Bartolomeo Crivellari, Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left, 'Le Pitture di Pellegrino Tibaldi e di Niccolò Abbate esistenti nell'Instituto di Bologna', Bartolomeo Crivellari (Italian, active 18th century), Intermediary draftsman Sebastiano Gamma (Italian, 1711–1768), After Pellegrino Tibaldi (Italian, Puria di Valsolda 1527–1596 Milan), Giampietro Zanotti, 1756, Etching and engraving, Sheet (Trimmed): 7 5/8 × 11 7/8 in. (19.3 × 30.2 cm), Prints
Keywords:
Bartolomeo Crivellari, Plate 34, Auriga, charioteer, falls, chariot, center, three horses, left, 'Le Pitture di Pellegrino Tibaldi e di Niccolò Abbate esistenti, Bartolomeo Crivellari, Italian, active 18th century, Intermediary draftsman Sebastiano Gamma, 1711–1768, Pellegrino Tibaldi, Puria di Valsolda 1527–1596 Milan, Giampietro Zanotti, 1756, Etching, engraving, Sheet, Trimmed, 7 5/8 × 11 7/8, 19.3 × 30.2 cm, Prints
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