Amsterdam, Passe, Crispijn van de (II), Tribunal injurie & Amoris, Allegory of the love affair between Gabriel Lalande and Elisabeth Lestevenon, 1661, bottom center, Allegory of the love affair between the French merchant Gabriel Lalande and the young Amsterdam woman Elisabeth Lestevenon, July 1661. Justice (Themis) acts as judge in the case between the two former lovers. Below her an image of the couple in love. Before her kneel both parties on either side, on the left Lalande with Truth, on the right Lesteveon with Love (Venus); also many bystanders. Below the plate a long plea of Venus and Cupid and the lawyers in this case., print, engraving, prints, engravings, Frederik Muller History plates, The accusations and complaints of Miss Elizabeth, ..., With lies has violated her honour., with the image in two columns, QUOT CAMPO FLORES, TOT SUNT IN AMORE DOLORES, height 527 mm, width 276 mm, 1597 - 1670-01-06, print maker, printmaker, 1661 - 1662, third quarter 17th century, paper, engraving (printing process)
Keywords:
Amsterdam, Passe, Crispijn van de, Ii, Tribunal injurie & Amoris, Allegory, love affair, Gabriel Lalande, Elisabeth Lestevenon, 1661, bottom center, French merchant Gabriel Lalande, young Amsterdam woman Elisabeth Lestevenon, July 1661, Justice, Themis, acts, judge, case, two former lovers, image, couple, love, kneel, parties, side, left Lalande, Truth, right Lesteveon, Love, Venus, also, bystanders, plate, long plea, Cupid, lawyers, print, engraving, prints, engravings, Frederik Muller History plates, accusations, complaints, Miss Elizabeth, lies, violated, honour, two columns, Quot Campo Flores, Tot Sunt, Amore Dolores, height 527 mm, width 276 mm, 1597 - 1670-01-06, print maker, printmaker, 1661 - 1662, third quarter 17th century, paper, printing process
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