The Flagellation, ca. 1400, Oil, egg(?), and gold on plywood, transferred from wood, 22 3/4 x 16 7/8 in. (57.8 x 42.9 cm), Paintings, Master of the Berswordt Altar (German, Westphalian, active ca. 1400–35), These panels were among thirty scenes of an extensive narrative cycle that formed part of a large altarpiece from the Neustädter Marienkirche in Bielefeld, Westphalia. They were created two decades before panel painting underwent a qualitative revolution in the art of Jan van Eyck, Robert Campin and Rogier van der Weyden, who achieved a new sense of realism in their works
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Flagellation, ca, 1400, Oil, egg, gold, plywood, transferred, wood, 22 3/4 x 16 7/8, 57.8 42.9 cm, Paintings, Master of the Berswordt Altar, German, Westphalian, active ca., 1400–35, panels, thirty scenes, extensive narrative, cycle, formed part, large altarpiece, Neustädter Marienkirche, Bielefeld, Westphalia, created two, decades, panel painting, underwent, qualitative revolution, art, Jan van, Eyck, Robert Campin, Rogier, der, Weyden, achieved, new sense, realism, works
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