Amsterdam, Passe, Crispijn van de (II), Les abus du mariage, misbruyck des houlycx, Allegory of marriage deception, Allegorical title print. The personifications of bought love (with money box) and deception (with mask) stand to the left and right of a pedestal on which Amor sits on a bull's horn. Grapevines hang over the pedestal. On the front are symbols that refer to adultery: full money bags, drink, gifts such as a ring and a lace collar (referring to the female sex). The print is part of an album., title page, album page, prints, height 99 mm, width 147 mm, 1597 - 1670-01-06, print maker, printmaker, 1641 - 1641, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher
Keywords:
Amsterdam, Passe, Crispijn van de, Ii, Les, abus, du mariage, misbruyck des houlycx, Allegory, marriage deception, Allegorical title print, personifications, bought love, money box, deception, mask, stand, left, right, pedestal, Amor sits, bull's horn, Grapevines hang, front, symbols, refer, adultery, full money bags, drink, gifts, ring, lace collar, referring, female sex, print, part, album, title page, album page, prints, height 99 mm, width 147 mm, 1597 - 1670-01-06, print maker, printmaker, 1641 - 1641, paper, engraving, printing process, Publication, Event, publisher
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