Design after Paintings by Raphael and Paintings in Bologna by Albani, Francia, Parmigianino; Monument Verso: Anatomical Study, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and sepia, watercolor washes on laid paper, Double sided sheet from sketchbook. Recto, sheet divided into six rectangles, each showing unique scene. Top left rectangle, Isaiah shown between two angels, inscription on tablet between angles: ISAIA 1811. Also inscription below rectangle: Raffaello Roma. Top right rectangle, Diana and Actaeon with inscription below: Albani Bologna. Middle rectangle, families of Virgin and Elizabeth. Inscription below: Francia Bologna. Bottom right rectangle, Virgin teaches child to read. Inscription below: Parmigianino Bologna. Bottom middle rectangle, Adonis starting hunt. Inscribed below: Parmigianino Bologna. At left top corner, '141' and at left bottom corner '78'. Verso, three anatomical studies of arms, indicating muscles and bones. Three caricature heads in profile., Italy, 1811–14, figures, Drawing, Drawing
Keywords:
Design, Paintings, Raphael, Paintings, Bologna, Albani, Francia, Parmigianino, Monument Verso, Anatomical Study, Felice Giani, Italian, 1758–1823, Graphite, pen, ink, brush, sepia, watercolor washes, laid paper, Double sided sheet, sketchbook, Recto, sheet divided, six rectangles, showing unique scene, Top left rectangle, Isaiah shown, two angels, inscription, tablet, angles, ISAIA 1811, inscription, rectangle, Raffaello Roma, Top right rectangle, Diana, Actaeon, inscription, Albani Bologna, Middle rectangle, families, Virgin, Elizabeth, Inscription, Francia Bologna, Bottom right rectangle, Virgin teaches child, read, Inscription, Parmigianino Bologna, Bottom middle rectangle, Adonis starting hunt, Inscribed, Parmigianino Bologna, left top corner, '141', left bottom corner '78', Verso, three anatomical studies, arms, indicating muscles, bones, Three caricature heads, profile, Italy, 1811–14, figures, Drawing, Drawing
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