Emaciated Horse and Rider, ca. 1625, Attributed to India, Deccan, Bijapur, Ink, opaque watercolor, and gold on paper; marbleized paper, 4 x 6 3/8in. (10.2 x 16.2cm), Codices, Mystical interpretations about the yearnings of the soul have been ascribed to such striking images of mortification, which became an established genre in Indian painting in the seventeenth century. In some cases, the motif of an emaciated horse and rider was created through the use of pounced outlines, or charbas
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Emaciated Horse, Rider, ca, 1625, Attributed, India, Deccan, Bijapur, Ink, opaque watercolor, gold, paper, marbleized paper, 4 x 6 3/8in, 10.2 16.2cm, Codices, Mystical interpretations, yearnings, soul, ascribed, striking images, mortification, established genre, Indian painting, seventeenth century, cases, motif, emaciated horse, rider, created, pounced outlines, charbas
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