The Crucifixion, Philippe Thomassin, No later than 1622, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height (plate size) 535 mm, Height (paper size) 580 mm, Width (plate size) 365 mm, Width (paper size) 400 mm, PECCATA NOSTRA IPSE PERTULIT, UT PECCATIS MORTUI IUSTITIAE VIVAMUS CUIUS LIVORE SANATI SUMUS, Michaelangelus Bonarotys, Philippus Systicus fecit, rome Phls. Thomassinus excudit, ILLMO. D.F.R. IULIO CAESARI SANTENELLIO EX COMITIBUS METULAE COMENDATARIO HIEROSCOLIMITANO DNO COLMO. SINGULARIS OBSERVANTIAE ARGUMENTUM, Phls Thomassinus D.D., alla Pace Gio Iacomo de Rossi Formis Roma 1649, Graphic Design, European, Renaissance (1300 - 1690)
Keywords:
Crucifixion, Philippe Thomassin, No later, 1622, Graphic Art, Copper Engraving, Paper, Color, Printer's ink, Copper engraving, Printet, Height, plate size, 535 mm, Height, paper size, 580 mm, Width, plate size, 365 mm, Width, paper size, 400 mm, PECCATA NOSTRA IPSE PERTULIT, UT PECCATIS MORTUI IUSTITIAE VIVAMUS CUIUS LIVORE SANATI SUMUS, Michaelangelus Bonarotys, Philippus Systicus fecit, rome Phls, Thomassinus excudit, ILLMO, D, F, R, IULIO CAESARI SANTENELLIO EX COMITIBUS METULAE COMENDATARIO HIER, SINGULARIS OBSERVANTIAE ARGUMENTUM, Phls Thomassinus D, D, alla Pace Gio Iacomo de Rossi Formis Roma 1649, Graphic Design, European, Renaissance, 1300, 1690
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