The Fairy Tree at Colinton, 1846, Salted paper print from paper negative, 20.8 x 15 cm (8 3/16 x 5 7/8 in.), Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland), Although Hill was primarily a painter of land- and townscapes, he and Adamson made few photographs of those subjects. In several cases where they did, the choice of subject is understandable: their photograph of the sixteenth-century house of John Knox, founding force and passionate voice of the Church of Scotland, resonated because of its connection to the Church and the possibility in 1844 that it might be demolished; the photographs of Greyfriars Churchyard layer local history with romantic connections of mortality
Keywords:
Fairy Tree, Colinton, 1846, Salted paper print, paper negative, 20.8 x 15 cm, 8 3/16 5 7/8, Photographs, David Octavius Hill, British, Perth, Scotland, 1802–1870, Edinburgh, Robert Adamson, St. Andrews, 1821–1848, Hill, primarily, painter, land, townscapes, Adamson, photographs, subjects, several cases, choice, subject, understandable, photograph, sixteenth-century house, John Knox, founding force, passionate voice, Church, resonated, connection, possibility, 1844, might, demolished, Greyfriars Churchyard, layer, local, history, romantic connections, mortality
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