Hillside with Pine Trees, Water, c. 1630, Cheng Jiasui, Chinese, 1565 - 1643, 8 x 9 3/4 in. (20.32 x 24.77 cm)10 1/2 x 13 1/8 in. (26.67 x 33.34 cm) (mount), Ink on paper, China, 17th century, The Suzhou poet and painter Cheng Jiasui belonged to an elite circle of nine literati whose painting, calligraphy, and aesthetic theories greatly influenced ink painting during the late Ming dynasty. The album pages shown here epitomize the literati ideal in pictorial art. They rely on ink and personalized brushwork for their expressive qualities, favor landscape or nature as the primary subject, and make visual and technical references to the work of past masters. Deliberately simple, if not amateurish in composition, the paintings demonstrate a wide range of brush strokes and ink control. Several leaves evoke the styles of such respected masters as Guo Xi (1020-50), Mi Fei (1051-1107), and Ni Zan (1301-74). Cheng was a close friend of Li Lufang whose landscape album is shown in these galleries.
Keywords:
Hillside, Pine Trees, Water, 1630, Cheng Jiasui, Chinese, 1565 - 1643, mount, ink on paper, China, 17th century, Suzhou poet, painter Cheng Jiasui, elite circle, nine literati, painting, calligraphy, aesthetic theories greatly influenced ink painting, late Ming dynasty, album pages shown, epitomize, literati ideal, pictorial art, rely, ink, personalized brushwork, expressive qualities, favor landscape, nature, primary subject, visual, technical references, work, past masters, Deliberately simple, amateurish, composition, paintings demonstrate, wide range, brush strokes, ink control, Several leaves evoke, styles, respected masters, Guo Xi, 1020-50, Mi Fei, 1051-1107, Ni Zan, 1301-74, Cheng, close friend, Li Lufang, landscape album, shown, galleries, 26.67 x 33.34 cm
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