Feast of the Gods' charger, 1808, William Pitts; Manufacturer: Rundell, Bridge & Rundell, English, apprenticed 1769, free 1784, registered marks 1781, 1786, 1791, and 1806, 2 1/8 x 24 x 24 in. (5.4 x 60.96 x 60.96 cm), Gilt silver, England, 19th century, The London firm of Rundell, Bridge & Rundell was the undisputed tastemaker in Regency silver design. The first of eight versions made by Rundells over several years, this charger was probably made to entice orders from their prominent clients, numbering, among others, the Prince of Wales. The central image is ultimately based on a 16th century Venetian bronze relief, representing the apotheosis of Doge Sebastiano Venier, who helped to secure the Holy League's victory in the Battle of Lepanto. In 1719, Bernard de Montfaucon published an engraving of the image in 'L'Antiquité Expliquée', titling it 'The Wedding of Peleus and Thetis.' Rundell, Bridge & Rundell used Montfaucon's engraving as a model, certainly believing it to depict an episode of ancient mythology, as the present title indicates. However, the two figures in Renaissance Ottoman dress in the background have no place in such iconography, pointing back to the Venetian bronze relief as the original source.
Keywords:
Feast, Gods' charger, 1808, William Pitts, Manufacturer, Rundell, Bridge & Rundell, English, apprenticed 1769, free 1784, registered marks 1781, 1786, 1791, 1806, Gilt silver, England, 19th century, London firm, Rundell, Bridge & Rundell, undisputed tastemaker, Regency silver design, first, eight versions, Rundells, several years, charger, entice orders, prominent clients, numbering, Prince, Wales, central image, ultimately based, 16th century Venetian bronze relief, representing, apotheosis, Doge Sebastiano Venier, helped, secure, Holy League's victory, Battle, Lepanto, 1719, Bernard de Montfaucon published, engraving, image, L'Antiquité Expliquée, titling, Wedding, Peleus, Thetis, Rundell, Bridge & Rundell, Montfaucon's engraving, model, certainly believing, depict, episode, ancient mythology, present title indicates, two figures, Renaissance Ottoman dress, background, no place, iconography, pointing back, Venetian bronze relief, original source
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