Hugo Erfurth, Herbert Eulenberg, paper, oil print, image size: height: 28,7 cm; width: 22,4 cm, signed: recto and left: carved: Hugo Erfurth Dresden, stamp: verso o. in the middle: HUGO ERFURTH, KÖLN, DOMKLOSTER 1, GOLDSCHMIDTHAUS, HUGO ERFURTH, DRESDEN, ZINZENDORFSTR 11 [crossed out in lead], label: verso lower right: picture with text framing: 19 WIEN, PHOTOGRAPHIC A[, not legible, label damaged in half], upper right in lead: 1924, (according to B. Lohse); upper center in lead: No. 1 Herbert Eulenberg; center with blue colored pencil: 109-1; lower left: picture with text framing: 19 WIEN, PHOTOGRAPHISCHE A[ left with red colored pencil: 125/1, portrait photography, writer, poet, author, portrait, half-length portrait, eyeglasses, glasses, writing by hand, writing as an activity, scholar, philosopher, Herbert Eulenberg, At the beginning of the 20th century, Hugo Erfurth is one of the most famous professional photographers in Germany, along with Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique o
Keywords:
Hugo Erfurth, Herbert Eulenberg, paper, oil print, signed, recto, left, carved, Hugo Erfurth Dresden, stamp, verso o, middle, HUGO ERFURTH, KÖLN, DOMKLOSTER 1, GOLDSCHMIDTHAUS, HUGO ERFURTH, DRESDEN, ZINZENDORFSTR 11, crossed out, lead, label, verso lower right, picture, text framing, 19 WIEN, PHOTOGRAPHIC A, legible, label damaged, half, upper right, lead, 1924, according, B, Lohse, upper center, lead, No, 1 Herbert Eulenberg, center, blue colored pencil, 109-1, lower left, picture, text framing, 19 WIEN, PHOTOGRAPHISCHE A, left, red colored pencil, 125, portrait photography, writer, poet, author, portrait, half-length portrait, eyeglasses, glasses, writing, hand, writing, activity, scholar, philosopher, Herbert Eulenberg, 20th century, Hugo Erfurth, the, famous professional photographers, Germany, Rudolph Dührkoop, Nicola Perscheid, completing, apprenticeship, photographer, opened, own studio, Dresden, age, Soon Erfurth orientated, towards, up-and-coming pictorialist photography, participated, numerous amateur photographic exhibitions, 1894 onwards, managed, name, artistically ennobled amateur, successful professional photographer, Portraits, central, work, began taking, 1906, new studio, classicist palace, stylishly elegant ambience, appealing, wealthy bourgeoisie, produced numerous portraits, famous personalities, Käthe Kollwitz, Otto Dix, Joachim Ringelnatz, studies, 1905, full-length figures depicted, atmospheric way, 1920s onward, focus, face, photographed, simple monochrome background, pictorial approach corresponds, portrait, classical modernism, whereby, technique, oil printing emphasizes, softness, materiality, pigments, time places, portraits, art-photographic tradition, Erfurth, co-founder, Gesellschaft Deutscher Lichtbildner, Leipzig Academy, moves, Dresden, Cologne, builds up, art collection, Cologne studio, archive, destroyed, Second World War, Erfurth rescued, Gaienhofen, Lake Constance, Cathrin Hauswald
Image ID:
The watermark in the image will not appear on the final download.