Hugo Erfurth, Max Slevogt, Staatliche Landesbildstelle Hamburg, collection on the history of photography, paper, oil print, image size: height: 27.3 cm; width: 20.8 cm, stamp: verso lower right: HUGO ERFURTH, KÖLN 7 DOMKLOSTER 1, GOLDSCHMIDTHAUS, HUGO ERFURTH, DRESDEN, ZINZENDORFSTR. 11, handwritten in lead added: Z177, label: cardboard verso: in typescript: Hugo Erfurth, Slevogt, Label: cardboard box verso: in typescript Hugo Erfurth, Slevogt, inscribed: cardboard verso: upper left in lead: 1925 (according to P. Oehmen); lower center in lead: oil pigment, stamp: cardboard verso: lower left: stamp of the State Picture Department; lower right: inventory stamp of the State Picture Department, added in pen: 248, inscribed: cardboard verso: upper left in lead: 1925 (according to P. Oehmen); lower right: inventory stamp of the State Picture Department, added in pen: 248, label: cardboard verso: upper left in lead: 1925 (according to P. Oehmen); lower right: inventory stamp of the State Picture Department, added in pen: 248, label: cardboard verso: upper left in lead: 1925 (according to P. Oehmen) P. Oehmen); and in the center in lead: oil pigment, portrait photography, portrait, artist, portrait, self-portrait of an artist, bust, en profil, portrait, self-portrait of a painter, Max Slevogt, At the beginning of the 20th century, Hugo Erfurth was one of the most famous professional photographers in Germany, along with Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant a
Keywords:
Hugo Erfurth, Max Slevogt, Staatliche Landesbildstelle Hamburg, collection, history, photography, paper, oil print, stamp, verso lower right, HUGO ERFURTH, KÖLN 7 DOMKLOSTER 1, GOLDSCHMIDTHAUS, HUGO ERFURTH, DRESDEN, ZINZENDORFSTR, handwritten, lead added, Z177, label, cardboard verso, in typescript, Hugo Erfurth, Slevogt, Label, cardboard box verso, in typescript Hugo Erfurth, Slevogt, inscribed, cardboard verso, upper left, lead, 1925, according, P, Oehmen, lower center, lead, oil pigment, stamp, cardboard verso, lower left, stamp, State Picture Department, lower right, inventory stamp, State Picture Department, added, pen, 248, inscribed, cardboard verso, upper left, lead, 1925, according, P, Oehmen, lower right, inventory stamp, State Picture Department, added, pen, 248, label, cardboard verso, upper left, lead, 1925, according, P, Oehmen, lower right, inventory stamp, State Picture Department, added, pen, 248, label, cardboard verso, upper left, lead, 1925, according, P, Oehmen, P, Oehmen, and, center, lead, oil pigment, portrait photography, portrait, artist, portrait, self-portrait, artist, bust, en profil, portrait, self-portrait, painter, Max Slevogt, 20th century, Hugo Erfurth, the, famous professional photographers, Germany, Rudolph Dührkoop, Nicola Perscheid, completing, apprenticeship, photographer, opened, own studio, Dresden, age, Soon Erfurth orientated, towards, up-and-coming pictorialist photography, participated, numerous amateur photographic exhibitions, 1894 onwards, managed, name, artistically ennobled amateur, successful professional photographer, Portraits, central, work, began taking, 1906, new studio, classicist palace, stylishly elegant ambience, appealing, wealthy bourgeoisie, produced numerous portraits, famous personalities, Käthe Kollwitz, Otto Dix, Joachim Ringelnatz, studies, 1905, full-length figures depicted, atmospheric way, 1920s onward, focus, face, photographed, simple monochrome background, pictorial approach corresponds, portrait, classical modernism, whereby, technique, oil printing emphasizes, softness, materiality, pigments, time places, portraits, art-photographic tradition, Erfurth, co-founder, Gesellschaft Deutscher Lichtbildner, Leipzig Academy, moves, Dresden, Cologne, builds up, art collection, Cologne studio, archive, destroyed, Second World War, Erfurth rescued, Gaienhofen, Lake Constance, Cathrin Hauswald
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