Hugo Erfurth, Heinrich Vogeler, from the album Ausstellung Hugo Erfurth - Bildnisse aus dem XX. Jahrhundert, Konstanz 1949, silver gelatin paper, black and white positive process, retouched (stone processing), image size: height: 22,8 cm; width: 16,4 cm, stamp: recto u. right: HEINRICH VOGELER, KOELN GAIENHOFEN, label: Passepartout recto and in the middle: in typescript on Japan paper: Hugo Erfurth, 'Heinrich Vogeler-Worpswede', inscribed: right inside of the modern passepartouts and : in lead: Hugo Erfurth, Heinrich Vogeler, silver gelatine, portrait photography, portrait, artist, portrait, self-portrait of an artist, portrait, self-portrait of a painter, standing figure, full-length portrait, hat, Heinrich Vogeler, At the beginning of the 20th century Hugo Erfurth was, along with Rudolph Dührkoop and Nicola Perscheid, one of the most famous professional photographers in Germany. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the por
Keywords:
Hugo Erfurth, Heinrich Vogeler, album Ausstellung Hugo Erfurth, Bildnisse aus dem XX, Jahrhundert, Konstanz 1949, silver gelatin paper, black, white positive process, retouched, stone processing, stamp, right, HEINRICH VOGELER, KOELN GAIENHOFEN, label, Passepartout recto, middle, in typescript, Japan paper, Hugo Erfurth, 'Heinrich Vogeler-Worpswede', inscribed, right inside, modern passepartouts and, in lead, Hugo Erfurth, Heinrich Vogeler, silver gelatine, portrait photography, portrait, artist, portrait, self-portrait, artist, portrait, self-portrait, painter, standing figure, full-length portrait, hat, Heinrich Vogeler, 20th century Hugo Erfurth, Rudolph Dührkoop, Nicola Perscheid, the, famous professional photographers, Germany, completing, apprenticeship, photographer, opened, own studio, Dresden, age, Soon Erfurth orientated, towards, up-and-coming pictorialist photography, participated, numerous amateur photographic exhibitions, 1894 onwards, managed, name, artistically ennobled amateur, successful professional photographer, Portraits, central, work, began taking, 1906, new studio, classicist palace, stylishly elegant ambience, appealing, wealthy bourgeoisie, produced numerous portraits, famous personalities, Käthe Kollwitz, Otto Dix, Joachim Ringelnatz, studies, 1905, full-length figures depicted, atmospheric way, 1920s onward, focus, face, photographed, simple monochrome background, pictorial approach corresponds, portrait, classical modernism, whereby, technique, oil printing emphasizes, softness, materiality, pigments, time places, portraits, art-photographic tradition, Erfurth, co-founder, Gesellschaft Deutscher Lichtbildner, Leipzig Academy, moves, Dresden, Cologne, builds up, art collection, Cologne studio, archive, destroyed, Second World War, Erfurth rescued, Gaienhofen, Lake Constance, Cathrin Hauswald
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