'Bahram Gur in the Turquoise Palace on Wednesday', Folio 216 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524–25, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, Image 4 7/8 in x 7 7/8 in., Codices, Painting by Shaikh Zada, The fourth of the late twelfth-century Persian poet Nizami's five epic poems, later combined to form the famous Khamsa (Quintet), was the Haft Paikar, or Seven Portraits, so named from one incident in the story
Keywords:
Bahram Gur, Turquoise Palace, Wednesday, Folio 216, Khamsa, Quintet, Nizami, dated .H, 931/.D, 1524–25, present-day Afghanistan, Herat, Ink, opaque watercolor, silver, gold, paper, Image 4 7/8, x 7, Codices, Painting by Shaikh Zada, fourth, late twelfth-century, Persian, poet, five epic, poems, later combined, form, famous Khamsa, Haft Paikar, Seven Portraits, incident, story
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