Hugo Erfurth, Hans Thoma, paper, oil print, image size: height: 22,4 cm; width: 16,9 cm, signed, in lead: Hugo Erfurth, in ink: Hugo Erfurth, stamp: verso cardboard u. r. handwritten in blue ink: B218/1, inscribed: inside left passepartout page and left: in lead: No. B218/1, H. Thoma, label: recto Passepartout o. l.: in typewriter font: No. B218/1, Hugo Erfurth, H. Thoma, inscribed: recto Passepartout o. l.: in lead: 1905 (according to P. Oehmen), stamp: recto Passepartout o. l. : handwritten in blue ink added: B218/1, portrait photography, artist, farm, At the beginning of the 20th century Hugo Erfurth is one of the most famous professional photographers in Germany, along with Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919), teaches at the Leipzig Academy and moves from Dresd
Keywords:
Hugo Erfurth, Hans Thoma, paper, oil print, signed, in lead, Hugo Erfurth, in ink, Hugo Erfurth, stamp, verso cardboard u, handwritten, blue ink, B218, inscribed, inside left passepartout page, left, in lead, No, B218, H, Thoma, label, recto Passepartout o, l, in typewriter font, No, B218, Hugo Erfurth, H, Thoma, inscribed, recto Passepartout o, l, in lead, 1905, according, P, Oehmen, stamp, recto Passepartout o, l, handwritten, blue ink added, B218, portrait photography, artist, farm, 20th century Hugo Erfurth, the, famous professional photographers, Germany, Rudolph Dührkoop, Nicola Perscheid, completing, apprenticeship, photographer, opened, own studio, Dresden, age, Soon Erfurth orientated, towards, up-and-coming pictorialist photography, participated, numerous amateur photographic exhibitions, 1894 onwards, managed, name, artistically ennobled amateur, successful professional photographer, Portraits, central, work, began taking, 1906, new studio, classicist palace, stylishly elegant ambience, appealing, wealthy bourgeoisie, produced numerous portraits, famous personalities, Käthe Kollwitz, Otto Dix, Joachim Ringelnatz, studies, 1905, full-length figures depicted, atmospheric way, 1920s onward, focus, face, photographed, simple monochrome background, pictorial approach corresponds, portrait, classical modernism, whereby, technique, oil printing emphasizes, softness, materiality, pigments, time places, portraits, art-photographic tradition, Erfurth, co-founder, Gesellschaft Deutscher Lichtbildner, Leipzig Academy, moves, Dresden, Cologne, builds up, art collection, Cologne studio, archive, destroyed, Second World War, Erfurth rescued, Gaienhofen, Lake Constance, Cathrin Hauswald
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