Dordrecht, Outman, Frederik, Bleyswijck, François van, Leiden, Holy Sacrificial Lamb, Title page for: Aegidius Francken, The Holy Sacrificial Lamb Slaughtered for the Chosen, or The History of the Suffering of the Savior Jesus, Explained by the Agreement of the Four Evangelists, Dordrecht 1740, Crucifixion of Christ and Allegory with Virtues, verso bottom center - stamped, The Crucifixion of Christ is the subject of an allegory with virtues, a female personification of faith, hope and love sits next to the truth. A lion guards the book with seven seals mentioned in Revelation verse 5 and crushes Satan under its paw. A Jewish high priest flees and a woman (with an idol?) recoils in terror from the sunbeams of truth. Three putti show a text from the book of John 2: 29 about the resurrection of Christ., print, engraving, title page, prints, engravings, height 193 mm, width 146 mm, Northern Netherlands, 1671-05-24 - 1746-10-15, print maker, printmaker, 1681 - 1740, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, etching, etchings, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher
Keywords:
Dordrecht, Outman, Frederik, Bleyswijck, François van, Leiden, Holy Sacrificial Lamb, Title page, Aegidius Francken, Holy Sacrificial Lamb Slaughtered, Chosen, History, Suffering, Savior Jesus, Explained, Agreement, Four Evangelists, Dordrecht 1740, Crucifixion, Christ, Allegory, Virtues, verso bottom center - stamped, subject, allegory, virtues, female personification, faith, hope, love sits next, truth, lion guards, book, seven seals mentioned, Revelation verse 5, crushes Satan under, paw, Jewish high priest flees, woman, idol, recoils, terror, sunbeams, Three putti, text, John 2, 29, resurrection, print, engraving, title page, prints, engravings, height 193 mm, width 146 mm, Northern Netherlands, 1671-05-24 - 1746-10-15, print maker, printmaker, 1681 - 1740, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, etching, etchings, printing process, Work conception, own design, Publication, Event, publisher
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