冨嶽三十六景 尾州不二見原, Fujimigahara in Owari Province (Bishū Fujimigahara), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Edo period (1615–1868), ca. 1830–32, Japan, Polychrome woodblock print; ink and color on paper, 9 15/32 x 15 5/16 in. (24.1 x 38.9 cm), Prints, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)), By framing Fuji and the cooper in the interior of the large barrel, Hokusai effects an intimate dialogue between the iconic mountain and the sinewy man. The juxtaposition of Fuji and the cooper lends a religious overtone to the man's honest labor and existence
Keywords:
冨嶽三十六景 尾州不二見原, Fujimigahara, Owari Province, Bishū Fujimigahara, series Thirty-six Views, Mount Fuji, Fugaku sanjūrokkei, Edo period, 1615–1868, ca, 1830–32, Japan, Polychrome woodblock print, ink, color, paper, 9 15/32 x 15 5/16, 24.1 38.9 cm, Prints, Katsushika Hokusai, Japanese, Tokyo, Edo, 1760–1849, framing, Fuji, cooper, interior, large barrel, Hokusai effects, intimate dialogue, iconic mountain, sinewy man, juxtaposition, cooper lends, religious overtone, man, honest labor, existence
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