The Dark Mountain, No. 2, 1909, Oil on commercially prepared paperboard (academy board), mounted to slatted wood board, 20 x 24in. (50.8 x 61cm), Paintings, Marsden Hartley (American, Lewiston, Maine 1877–1943 Ellsworth, Maine), Hartley’s dark, cloud-filled landscape pays direct homage to painter Albert Pinkham Ryder. After seeing Ryder’s work in New York in 1909, Hartley, a native of Maine, executed a series of bleak, emotionally fraught, even tortured landscapes of his home state
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Dark Mountain, No, 2, 1909, Oil, commercially prepared paperboard, academy board, mounted, slatted wood, 20 x 24in, 50.8 61cm, Paintings, Marsden Hartley, American, Lewiston, Maine, 1877–1943, Ellsworth, Hartley, dark, cloud-filled landscape, pays, direct, homage, painter Albert, Pinkham, Ryder, seeing Ryder, work, New York, native, executed, series, bleak, emotionally fraught, even tortured, landscapes, home state
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