Hugo Erfurth, Mrs. Hettner, Staatliche Landesbildstelle Hamburg, collection on the history of photography, silver gelatine paper, black and white positive process, image size: height: 30,5 cm; width: 23,2 cm, signed: recto o. right: in lead: Hugo Erfurth, inscribed: verso at lower margin: in lead: Hettner, inscribed: inside left passepartout side below left: in lead: No. B 218/6, Hettner, label: verso passepartout above left: in typescript No. B218/6, Hugo Erfurth, Hettner, Stamp: verso Passepartout o. l.: added by hand in blue ink: B218/6, Portrait photography, woman, portrait, bust, three-quarter view, necklace, Jeanne Thibert, At the beginning of the 20th century Hugo Erfurth was one of the most famous professional photographers in Germany, alongside Rudolph Dührkoop and Nicola Perscheid. After completing an apprenticeship as a photographer, he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography, participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work, which he began taking in 1906 in his new studio, a classicist palace, in a stylishly elegant ambience, appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities, including Käthe Kollwitz, Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way, from the 1920s onward the focus is on the face, which is photographed against a simple monochrome background. Here, his pictorial approach corresponds to the portrait of classical modernism, whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deuts
Keywords:
Hugo Erfurth, Mrs, Hettner, Staatliche Landesbildstelle Hamburg, collection, history, photography, silver gelatine paper, black, white positive process, signed, recto o, right, in lead, Hugo Erfurth, inscribed, verso, lower margin, in lead, Hettner, inscribed, inside left passepartout side, left, in lead, No, B 218, Hettner, label, verso passepartout, left, in typescript No, B218, Hugo Erfurth, Hettner, Stamp, verso Passepartout o, l, added, hand, blue ink, B218, Portrait photography, woman, portrait, bust, three-quarter view, necklace, Jeanne Thibert, 20th century Hugo Erfurth, the, famous professional photographers, Germany, alongside Rudolph Dührkoop, Nicola Perscheid, completing, apprenticeship, photographer, opened, own studio, Dresden, age, Soon Erfurth orientated, towards, up-and-coming pictorialist photography, participated, numerous amateur photographic exhibitions, 1894 onwards, managed, name, artistically ennobled amateur, successful professional photographer, Portraits, central, work, began taking, 1906, new studio, classicist palace, stylishly elegant ambience, appealing, wealthy bourgeoisie, produced numerous portraits, famous personalities, Käthe Kollwitz, Otto Dix, Joachim Ringelnatz, studies, 1905, full-length figures depicted, atmospheric way, 1920s onward, focus, face, photographed, simple monochrome background, pictorial approach corresponds, portrait, classical modernism, whereby, technique, oil printing emphasizes, softness, materiality, pigments, time places, portraits, art-photographic tradition, Erfurth, co-founder, Gesellschaft Deutscher Lichtbildner, Leipzig Academy, moves, Dresden, Cologne, builds up, art collection, Cologne studio, archive, destroyed, Second World War, Erfurth rescued, Gaienhofen, Lake Constance, Cathrin Hauswald
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