Chameleon and a Mammal, unknown artist, 1829, Watercolor with pen and black ink and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 10 1/2 x 16 11/16in. (26.7 x 42.4cm), animal art, chameleon, mammals

An Elderly Buck walking with a Lady, Thomas Rowlandson, 1756–1827, British, between 1810 and 1820, Watercolor and graphite with pen and red-brown ink and pen and gray ink on medium, moderately textured, light blue, laid paper, Sheet: 6 5/8

Coastal Landscape Scene, Henry Swinburne, 1743–1803, British, undated, Watercolor and gouache, graphite, pen and brown ink on medium, moderately textured, cream, wove paper, mounted on, moderately thick, slightly textured, cream,

Moorshedabad Murshidabad, Samuel Davis, 1757–1819, British, undated, Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 3/8 × 9 1/8 inches (18.7 × 23.2 cm), architectural subject, boat,

Clapton, unknown artist, 1873, Watercolor, Sheet: 6 3/16 x 10 1/8in. (15.7 x 25.7cm

Two Men Walking in a Landscape, Rev. William Gilpin, 1724–1804, British, 1783, Watercolor, graphite, brown wash, pen and brown ink on moderately thick, moderately textured, beige laid paper, Sheet: 10 15/16 × 16 3/8 inches (27.8 × 41.6

Saint-Pierre, Caen, Anne Rushout, ca. 1768–1849, British, 1824 to 1832, Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 10 × 6 3/4 inches (25.4 × 17.1 cm), architectural

Landscape with a Hunting Party, Thomas Rowlandson, 1756–1827, British, undated, Watercolor with pen and red-brown and gray ink over graphite with pen and gray ink and wash line on border on thick, moderately textured, beige, wove support

A Young Girl, Attributed to Francois Theodore Rochard, 1798–1858, French, undated, Watercolor on ivory, Image: 1 1/4 x 7/8 inches (3.2 x 2.2 cm) and Frame: 1 1/2 x 1 1/4 x 1/4 inches (3.8 x 3.2 x 0.6 cm), child, girl, portrait

'Some Do and Some Don't: It is All a Notion:' Getting a Fall, Henry Thomas Alken, 1785–1851, British, between 1848 and 1851, Graphite and watercolor on medium, slightly textured, beige, wove paper, Sheet: 7 9/16 × 10 11/16 inches (19.2 ×

Columba guinea (Speckled Pigeon, African Rock Pigeon), Luigi Balugani, 1737–1770, Italian, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper, Binding: 16 inches (40.6 cm) and Sheet: 15 7/8 × 12

Cader Idris, North Wales, Francis Nicholson, 1753–1844, British, undated, Watercolor, graphite, and white gouache with pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 5 3/4 × 8 1/4 inches (14.6 × 21 cm),

The Terrace, Alfred Elmore, 1815–1881, Irish, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 11 1/4 × 8 1/4 inches (28.6 × 21 cm), architectural subject, landscape, terrace, trees

View of Richmond Castle, Yorkshire, Paul Sandby RA, 1731–1809, British, And William Taverner, 1703–1772, British, undated, Watercolor heightened with gouache on two sheets of laid paper, laid on a contemporary wash line mount, Sheet:

Herstmonceux Castle, East Sussex: The Chapel, James Lambert of Lewes, 1725–1788, British, undated, Graphite and watercolor within triple-ruled and wash border on moderately thick, moderately textured, cream laid paper, Sheet: 25 1/4 x 18

The Gate at Blenheim, Michael 'Angelo' Rooker, 1746–1801, British, 1787, Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper, Contemporary drawn border: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)

Man standing on seashore - Hierro, Alfred Diston, active 1818–1829, after 1826, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/2 × 7 1/2 inches (24.1 × 19.1 cm), chest, cliff,

A Tub Thumper, Thomas Rowlandson, 1756–1827, British, between 1817 and 1820, Watercolor with pen and brown, red-brown and gray ink over graphite on medium, moderately textured, cream, wove paper, Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5

A Bard and a Shepherd, Samuel Woodforde, 1763–1817, British, undated, Watercolor over graphite, pen and black ink on medium, moderately textured, cream laid paper, Sheet: 20 3/16 x 15 1/8 inches (51.3 x 38.4 cm), bard, breastplate,

Portrait of Benjamin West, P.R.A., John Jackson, 1778–1831, British, 1814, Graphite, watercolor, white chalk, and red pencil on thick, slightly textured, cream wove paper, Sheet: 12 7/8 × 9 1/2 inches (32.7 × 24.1 cm), man,

Songs of Innocence and Experience, pl. 2: Innocence, Title Page: A woman in a chair shows a book to a boy and girl., unknown artist, after William Blake, 1757–1827, British, ca. 1808, Watercolor with pen and brown ink

A Three Storied Georgian House in a Park, Joseph Mallord William Turner, 1775–1851, British, ca. 1795, Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper, Sheet: 4 3/8 x 10 7/8 inches (11.1 x 27.6 cm),

Girl in Near-Eastern Costume, George Augustus Sala, 1828–1895, British, undated, Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper mounted thick, smooth, cream wove paper, Sheet: 5 1/2 x 3 3/16in. (14 x

Unidentified Tomb with Brass Plates Removed from Pacras Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper,

Young's Night Thoughts, Page 54, 'The vale of death! that hush'd cimmerian vale', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove

A Seated Peasant Woman Seen From Behind, Samuel Prout, 1783–1852, British, undated, Graphite and watercolor on moderately thick, slightly textured, beige wove paper, Sheet: 1 7/8 x 1 5/16 inches (4.8 x 3.4 cm), apron, barrel, dress,

Sluice House, Hornsey, Middlesex, John Hassell, 1767–1825, British, ca. 1812, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 6 × 7 7/8 inches (15.2 × 20 cm), architectural subject, clouds, fence,

Boats on a Stormy Sea, François Louis Thomas Francia, 1772–1839, French, active in Britain, undated, Watercolor over graphite on moderately thick, rough, beige wove paper, Sheet: 4 x 7 inches (10.2 x 17.8 cm), marine art, sailboats,

Memorial painting to Richard, Hannah and Jane Baker from West Ham Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper,

Colt Third Issue of Brood Mare and Second by the Black Arab, Charles Hamilton Smith, 1776–1859, Belgian, ca. 1837, Watercolor, graphite, pen and black ink on medium, slightly textured, cream, wove paper, Sheet: 4 1/8 × 6 3/8 inches

Collection of Prints by Notable Dilettanti, unknown artist, Annotated by James Chelsum, 1738–1801, British, ca. 1780, Watercolor

Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head, Willey Reveley, 1760–1799, British, ca. 1785, Watercolor with pen in gray ink, over graphite on medium, moderately textured, cream, laid paper, mounted

Songs of Innocence and of Experience, Plate 44, 'A Little Girl Lost' (Bentley 51), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove

San Marino, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 2 13/16 x 4 13/16 inches (7.1 x 12.2 cm), hill, landscape, Italy, San Marino

Woman of Victoria, Tenerife, Alfred Diston, active 1818–1829, 1828, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/8 × 7 3/8 inches (23.2 × 18.7 cm), basket, costume, figure study, genre subject,

Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830, John Linnell, 1792–1882, British, 1830, Watercolor over graphite on moderately thick, slightly textured, cream laid paper, Sheet: 5 3/4 x 7 3/8 inches (14.6 x 18.7 cm),

Memorial to Francis Merick and His Family, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10

The Poems of Thomas Gray, Design 99, 'Ode for Music.', William Blake, 1757–1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid

Warkworth Castle, Northumberland, Thomas Girtin, 1775–1802, British, ca. 1798, Watercolor, gum, touched with gouache over graphite on beige, thick, moderately textured, cartridge paper, Sheet: 16 3/8 x 21 3/4 inches (41.6 x 55.2 cm),

Two Drawings on One Sheet: Landscape with Large Cliff in Foreground - Cuyp's Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance - Both's Principle (no. 4), Thomas Sully, 1783–1872, American, undated, Watercolor on

Grand Canal Sunset, Hercules Brabazon Brabazon, 1821–1906, British, after Joseph Mallord William Turner, 1775–1851, British, undated, Watercolor over graphite on moderately thick, moderately textured, cream wove paper, mounted on

The First Book of Urizen, Plate 15 (Bentley 14), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 7

One of Miscellaneous Sketches in Wrapper, Luigi Balugani, 1737–1770, Italian, undated, Graphite, watercolor, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 7 7/8 x 11 7/8 inches (20 x 30.2 cm

A View of Genoa, Taken Near the Gate of St. Thomas, Sir Robert Smirke the younger, 1781–1867, British, 1802-1804, Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige, wove paper, Sheet: 9 1/2 × 12

Album Drawing, Thomas Bardwell, 1704–1767, British, Previously attributed: James Wills, Active 1740–died 1777, British, ca. 1730, Watercolor with gouache with pen and brown ink over graphite on white laid paper, Sheet: 5 1/8 x 3 1/2in.

Spa, Germany - a road flanked by a high bank, Robert Streatfeild, 1786–1852, undated, Graphite, pen, and ink and watercolor on medium, smooth, cream wove paper, Sheet: 7 7/8 × 10 7/8 inches (20 × 27.6 cm) and Image: 5 1/8 × 7 5/8

Baldersby, Yorkshire, John Chessell Buckler, 1793–1894, British, 1829, Watercolor on medium, slightly textured, cream wove paper, Sheet: 10 × 14 5/8 inches (25.4 × 37.1 cm), architectural subject

Full Length Man with Tricorn Hat under Left Arm, William Marlow, 1740–1813, British, undated, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 6 9/16 × 3 1/2 inches (16.7 × 8.9 cm), breeches, knee,

Syon House, William Beilby, 1740–1819, British, undated, Watercolor and pen and black ink over graphite on moderately thick, slightly textured, white laid paper, Sheet: 8 3/8 × 10 5/8 inches (21.3 × 27 cm), animals, architectural

Banner Cross Hall, Sheffield: Elevation, Studio of Sir Jeffry Wyatville, 1766–1840, British, ca. 1819, Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, cream wove paper, Sheet: 12 7/8 × 17 3/8 inches

Exeter College, Oxford, Joseph Murray Ince, 1806–1859, British, 1835, Watercolor, gum arabic and graphite with scraping out on medium, slightly textured, cream wove paper, Sheet: 10 1/2 × 8 inches (26.7 × 20.3 cm), architectural

North East View of a House at Ringmer with Cattle and Sheep by a Pond, James Lambert of Lewes, 1725–1788, British, 1787, Watercolor and gouache over graphite on thick, moderately textured, beige laid paper, Sheet: 14 15/16 x 20 15/16 inches

View of Wingerworth Hall, Derbyshire, Samuel Hieronymus Grimm, 1733–1794, Swiss, 1783, Watercolor with black ink over graphite on medium, slightly textured, cream laid paper, Sheet: 13 7/8 x 20 5/8 inches (35.2 x 52.4 cm), architectural

Rider Leading a Second Horse, Leaving the Grounds of a Country House, Samuel Howitt, 1756–1822, British, undated, Watercolor, with pen, in brown ink, black ink, and gum arabic on moderately thick, slightly textured, cream wove paper,

Moote Ram, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 7 7/8 × 5 3/8 inches (20 × 13.7 cm), portrait

The Villa Medici, Rome, John Warwick Smith, 1749–1831, British, 1784, Watercolor over graphite on medium, slightly textured, cream laid paper, Sheet: 13 5/8 x 20 1/4 inches (34.6 x 51.4 cm) and Contemporary drawn border: 16 1/4 x 22 3/4

Siccre Gully, Samuel Davis, 1757–1819, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream, laid paper, mounted on, medium, slighlty textured, cream, wove paper, Mount: 15 1/2 × 21 5/16 inches

Cobham Hall, Kent: Elevation of Building with Archway and Tower at Either End, James Wyatt, 1746–1813, British, ca. 1790, Graphite, pen and black ink and watercolor on moderately thick, moderately textured, beige wove paper, Sheet: 14 x

Country Lane with Gypsies Resting, Thomas Gainsborough RA, 1727–1788, British, between 1760 and 1765, Watercolor and gouache over graphite and black chalk; verso: graphite on moderately thick, moderately textured, cream prepared wove paper,

Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd, David Allan, 1744–1796, British, born in Scotland, 1788, Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, Sheet: 9 × 6 5/8

Hop Picking, Thales Fielding, 1793–1837, British, 1832, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 × 10 3/8 inches (18.4 × 26.4 cm), bonnets, figures, genre subject, harvest,

Gun, Thomas Sandby RA, 1721–1798, British, 1747, Watercolor, pen, and black ink on medium, slightly textured, cream, laid paper, Sheet: 2 1/4 × 4 1/16 inches (5.7 × 10.3 cm), guns, still life

Grace Before Meat, Sir David Wilkie, 1785–1841, British, 1839, Watercolor with brown and red ink over graphite on medium, slightly textured, cream wove paper, Sheet: 8 1/4 x 10 1/8 inches (21 x 25.7 cm), children, dinner, dog (animal),

The Market Place, Nicholas Condy, 1793–1857, British, 1846, Watercolor and graphite on medium, moderately textured, white wove paper, Sheet: 6 3/8 × 9 inches (16.2 × 22.9 cm), genre subject, marketplace, men, merchants, sales,

Hilly Scene with Village and Horseman, Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708), undated, Watercolor and graphite on medium, slightly textured, cream laid paper, Sheet: 7 1/2 × 10 5/8 inches (19.1 × 27 cm

Deir Kadige, noon, January 2, 1867 (26), Edward Lear, 1812-1888, British, 1867, Watercolor, graphite, pen and brown ink on moderately thick, rough, cream wove paper, Sheet: 7/8 x 7 3/4 inches (2.2 x 19.7 cm), boats, marine art, palm

Portrait of a Lady, James Scouler, 1741–1812, British, 1781, Gouache and watercolor on ivory, Image: 2 x 1 5/8 inches (5.1 x 4.1 cm) and Frame: 2 1/4 x 2 1/8 x 3/4 inches (5.7 x 5.4 x 1.9 cm), portrait

The North Terrace, Looking East, Paul Sandby RA, 1731–1809, British, ca. 1765, Gouache and watercolor on medium, cream, slightly textured wove paper, Sheet: 15 1/8 x 21 1/4 inches (38.4 x 54 cm), architectural subject, castle,

Memorial to Alice Hawley from Brentford Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, sligthly textured, cream wove paper, Sheet: 15 × 10

Fishing Boats on the Beach with Sails Drying, Samuel Prout, 1783–1852, British, undated, Watercolor, pen and brown ink, gouache, and graphite, with stumping on moderately thick, slightly textured, beige wove paper, Sheet: 10 5/8 × 7

Europe. A Prophecy, Plate 16, 'Ethinthus queen of waters . . . . ' (Bentley 17), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately

Female huckster of Port Orotava, Alfred Diston, active 1818–1829, 1828, Watercolor, pen and black ink over graphite on medium, slightly textured, cream wove paper, Sheet: 9 5/8 × 7 3/4 inches (24.4 × 19.7 cm), basket, costume, figure

Tomb of Dame Katherine Darcy from Isleworth Church, Attributed to Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 17

Study near Harlech Castle, Cornelius Varley, 1781–1873, British, or possibly John Varley, 1778–1842, British, undated, Watercolor and graphite on medium, moderately textured, cream, wove paper, Sheet: 7 3/4 x 13 1/2 inches (19.7 x

A Little Boy with Red Shoes (Child with Red Shoes and a Top Hat), James Ward, 1769–1859, British, undated, Graphite and watercolor with pen and brown ink on medium, moderately textured, beige laid paper mounted on medium, smooth, beige

The First Book of Urizen, Plate 2, 'Preludium to the Book of Urizen' (Bentley 2a), Print made by William Blake, 1757–1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured,

The Balloon, Henry William Bunbury, 1750–1811, British, undated, Graphite and watercolor on moderately thick, slightly textured, beige laid paper, Sheet: 10 7/8 × 15 3/8 inches (27.6 × 39.1 cm

West or Back View of Bullishwur, Attributed to Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor and graphite with colored pencil on medium, slightly textured, cream laid paper, Sheet: 11 × 16 5/8 inches (27.9 ×

Standing Dignitary, Robert Mabon, died 1798, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper, Sheet: 9 5/8 × 6 inches (24.4 × 15.2 cm), figure study, man, standing, sword,

Near El Azerat, Edward Lear, 1812–1888, British, 1867, Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper, Sheet: 2 1/2 x 6 15/16 inches (6.4 x 17.6 cm), boats, cliffs, landscape, river, river, rocks

Job Accepting Charity, circle of John Linnell, 1792–1882, British, after William Blake, 1757–1827, British, undated, Watercolor and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 3 1/2 x 4 3/4 inches (8.9 x

The Stour Valley, Lionel Constable, 1828–1887, British, formerly John Constable, 1776–1837, British, undated, Graphite and watercolor on medium, slightly textured, cream wove paper, Sheet: 3 1/4 x 5 1/4 inches (8.3 x 13.3 cm), clouds,

Arco di Druso, Isaac Weld, 1774–1856, Irish, 1818, Watercolor, with pen and brown ink, graphite and gouache on moderately thick, moderately textured, blued white, wove paper, Sheet: 7 1/16 x 8 inches (17.9 x 20.3 cm), architectural

Young's Night Thoughts, Page 23, 'We censure nature for a span too short', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper,

Memorial to Thomas Heming from Hillingdon Church, Daniel Lysons, 1762–1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 10 3/4 inches (37.5

Mqabba, Qrendi, Edward Lear, 1812–1888, British, 1866, Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper, mounted on medium, slightly textured, brown wove paper, Sheet: 9 1/16 x 12

Bodmin Cornwall: The Arrival of the Stage-Coach, Thomas Rowlandson, 1756–1827, British, 1795, Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, cream, wove paper; mounted on moderately thick,

Bickshoo Moonee, Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, undated, Watercolor, white gouache, and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 7 3/4 × 7 5/8 inches (19.7 × 19.4 cm),

River Bank With High Rocks, George Barret RA, ca. 1728/32–1784, Irish, undated, Watercolor, witih gray wash and graphite on moderately thick, moderately textured, cream, said paper, Sheet: 13 1/4 × 20 1/2 inches (33.7 × 52.1 cm

Landscape with Fence, Attributed to William Collins, 1788–1847, British, undated, Watercolor on medium, moderately textured, white wove paper, Sheet: 2 1/2 × 3 1/8 inches (6.4 × 7.9 cm), clouds, fence, landscape, sky, trees

Building a Hayrick, Peter DeWint, 1784–1849, British, undated, Watercolor and graphite on medium, rough, cream, wove paper, Sheet: 5 1/4 x 8 1/8 inches (13.3 x 20.6 cm), barn, farm, genre subject, hay, horses (animals), landscape,

Before the Start: Jockey on Racehorse Receiving Triner's Instructions (one of a pair), Samuel Alken, 1756–1815, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 10 13/16 × 17 1/16

Gale of Winds, George Jackson, active 1839–1844, undated, Watercolor, with pen, in brown ink, graphite and scratching out on moderately thick, slightly textured, cream, wove paper, Sheet: 3 5/16 × 4 1/4 inches (8.4 × 10.8 cm) and

Sidmouth, John Baverstock Knight, 1785–1859, British, undated, Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, Sheet: 12 1/2 × 19 1/2 inches (31.8 × 49.5 cm), basket, beach, boats,

Robin Hood's Bay, Yorkshire, Francis Nicholson, 1753–1844, British, undated, Watercolor and graphite on medium, moderately textured, cream wove paper, Sheet: 6 1/2 × 10 1/16 inches (16.5 × 25.6 cm), bay (body of water), beach, bluffs,

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), channel (water body

The Channel Sketchbook, Joseph Mallord William Turner, 1775–1851, British, ca. 1845, Graphite and watercolor on medium, slightly textured, white wove paper, Sheet: 3 3/4 x 6 1/4 inches (9.5 x 15.9 cm) and Binding: 4in. (10.2cm), buildings,

Comforts of Bath: Gouty Persons Fall on Steep HIll, Thomas Rowlandson, 1756–1827, British, 1798, Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper, Mount: 5 13/16 x 8 5/16 inches (14.8 x 21.1 cm)

The Harbor, Alexandria, Charles Dyce, active 1848, British, And: Eliza Dyce, ca. 1849, Watercolor over graphite with scraping out on medium, slightly textured, cream wove paper laid down on contemporary mount with trompe l'oeil frame,

Oxford from Boar's Hill, Hugh O'Neill, 1784–1824, British, 1811, Watercolor with scratching out over graphite on medium, slightly textured, wove paper, Sheet: 11 7/8 × 18 1/4 inches (30.2 × 46.4 cm), farmland, hills, landscape, sheep,

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